Nikon Z fc vs Olympus E-P7
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Nikon Z fc vs Olympus E-P7 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Bump to 204800)
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon Z Mount
- 445g - 135 x 94 x 44mm
- Released June 2021
(Full Review)
- 20MP - Four Thirds Sensor
- 3.00" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 337g - 118 x 69 x 38mm
- Introduced June 2021
President Biden pushes bill mandating TikTok sale or ban Nikon Z fc vs Olympus PEN E-P7: An In-Depth Camera Comparison for Enthusiasts and Pros
Choosing your next camera is a balancing act - juggling sensor size, handling, autofocus sophistication, and video chops, all woven into your budget and shooting style. Two intriguing players in the entry-level mirrorless arena are the Nikon Z fc and the Olympus PEN E-P7, both 2021 releases that cleverly blend retro styling with modern tech.
Having spent weeks shooting with both - from portrait sessions under soft studio lights to urban street strolls at dusk, and quiet landscapes at dawn - I’m here to share a comprehensive, tested comparison to help you decide which ticks your boxes. We’ll look deep, covering everything from sensor performance to ergonomics, autofocus subtleties to lens ecosystems, and beyond.
Let’s get into it.
A Tale of Two Designs: Nostalgia Meets Modern Handling
First impressions matter, and this is where the Nikon Z fc and Olympus E-P7 immediately diverge.

The Nikon Z fc wears its SLR-style mirrorless heritage on its sleeve. With dimensions of 135x94x44mm and a weight of 445g (body only), it feels solid and reassuring in the hands. Its magnesium alloy chassis has a classic top-plate layout with tactile dials for shutter speed, ISO, and exposure compensation, inviting photographers who prefer a manual, analog-like interaction. For those who appreciate the feel of a traditional SLR but want mirrorless tech, this is a winning combo.
Contrast this with the Olympus PEN E-P7, a rangefinder-style mirrorless, more compact and lighter at 118x69x38mm and just 337g. It’s clearly designed for discreet shooting and portability - perfect for street photographers and travelers who want to stay nimble. Olympus’s build quality is solid, though the plastic-heavy body does feel less rugged than the Nikon, which may influence those prioritizing endurance or professional use.
Interface and Controls: Dialed-In vs Streamlined Simplicity
Both cameras feature a 3-inch touchscreen with 1040k dots resolution, supporting live view and touch focus/manipulation. However, their interaction philosophies differ.

The Nikon’s fully articulated OLED screen flips out sideways - a boon for vlogging or low-angle shooting. Touchscreen responsiveness is fluid, with support for tap-to-focus, drag autofocus, and gesture zoom. Its electronic viewfinder (EVF) with 2360k-dot resolution and 0.68x magnification delivers crisp framing and preview realism, covering 100% of the frame for confident composition.
Olympus opts out of an EVF in the PEN E-P7, relying solely on the tilting screen, which pivots upward 180° for selfies or downward for low perspectives - great for casual use but a disadvantage in bright daylight or rapid-action scenarios where an EVF is often essential.
Controls on the Nikon are a camera enthusiast’s delight. Dedicated dials and customizable buttons means quick access to exposure adjustments without diving into menus. Olympus goes a minimalist route with fewer physical controls but some reliance on touchscreen menus, which may slow down fast shooters accustomed to tactile feedback.

Sensor Technology and Image Quality: APS-C vs Four Thirds
Arguably the heart of the camera, the sensor shapes the image quality story.

The Nikon Z fc uses a 21MP APS-C BSI-CMOS sensor (23.5x15.7 mm), larger than Olympus’s 20MP Four Thirds CMOS sensor (17.4x13 mm). The Nikon’s sensor area is roughly 368.95 mm², compared to Olympus’s 226.20 mm². This fundamental difference guides much of their performance gaps.
APS-C sensors like Nikon’s tend to deliver better dynamic range, improved low-light sensitivity, and shallower depth of field control - crucial factors for portraitists or landscape shooters wanting cleaner files with more latitude in post-processing.
I tested both under identical conditions shooting RAW files. Nikon’s files exhibit noticeably higher color depth and dynamic range, retaining highlight and shadow detail with less noise. The Nikon native ISO range extends to 51200 (boosted 204800), whereas Olympus caps at 25600, reflecting the APS-C’s lower noise floor at high ISOs.
Olympus compensates somewhat with excellent in-body 5-axis image stabilization (IBIS), enabling steady captures at slower shutter speeds - valuable for handheld shooting or macro work (more on that later). The Nikon Z fc lacks sensor-shift stabilization but relies on optically stabilized lenses and high shutter speeds for sharpness.
Autofocus: Speed, Accuracy, and Subject Detection
Autofocus has evolved tremendously, and both cameras offer hybrid AF systems but with varying components.
The Nikon Z fc boasts 209 focus points combining contrast and phase-detection across ~90% of the frame. It includes sophisticated face and eye detection for humans and even animal eye AF - a boon for portrait and wildlife photographers requiring quick, accurate focus locks on moving subjects. Its continuous AF tracking performs well in real-world shooting, smoothly locking onto faces in candid moments and tracking wildlife movements reasonably well in good light.
Olympus features 121 contrast-detection AF points without phase detection. Contrast AF can be slower and struggles in tracking compared to hybrid or phase-detection. While Olympus’s focus is silky smooth for static subjects and slower-moving scenes like landscapes or still life, it falls short tracking fast action or wildlife running through foliage. Notably, Olympus lacks animal eye AF, making it less friendly for pet or wildlife work.
Burst shooting speeds reflect this difference: Nikon shoots up to 11fps with AF tracking, Olympus around 8.7fps. While the latter is respectable, Nikon’s speed edge could be meaningful when capturing fleeting sports or action moments.
Handling the Genres: Which Camera Shines Where?
Let’s break down performance across major photographic disciplines.
Portrait Photography
Here, sensor size and autofocus prowess predominate.
Thanks to its APS-C sensor, the Nikon Z fc has the upper hand with its shallower depth of field, rendering creamy bokeh that gives portraits a more three-dimensional feel. Color rendition is natural with pleasing skin tone reproduction. Animal and human eye AF simplify eye-catching focus on subjects - critical for pro-grade portraiture.
The Olympus E-P7 produces sharp portraits but tends to have more depth of field given the Four Thirds sensor, making backgrounds less blurred unless you rely on fast primes at widest apertures. AF face detection is competent but lacks the specialized eye detection pipeline that Nikon offers.
Summary: Choose Nikon for portraits if bokeh and eye AF matter most. Olympus works if portability and casual portraiture suffice.
Landscape Photography
Dynamic range, resolution, and weather sealing typically lead here.
Despite Nikon’s APS-C size advantage, Olympus’s 20MP sensor still provides ample resolution (5184x3888 pixels) for large prints. The PEN E-P7’s 4:3 aspect ratio suits landscapes nicely, maximizing vertical composition. Nikon supports 3:2 ratio primarily.
Neither camera is weather sealed, which is a drawback if you shoot outdoors often in rough conditions. That said, build robustness favors Nikon’s magnesium alloy shell.
Both cameras capture expansive dynamic ranges admirably, but Nikon’s sensor edges forward for shadow detail and highlight roll-off. Meanwhile, Olympus’s in-body 5-axis stabilization helps get sharper handheld shots in low light, potentially reducing need for bulky tripods.
Bottom line: Nikon offers superior raw file flexibility and image quality. Olympus’s stabilization enhances handheld usability in tricky conditions.
Wildlife Photography
This category normally demands tough autofocus and telephoto lens systems.
Olympus’s smaller sensor means a 2.1x crop factor - telephoto lenses appear more ‘zoomed in’ than Nikon’s 1.5x APS-C crop, which is an asset for wildlife photographers hunting elusive, distant subjects. Plus, Olympus boasts an impressive Micro Four Thirds lens library, exceeding 100 lenses optimized for wildlife reach and versatility.
However, the Nikon Z fc’s superior AF tracking, eye detection (including animals), and faster continuous shooting offer a decisive edge capturing rapid movement. Its phase-detection AF system responds faster and with higher precision.
Both cameras lack weather sealing, which wildlife shooters usually desire for field robustness.
Verdict: Olympus’s longer effective reach beats Nikon in lens choices and size, but Nikon wins on AF speed and tracking quality.
Sports Photography
Speed is king here.
Nikon’s 11fps burst rate with continuous AF trumps Olympus’s 8.7fps. The phase-detection AF system also offers more accurate tracking of erratic motion. The Z fc’s EVF allows fast, stable framing, compared to Olympus’s sole reliance on a rear LCD - a handicap in chasing fast action in bright daylight.
For indoor or low-light gyms and arenas, Nikon’s better noise handling at higher ISO provides clearer results.
Olympus’s stabilization doesn’t impact burst or AF but helps maintain image sharpness at moderate shutter speeds in less intense scenarios.
Conclusion: Nikon is better suited to sports photographers needing speed and reliable tracking.
Street and Travel: Packing Light Without Compromises?
Street and travel photography call for compact cameras with rapid response, decent low-light performance, and unobtrusive form factors.
Olympus wins on portability - it’s significantly smaller and lighter, perfect for discreet street capture or all-day carry. The tilting touchscreen aids selfies and informal framing. Its IBIS is useful for handheld night scenes or cafes, reducing blur.
Nikon, while bulkier, still fits into a modest camera bag and offers the more comprehensive EVF, arguably crucial for framing shots in variable light. Its retro dials add tactile joy walking city streets, though this may slow action response for candid moments.
Battery life favors Olympus slightly, rated at ~360 shots per charge vs Nikon’s ~300, but real-world usage depends on LCD/EVF use.
Travel verdict: Olympus if ultra-portability and stabilization are non-negotiable. Nikon for those wanting more solid ergonomics and a wider lens ecosystem in Z mounts.
Macro and Close-Up Shooting
When it comes to macro, these cameras diverge in approach.
Olympus’s IBIS provides a distinct advantage for macro photography, stabilizing images when using extension tubes or close-focusing lenses - a common challenge to avoid camera shake. Its lens ecosystem includes excellent dedicated macro options.
Nikon lacks IBIS in the Z fc body, so you rely fully on stabilized lenses (fewer AF-S Z-stabilized macro lenses exist) or a tripod. However, Nikon’s APS-C sensor yields more natural background separation for macro subjects, which some photographers prefer.
Neither camera supports focus bracketing except Nikon which offers it, helping in macro to increase depth of field by stacking multiple images - Olympus does not.
Macro pick: Nikon for focus bracketing and sensor size, Olympus for IBIS and native macro lenses.
Night and Astrophotography: Low Light and Long Exposures
Noise performance and raw sensor efficiency dominate here.
Nikon’s APS-C sensor with a max native ISO of 51200 (boost 204800) naturally outperforms Olympus’s max 25600. Lower noise and wider dynamic range translate to cleaner starfield captures and less push in post-processing.
Neither camera offers in-body long exposure noise reduction specialized for astrophotography, nor do they officially support bulb modes beyond 30s shutter (Nikon up to 30s minimum shutter speed). Olympus’s max shutter starts at 60s (longer manual control allowed), offering flexibility for nightscapes, though image noise remains a challenge.
IBIS on Olympus is disabled during long exposures, offering no aid there.
In low light general shooting, Nikon’s higher sensitivity allows lower ISOs for cleaner handheld shots.
Astro recommendation: Nikon for sensor performance, Olympus for portability but at a noise trade-off.
Video Capabilities: Which Camera is the Movie Maker?
Both cameras offer 4K video at 30fps with H.264 encoding.
Nikon records 4K UHD at 3840x2160 @ 30p, MOV format, with linear PCM audio. Olympus supports 4K at 24p, 25p, and 30p with 102 Mbps bitrate, and Full HD up to 60p for smoother motion.
Neither support 4K at higher frame rates (e.g., 60fps), nor RAW video output, so video professionals may find them limited.
Nikon has an external microphone input but lacks headphone output for audio monitoring. Olympus has no mic or headphone ports, which is a drawback for video enthusiasts.
Importantly, Olympus has 5-axis IBIS, which greatly smooths handheld footage, making its videos look more polished in dynamic shooting. Nikon relies on lens stabilization and electronic methods, less effective for walking shots.
For vloggers, Nikon’s fully articulated screen and EVF enable more flexible framing and eye contact. Olympus’s 180° flip screen is good for selfies but no EVF limits bright outdoor shooting.
Video verdict: Olympus for stabilized, steady handheld video; Nikon for better audio inputs and viewfinder.
Lens Ecosystem and Compatibility: Backing Your Investment
Nikon Z mount features 21 native lenses, predominantly APS-C and full-frame Z lenses. The quality of Nikon’s optics is top-tier, with excellent primes and zooms, including fast portraits and wildlife lenses.
Olympus’s Micro Four Thirds mount benefits from a sprawling catalog of 118 lenses - the biggest in the mirrorless world. This provides options from affordable primes to super-telephotos, many compact and lightweight, a big plus for travel and wildlife.
Adaptation is possible on both ends, but Nikon’s Z mount is newer and more limited in APS-C native designs, partly due to being initially full-frame oriented.
Lens takeaway: Olympus for sheer volume and diversity, Nikon for high-quality optics with more recent development.
Connectivity, Storage, and Battery Life
Both cameras support built-in Wi-Fi and Bluetooth for seamless smartphone tethering and remote control.
Storage-wise, each takes a single UHS-II SD card slot - ideal for fast write speeds but no dual slots to back up images on the fly.
Battery life: Olympus-rated slightly higher with 360 shots per charge versus Nikon’s 300. Olympus uses the BLS-50 lithium pack; Nikon’s EN-EL25 is smaller, affecting longevity. Both benefit from USB charging for top-up convenience.
Summing Up Performance: Scores and Verdicts
After thorough testing across photographic genres, here’s a distilled scoring summary:
| Photography Type | Nikon Z fc Score | Olympus PEN E-P7 Score | Winner |
|---|---|---|---|
| Portrait | 9/10 | 7.5/10 | Nikon |
| Landscape | 8.5/10 | 8/10 | Nikon (slight) |
| Wildlife | 8/10 | 7.5/10 | Nikon |
| Sports | 8.5/10 | 7/10 | Nikon |
| Street | 7.5/10 | 8.5/10 | Olympus |
| Macro | 7.5/10 | 7/10 | Nikon (focus bracketing) |
| Night/Astro | 8.5/10 | 7/10 | Nikon |
| Video | 7/10 | 7.5/10 | Olympus |
| Travel | 7/10 | 8.5/10 | Olympus |
| Professional Use | 8/10 | 6.5/10 | Nikon |
So, Which One is Right for You?
Choose the Nikon Z fc if:
- You want classic SLR-style ergonomics with tactile dials
- You prioritize APS-C sensor image quality, especially for portraits and low light
- You shoot fast action, wildlife, or sports frequently and need speedy, reliable AF
- You require an EVF and external mic support for video and professional workflows
- You appreciate a smaller but high-quality native Z lens selection and Nikon system compatibility
Choose the Olympus PEN E-P7 if:
- Portability and light weight are paramount (travel, street photography)
- You want the widest lens options in a compact Micro Four Thirds system
- In-body image stabilization is critical for handheld macro or video work
- You prefer a more affordable entry into mirrorless with fun retro rangefinder styling
- You primarily shoot casual photos, travel, or vlog with steady video footage without pro audio demands
Final Thoughts: Old School Style Meets Modern Tech - Two Cameras, Two Minds
The Nikon Z fc and Olympus PEN E-P7 both serve the entry-level mirrorless space with style and substance, yet they cater to subtly different needs and shooting philosophies. Nikon’s APS-C prowess and advanced AF make it a versatile tool for serious enthusiasts and semi-professionals craving image quality. Olympus offers unbeatable portability, stabilization, and lens diversity, ideal for on-the-go shooters and those prioritizing mobility.
Neither is perfect; lack of weather sealing and limited battery life slightly temper their appeal in rugged pro environments. However, for the price point, they deliver solid real-world performance that can carry a photographer through diverse creative challenges.
- oh wait, we already showed that - enjoy this final image gallery from both cameras showcasing their output character and creative styles.
May your next camera be the one that not only fits your hand but unlocks your creative vision.
As always, I encourage hands-on testing with your preferred lenses and shooting preferences before purchase. Technical specs and scores tell one story - but how a camera feels and inspires you is what really counts.
Nikon Z fc vs Olympus E-P7 Specifications
| Nikon Z fc | Olympus PEN E-P7 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Olympus |
| Model | Nikon Z fc | Olympus PEN E-P7 |
| Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2021-06-28 | 2021-06-09 |
| Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor dimensions | 23.5 x 15.7mm | 17.4 x 13mm |
| Sensor surface area | 369.0mm² | 226.2mm² |
| Sensor resolution | 21 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
| Full resolution | 5568 x 3712 | 5184 x 3888 |
| Max native ISO | 51200 | 25600 |
| Max boosted ISO | 204800 | - |
| Min native ISO | 100 | 200 |
| RAW support | ||
| Min boosted ISO | - | 100 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 209 | 121 |
| Lens | ||
| Lens mounting type | Nikon Z | Micro Four Thirds |
| Available lenses | 21 | 118 |
| Focal length multiplier | 1.5 | 2.1 |
| Screen | ||
| Type of screen | Fully Articulated | Tilting |
| Screen sizing | 3 inch | 3.00 inch |
| Resolution of screen | 1,040k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.68x | - |
| Features | ||
| Slowest shutter speed | 30 seconds | 60 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
| Maximum silent shutter speed | - | 1/16000 seconds |
| Continuous shooting rate | 11.0 frames/s | 8.7 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 5.40 m (at ISO 100) |
| Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off | Redeye, Fill-in, Flash off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 1 (5 GBit/sec) | BLS-50 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 445 gr (0.98 lb) | 337 gr (0.74 lb) |
| Dimensions | 135 x 94 x 44mm (5.3" x 3.7" x 1.7") | 118 x 69 x 38mm (4.6" x 2.7" x 1.5") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 shots | 360 shots |
| Battery type | Battery Pack | Battery Pack |
| Battery model | EN-EL25 | BLS-50 |
| Self timer | Yes | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC card (UHS-II supported) |
| Card slots | One | One |
| Pricing at launch | $949 | $800 |