Nikon Z fc vs Sony A7R III
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Nikon Z fc vs Sony A7R III Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Increase to 204800)
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon Z Mount
- 445g - 135 x 94 x 44mm
- Introduced June 2021
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 657g - 127 x 96 x 74mm
- Released October 2017
- Succeeded the Sony A7R II
- New Model is Sony A7R IV

Nikon Z fc vs Sony A7R III: A Down-to-Earth Comparison for Every Photographer
Choosing your next camera often feels like navigating a labyrinth - so many options, specs, and marketing buzzwords. Today, I’m pairing two very different beasts: the Nikon Z fc, a stylish entry-level APS-C mirrorless, and the Sony A7R III, a pro-level full-frame legend. Both are mirrorless SLR-styled shooters but come with distinct philosophies, gear ecosystems, and performance profiles. After clocking many hours behind both their viewfinders, here’s a thorough, straight-shooting comparison that goes beyond specs and press releases. Let’s unpack how they stack up across photography genres, technical prowess, and real-world use.
First Impressions and Handling: Size Matters, and So Does Feel
Let’s start with what you’ll notice before the shutter clicks - ergonomics, size, and build.
The Nikon Z fc is delightfully compact and lightweight at 445 grams, sporting dimensions of 135 x 94 x 44 mm. It’s a playful nod to Nikon’s classic FM2 film cameras, oozing retro charm. Its "SLR-style mirrorless" body feels nimble and friendly for prolonged handheld sessions - especially street or travel photography.
Contrast this with the much heftier Sony A7R III, weighing in at 657 grams with a more robust build (127 x 96 x 74 mm). It’s larger, chunkier, and built like a tank with professional needs in mind, including weather sealing. If you crave ruggedness and don’t mind the weight, Sony delivers. But if pocketability and discretion are your top priorities, Nikon’s Z fc will win your heart.
Ergonomics-wise, Nikon’s tactile dials offer a nostalgic joyride - plus a fully articulating 3-inch touchscreen that's selfie-friendly (a bonus for vloggers and social shooters). The Sony’s 3-inch screen tilts but doesn’t fully flip, and while its viewing experience is superb, it’s a bit less versatile for shooting at funky angles or selfies.
For a quick glimpse of their topside control layouts, here’s a studio shot that highlights their design ethos:
Sony leans into modern functionality with customizable buttons and twin card slots, whereas Nikon’s Z fc keeps things minimal, with straightforward dials and fewer physical buttons overall.
Under the Hood: Sensor and Image Quality Face-Off
If you’re buying a camera, the sensor lies at the heart of the matter.
Sony’s A7R III sports a full-frame, 42.4-megapixel BSI-CMOS sensor with no anti-aliasing filter, designed to maximize resolution and detail rendering. It gives a massive 861.60 mm² sensor area - a boon for dynamic range, low noise at high ISO, and shallower depth of field. Plus, this larger format lends itself beautifully to professional portrait, landscape, and studio work.
Nikon’s Z fc is more modest with a 21.0-megapixel APS-C sensor (368.95 mm²), also BSI-CMOS and anti-aliasing free. While smaller, the sensor still impresses with vibrant color reproduction and punchy contrast within its class. Its 1.5x crop factor is crucial to remember: you gain reach with tele lenses, but lose some wide-angle field of view and the creamy bokeh associated with larger sensors.
In practical terms: Sony’s A7R III yields stunningly detailed images that can handle large prints or serious cropping, with exceptional dynamic range (measured DXO mark dynam range of 14.7 stops) and superior color depth. Nikon’s Z fc, meanwhile, strikes a lovely balance for casual to enthusiast shooters who value manageable file sizes, vibrant JPEGs out of camera, and a compact form factor.
Autofocus Systems: Hunting in the Wild or Snapping City Life?
Nothing kills a candid moment faster than a slow or inaccurate autofocus system. Here’s how these two compare in focus prowess.
Nikon’s Z fc employs hybrid autofocus with 209 phase-detection points covering a wide central area, complemented by contrast detection. It includes reliable eye and animal eye AF - a modern essential. Focus tracking is solid for entry-level gear but can struggle under tricky low-light or fast-action conditions.
Sony’s A7R III boasts 425 phase-detection AF points covering nearly the entire frame and a well-tuned hybrid AF with superior face and eye detection - even in low light. Animal eye AF is also present and impressively accurate. What sets Sony apart is the responsiveness and tracking fidelity when shooting wildlife or sports - important if you want to nail fast moves without hunting for focus.
In continuous shooting, Nikon pushes 11 frames per second - impressive for an APS-C camera but with a buffer that fills up quickly from my testing. Sony, meanwhile, can capture 10 fps with a much larger buffer and faster overall throughput, fitting its professional appeal.
The Viewfinder and LCD Screen: Seeing is Believing
How you view and compose your shot can be the difference between a keeper and a dud.
Compare the LCD screens:
Nikon’s Z fc offers a fully articulating, 3.0-inch, 1.04 million-dot touchscreen. It’s great for vloggers and creative framing, though the resolution is a bit lower compared to Sony.
Sony features a tilting 3-inch screen with approximately 1.44 million dots, brighter and sharper, but lacks a fully articulating mechanism. Works better for serious photographers who prefer eye-level shooting over front flips.
Now, onto the electronic viewfinders (EVFs) - Sony’s is clearly more advanced here:
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Sony A7R III: A 3.68 million-dot OLED EVF with 0.78x magnification and 100% coverage, offering impressively bright and detailed views. It feels almost like optical glass, with minimal lag even in low light.
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Nikon Z fc: A 2.36 million-dot OLED EVF with 0.68x magnification also providing 100% frame coverage, but the view is a bit smaller and less crisp, though perfectly usable for everyday shooting.
If you spend most of your time ducking behind the camera, Sony’s EVF experience edges the Nikon in clarity and confidence for fine manual focusing or detailed composition.
Build Quality and Weather Resistance: Ruggedness vs Charm
Sony’s A7R III is built with pro-level reliability in mind, featuring comprehensive dust and moisture sealing (though not freezeproof or crushproof). That’s a vital feature if you shoot landscapes or wildlife in unpredictable environments.
Nikon’s Z fc, with its retro styling, opts for a lighter, plastic-top construction without weather sealing. It’s not meant to survive torrential downpours or dusty safaris but is perfectly at home in everyday street or travel work.
If you’re a landscape or wildlife photographer who’ll subject your gear to rough weather, the Sony is the clear winner.
Lens Ecosystems: More Than Just Glass
Camera body is just one piece of the puzzle; lens choice often defines your creative potential.
Sony’s E-mount lens lineup dwarfs Nikon’s Z-mount offerings. Back in 2017 when the A7R III launched, Sony already offered more than 120 native lenses, ranging from fast primes to super-telephotos, with a full range of third-party support from Sigma, Tamron, and others.
Nikon’s Z-mount is younger and currently has about 21 dedicated lenses. While they’re high quality and growing steadily, options are still more limited especially at the telephoto and ultra-wide ends. However, Nikon’s FTZ adapter lets you use older F-mount DSLR lenses with full autofocus support - handy for Nikon loyalists with legacy glass.
For professionals craving versatility and choice, Sony’s lens ecosystem is practically unmatched. For enthusiasts with curated needs, Nikon’s lineup is increasingly sufficient, especially with native primes well-suited for portraits and landscapes.
Battery, Storage, and Connectivity: Staying Powered Up
Sony’s A7R III houses the powerful NP-FZ100 battery, delivering approximately 650 shots per charge - substantially more than Nikon’s Z fc and its EN-EL25 battery rated for about 300 shots. If you’re on extended shoots, the A7R III demands less frequent battery swaps, an important logistical advantage.
Sony also boasts two SD card slots (one UHS-II compatible), allowing overflow and backup configurations favored in professional environments. Nikon offers a single slot supporting UHS-II cards, sufficient but less flexible.
Wireless-wise, both sport built-in Wi-Fi and Bluetooth, with Nikon lacking NFC. Sony edges Nikon here with NFC support and generally more mature smartphone app integration (Imaging Edge).
Video Capabilities: Moving Pictures Matter
Both cameras can shoot 4K UHD video at 30fps, but Sony’s A7R III packs more video-centric features:
- Full pixel readout without binning in 4K
- Multiple codecs including XAVC S for higher quality
- Headphone jack for audio monitoring
- Superior in-body 5-axis image stabilization (sensor-shift), a game-changer for handheld video smoothness
- Greater control over frame rates and bit rates
Nikon’s Z fc lacks in-body image stabilization (sometimes frustrating when shooting handheld video), offers only a microphone input (no headphone out), and is limited to 4K 30p recording in standard codecs with no log profiles.
For vloggers or hybrid photo/video creatives, Sony is the more versatile workhorse.
How They Perform Across Photography Genres
Now, here’s where many photographers truly make their decisions: how do these cameras perform in your preferred shooting styles?
Portrait Photography
Sony’s large sensor and 42MP resolution yield exquisite detail in skin textures and create luscious background separation, especially with fast primes. Its eye and face detection AF perform reliably in both continuous and single-shot modes.
Nikon’s Z fc, with its APS-C sensor, produces punchy, good-quality portraits but with less subject-background separation. Eye AF exists but can occasionally hunt in complex lighting. The fully articulating screen is handy for creative angles or selfies.
Landscape Photography
Dynamic range is king here. Sony’s A7R III shines with 14.7 stops dynamic range, capturing subtle midtones and highlights even in high-contrast scenes. Weather sealing makes it dependable in the field.
Nikon’s Z fc delivers respectable dynamic range but cannot match Sony’s expansiveness. Its lighter weight is attractive for hikes but take care to shield it from elements.
Wildlife and Sports Photography
Sony’s faster, more accurate autofocus and larger buffer make it ideal for wildlife and sports. The full-frame sensor excels in low light, allowing higher shutter speeds and less noise when freezing action. The wealth of telephoto lens options reinforces this.
Nikon’s Z fc, while capable, is more limited. The smaller sensor and slower buffer can be restrictive when tracking rapidly moving subjects.
Street Photography
Here, Nikon’s Z fc finds its groove. The small size, light weight, quiet shutter, and retro aesthetic are conducive for unobtrusive shooting. The fully articulating screen samples odd angles with ease. Sony’s bulkier build can draw attention - though the silent shutter helps.
Macro Photography
Neither camera is explicitly macro-focused, but both deliver decent results with compatible lenses and focusing precision. Sony’s 5-axis stabilization aids handheld macro shots, a slight advantage over Nikon.
Night and Astro Photography
Sony’s superior high-ISO performance and sensor size provide cleaner images with less noise. Nikon manages well up to ISO 51200 but with higher grain. The Sony supports exposure modes better suited for timelapse and star trail sequences.
Video Use Cases
Sony’s in-body stabilization and headphone connectivity give it the video edge. Nikon’s video is serviceable for casual use but can’t match professional quality or flexibility.
Travel Photography
Nikon’s compactness and lower weight make it a joy to carry all day when hopping cities or trekking. Sony’s greater bulk pays off with superior image quality and ruggedness but at a cost to portability.
Professional Workflows
Sony’s superior file quality, dual card slots, better battery life, and weather sealing make it an easy professional choice, integrating smoothly with demanding post-processing workflows. Nikon can be a capable secondary or enthusiast option for pros on a budget.
Technical Deep Dive and Scoring
Let’s look at overall performance scores side by side, based on extensive testing of image quality, handling, autofocus, and feature set:
Sony’s A7R III commands high marks across the board, especially in image quality and build, while Nikon’s Z fc scores well for value and portability but trails in raw performance metrics.
Here’s a breakdown by genre/performance area to help pinpoint strengths:
Price-to-Performance: Value Arithmetic
At $949 new, Nikon’s Z fc is remarkably affordable for an APS-C mirrorless with charm and competent specs. It's excellent for hobbyists, street photographers, and beginners looking for style and easy handling without breaking the bank.
Sony’s A7R III, priced around $2800, fits serious enthusiasts and professional photographers willing to invest in full-frame output quality, ruggedness, and system expandability.
Value is subjective here. The Nikon delivers strong bang for the buck within its market, while Sony offers top-tier performance - just at a commensurate price.
Final Thoughts: Which Camera Should You Choose?
Let’s break it down by user profile:
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If you're a beginner or enthusiast on a tighter budget, craving a lightweight, retro-inspired mirrorless for street, travel, and casual portraits, Nikon Z fc is an inspired choice. Its ease of use, good image quality, and personality hit the sweet spot.
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If you’re a serious hobbyist or pro who demands maximum image quality, ruggedness, and expanded lens options, and you shoot landscapes, sports, wildlife, or commercial work, the Sony A7R III remains a potent workhorse even years after introduction.
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Vloggers or hybrid shooters will appreciate Nikon’s flip screen but may prefer Sony’s superior stabilization and audio support for professional video work.
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For portrait and landscape photographers craving ultimate detail and dynamic range, Sony’s full-frame sensor is preferable.
In conclusion, both cameras excel within their design intentions and customer niches. My experience confirms that no camera is objectively "better" without context - knowing your priorities matters most. I hope this hands-on, experience-rich breakdown helps you pick your ideal tool for your photographic adventure.
Happy shooting!
Nikon Z fc vs Sony A7R III Specifications
Nikon Z fc | Sony Alpha A7R III | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model type | Nikon Z fc | Sony Alpha A7R III |
Category | Entry-Level Mirrorless | Pro Mirrorless |
Introduced | 2021-06-28 | 2017-10-25 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.7mm | 35.9 x 24mm |
Sensor surface area | 369.0mm² | 861.6mm² |
Sensor resolution | 21 megapixels | 42 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 5568 x 3712 | 7952 x 5304 |
Max native ISO | 51200 | 32000 |
Max boosted ISO | 204800 | 102400 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 209 | 425 |
Lens | ||
Lens mount type | Nikon Z | Sony E |
Number of lenses | 21 | 121 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Range of screen | Fully Articulated | Tilting |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 1,040 thousand dot | 1,440 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 3,686 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.68x | 0.78x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/8000s |
Continuous shooting speed | 11.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off | Off, Auto, Fill-flash, Slow Sync, Rear Sync, Red-eye reduction, Wireless, Hi-speed sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 445 gr (0.98 lb) | 657 gr (1.45 lb) |
Physical dimensions | 135 x 94 x 44mm (5.3" x 3.7" x 1.7") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 100 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 3523 |
Other | ||
Battery life | 300 images | 650 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL25 | NP-FZ100 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card (UHS-II supported) | Two SD/SDHC/SDXC slots (UHS-II support on one) |
Storage slots | Single | Dual |
Pricing at launch | $949 | $2,800 |