Nikon D600 vs Olympus E-300
56 Imaging
69 Features
79 Overall
73


67 Imaging
41 Features
31 Overall
37
Nikon D600 vs Olympus E-300 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 6400 (Boost to 25600)
- 1920 x 1080 video
- Nikon F Mount
- 850g - 141 x 113 x 82mm
- Revealed November 2012
- Earlier Model is Nikon D300S
- Updated by Nikon D610
(Full Review)
- 8MP - Four Thirds Sensor
- 1.8" Fixed Screen
- ISO 100 - 400 (Expand to 1600)
- No Video
- Micro Four Thirds Mount
- 624g - 147 x 85 x 64mm
- Introduced January 2005
- Alternate Name is EVOLT E-300
- Updated by Olympus E-330

Nikon D600 vs. Olympus E-300: A Detailed Comparison for the Discerning Photographer
When surveying the digital SLR landscape, it’s fascinating to juxtapose cameras from different eras and sensor architectures, especially when they target advanced users. Today, we dive deep into comparing the Nikon D600, launched in late 2012 as a solid full-frame workhorse, against the 2005 Olympus E-300, a pioneering but now vintage mid-size DSLR built around the Four Thirds system.
These two cameras tell very different stories about DSLR technology evolution. While the Nikon D600 caters to modern full-frame aficionados with robust image quality and classic ergonomics, the Olympus E-300 epitomizes early digital innovation with a smaller sensor and more compact design. Let’s unpack how these cameras stack up across key photography disciplines, technical features, and real-world usability to help you understand their strengths - and caveats.
Handling and Ergonomics: Nikon’s Mature Grip Meets Olympus’ Compact Quirks
Starting with physical presence, the Nikon D600 feels reassuringly substantial in hand with a traditional mid-size DSLR shape. Its dimensions (141x113x82mm) and weight (~850g) strike a balance between sturdiness and portability. Nikon’s classic grip design and button layout provide immediate familiarity to seasoned photographers, which is no small feat given its 39 autofocus points and comprehensive control configuration.
Compared with the D600, the Olympus E-300 is visibly more petite and lighter (147x85x64mm, 624g), boasting a distinctive “bar of soap” rectangular shape that stands out from the crowd. Its compactness appeals to enthusiasts valuing portability, especially in street or travel photography where a discreet presence matters. However, this smaller form factor sacrifices some ergonomic refinement - the larger, deeply contoured grips and extensive controls found on Nikon are missing here.
Ergonomics pertains not only to size but intuitive interface access. The D600’s thoughtfully placed dedicated function buttons and an LCD screen of generous size (3.2 inches at 921k dots) contribute to efficient operation. The Olympus E-300 offers a tinier 1.8-inch screen with notably lower resolution (134k dots), which impacts on-the-fly exposure checks and menu navigation.
In sum: Nikon delivers mature, professional-grade ergonomics well-suited for extended shoots and rapid adjustments, while Olympus prioritizes compactness at the expense of tactile comfort.
Sensor Technology and Image Quality: Full-Frame Brilliance vs. Four Thirds Tradition
The heart of any camera lies in its sensor, fundamentally shaping image quality and creative potential. The Nikon D600’s 24MP full-frame CMOS sensor measuring 35.9x24mm offers a robust 6016x4016 resolution with an anti-aliasing filter. Nikon’s Expeed 3 processor partners with this sensor to deliver excellent dynamic range (~14.2 stops per DxOMark), fine color depth (25.1 bits), and high ISO usability (native up to 6400, expandable to 25,600). This sensor size inherently benefits low-light performance and shallow depth of field control, making it a staple for portrait, landscape, and professional work.
Conversely, the Olympus E-300 is outfitted with an 8MP CCD sensor sized at just 17.3x13mm - approximately one-third the surface area of the Nikon sensor - with a 4:3 aspect ratio and 3264x2448 max resolution. Its Four Thirds sensor design carries a focal length multiplier of 2.1, translating to narrower effective angles of view for lenses compared to full-frame. While CCD sensors typically handle color renditions pleasingly in this era, the Olympus unit reflects its time with lower dynamic range and limited ISO performance (maximum native ISO 400, boosted to 1600).
Given this, in tests under varied lighting, the D600 consistently delivers cleaner images at high ISOs and richer tonal graduations in shadows and highlights, supporting applications from night photography to high-contrast landscapes. The E-300’s images show more noise at ISO 400 and a narrower tonal latitude, adequate for well-lit situations but unsuitable for demanding scenes.
Autofocus System: Precision and Speed for Fast-Paced Shooting
Autofocus (AF) strength is critical across genres - from capturing fleeting wildlife to nailing sports action or delivering tack-sharp portraits.
The Nikon D600 features a 39-point AF system with 9 cross-type sensors, phase-detection autofocus complemented by contrast detection in live view. It supports continuous AF tracking and face detection, albeit lacking dedicated animal eye AF. The system performs admirably in tracking moving subjects and locking focus swiftly even at wider apertures or low-light scenarios.
In contrast, the Olympus E-300’s AF system is rudimentary, offering only 3 focus points with unknown cross-type capability. It relies on phase detection but lacks advanced tracking or contrast detection. Live view AF is unavailable. During real-world testing, its AF speed and accuracy trail the D600 significantly, especially noticeable when shooting moving subjects or macro requiring precise focus control.
Viewfinder and LCD Screen: Visual Feedback for the Photographer
The Nikon D600’s optical viewfinder uses a pentaprism providing 100% coverage and 0.7x magnification, contributing to bright and accurate framing. The 3.2-inch rear LCD screen boasts 921k dots resolution, facilitating sharp image review and menu interaction, despite lacking touchscreen functionality.
Olympus employs a pentamirror optical viewfinder whose coverage and magnification specs aren’t specified, but by typical 2005 standards, it falls short of Nikon’s quality, with a smaller, dimmer view and limited frame accuracy. The 1.8-inch LCD screen with 134k dots is also challenging for evaluating fine details or navigating menus smoothly.
For photographers relying on precise composition and image checking - especially in unpredictable lighting - the D600’s viewfinder and screen clearly provide a superior experience.
Lens Mount and Ecosystem: Choices Shape Creative Potential
Nikon’s venerable F-mount supports a vast array of lenses - 309 options, according to our data - encompassing everything from affordable third-party primes to high-performance pro-level telephotos and wide angles. The full-frame sensor unlocks the full potential of these optics, making the D600 a versatile platform for any photography style.
Olympus’s Four Thirds mount, while groundbreaking in its time, now cedes ground to the Micro Four Thirds system, limiting lens choices significantly to around 45 native lenses, many designed for the smaller Four Thirds sensor. The 2.1x crop factor compresses wide-angle perspectives and increases effective focal lengths for telephoto work - sometimes a boon for wildlife shooters but restricting for landscapes and interiors.
Burst Shooting and Buffering: Capturing the Decisive Moment
Sports, wildlife, and action photographers prize frame rate and buffer capacity.
The Nikon D600 delivers a continuous shooting speed of 5.5 frames per second (fps), sufficient for moderate action bursts. The buffer accommodates raw and JPEG files comfortably before slowing, enabling sustained shooting in high-pressure scenarios.
Meanwhile, the Olympus E-300 offers a more modest 3 fps burst rate with limited buffering capacity, making it less suited for rapid-fire capture of dynamic scenes.
Build Quality and Weather Sealing: Reliability When It Counts
The D600 features some level of environmental sealing - dust and moisture resistance - to withstand demanding outdoor conditions. While not fully waterproof or shockproof, the magnesium alloy and polycarbonate body with seals afford peace of mind when shooting in inclement weather.
The E-300 lacks environmental sealing or robust weather protection, typical of its era, making film shooters remember their rain covers and photowork static indoors or in fair weather.
Battery Life and Storage: Practicalities for the Long Haul
Nikon’s EN-EL15 battery powers the D600 with impressive stamina, rated for approximately 900 shots per charge - a boon for travel and event photographers who cannot always recharge.
Olympus E-300’s battery stats are missing in official specs, but anecdotal evidence places it in the 400-500 shot range typical for mid-2000s DSLRs. The camera uses Compact Flash memory cards, offering solid capacity and speed for the time, but the Nikon’s dual SD card slots provide redundancy and expandability preferred by professionals.
Connectivity and Extras: Modern Interface vs. Vintage Limitations
Connectivity-wise, the Nikon D600 integrates HDMI, USB 2.0 ports, microphone and headphone jacks for audio input/output - features attractive to videographers. Wireless connectivity is optional, with accessories for GPS geotagging available.
Olympus E-300, being a 2005 model, lacks HDMI, wireless, or audio port offerings and is limited to the slow USB 1.0 interface, constraining fast data transfers.
Video Capabilities: A Nod to Moving Image Creators
The Nikon D600 supports Full HD 1080p video recording up to 30fps with H.264 compression, offering a solid hybrid experience for stills-focused content creators dabbling in video. External microphone input augments audio recording.
The Olympus E-300 does not offer video recording functionality, reflecting the period before video DSLRs became commonplace.
Real-World Shooting: Which Camera Excels in Your Genre?
Let’s now break down these cameras by genre, based on hands-on experience, incorporating samples and lens options.
Portrait Photography
Portraits demand accurate skin tones, pleasing bokeh, and reliable eye detection. The D600’s full-frame sensor excels, yielding shallow depth of field and creamy bokeh with fast lenses, particularly with native Nikkor optics. Its face detection aids focusing on eyes.
The E-300, with a smaller sensor, struggles to isolate subjects similarly; advantageous for landscapes but limiting for flattering portraits.
Landscape Photography
D600’s dynamic range, resolution, and weather sealing shine for landscapes. Fine details in shadows and highlights hold up during extended processing.
The E-300’s limited resolution and sensor size translate to less detail and narrower dynamic range, restricting its landscape potential.
Wildlife and Sports
D600’s 5.5 fps, fast and accurate AF system, and extensive telephoto lens selection give it the edge. The Olympus’ slower 3 fps burst and less sophisticated AF make it a riskier bet.
Street and Travel Photography
E-300’s small size and quieter operation are pluses on the street. However, Nikon’s superior image quality and lens versatility count heavily. The D600 is still portable enough for travel, with excellent battery life.
Macro and Night/Astro Photography
The D600 paired with top macro lenses and low-noise high ISO capacity performs far better in tight focusing and low light. The E-300 is more limited in this demanding niche.
Video
D600’s HD capture and audio terminal versatility suit casual videographers; Olympus offers no video.
Image Samples and Performance Scores
To ground this in practical outcomes, let’s view comparative images from both cameras, shot across conditions:
Our testing also included benchmark-based scoring on DxOMark and field performance metrics. The Nikon D600 attained an overall DxOMark score of 94 - impressive for a mid-2010s full-frame DSLR - with top marks in color depth and dynamic range. The Olympus E-300 remains untested by DxO but would likely score considerably lower given its dated sensor.
Genre-specific scores confirm the Nikon D600’s superiority across all core disciplines:
Who Should Buy Which Camera? Tailoring Advice to Needs and Budgets
If budget allows and image quality, versatility, and performance are paramount, the Nikon D600 is clearly the better choice. Its full-frame sensor, comprehensive AF system, ergonomic handling, lens ecosystem, and video capability make it ideal for enthusiasts and professionals focusing on portraits, landscapes, wildlife, sports, macro, and video projects.
The Olympus E-300, while historic and compact, is more a collector’s or budget enthusiast's choice, suitable for casual photography, indoor snapshots, or street shooting where low weight is key. Its lower resolution, limited ISO, and dated AF restrict its use for demanding work or future-proofing.
Final Thoughts: Technology Leap Reflected in DSLR Evolution
This comparison illustrates how much DSLR technology progressed over 7 years. The Nikon D600 embodies significant strides in sensor design, processing, autofocus, ergonomics, and connectivity. The Olympus E-300, a pioneer in its day, now reads as a more niche or entry-level tool due to its modest specs.
For modern photography workflows, the D600’s balance between legacy Nikon craftsmanship and solid specs earns it a spot in many advanced amateurs’ and professionals’ kit collections. Meanwhile, the E-300 represents a nostalgic snapshot of early digital photography but falls short of meeting today’s multifaceted demands.
Summary Table of Key Differences:
Feature | Nikon D600 | Olympus E-300 |
---|---|---|
Sensor Type/Size | CMOS, Full-frame, 24MP | CCD, Four Thirds, 8MP |
Autofocus Points | 39 (9 cross-type) | 3 |
Continuous Shooting Speed | 5.5 fps | 3 fps |
Screen Size/Resolution | 3.2” / 921k dots | 1.8” / 134k dots |
Video Capability | 1080p up to 30fps | None |
Storage Type | Dual SD cards | Compact Flash |
Weather Sealing | Yes, dust and moisture resistant | No |
Weight | 850g | 624g |
Connectivity | USB 2.0, HDMI, Mic & Headphone | USB 1.0 only |
Price at Launch | ~$1900 | ~$800 |
Together they epitomize distinct points in DSLR history. The Nikon D600 is very much a “workhorse” for enthusiasts and pros alike, while the Olympus E-300 is a relic with charm but limited practical scope today.
If you’ve found this analysis helpful and want more nuanced camera comparisons or tailored advice on lenses and accessories, let me know. Selecting the right tool is half the battle - and I’m here to help you win.
Happy shooting!
Nikon D600 vs Olympus E-300 Specifications
Nikon D600 | Olympus E-300 | |
---|---|---|
General Information | ||
Brand | Nikon | Olympus |
Model type | Nikon D600 | Olympus E-300 |
Also Known as | - | EVOLT E-300 |
Type | Advanced DSLR | Advanced DSLR |
Revealed | 2012-11-13 | 2005-01-10 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Processor Chip | Expeed 3 | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.9 x 24mm | 17.3 x 13mm |
Sensor surface area | 861.6mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 8 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 |
Full resolution | 6016 x 4016 | 3264 x 2448 |
Max native ISO | 6400 | 400 |
Max boosted ISO | 25600 | 1600 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 39 | 3 |
Cross type focus points | 9 | - |
Lens | ||
Lens mount type | Nikon F | Micro Four Thirds |
Total lenses | 309 | 45 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3.2 inches | 1.8 inches |
Resolution of screen | 921 thousand dot | 134 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 5.5 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | - |
Flash options | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, Auto FP, Manual, Red-Eye |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/200s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50, 30, 25 fps) | - |
Max video resolution | 1920x1080 | None |
Video file format | MPEG-4, H.264 | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Optional | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 850 gr (1.87 lb) | 624 gr (1.38 lb) |
Dimensions | 141 x 113 x 82mm (5.6" x 4.4" x 3.2") | 147 x 85 x 64mm (5.8" x 3.3" x 2.5") |
DXO scores | ||
DXO All around rating | 94 | not tested |
DXO Color Depth rating | 25.1 | not tested |
DXO Dynamic range rating | 14.2 | not tested |
DXO Low light rating | 2980 | not tested |
Other | ||
Battery life | 900 photographs | - |
Type of battery | Battery Pack | - |
Battery ID | EN-EL15 | - |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC x 2 slots | Compact Flash (Type I or II) |
Storage slots | Two | Single |
Cost at launch | $1,900 | $800 |