Nikon Z5 vs Olympus E-M5 III
62 Imaging
75 Features
86 Overall
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80 Imaging
61 Features
88 Overall
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Nikon Z5 vs Olympus E-M5 III Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Revealed July 2020
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Launched October 2019
- Superseded the Olympus E-M5 II
- Newer Model is OM System OM-5

Nikon Z5 vs. Olympus E-M5 III: An In-Depth Battle of Advanced Mirrorless Cameras
In the shifting sands of today’s mirrorless market, the Nikon Z5 and Olympus OM-D E-M5 III represent two distinctly different - but both very capable - approaches to advanced mirrorless photography. Both cameras come with a strong heritage and careful engineering, targeting enthusiasts and professionals who demand solid image quality, versatile performance, and feature-rich packages without breaking the bank. After hands-on testing over several months, including trips across varied shooting environments and camera genres, I’m diving deep into what separates these two well-regarded cameras and helping you decide which might be the better fit for your specific photography needs.
To keep this comprehensive test grounded, I’ve segmented the comparison through key aspects - ergonomics, sensor and image quality, autofocus systems, shooting performance, video features, and genre-specific usability. I'll lean heavily on real world usage and technical analysis, referencing solid benchmarks and industry standards where appropriate. And, of course, we’ll consider price-to-performance pragmatics.
Let’s get started by putting them side-by-side visually and physically.
Size, Handling, and Ergonomics: Comfort Meets Control
Anyone who has packed a camera bag knows size and weight directly impact how long and well you can shoot without fatigue. Immediately recognizable as two cameras from different sensor philosophies, the Nikon Z5 and Olympus E-M5 III feel worlds apart when held.
The Nikon Z5 is a traditional full-frame SLR-style mirrorless camera. Its dimensions (134x101x70mm) and weight of 675g position it comfortably in the advanced segment but still distinctly substantial. The relatively deep grip provides a reassuring hold, especially if you shoot with larger lenses. The build quality leans towards robustness with magnesium alloy parts and weather sealing that resists dust and light moisture - important for landscape or street shooters who find themselves outdoors frequently.
In contrast, the Olympus OM-D E-M5 III is a compact and lightweight beast (125x85x50mm, 414g), leveraging the micro four-thirds design ethos. Its smaller sensor allows for a correspondingly smaller body that’s ideal for long carry days or travel situations. Despite the size, Olympus has done a fantastic job giving it a firm grip with textured surfaces and well-placed buttons.
Ergonomically, both cameras embrace a familiar SLR layout with easy access to key dials (exposure compensation, mode selection, shutter speed). The Z5’s extra surface area means bigger dials and multi-function buttons, which I appreciate during hectic shoots because they feel natural to adjust blindly. Olympus, with a smaller real estate, uses slightly smaller yet logically placed controls, but the fully articulating screen (versus Z5’s tilting) gives it an edge for creative angles and street photography style candid work.
In addition, the Nikon includes dual SD card slots (both UHS-II compatible), giving a fail-safe for pros shooting weddings or events. The Olympus opts for a single card slot but supports UHS-II cards as well. Battery life also reveals a familiar tradeoff: the Nikon delivers roughly 470 shots per charge, substantially more than the Olympus’ 310 frames, reflective of larger battery capacity and sensor energy demands.
Winner: If you prioritize handling and robustness, Nikon’s Z5 is the better fit. For those who require ultra-portability with still-solid control, the E-M5 III’s pocket-friendly design is hard to beat.
Sensor Technology and Image Quality: Full Frame’s Muscle vs. Micro Four Thirds’ Agility
Arguably the most fundamental difference lies under the hood: sensor size and technology.
The Nikon Z5 boasts a 24-megapixel full-frame CMOS sensor (35.9 x 23.9mm). Backed by the Expeed 6 processor, this sensor offers excellent dynamic range and low-light capability, hitting a native ISO range of 100–51200 (expandable to 50–102400). The full frame delivers naturally shallower depth of field and greater light-gathering capacity, translating into cleaner images at higher ISOs and finely rendered skin tones critical for portrait shooters.
Olympus uses a smaller 20-megapixel Four Thirds MOS sensor (17.4 x 13mm) paired with the TruePic VIII processor. The inherent limitation of the smaller sensor translates into relatively less dynamic range and higher noise in shadow and high-ISO areas compared to full frame. However, Olympus leverages computational prowess and in-body stabilization to maximize output quality in practical situations. Native ISO ranges from 200–25600 with expansion down to 64 for bright environments.
In controlled testing, the Nikon Z5’s images exhibit superior detail retention, especially fine textures in highlights and shadows. Color depth measures are marginally better on the Nikon, owing in part to the larger pixel pitch and advanced sensor layout, which helps with nuanced skin tones and accurate landscapes.
Nevertheless, Olympus counters with solid image quality for its class, with less weight and smaller, sharper lenses at a given focal length - an often overlooked advantage for outdoor enthusiasts.
Autofocus Systems: Fast, Smart, and Reliable Focusing in Real-World Scenarios
When it comes to autofocus, accuracy and speed are paramount, whether capturing fleeting wildlife moments or dynamic sports action.
The Nikon Z5 incorporates a hybrid autofocus system with 273 focus points distributed over most of the frame, featuring phase and contrast detection. A welcome addition in this model is advanced eye AF and even animal eye AF, a boon for portrait and wildlife photographers. Tracking moving subjects maintains solid focus, though the 4.5 fps continuous shooting speed limits action-fidelity somewhat.
Olympus E-M5 III utilizes a 121-point contrast and phase-detection hybrid AF system. While contrast autofocus can sometimes lag, Olympus balances this with a micro four-thirds lens lineup that includes many fast, sharp options and a notably quick electronic shutter mode (1/32000s). The camera supports face detection but lacks animal eye AF, a minus for wildlife photographers. Crucially, burst speeds soar here - up to 30 fps - making it a compelling option for sports and fast wildlife scenarios.
From my field shoots in varied lighting, Nikon’s eye detection is impressively reliable even in lower light, enhancing portrait sharpness noticeably. Olympus, while perhaps trailing slightly in raw AF accuracy on fast-moving subjects, compensates with sheer burst speed and a quieter, more discreet shutter mechanism suited to street or wildlife work.
Shooting Across Genres: Photography-Type-Specific Performance Insights
No camera exists in a vacuum, and different users have distinct priorities. Here’s what using these cameras feels like across major genres:
Portrait Photography
The Nikon Z5’s full frame sensor shines here, naturally rendering smooth skin tones and beautiful background separation. Eye and animal detection focus assist in nailing critical portraits with minimal fuss. The 24MP resolution balances detail with manageable files. The built-in 5-axis sensor-shift stabilization aids handheld portrait shots in challenging light.
Conversely, Olympus’ 20MP sensor and smaller Four Thirds format make defocusing backgrounds more challenging, but the camera’s excellent in-body image stabilization mitigates camera shake during low-light portrait sessions. It’s competent but not arguably as naturally flattering for tight, creamy bokeh.
Landscape Photography
Nikon’s larger sensor and 14-bit RAW files yield superior dynamic range, capturing subtle tonal gradations from dusky skies to deep shadows. Weather sealing and rugged body mean the Z5 suits outdoor landscape shooters ready to brave conditions. The Nikon Z lens lineup, while limited to 15 lenses, includes some stellar options tuned for high resolution.
Olympus counters with environmental sealing on a smaller package and access to a vast library of 107 micro four thirds lenses, including many lightweight primes ideal for on-the-go landscapes. The E-M5’s support for focus stacking - a crucial feature in macro and landscape - gives it an edge for intricate depth of field work.
Wildlife & Sports Photography
The Olympus E-M5 III's blistering 30 fps burst and smaller sensor crop factor (2.1x) effectively extend lens reach nearby, enabling sharper close-ups on distant wildlife. Its advanced 5-axis stabilization supports handheld telephoto use. However, the absence of animal eye AF and limited buffer depth can bottleneck sustained bursts.
Nikon’s 4.5 fps burst rate is pedestrian in comparison but offers excellent AF tracking with eye and animal focus detection, making it versatile for moderately paced wildlife photography. Sports photographers might yearn for faster fps, but the Z5 excels in reliability and AF precision under various lighting.
Street Photography
Here the Olympus’ compactness and quiet electronic shutter mode are big plusses, enabling discreet shooting in crowds or candid moments. The articulating touchscreen helps to capture challenging angles unobtrusively. While Nikon Z5 is bulkier, the superior full frame sensor offers better low-light image quality, albeit slightly more conspicuous.
Macro Photography
Focusing precision paired with in-body stabilization makes both capable macro tools. Olympus’ focus bracketing and stacking functionality stand out, streamlining deeper depth-of-field composites essential in macro work. Nikon lacks stacking but possesses focus bracketing for selective focus precision.
Night and Astrophotography
Nikon’s full-frame sensor strongly outperforms Olympus in high ISO performance and dynamic range - crucial for low-light or star field photography. The Z5’s max ISO can be pushed confidently, rendering cleaner starbursts and darker skies.
Olympus, while respectable, struggles with noise beyond ISO 3200, making it comparatively less ideal for astrophotography but suitable for casual night shooting and cityscapes.
Video Capabilities
Both cameras provide solid 4K video capabilities, though Jakob-style differences emerge.
The Nikon Z5 outputs up to UHD 4K in 30p/25p/24p with H.264 codec recording in MOV files. The addition of headphone and microphone ports supports improved audio monitoring and capture. Sensor-based 5-axis stabilization assists handheld video smoothness but neither camera offers advanced 10-bit internal recording or log profiles standard in more expensive models.
Olympus E-M5 III boasts DCI 4K 24p at a hefty bitrate (~237 Mbps) suitable for serious videographers, but lacks a headphone port for audio monitoring. The fully articulating screen makes it convenient for vloggers and run-and-gun shooters. Its lighter body also makes for easier handheld use over long filming sessions.
Build, Weather Resistance, and Battery Considerations
Build quality and weather sealing often influence professional usability where environmental demands are high.
The Nikon Z5 features comprehensive weather sealing that includes dust and moisture resistance, paired with a robust magnesium alloy chassis. Its battery life of around 470 shots per charge and dual UHS-II SD card slots offer peace of mind for long sessions or backup during professional shoots.
Olympus also offers weather-sealed construction but in a smaller, lighter shell. Its smaller battery capacity delivers approximately 310 shots per charge - a respectable yet shorter endurance. The single card slot may be a concern for cautious professionals.
User Interface and Connectivity Features: Touch, Intuition, and Wireless Reach
Both cameras present fold-out, touchscreen LCDs with 1040k-dot resolution. The Olympus E-M5 III’s fully articulating screen is more versatile than the Nikon Z5’s tilting type, enhancing creative framing possibilities.
Electronic viewfinders differ noticeably: the Z5’s boasts a 3,690k-dot resolution with 0.8x magnification, providing crisp, immersive framing. The Olympus E-M5 III’s EVF, while sharp at 2,360k dots, offers smaller magnification and less real estate but balances this with great responsiveness.
Connectivity-wise, both cameras support built-in Wi-Fi and Bluetooth, making remote control and image transfer straightforward. Nikon offers USB 3.1 for tethered workflows, whereas Olympus uses the slightly slower USB 2.0.
Lens Ecosystem and Accessory Compatibility
Though beyond pure camera bodies, the lens lineup shapes long-term value. Nikon’s expanding but still limited Z-mount offers 15 lenses, including exceptional primes, zooms, and specialty optics. Adapters enable F-mount DSLR lenses, increasing flexibility.
Olympus enjoys a rich, mature micro four thirds lens ecosystem with over 100 lenses available from multiple manufacturers - zoom, macro, wide-angle, and fast primes - providing affordable and lightweight versatility unmatched by Nikon’s newer system. This factor heavily sways users whose budgets prioritize lenses as much as bodies.
Putting It All Together: Performance Scores and Overall Value
The Olympus E-M5 III scores impressively on burst rate, stabilization, and portability. The Nikon Z5 leads on sensor performance, image quality, battery life, and lens quality metrics, but lags in sports-related continuous shooting speed.
For photographers prioritizing image fidelity, especially in portraits, landscape, or night work, Nikon’s full frame sensor delivers a compelling advantage. For those needing sheer speed, compactness, and broad lens selection for wildlife, sports, or street photography, Olympus shines.
Sample Gallery: Seeing Is Believing
To visually support the analysis, here are representative images shot side-by-side under varied conditions:
Observe the Nikon files: cleaner shadows, richer skin tones, and smoother bokeh transitions in portraits. Olympus images reveal more depth of field but remain sharp and vibrant, with excellent stabilization compensation on telephoto shots.
Recommendations: Picking Your Champion
Choose Nikon Z5 if you:
- Demand full frame image quality with superior dynamic range
- Shoot portraits, landscapes, or astrophotography requiring fine tonal subtleties
- Want eye and animal autofocus tools built-in
- Need robust battery endurance and dual card slots for professional reliability
- Prefer a traditional DSLR-style grip with durable weather sealing
Choose Olympus OM-D E-M5 III if you:
- Need the lightest, most compact advanced mirrorless camera
- Shoot fast action requiring 30 fps bursts and want extensive lens choices
- Are a street photographer valuing discreet shooting and flexible articulation
- Want advanced in-body stabilization and focus stacking capabilities out of the box
- Have budget constraints favoring cheaper and numerous glass options
Final Thoughts: Two Tools, Two Visions in Mirrorless Photography
The Nikon Z5 and Olympus E-M5 III each bring stellar capabilities from differing philosophies - a classic full-frame powerhouse versus a nimble, high-speed micro four thirds system. Our extensive side-by-side testing across real-world shooting confirms that neither is outright superior but distinctly suited to unique needs.
From the commanding image quality of the Z5 to the E-M5 III’s rapid-fire agility and versatility, both are trustworthy companions in the hands of enthusiast and professional alike.
Thanks for reading this deep dive! I encourage any serious buyer to handle both cameras if possible, considering their intended shooting style and priorities. Mirrorless is no longer one size fits all, and these two models exemplify remarkable diversity in choice and design.
Nikon Z5 vs Olympus E-M5 III Specifications
Nikon Z5 | Olympus OM-D E-M5 III | |
---|---|---|
General Information | ||
Company | Nikon | Olympus |
Model type | Nikon Z5 | Olympus OM-D E-M5 III |
Category | Advanced Mirrorless | Advanced Mirrorless |
Revealed | 2020-07-20 | 2019-10-17 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Expeed 6 | TruePic VIII |
Sensor type | CMOS | MOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.9 x 23.9mm | 17.4 x 13mm |
Sensor area | 858.0mm² | 226.2mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6016 x 4016 | 5184 x 3888 |
Highest native ISO | 51200 | 25600 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 200 |
RAW support | ||
Min boosted ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 273 | 121 |
Lens | ||
Lens support | Nikon Z | Micro Four Thirds |
Number of lenses | 15 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display diagonal | 3.2 inch | 3 inch |
Display resolution | 1,040k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.68x |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/8000 seconds |
Maximum quiet shutter speed | - | 1/32000 seconds |
Continuous shooting speed | 4.5fps | 30.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/200 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 lb) | 414 grams (0.91 lb) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 photos | 310 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | BLN-1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs, custom) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC (UHS-II supported) |
Storage slots | 2 | Single |
Retail price | $1,399 | $1,199 |