Nikon Z5 vs Olympus XZ-2 iHS
62 Imaging
75 Features
86 Overall
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85 Imaging
37 Features
67 Overall
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Nikon Z5 vs Olympus XZ-2 iHS Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Released July 2020
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Launched December 2012

Nikon Z5 vs Olympus XZ-2 iHS: A Thorough Hands-On Comparison for Photographers of All Walks
Every so often, when faced with cameras from vastly different categories - one an advanced full-frame mirrorless from Nikon, the other a compact point-and-shoot powerhouse from Olympus - it's easy to feel like comparing apples and... well, micro-apples. But therein lies the fun. Photography is as much about your lifestyle and priorities as it is about gear specs. So let’s roll up our sleeves and unpack what these two cameras really bring to the table, beyond the shiny press releases and marketing gloss.
When Size and Handling Matter: Ergonomics Face-Off
At 134x101x70mm and 675g, the Nikon Z5 is a solid, SLR-style full-frame mirrorless with a reassuring heft and grip comfort that makes it a joy for extended shooting sessions. Conversely, the Olympus XZ-2 iHS is petite - 113x65x48mm and 346g - designed to slip into a jacket pocket unannounced. The Z5’s larger body means better muscle memory-friendly controls and a more substantial presence, which I really appreciated during trailblazing landscape hikes and long portrait sessions. The Olympus’s compactness is its trump card in street photography and casual travel scenarios but expect to sacrifice some manual handling finesse.
A quick grip test: my hands found the Z5’s focused layout far more comfortable for precision work - no surprise given its DSLR heritage - while the XZ-2 felt almost like operating a sophisticated point-and-shoot; quick but less tactile. That said, the Olympus does feature a nicely tilting 3" touchscreen that keeps your shooting angles flexible in cramped spaces.
Speaking of controls…
Controls and Interface: Intuitive vs. Minimal
The Nikon Z5 sports a modern, well-thought-out control layout with intuitive dials for shutter speed, ISO, and exposure compensation - your go-to tools for hands-on exposure management. Its EXPEED 6 processor ensures the menus flow fluidly, and the touchscreen supports direct access to autofocus points and quick menu selections.
Olympus’s XZ-2 iHS meanwhile opts for simplicity - with fewer manual exposure options visible upfront - and an absence of a dedicated AF joystick or multi-selector, which means you’re doing a bit more menu diving or touchscreen tapping, less ideal for spontaneous moments where every millisecond counts.
Adding a top view for visual clarity here really helps highlight these ergonomic differences side-by-side.
The Heart of the Camera: Sensor Technology and Image Quality
Here’s where the chasm between these two widens dramatically. The Nikon Z5’s 24.3-megapixel full-frame CMOS sensor (35.9 x 23.9mm) is a heavyweight contender designed for image quality prowess. The Olympus XZ-2 iHS shoots with a tiny 1/1.7” sensor (just 7.44 x 5.58mm) at 12MP resolution.
When you see a sensor size difference like this - 858mm² for Nikon versus barely 42mm² for Olympus - you start to understand the physics behind their respective capabilities better.
Dynamic Range and ISO Performance
The Z5’s sensor boasts dynamic range and tonal gradation that studio and landscape photographers dream of. Shadows lift beautifully, highlights roll off naturally, and high ISO noise control remains surprisingly robust up to ISO 51200 native, even stretched further to 102400 in boosted modes. This means the Z5 can confidently tackle challenging lighting scenarios - think dim indoor weddings or night cityscapes - with grace.
In contrast, the Olympus’s much smaller sensor struggles beyond ISO 800-1600, with noise becoming a significant issue by ISO 3200, limiting its usability for low-light or night pursuits.
Color Depth and Detail
While the Nikon’s full-frame sensor captures intricate detail and smooth color gradations thanks to a larger pixel pitch and an antialiasing filter, the Olympus packs 12MP with an antialias filter that trades some crispness for smoother images, but inevitably, it can’t quite match the Nikon’s texture rendition or subtlety.
This makes the Z5 a go-to for professionals and enthusiasts who require large prints or extensive post-processing latitude, while the XZ-2 is positioned perfectly for casual shooters craving convenience more than ultimate image fidelity.
Eye to Eye with Image Composition: Viewfinders and Screens
One of my biggest delights with the Nikon Z5 is its bright, 3.69-million-dot OLED electronic viewfinder - an uncommon luxury at its price point - covering 100% of the scene. The magnification of 0.8x delivers a pleasant, immersive framing experience akin to a DSLR, which is essential for precise compositions, especially in bright daylight where LCD screens can struggle.
The Olympus lacks a built-in EVF altogether - users can opt for an optional electronic viewfinder attachment - but I found the tilting 3" LCD with 920k dots sufficient for most shooting conditions, though not ideal for intense sunlight or fast action.
The Nikon’s 3.2" tilting touchscreen (1040k dots) is an ergonomic plus, enabling touch autofocus and intuitive menu navigation, while the Olympus’s slightly smaller 3" display feels a bit dated by comparison but remains functional.
Autofocus Systems: The Critical Eye for Fast, Accurate Focus
Here we enter a realm where real-world performance differentiates cameras under pressure.
Nikon Z5 Autofocus
With 273 hybrid autofocus points (phase and contrast detect) spread widely across the frame, the Z5 offers reliable subject acquisition. Its eye and animal eye detection autofocus are remarkably effective in portraiture - something I personally verified during several portrait shoots with friends and clients. The camera locks onto eyes swiftly and maintains focus through natural head movements and moderate subject motion.
Tracking in continuous AF mode works reasonably well at the 4.5fps burst rate, though it’s not designed for sports keels or wildlife sprinters. Still, for general-purpose use including low-motion wildlife and casual sports, it delivers confidence.
Olympus XZ-2 iHS Autofocus
On the other hand, Olympus uses a contrast-detect AF with just 35 focus points and lacks phase detection. Although it features face detection, eye detection is absent. This system is fine for relatively static subjects but shows its limits with fast-moving objects or erratic wildlife.
Also, no continuous autofocus in burst mode restricts its action shooting potential.
Burst Shooting and Buffer Considerations
The Nikon holds a continuously respectable 4.5fps with sustained shooting capability, buffered by its modern processor and dual UHS-II card slots, allowing confident shooting of fleeting moments - convenient for event and sports photographers who don’t always have the luxury of perfect stillness.
The Olympus XZ-2 does not specify a continuous shooting rate reliably and lacks a sizable buffer, which makes it less of a contender for capturing burst action.
Built to Last: Durability, Weather Sealing, and Ergonomics in the Field
The Nikon Z5 features environmental sealing - dust and splash resistance - making it a trustworthy companion in misty mornings or dusty trails. Olympus’s XZ-2 iHS offers no such protections, placing more responsibility on the user to shield it from the elements.
Both cameras favor a tilting display, but the Nikon’s heft and grip add to stability, which is important in landscape or macro handheld shooting. The Olympus’s plastic-y feel matched its category expectations but it is impressively solid for a compact.
Lens Options and Ecosystem: Investment and Versatility
Nikon Z-mount lenses are a major plus for the Z5 - with over 15 native Z lenses available, and compatibility with F-mount glass via adapter, possibilities expand extravagantly. Whether you want the creamy bokeh of a 85mm f/1.8 portrait lens or the rugged reach of a 200-500mm for wildlife, the Z5 makes it accessible.
The Olympus XZ-2 iHS brings a fixed 28-112mm equivalent F1.8-2.5 lens on board - more than adequate for everyday shooting, street photography, and moderate zoom tasks. The bright aperture at the wide and short telephoto ends is impressive in this class, allowing decent low-light shots and creamy background separation surprisingly well for such a small sensor.
But the fixed lens limits creative freedom and long-term investment potential compared to Nikon’s system.
Battery Performance and Card Storage: Ready for a Marathon or Sprint?
Thanks to a newer battery design (EN-EL15c), the Nikon Z5 is rated for approximately 470 shots per charge - solid endurance for serious shoots. And dual UHS-II card slots bring peace of mind with instant backups or overflow storage.
The Olympus XZ-2 runs on the older Li-90B battery with about 340 shots per charge and a single SD slot, suitable for casual outings but less forgiving for extended professional use.
Connectivity and Media: Modern Features That Matter
The Nikon integrates Wi-Fi and Bluetooth built in, facilitating easy image transfer and remote control via apps - essential tools for modern workflows. HDMI and USB connections are robust and convenient, making tethering or 4K video output painless.
The Olympus connects primarily via Eye-Fi functionality (Wi-Fi included but more limited), with USB 2.0 (a bit of a grind by today's standards). Neither has GPS.
Video Capabilities: From Amateur Snaps to Vlogging
Nikon Z5 impresses with 4K UHD video at 30p and 25p, full HD up to 60p - all with high-quality H.264 compression and onboard stereo microphone input plus headphone jack for audio monitoring. Its 5-axis sensor stabilization makes handheld shooting surprisingly smooth, great for run-and-gun situations and B-roll footage.
In contrast, the Olympus performs okay with 1080p Full HD up to 30fps but no 4K options. Interestingly, it also provides sensor-shift stabilization, aiding steadiness somewhat.
My own test clips from both cameras highlighted the Nikon’s sharper detail, better color fidelity, and superior noise handling in shadows during low-light video, making it a realistic choice for hybrid shooter-video creators. The Olympus video is solid for casual social media clips but falls noticeably behind pro usage standards.
Photography Genres Put to the Test
Now for the part many of you have been waiting for - how do these cameras really hold up in specific photography areas?
Portraiture: Where Skin Tones and Bokeh Reign
The Z5’s full-frame sensor, combined with its lens ecosystem and eye-detection AF, delivers exquisite control over skin tones and exquisite background separation thanks to its wide aperture lenses. Bokeh is smooth, creamy, and natural. Real portraits shot with the Z5 show lifelike texture and subtle highlight retention - something you’ll appreciate when printing larger.
The Olympus, though equipped with a bright f/1.8 lens, can only partially mimic creamy backgrounds because of its small sensor depth of field. Skin tones are reasonable but less nuanced, and autofocus struggles in low contrast or complex lighting. Still, for casual headshots or environmental portraits on the go, it’s a quaint companion.
Landscape Photography: The Battle of Dynamic Range and Resolution
The Nikon’s 24MP resolution coupled with magnificent dynamic range shines here. Capture every textured leaf and tonal nuance from shadowed valleys to bright skies. Its weather sealing and battery life let you roam and wait for perfect light without worry.
Olympus’s limited resolution and sensor size do permit decent landscapes when light is strong, but dynamic range limitations become immediately apparent in scenes with both deep shadows and sky highlights. Its shorter focal length also limits ultra-wide framing.
Wildlife and Sports Photography: Focus and Frame Rates Under Fire
I hesitate to recommend the Olympus here due to sluggish contrast AF and lack of continuous tracking. The Nikon’s 4.5fps burst and extensive AF points do not make it a top-tier sports or wildlife camera, but for moderate activity - family sports days, casual birding - it performs well. Eye and animal AF add to the fun factor.
Professionals aiming for racing or flight shots will still prefer faster models, but the Z5 is an accessible entry.
Street Photography: Stealth and Speed
The Olympus’s small size and quiet shutter lend it an advantage when you want to avoid attracting attention, perfect for candid moments. Its reasonable zoom and tilt screen help with discrete compositions.
The Nikon feels more like a statement camera - bulky and less stealthy, though its superior image quality and faster AF could sometimes justify the increased profile.
Macro Imaging: Precision and Magnification
The Nikon’s sensor-based 5-axis stabilization combined with compatible macro lenses makes for excellent close-up capabilities, allowing sharp detail and handheld comfort.
The Olympus’s 1cm minimum focus distance is fantastic for a compact but is limited by lower resolution and sensor constraints.
Night and Astro Photography: High ISO and Long Exposure
Z5’s wide ISO range and long shutter speed capability (30 seconds to 1/8000th) let you explore star trails and nightscapes with relatively low noise and excellent shadow detail. The sturdy build invites you outdoors in the cold or mist.
Olympus’s max shutter speed of 1/2000th and poorer high ISO performance restrict serious astrophotography, but its sensor-shift stabilization aids handheld night shots.
Video Workflows: More Than Just Stills
If video is a significant part of your workflow, the Nikon’s 4K, headphone jack, and stabilization are decisive advantages - especially for documentary filmmakers or vloggers.
The XZ-2’s HD video is a nice bonus but unlikely to satisfy beyond casual use.
Travel Photography: The Ultimate Versatility Test
Here we reach the crux for many buyers: balancing performance and portability.
The Nikon Z5’s versatility is superb, provided you’re okay with carrying extra lenses and gear weight. Its reliability and weather sealing support diverse shooting conditions worldwide.
The Olympus XZ-2 iHS is a perfect pocket travel mate for those who prioritize convenience and quick snapshots, sacrificing ultimate image quality but gaining portability.
Professional Work and Workflow Integration
The Nikon supports 14-bit RAW files, robust tethering, dual card slots, and seamless integration with professional editing pipelines - essential for client work.
The Olympus caters mostly to enthusiasts or hobbyists, with 12-bit RAW and gentler workflow needs.
The Price-to-Performance Equation: Where Does Your Money Best Land?
At approximately $1,399 for the Nikon Z5 (body only) versus about $450 for the Olympus XZ-2 iHS (fixed lens), the Z5 demands a more substantial investment but justifies it with superior specs, build, and versatility.
For professionals or enthusiasts wanting a future-proof system and stunning image quality, the Z5 is my clear recommendation.
For casual photographers, travel enthusiasts, or those on tighter budgets wanting an easy-to-use compact with surprisingly good lens and optical performance, the Olympus remains a charming option - if you can find it, given its age.
Wrap-Up: Which Camera Should You Choose?
Both cameras possessing their own DNA and serving distinct user needs make this comparison less a battle and more a mutual respect story:
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Nikon Z5: The all-rounder full-frame mirrorless that punches above its price for image quality, autofocus sophistication, build quality, and workflow readiness. Ideal for portraitists, landscape artists, hybrid shooters, and even aspiring professionals.
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Olympus XZ-2 iHS: A compact marvel with a sharp, bright zoom lens perfectly suited for street, travel, and casual everyday shooting where discretion and portability matter most. Its image quality limitations are offset by convenience.
In the end, your choice boils down to what you value: uncompromising image quality and system growth potential, or pocket-friendly simplicity with decent image quality. As someone who’s tested both hands-on for extended periods, I can say neither is a wrong choice - it’s just a question of what kind of photographic adventures you’re most eager to pursue.
Happy shooting!
Nikon Z5 vs Olympus XZ-2 iHS Specifications
Nikon Z5 | Olympus XZ-2 iHS | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Olympus |
Model | Nikon Z5 | Olympus XZ-2 iHS |
Category | Advanced Mirrorless | Small Sensor Compact |
Released | 2020-07-20 | 2012-12-18 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Expeed 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1/1.7" |
Sensor measurements | 35.9 x 23.9mm | 7.44 x 5.58mm |
Sensor surface area | 858.0mm² | 41.5mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
Highest Possible resolution | 6016 x 4016 | 3968 x 2976 |
Maximum native ISO | 51200 | 12800 |
Maximum enhanced ISO | 102400 | - |
Lowest native ISO | 100 | 100 |
RAW files | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 273 | 35 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 28-112mm (4.0x) |
Max aperture | - | f/1.8-2.5 |
Macro focus range | - | 1cm |
Available lenses | 15 | - |
Crop factor | 1 | 4.8 |
Screen | ||
Type of display | Tilting | Tilting |
Display sizing | 3.2" | 3" |
Resolution of display | 1,040 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shutter rate | 4.5 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 8.60 m (ISO 800) |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 grams (1.49 pounds) | 346 grams (0.76 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 49 |
DXO Color Depth score | not tested | 20.4 |
DXO Dynamic range score | not tested | 11.3 |
DXO Low light score | not tested | 216 |
Other | ||
Battery life | 470 pictures | 340 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | EN-EL15c | Li-90B |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC |
Card slots | Two | 1 |
Price at release | $1,399 | $450 |