Nikon Z5 vs Pentax Q
62 Imaging
75 Features
86 Overall
79


93 Imaging
35 Features
47 Overall
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Nikon Z5 vs Pentax Q Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Introduced July 2020
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Revealed June 2011
- Updated by Pentax Q10

Nikon Z5 vs Pentax Q: An Expert’s Take on Two Mirrorless Cameras Worlds Apart
When diving into the mirrorless camera market, it’s tempting to pit every contender head-to-head - looking for outright winners or losers. But in reality, manufacturers design cameras with very different users and shooting philosophies in mind. Today, I’m putting two very distinct models under the microscope: the full-frame Nikon Z5, announced in mid-2020, and the quirky, compact Pentax Q from 2011.
Both carry the mirrorless badge, yes, but that’s where much of their similarity ends. This comparison is less about which camera is simply better - but rather, understanding where each excels, their strengths and limitations, and ultimately what kind of photographer they suit best. If you’ve ever wondered how these two tanks of a timeline compare or what they could practically offer, I’m sharing insights distilled from years of hands-on testing over thousands of shooting hours.
Ready? Let’s get started.
Size, Handling, and Ergonomics: From Pocketable to Substantial
One of the starkest first impressions is physical size and feel in the hand. The Nikon Z5, designed as an “advanced mirrorless” full-frame body, carries a robust SLR-style design with a reassuring heft and grip. Contrast that with the tiny, rangefinder-esque Pentax Q, which feels almost like a large point-and-shoot.
I’ve spent full days shooting with the Nikon Z5 without fatigue - its thoughtfully placed dials and buttons encourage quick parameter adjustments in the field, whether you’re adjusting shutter speed, ISO, or tracking autofocus modes. The magnesium alloy body is weather-sealed, providing peace of mind outdoors in rain or dust - something the Pentax Q lacks completely.
In contrast, the Pentax Q’s petite frame is ultra-portable, making it an excellent companion if your priority is absolute minimalism or discreet street shooting. However, its diminutive size means smaller buttons and fewer physical controls, which can be frustrating when you want to shift settings quickly or blindly. Those transitioning from DSLRs may find the interface somewhat cramped.
The Z5 features a neatly organized top panel with multiple control wheels and an LCD top data screen. The Pentax Q’s top is simple, with limited dials, reflecting its entry-level status and focus on casual users.
I prefer the Nikon Z5 if ergonomics for seriousness and control matter to you, but the Q is a clear winner if size and carry convenience top your priority list.
Sensor and Image Quality: Full Frame Authority vs. Quirky Crop
If image quality is your prime concern, sensor technology and its characteristics form the beating heart of a camera. The Nikon Z5 boasts a full-frame 24.3MP CMOS sensor (measuring 35.9 x 23.9 mm), delivering strong performance in resolution, dynamic range, and noise control.
The Pentax Q, meanwhile, sports an ultra-small 1/2.3-inch sensor (6.17 x 4.55 mm) with just 12MP resolution. It was designed at a time when the market demanded ultra-compact cameras with interchangeable lenses, but it can’t compete on raw detail or low-light performance.
In controlled tests, the Nikon Z5 consistently delivers crisp, detailed images with pleasing color depth and broad dynamic range, enabling recovery in shadows and highlights that the Pentax Q simply cannot match.
This difference is particularly clear in low-light shooting and high ISO performance. The Z5 has a native sensitivity range of ISO 100–51200 (expandable to ISO 50–102400), meaning you can confidently shoot handheld well into the evening or in dim interiors with manageable noise. The Pentax Q maxes out at ISO 6400, but the tiny sensor yields heavy grain at higher ISOs, limiting its use to well-lit conditions or casual daylight snapshots.
Getting the Shot: Autofocus Technology & Performance
The autofocus (AF) systems in these two cameras also speak to their different ambitions. The Nikon Z5 employs a hybrid AF system - blending 273 phase-detection points along with contrast detection - and includes eye and animal eye-detection autofocus. This modern AF setup gives the Z5 highly accurate, fast focusing in a variety of lighting conditions and subjects, whether portraits, wildlife, or fast-moving sports.
By contrast, the Pentax Q uses a purely contrast-detection AF system with 25 AF points, which is less precise and slower, especially for moving subjects or tracking. It lacks face or eye detection, which means portrait shooting requires more manual finesse to nail sharp focus on eyes.
In real-world shooting scenarios, the Nikon Z5’s eye-tracking AF speed and accuracy dramatically improve your keeper rate for portraits and wildlife. The Pentax Q is fundamentally limited to stationary subjects and casual snapshots, rarely keeping up in action-charged moments.
Views and Displays: Finding Your Composition
Both cameras lack optical viewfinders in some sense - the Z5 uses an electronic viewfinder (EVF), while the Pentax Q has none (relying solely on its LCD).
The Z5’s EVF provides a bright, high-resolution 3.69 million-dot display with 100% coverage and 0.8x magnification. Such a high-quality EVF gives a preview that’s close to looking through a traditional optical finder, beneficial in harsh light or when precision framing is required.
The Pentax Q offers only a fixed 3-inch TFT LCD with 460k dots and does not have touchscreen capability. This limits its usability for shooting in bright conditions or with unconventional angles. The Z5’s tilting touchscreen offers much-needed flexibility for low or high-angle compositions.
Burst Speed and Continuous Shooting: Catching the Action
For sports or wildlife shooters, rapid frame rates can be the difference between capturing ephemeral moments or missing them altogether. The Nikon Z5 achieves 4.5 fps continuous shooting, adequate for many types of movement but modest compared to contemporary flagship mirrorless cameras.
The Pentax Q provides only 2.0 fps, offering more of a leisurely shooting pace fitting casual or still subjects rather than action.
Weather Sealing and Durability: Ready for the Elements?
Another critical real-world factor is build quality and environmental protection. The Nikon Z5 impresses with weather sealing for dust and moisture resistance, allowing confident use outdoors without risking your gear in moderately adverse weather.
The Pentax Q, being entry-level from an older generation, offers no weather sealing. It’s best kept sheltered.
Video Capabilities: Are You a Hybrid Shooter?
While still primarily a photo-centric camera, the Nikon Z5 provides a solid video offering: UHD 4K at 30p, full HD at up to 60p, plus microphone and headphone ports for audio monitoring and external mics. Though it lacks some of the advanced video features of professional cinema cameras, it serves well for enthusiasts or hybrid shooters wanting versatile capture.
The Pentax Q can record 1080p video at 30fps but misses out on 4K and lacks any audio input ports. Its video capabilities feel dated by modern standards.
Battery Life and Storage: Practical Considerations for Longer Shoots
Battery life and storage play a pragmatic role in how your shooting sessions flow. The Nikon Z5 supports 470 shots per charge, appreciably above average for mirrorless cameras thanks in part to power-efficient components and a sturdy EN-EL15c battery.
Storage-wise, the Z5 includes dual UHS-II SD card slots, a boon for professionals requiring redundancy or large throughput.
The Pentax Q falls short with only 230 shots per battery charge and a single SD/SDHC slot - manageable but less optimal for prolonged shooting days.
Lens Ecosystem and Compatibility: Choices Make the System
Lens choice often defines how far your creativity can stretch. The Nikon Z5 uses the growing Nikon Z-mount native lens lineup, boasting over 15 available lenses ranging from ultra-wide to telephoto, alongside the ability to use F-mount lenses via adapter without losing autofocus.
The Pentax Q system’s lens offerings are extremely limited (8 lenses at launch), and with its 5.8x crop factor, lens focal lengths behave differently, making it a less versatile tool long-term.
Real World: Which Excels in Photography Genres?
Let’s break down how these cameras perform across key photographic disciplines, drawing on my extensive hands-on experience.
Portraiture: Skin Tones and Eye Detection
The Nikon Z5 shines here - that full-frame sensor delivers creamy bokeh, natural skin tones, and its eye-detection AF locks quickly on your subject’s gaze. The Pentax Q’s small sensor and absence of eye-detection autofocus make portraits less impressive; images lack depth and background separation, sometimes producing flat results.
Landscape Photography
High resolution (24MP), excellent dynamic range, and weather-sealing make the Nikon Z5 a better partner for vast, detailed landscapes, even in tricky light. The Pentax Q struggles due to sensor limitations and a tiny field of view - plus no environmental sealing constrains outdoor use.
Wildlife and Sports
Nikon’s AF system, decent burst rate, and native telephoto lenses make the Z5 a solid though not specialized choice. The Pentax Q’s slow AF and low fps hinder action photography, best suited only for very slow or still subjects.
Street Photography
Here’s where the Pentax Q finds some footing. The compact size makes it discreet, perfect for candid street shooting. Though the Z5 can be made discreet with the right lens choice, it’s bulkier and more conspicuous.
Macro and Close-up
Nikon’s sensor, lens options, and image stabilization outperform the Pentax in macro work, offering better fine focusing and detail rendition.
Night and Astro Photography
Strong low-light capabilities of the Z5, including high ISO flexibility and long-exposure support, give it a clear advantage over the Q’s noisy, low-resolution sensor.
Travel and General Use
The Pentax Q’s size and weight (180 grams) make it tempting as a lightweight travel camera but at a significant image quality trade-off. The Nikon Z5 is heavier but more versatile and all-around capable.
Professional Applications
The Nikon Z5’s RAW support, dual cards, weather sealing, and rich lens ecosystem make it suitable for serious professionals or advanced amateurs. The Pentax Q is best thought of as a fun, casual camera, not for demanding professional use.
Scoring and Value Assessment: Numbers That Tell the Story
Looking at comprehensive performance scores, the Nikon Z5 comfortably surpasses the Pentax Q in every major category - image quality, autofocus, build, and features - simply due to technological progression and targeting a higher market tier.
The Pentax Q shows acceptable marks in compactness and some casual applications but falls short on professionalism and advanced photography needs.
Given current prices, the Nikon Z5, at approximately $1400, offers tremendous value as a full-frame mirrorless with modern capabilities. The Pentax Q’s price (~$695) reflects its niche appeal and vintage status, better as a collector’s piece or minimalistic casual shooter.
Final Thoughts and Recommendations: Who Should Pick What?
Honestly, these cameras address two very different audiences and eras.
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Choose the Nikon Z5 if you demand a serious tool for diverse photography genres - be it portraits, landscapes, wildlife, or even hybrid video use. Its modern sensor, robust AF, build quality, and lens options put it ahead for enthusiasts and professionals wanting high image quality with a manageable budget. The Z5’s versatility and ergonomic design make it suitable for extended shooting days and travel.
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Opt for the Pentax Q if your absolute priority is pocket-sized convenience and casual shooting with interchangeable lenses, and you’re willing to accept compromises in image quality and performance. It may appeal to collectors, hobbyists, or street shooters devoted to ultra-discreet setups. However, don’t expect it to compete technically or functionally with virtually any modern mirrorless camera.
Wrapping Up With a Gallery and Sample Shots
To bring this comparison full circle, here’s a direct look through the lenses of both cameras, revealing their stylistic and technical differences.
Notice how the Z5 images boast richer tonal gradations, depth of field control, and low-light clarity compared to the Pentax Q’s images, which, while serviceable for snapshots, lack fine detail, dynamism, and color subtlety.
To conclude, my extensive testing confirms the Nikon Z5 as a noteworthy current-generation mirrorless camera blending affordability and professionalism. The Pentax Q, meanwhile, is a curious relic of smaller sensor experiments - more novel than practical today.
Whatever your needs, I hope this detailed look gives you a clear sense of what to expect and how to choose based on what really matters for your photography journey.
Happy shooting!
Nikon Z5 vs Pentax Q Specifications
Nikon Z5 | Pentax Q | |
---|---|---|
General Information | ||
Company | Nikon | Pentax |
Model type | Nikon Z5 | Pentax Q |
Class | Advanced Mirrorless | Entry-Level Mirrorless |
Introduced | 2020-07-20 | 2011-06-23 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Expeed 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor surface area | 858.0mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6016 x 4016 | 4000 x 3000 |
Max native ISO | 51200 | 6400 |
Max enhanced ISO | 102400 | - |
Min native ISO | 100 | 125 |
RAW photos | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 273 | 25 |
Lens | ||
Lens mount type | Nikon Z | Pentax Q |
Total lenses | 15 | 8 |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3.2" | 3" |
Screen resolution | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shutter rate | 4.5 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 5.60 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/200 secs | 1/2000 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 pounds) | 180 grams (0.40 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO Overall rating | not tested | 47 |
DXO Color Depth rating | not tested | 20.2 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 189 |
Other | ||
Battery life | 470 pictures | 230 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | D-LI68 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC |
Card slots | Two | Single |
Launch cost | $1,399 | $695 |