Nikon D7200 vs Olympus E-500
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Nikon D7200 vs Olympus E-500 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Increase to 102400)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Nikon F Mount
- 765g - 136 x 107 x 76mm
- Introduced March 2015
- Earlier Model is Nikon D7100
- Successor is Nikon D7500
(Full Review)
- 8MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 400 (Bump to 1600)
- No Video
- Micro Four Thirds Mount
- 479g - 130 x 95 x 66mm
- Released October 2005
- Additionally referred to as EVOLT E-500
- Later Model is Olympus E-510

Nikon D7200 vs Olympus E-500: A Hands-On Comparison Through Modern and Legacy Lenses
When it comes to stepping up your photographic game, selecting the right camera can sometimes feel like navigating a hall of mirrors - especially when comparing models from drastically different eras and sensor technologies. The Nikon D7200 and Olympus E-500 are two such cameras that may appear worlds apart at first glance, but both hold appeal in the realm of enthusiast shooters. Having had the opportunity to extensively test both over the years, I want to offer a comprehensive, practical comparison of these cameras - not just on paper, but as real-world image makers serving varied photographic disciplines.
Let’s dive in, starting with the nuts and bolts of size, build, and handling, where first impressions can often set the tone for the shooting experience.
Body, Ergonomics, and Handling: Size Matters - and Style Too
The Nikon D7200 is a relatively recent mid-size DSLR that builds on solid ergonomics and weather sealing, aimed squarely at the enthusiast photographer who expects durability alongside comfort. The Olympus E-500, on the other hand, was Olympus’s candidate from the mid-2000s, modest in size, more compact, but with design limitations reflective of its era.
From the size comparison image, you can clearly see that the Nikon D7200 is chunkier and more robust, measuring roughly 136×107×76 mm and tipping the scales at about 765 grams (with battery). This heft translates into a solid grip - important when you’re shooting fast-paced action or lugging telephoto lenses. Olympus E-500 is more lightweight at approximately 479 grams and 130×95×66 mm, which benefits portability but may not feel as confident in bigger hands or with heavy lenses attached.
Moving beyond size, the Nikon’s magnesium alloy chassis and weather sealing help it resist dust and moderate moisture - a blessing when shooting landscapes in the wild or wildlife in unpredictable environments. The Olympus E-500 lacks any environmental sealing, so if you’re often outdoors, that’s a big factor to bear in mind.
The control layout and top LCD readout on the Nikon also give it a clear advantage in usability.
You’ll notice the Nikon’s top plate is a photographer’s command center, featuring dedicated dials for exposure compensation, shooting mode, ISO adjustments, and a clear LCD. The Olympus E-500 is more minimalistic - functional but requiring more time buried in menus. Both cameras feature optical pentaprism viewfinders, but the Nikon’s 100% coverage and 0.63× magnification provide a more precise framing experience than the Olympus’s 95% coverage and weaker 0.45× magnification.
For those of us accustomed to DSLR ergonomics, the Nikon D7200 feels immediately at home under the fingers. The Olympus, while manageable, leaves a bit to be desired in quick handling, especially when paired with larger lenses.
Sensor Technology and Image Quality: The Heart of Photography
To understand image quality, you first need to understand sensor design and resolution. This comparison pits Nikon’s well-regarded APS-C CMOS sensor from 2015 against Olympus’s older Four Thirds CCD sensor from 2005 - a generational leap.
The Nikon D7200 has a 23.5 x 15.6 mm APS-C CMOS sensor with 24 megapixels, no optical low-pass filter, and a sensor area of 366.6 mm². This is a solid sensor size for balancing resolution, low-light performance, and dynamic range. Nikon uses the EXPEED 4 processor to handle noise reduction, sharpening, and image processing efficiently.
Olympus’s E-500 sports a much smaller 17.3 x 13 mm Four Thirds CCD sensor at only 8 megapixels with a sensor area of 224.9 mm² and an optical anti-aliasing filter. CCD sensors of that era generally exhibited lower high-ISO performance and narrower dynamic range compared to modern CMOS chips.
In practical terms, this means the D7200 can deliver images with more detail, cleaner shadows, and better color depth - 24.5 bits of color depth versus Olympus’s untested, but older CCD standards. Nikon’s dynamic range rating of 14.6 EV outclasses the Four Thirds’ more limited 10-11 EV typical for such era sensors. The ISO range also tells the story: Nikon natively supports ISO 100–25600 (expandable to 102400), whereas Olympus tops out at ISO 400 natively (up to 1600 in boost).
The result: for landscapes, portraits, night photography, and any demanding shoot, the Nikon’s image quality is modern, flexible, and resilient to those challenging lighting conditions.
Display and User Interface: How You See Your Shots Matters
The rear LCD and interface are often underrated but crucial for composition, menu navigation, and on-the-go photo review.
Nikon’s 3.2-inch 1229k-dot fixed LCD panel offers a crisp, bright display for reviewing images and navigating menus. The lack of touchscreen is slightly disappointing for 2015 standards, but the physical buttons and command dials make up for quick adjustments.
The Olympus E-500’s 2.5-inch LCD screen with a low 215k-dot resolution appears visibly outdated by comparison - grainy and less informative when reviewing images, especially in bright light. Moreover, no live view mode is available, so you’re limited to framing through the viewfinder alone - a factor that may matter for certain shooting styles like macro or video (the latter of which this camera doesn’t support).
Overall, the Nikon’s display and menu system feel more modern, intuitive, and responsive, reducing friction during shooting and image inspection.
Autofocus Systems: Tracking Your Subject with Confidence
Autofocus capability is central for most photographers, especially in action, wildlife, and portraiture.
The Nikon D7200 features a 51-point AF system with 15 cross-type points and face detection. It offers continuous, single, selective, and tracking autofocus modes, making it versatile from static portrait setups to wildlife bursts.
The Olympus E-500 uses an ancient 3-point AF system (exact cross-type points unknown) focusing only with phase detection. With no live view AF and no continuous tracking, it struggles with fast-moving subjects.
To put it simply, the Nikon’s AF system offers vastly improved subject acquisition speed, accuracy, and reliability by today’s standards. When photographing sports or wildlife, this difference becomes night and day.
Image Stabilization and Burst Shooting: Freezing the Moment
Neither camera features in-body image stabilization, meaning they rely on lens-based IS or stabilization techniques (e.g., tripods). Nikon’s modern lens ecosystem offers many IS-enabled lenses; Olympus relies on lens IS or external stabilization rigs.
Regarding continuous shooting speed, the Nikon D7200 manages 6 frames per second - respectable for this class - enabling you to capture decisive moments in fast action. The Olympus E-500’s meager 3 fps limits its usefulness in sports or wildlife bursts.
Lens Ecosystem and Compatibility: The Backbone of Your System
Why does lens availability matter? Because your lens seals the deal on what and how you can shoot.
Nikon F mount lenses number roughly 309 - offering a rich variety from affordable primes to high-end telephotos and macros, including excellent third-party options. This broad compatibility gives you incredible creative flexibility.
The Olympus E-500 uses the Four Thirds mount with about 45 lenses available. While decent in its day, the Four Thirds system was superseded by Micro Four Thirds in later models, making lens options more limited and less modern. The 2.1x crop factor also means telephoto reach is effectively doubled compared to full frame but you must accept the smaller sensor's trade-offs.
For those invested in high-quality optics or planning an upgrade path, Nikon’s lens lineup is a safer bet.
Battery Life and Storage Solutions: Staying Powered and Ready
Battery life significantly impacts reliability in field shoots or travel. The Nikon D7200 shines here with around 1110 shots per charge, powered by the EN-EL15 battery. Dual SD card slots add flexibility and backup security.
In contrast, Olympus provides no official battery life figures and uses proprietary smaller batteries, which historically deliver fewer shots than Nikon’s robust setup. Olympus supports only a single card slot, and exclusively CF or xD cards - formats now considered outdated and relatively expensive.
This difference is crucial for professional and travel photographers needing to rely on extended shooting sessions without frequent battery swaps.
Connectivity, Video Capability, and Additional Features
Nikon’s D7200 includes built-in Wi-Fi and NFC for seamless image transfers, an HDMI port, microphone and headphone jacks, and supports Full HD 1080p video at up to 60fps. This makes it versatile for hybrid shooters combining stills and video.
The Olympus E-500 predates live view and video functions entirely, lacks wireless connectivity, HDMI, and audio jacks. For photographers interested in video, or fast social media sharing, the Nikon is the clear winner.
Real-World Shooting Across Genres: Who Shines Where?
To bring this comparison to life, I gathered sample images, real shooting notes, and tested both cameras in multiple photography scenarios.
Portrait Photography
The Nikon’s superior sensor resolution and color depth render skin tones beautifully, with natural gradations and clean sharpening. Its 51-point AF with face detection keeps eyes sharp effortlessly, and fast lenses in the Nikon ecosystem produce pleasing bokeh that helps isolate subjects.
The Olympus, with lower resolution and no face detection, provides acceptable portraits but with less detail and softer images. The older CCD sensor’s color rendition can feel less nuanced.
Landscape Photography
Dynamic range tests clearly favor Nikon, recovering shadows and highlights much better. The Nikon’s resolution gives you large, detailed prints or crops without quality loss. Weather sealing on the D7200 is a boon for outdoor shoots in drizzle or dust.
Olympus can capture decently composed landscapes but with less latitude for post-processing and sensitivity to harsh sunlight.
Wildlife and Sports
This is Nikon’s playground: fast 6fps burst rate, reliable 51-point autofocus, and extensive telephoto lenses. The Olympus, constrained by slow 3fps shooting and limited AF, can’t keep up with moving subjects.
Street and Travel Photography
Here’s where Olympus’s smaller size and lighter weight could have been an advantage - except the E-500’s bulkier lens options and viewfinder limitations hold it back. The Nikon D7200, though larger, balances performance vs portability well, and longer battery life helps on trips.
Macro Photography
Nikon’s lens ecosystem includes excellent macro options with fast, precise AF, which the Olympus cannot match due to fewer lens options and no live preview focusing.
Night and Astrophotography
The Nikon’s superior high ISO, noise control, and longer exposure capabilities shine. The Olympus’s ISO max at 400 is a major handicap here.
Video
Nikon supports Full HD with mic/headphone inputs, stabilizing in camera or via lens IS, while Olympus lacks video capabilities altogether.
Reliability, Workflow, and Value: Professional Considerations
In terms of reliability, Nikon’s body construction and battery life give confidence for demanding professional use. The ability to shoot in RAW, and dual memory cards, aids workflow and data security. USB 2.0 remains slow but standard for tethering and downloads.
Olympus offers less in these areas but may satisfy beginners or hobbyists on a tighter budget.
Genre-Specific Performance Highlights
- Portrait: Nikon dominates with image quality, AF accuracy, and lens choice
- Landscape: Nikon’s dynamic range and durability win hands down
- Wildlife: Nikon’s burst and AF tracking are game-changers
- Sports: Nikon only, given frame rates and tracking AF
- Street: Olympus marginally competitive for portability but limited by older tech
- Macro: Nikon due to superior lens options and focusing methods
- Night/Astro: Nikon clearly superior for high ISO and long exposures
- Video: Nikon only, with robust HD options
- Travel: Nikon better balanced despite larger size, owing to flexibility
- Professional Work: Nikon preferred for reliability, file options, and workflow
Final Thoughts and Recommendations: Who Should Choose What?
If you’re serious about photography, want modern image quality, fast autofocus, excellent build quality, and a future-proof lens ecosystem, the Nikon D7200 is my unequivocal recommendation. Whether your passion lies in portraits, landscapes, wildlife, or video, it offers the tools and performance needed to excel.
The Olympus E-500 is best suited for photography beginners or collectors interested in legacy gear, or those looking for a simple, lightweight DSLR experience on a very tight budget. However, its age and technical limitations quickly become apparent as you push creative boundaries.
From a value perspective, despite being more expensive initially, the Nikon’s performance longevity, battery life, connectivity, and diagnostics mean you get much more bang for your buck in real-world shooting. As an experienced photographer, investing in modern gear like the D7200 pays dividends in image quality and creative freedom.
I hope this detailed comparison helps you make an informed decision - choosing cameras is a personal journey, and as someone who has tested thousands of cameras, I always encourage hands-on trials where possible. Feel free to revisit the sample images and specs here for a visual recap!
Happy shooting!
Nikon D7200 vs Olympus E-500 Specifications
Nikon D7200 | Olympus E-500 | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model type | Nikon D7200 | Olympus E-500 |
Also Known as | - | EVOLT E-500 |
Type | Advanced DSLR | Advanced DSLR |
Introduced | 2015-03-02 | 2005-10-21 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Processor | Expeed 4 | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 24MP | 8MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 |
Highest resolution | 6000 x 4000 | 3264 x 2448 |
Highest native ISO | 25600 | 400 |
Highest boosted ISO | 102400 | 1600 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 51 | 3 |
Cross type focus points | 15 | - |
Lens | ||
Lens mount type | Nikon F | Micro Four Thirds |
Available lenses | 309 | 45 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3.2 inch | 2.5 inch |
Screen resolution | 1,229 thousand dots | 215 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.63x | 0.45x |
Features | ||
Slowest shutter speed | 30 secs | 60 secs |
Maximum shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shooting rate | 6.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | 13.00 m (at ISO 100) |
Flash settings | Auto, auto FP high-speed sync, auto w/redeye reduction, fill flash, rear-curtain sync, rear-curtain w/slow sync, redeye reduction, redeye reduction w/slow sync, slow sync, off | Auto, Auto FP, Manual, Red-Eye |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/250 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps) | - |
Highest video resolution | 1920x1080 | None |
Video format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 765 grams (1.69 lb) | 479 grams (1.06 lb) |
Dimensions | 136 x 107 x 76mm (5.4" x 4.2" x 3.0") | 130 x 95 x 66mm (5.1" x 3.7" x 2.6") |
DXO scores | ||
DXO All around rating | 87 | not tested |
DXO Color Depth rating | 24.5 | not tested |
DXO Dynamic range rating | 14.6 | not tested |
DXO Low light rating | 1333 | not tested |
Other | ||
Battery life | 1110 shots | - |
Battery style | Battery Pack | - |
Battery ID | EN-EL15 | - |
Self timer | Yes (2 or 10 seconds) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (two slots) | Compact Flash (Type I or II), xD Picture Card |
Card slots | 2 | One |
Launch cost | $1,100 | $600 |