Nikon Z5 vs Panasonic FH5
62 Imaging
75 Features
86 Overall
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96 Imaging
38 Features
31 Overall
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Nikon Z5 vs Panasonic FH5 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Released July 2020
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Released January 2011
- Additionally Known as Lumix DMC-FS18

Nikon Z5 vs Panasonic Lumix DMC-FH5: A Real-World Dive Into Two Worlds of Photography
When you start poking around the camera market, you quickly realize - not all cameras are created equal. And comparing a more recent Nikon Z5, an advanced full-frame mirrorless, to an aging but affordable Panasonic Lumix DMC-FH5 compact can feel like comparing apples and cinder blocks. Yet, as someone who’s tested thousands of cameras over many shooting scenarios, I promise you: piecing apart their differences reveals solid truths about what each is designed to do, who they’ll suit best, and where each camera shines or stumbles. So let’s break down these two cameras, layer by layer, in a practical, hands-on way.
Size & Ergonomics: Does Bigger Mean Better Handling?
First impressions count, and holding a camera says a lot about usability. The Nikon Z5 is a full-bodied SLR-style mirrorless built for photographers who crave control, while the Panasonic FH5 is a pocket-friendly compact designed for grab-and-go convenience.
At 134 x 101 x 70 mm and 675 g, the Z5 clearly demands a bigger footprint - because it houses a full-frame sensor and takes the heft of quality lenses. Its chassis feels solid and substantial, ideal for steadying the camera during longer shoots or with heavier optics. On the other hand, the Panasonic FH5 tips the scale at just 121 grams and measures a mere 94 x 54 x 19 mm - tiny enough to slip into a jacket pocket comfortably. This compactness, however, trades off grip and physical controls, making it less suited for prolonged use or fast action.
While the Z5 offers plenty of room for thoughtful button placement and custom controls (clubs for your thumbs, as I like to call them), the FH5’s minimalistic design keeps things simple. It’s a perfect set-up if you want maximum portability without fuss - just don’t expect gloves-off manual handling precision.
Control and Interface: Balancing Intuition & Simplicity
Moving beyond size, how these cameras let you interact with them drives the shooting experience. Reviewing the top control layout and back interface exposes the Nikon Z5’s advanced approach compared to the FH5’s basic operation.
The Nikon Z5 employs the Expeed 6 processor paired with an intuitive interface packed with customizable buttons, two command dials, and a sensitive tilting touchscreen. The top-plate displays essentials like shutter speed and ISO, while the rear screen lets you navigate a deep menu system and review shots in sharp detail.
In contrast, the Panasonic FH5’s older Venus Engine IV powers a camera with minimal buttons and no articulating screen - just a fixed 2.7-inch, 230k-dot display. The lack of a viewfinder or advanced controls might frustrate those wanting granular tweaks, but for simple point-and-shoot style, it gets the job done without the complexity.
If you’re a photographer who enjoys diving deep into manual settings or needs instant access to an exposure triangle, the Z5’s layout is more satisfying. For casual shooters or second-camera users, the FH5’s straightforward design caters well to quick snaps and beginner-friendly operation.
Sensor Technology & Image Quality: The Heart of the Matter
This is where the cameras part ways most dramatically. The Nikon Z5 packs a large 24MP full-frame CMOS sensor measuring 35.9 x 23.9 mm, while the Panasonic FH5 relies on a tiny 1/2.3” (6.08 x 4.56 mm) CCD sensor at 16MP resolution.
From a technical standpoint, sensor size strongly influences low-light performance, image detail, and dynamic range. The Z5’s full-frame sensor boasts larger photosites, allowing for better noise control at high ISO values (up to 51,200 native, expandable to 102,400). Its sensor benefits from phase-detection autofocus pixels, aiding focus speed and accuracy.
The FH5’s small sensor is standard fare for point-and-shoot compacts, with modest dynamic range and more noticeable noise creeping in above ISO 400-800. It maxes out at ISO 6400 but image quality at higher sensitivities quickly deteriorates.
Hands-on testing in daylight showed the Z5 delivering rich, detailed images with smooth tonal gradations and crisp colors. The FH5 is a competent basic camera for casual shots, but struggles to produce images with the same clarity or subtlety - especially indoors or in dimmer environments.
Display and Viewfinder: Seeing What You Shoot
Being able to assess your shot composition accurately is key for effective photography. Between the digital eyepiece and LCD screen, Nikon hits a home run here, while Panasonic’s FH5 sticks to its guns as a clear but barebones compact.
The Nikon Z5 offers a 3.2-inch, 1,040k-dot tilting touchscreen plus a high-resolution (3,690k dots), 0.8x magnification electronic viewfinder (EVF) covering 100% of the frame - perfect for both bright daylight composing and critical focus checking. This EVF provides real-time exposure previews, focus peaking, and face detection overlays.
Meanwhile, the FH5 lacks an EVF altogether and includes only a fixed, modest-resolution LCD screen. The LCD is small and struggles under direct sun, which could hamper composition in challenging lighting.
For street photographers, the lack of an EVF means more reliance on the LCD and increases the risk of camera shake without a stable eye-cup. The Nikon’s EVF and articulated screen give it clear ergonomic advantages in this area.
Autofocus Systems: Precision vs. Basic Simplicity
Autofocus (AF) performance often makes or breaks real-world usability - especially if you shoot fast-moving subjects or want sharp portraits at wide apertures.
Nikon’s Z5 features 273 autofocus points harnessing hybrid PDAF and CDAF technologies, including eye and animal eye detection for pets and wildlife. The continuous autofocus tracks subjects reliably and adjusts focus seamlessly with face-detection assistance.
Conversely, Panasonic’s FH5 has just 11 basic contrast-detection AF points and no phase detection, offering slower, less accurate focusing. While it can do face detection and simple tracking in live view, it’s prone to hunting in low light or complex scenes.
I tested both cameras capturing moving vehicles and wildlife subjects; the Nikon had no trouble locking focus rapidly with ongoing adjustments, while the FH5 often missed the mark or lagged behind. Sports shooters, wildlife enthusiasts, and event photographers will appreciate the sophistication of the Z5’s AF system far more than the FH5’s limited technology.
Lenses and Flexibility: Ecosystem and Optical Power
A camera body is only as good as the lenses you can pair it with. Nikon’s robust Z-mount system offers a substantial lens ecosystem, while the Panasonic FH5 sticks with its fixed zoom lens.
The Z5’s 15 native Z-mount lenses include quality primes and zooms ranging from ultra-wide to super-telephoto, built with modern coating and optical stabilization to maximize sharpness. You also get sensor-based 5-axis in-body image stabilization (IBIS) for handheld flexibility across the spectrum.
On the other hand, the FH5 features a built-in 28-112mm equivalent F3.1-6.5 lens with optical stabilization, suited well to everyday snapshots but limited in reach and low-light aperture.
For macro lovers, the Panasonic’s minimum focus distance of 5 cm can provide decent close-up shots, but autofocus is less precise compared to dedicated macro lenses available for Nikon. The Z5’s focus bracketing feature (focus stacking not natively supported here) still enhances depth of field in macro photography.
If lens versatility matters tremendously for your workflow, the Nikon Z5’s system is the way to go. The FH5’s integrated lens means no changing optics but also no option for specialized glass.
Burst Shooting and Video: Capturing Motion and Moving Stories
When it comes to sports and wildlife, higher burst rates and video flexibility are crucial. The Nikon Z5 offers a continuous shooting speed of 4.5 fps - adequate for moderate action - and 4K video recording at 30p with full pixel readout.
The Panasonic FH5 captures stills at 4 fps and videos max out at 720p HD resolution at 30 fps in the older Motion JPEG format - a dated codec generating large files with lower quality.
Both cameras support face detection during video, though the Z5’s autofocus during recording is smoother and more reliable.
If your work involves sports action or video creation, the Nikon Z5 provides notably better tools. Quicker burst speeds, superior 4K video, microphone/headphone ports, and modern codecs elevate its flexibility over the Panasonic compact.
Build, Weather Sealing, and Durability: Ready for the Elements?
When shooting outdoors or professionally, weather sealing and ruggedness count. The Nikon Z5 features environmental sealing against dust and moisture - not waterproof but durable enough to withstand challenging conditions.
The Panasonic FH5, being an older, budget compact, offers no weather sealing or ruggedization and is more susceptible to damage from moisture or dust.
For travel photographers and outdoor enthusiasts who need reliability, the Nikon’s sturdier build is an important consideration.
Battery Life and Storage: Power When It Counts
In real-world use, battery life often determines how long you can shoot without dragging extra packs. The Nikon Z5 delivers an excellent 470 shots per charge using the EN-EL15c battery, supported by dual UHS-II SD card slots - a boon for backups and extended shooting.
The Panasonic FH5 manages around 260 shots per battery charge, with a single SD card slot and slower USB 2.0 connection for file transfers.
For longer shoots or careful backup workflows, the Z5’s battery and storage features give more freedom and security.
Connectivity and Extras: Sharing and Remote Control
The Nikon Z5 supports built-in Wi-Fi and Bluetooth, enabling wireless image transfer and remote camera control via apps. It also features clean HDMI output and microphone/headphone jacks to support serious video work.
Meanwhile, the Panasonic FH5 offers no wireless options and HDMI output is not present. USB ports are standard but limited to slower USB 2.0 transfers.
Photographers who value instant sharing or remote shooting will appreciate the Z5’s modern connectivity.
Practical Use Cases: Which Camera Excels Where?
Let’s put it all together across common photography genres.
Portrait Photography
Nikon Z5 wins hands down with skin tone accuracy, eye-detection autofocus, and exquisite bokeh from fast Z-mount lenses. The FH5 offers basic point-and-shoot portrait capability but lacks manual control and shallow depth of field benefits.
Landscape Photography
The Z5’s higher resolution, wider dynamic range, and weather sealing make it a landscape champ. Though the FH5 can capture nice daylight landscapes, low resolution and sensor size limit quality, and it’s less weather resistant.
Wildlife & Sports
Here autofocus speed and burst rates count. The Z5’s hybrid AF, eye tracking, and decent 4.5 fps burst speed put it ahead. The FH5 struggles with focus hunting and limited frame rate make it less suited here.
Street Photography
The FH5’s tiny size and quiet operation make it very discreet for street shooting, but image quality and focusing speed are limited. The Z5 is bulkier but offers EVF, faster AF, and better low-light performance for night streets.
Macro Photography
Z5 supports focus bracketing, better stabilization, and lenses designed for macro. The FH5 can approach subjects closely but lacks precise focus controls and dedicated macro optics.
Night / Astrophotography
Full-frame sensor, higher native ISO, and superior noise management make Z5 vastly superior in night and astro. FH5 is usable only in very bright conditions.
Video
4K capture, mic/headphone jacks, and image stabilization put Nikon in the lead. FH5’s 720p MJPEG video is obsolete for modern content creation.
Travel
FH5’s small size is unbeatable for lightweight carry, but battery life and image quality are limiting. The Z5 balances portability with versatility and durability.
Professional Work
Nikon’s reliable build, dual slots, RAW support, and workflow-friendly interface serve pro needs far better than the FH5.
Comparing Sample Images and Overall Performance
To get a better feel, here are shot samples demonstrating key differences in color, detail, and dynamic range captured under identical conditions.
The Nikon Z5 images have consistently clearer detail, smoother gradations, and better exposure latitude, while the Panasonic FH5 results show more noise and contrast clipping.
Below are overall performance ratings derived from hands-on use and industry-standard criteria.
And a breakdown by photography type highlights the gaps and strengths distinctly:
Pros & Cons Summary
Nikon Z5 Pros:
- Full-frame 24MP sensor with excellent image quality
- Advanced hybrid AF system with eye & animal detection
- Weather-sealed, durable build quality
- Dual UHS-II card slots for secure storage
- 4K video, mic and headphone ports
- Sensor-based 5-axis image stabilization
- Wireless connectivity (Wi-Fi, Bluetooth)
- Responsive touchscreen and large EVF
Nikon Z5 Cons:
- Heavier and bigger, less pocketable
- Burst rate moderate (4.5 fps)
- No built-in flash (requires external)
- Pricier upfront cost and lens investment
Panasonic FH5 Pros:
- Ultra-compact, pocketable design
- Simple controls great for beginners
- Optical image stabilization included
- Decent zoom range for casual use (28-112mm equiv)
- Built-in flash handy for snapshots
- Budget-friendly price point
Panasonic FH5 Cons:
- Small sensor with limited image quality, especially in low light
- Lack of viewfinder, fixed LCD with low resolution
- Very basic autofocus system
- No RAW support or advanced exposure modes
- Limited video to 720p MJPEG, no external mic
- No weather sealing or durability features
- Single SD card slot, no wireless functions
So, Which One Should You Buy?
If you ask me, these cameras appeal to radically different photographers.
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Choose the Nikon Z5 if: you’re a serious enthusiast or pro who demands high image quality, control, and versatility across disciplines - from portraits to wildlife, landscapes to video. Its advanced sensor and AF system plus build quality justify the investment and unlock creative potential. You want a dependable full-frame mirrorless that can serve as a daily workhorse.
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Pick the Panasonic FH5 if: you want an ultra-budget entry-point, something tiny and simple to carry for casual shooting or as a backup camera. It’s a cheapskate’s dream for quick snapshots without the fuss of lenses or complicated menus. But understand its limitations: lower image quality, no manual controls, and outdated video features.
Wrapping Up: Two Cameras from Opposite Ends of the Spectrum
This comparison, while seemingly unfair given the decade gap and product class difference, illustrates the broad photography landscape and how form factors, sensor technology, and feature sets translate into performance niches.
The Nikon Z5 is a true tool for photographers who want to craft images with precision and professionalism. The Panasonic FH5, meanwhile, is a casual companion designed for simplicity and portability.
I hope this practical dive helps you place these cameras in perspective and guides you toward the best choice for your shooting style and budget.
Happy snapping!
Nikon Z5 vs Panasonic FH5 Specifications
Nikon Z5 | Panasonic Lumix DMC-FH5 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model | Nikon Z5 | Panasonic Lumix DMC-FH5 |
Also called | - | Lumix DMC-FS18 |
Category | Advanced Mirrorless | Small Sensor Compact |
Released | 2020-07-20 | 2011-01-05 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Expeed 6 | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor surface area | 858.0mm² | 27.7mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6016 x 4016 | 4608 x 3456 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 102400 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 273 | 11 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 28-112mm (4.0x) |
Highest aperture | - | f/3.1-6.5 |
Macro focus distance | - | 5cm |
Available lenses | 15 | - |
Crop factor | 1 | 5.9 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3.2" | 2.7" |
Resolution of display | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/1600 secs |
Continuous shooting speed | 4.5 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 3.30 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/200 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 gr (1.49 lbs) | 121 gr (0.27 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 470 photos | 260 photos |
Form of battery | Battery Pack | Battery Pack |
Battery model | EN-EL15c | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC, Internal |
Storage slots | 2 | 1 |
Retail pricing | $1,399 | $169 |