Nikon Z5 vs Sony A900
62 Imaging
75 Features
86 Overall
79


54 Imaging
66 Features
62 Overall
64
Nikon Z5 vs Sony A900 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Announced July 2020
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Launched October 2008
- New Model is Sony A99

Nikon Z5 vs Sony A900: An In-Depth Comparison for Enthusiasts and Professionals
Choosing the right camera is a critical step for any serious photographer, whether you’re a passionate enthusiast or a working professional. In this article, I draw from over 15 years of hands-on experience testing digital cameras to compare two compelling full-frame cameras: the Nikon Z5 - a modern mirrorless entry from Nikon’s Z series - and Sony’s classic Alpha DSLR-A900, a flagship DSLR from 2008 that still holds historical significance. Despite their generational gap, both cameras target advanced users seeking serious image quality, durability, and flexibility. But which one best serves today’s photographic needs?
We’ll explore their technical specifications, real-world performance across major photography genres, usability, and value to help you confidently decide which camera suits your photography style and budget.
First Impressions: Handling, Ergonomics, and Build Quality
Nikon Z5: A Modern Mirrorless Workhorse
Nikon’s Z5 offers a compact, mirrorless design with a solid 134x101x70mm body weighing 675g. It adopts the ergonomically proven SLR style with deep grip and buttons that I found comfortable even for extended shooting sessions. The tilting 3.2-inch touchscreen adds versatility for composing shots from tricky angles - a feature I often rely on for macro and street photography. Plus, the Z5 is weather-sealed, earning trust outdoors, which I tested during damp coastal shoots with no issues.
Sony A900: Classic DSLR Robustness
The Sony A900, meanwhile, feels like a true powerhouse with a larger physical footprint (156x117x82mm, 895g) and a solid build that gave me a reassuring grip reminiscent of professional-grade DSLRs. However, the lack of touchscreen and the fixed 3-inch LCD screen feel dated in comparison. The A900 is also sealed against dust and moisture, but its heft can be tiring for travel or street work. If you’re used to traditional DSLRs’ robust feel, the A900 will appeal to you.
Control Layout and Usability
The Z5 sports an updated intuitive control layout with lots of customizable buttons and a modern top LCD display for settings is unfortunately missing, but its touchscreen compensates well. The Sony A900’s top plate features classic DSLR dials and a top screen, offering tactile exposure info at a glance - a favorite feature for DSLR purists, though less relevant in mirrorless days.
Sensor and Image Quality: What’s Under the Hood?
Both cameras feature full-frame CMOS sensors, but they differ in size and resolution subtly:
Specification | Nikon Z5 | Sony Alpha A900 |
---|---|---|
Sensor Size | 35.9 x 23.9 mm | 35.9 x 24 mm |
Resolution | 24.3 Megapixels | 24.6 Megapixels |
Max Native ISO | 51200 | 6400 |
Sensor Technology | Backside-illuminated CMOS | Conventional CMOS |
Anti-aliasing Filter | Yes | Yes |
Despite similar resolution, Nikon’s latest Expeed 6 processor and BSI sensor technology provide improved dynamic range, noise performance, and color fidelity. While Sony’s sensor was excellent in its 2008 era, modern advances mean the Z5 delivers cleaner images at high ISO and better shadow recovery.
In practical tests, I found the Z5 produced noticeably smoother skin tones and richer colors at base ISO 100. It also holds up better beyond ISO 3200, vital for low-light portrait, event, and wildlife photography.
Autofocus System: Precision vs Tradition
The autofocus (AF) systems highlight the mirrorless vs DSLR divide:
Feature | Nikon Z5 | Sony A900 |
---|---|---|
AF Points | 273 focal-plane phase detect points | 9 phase detect AF points |
AF Modes | Single, Continuous, Tracking, Face & Animal Eye AF | Single, Continuous, Selective |
Animal Eye AF | Yes | No |
Live View AF | Yes (contrast & phase hybrid) | No live view AF |
The Z5’s 273-point hybrid AF system excels particularly in live view mode and video autofocus. In my testing for wildlife and sports, its tracking felt far more dependable than the A900’s limited 9-point system, which lagged behind in moving subject precision. Nikon’s eye-detection autofocus also notably helped in portrait sessions.
The A900’s autofocus remains usable but is best for static subjects or careful manual focus scenarios. It lacks eye and animal detection, which I found limiting compared to modern expectations.
LCD and Viewfinder Experience
- Z5 Viewfinder: electronic, OLED, 3.69M dots, 0.8x magnification, 100% coverage
- A900 Viewfinder: optical pentaprism, 0.74x magnification, 100% coverage
The Nikon Z5’s EVF provides real-time exposure previews, focus peaking, and is sharp with good color reproduction. I particularly appreciate how the Z5 shows live histograms and focus aids, easing manual focusing.
Sony’s optical finder, while delivering a natural scene with zero lag, lacks this digital feedback but has been favored by photographers preferring "what you see is what you get" clarity. Still, I found the A900’s lower magnification and narrower eye relief less comfortable for prolonged use.
Continuous Shooting and Burst Performance: Speed Matters
Specification | Nikon Z5 | Sony A900 |
---|---|---|
Burst Rate | 4.5 fps | 5 fps |
Buffer Depth | Moderate | Moderate |
Neither camera is a speed demon by today’s standards. The Z5’s 4.5 fps with autofocus tracking is respectable for casual wildlife and sports shooters but won’t keep up with pro sports action. The A900’s marginally faster 5 fps delivers solid results but lacks modern AF tracking assistance, making it less effective for unpredictable motion.
If rapid burst rates are critical, you might want to look elsewhere, but for most genres - from portraiture to landscape - these rates suffice.
Photography Genres: How They Perform in Practice
Portrait Photography: Skin Tones and Bokeh
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Nikon Z5: The camera’s color science renders skin tones very pleasing with smooth gradations and natural warmth. The native Nikon Z-mount lenses (15 available at release, steadily growing) offer fast apertures to create creamy bokeh. I found the eye and face detection AF invaluable for tack-sharp portraits.
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Sony A900: Uses Sony/Minolta A-mount lenses, a broad ecosystem of 143 lenses (legacy and third-party). Skin tones are neutral but can appear a bit flat compared to contemporary sensors. Absence of eye detection AF requires manual finesse for perfect focus on eyes.
Landscape Photography: Dynamic Range and Resolution
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Z5: Modern sensor and processing deliver an excellent dynamic range with the ability to recover detail from shadows and highlights. The 24MP resolution crisply captures landscapes. Weather sealing adds confidence shooting in rugged locations.
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A900: While its sensor resolution is on par, dynamic range is more limited. The A900’s optical viewfinder aids composition, but the older sensor means harsher noise at higher ISOs. Weather sealing is present but less robust.
Wildlife Photography: Autofocus and Telephoto Use
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Z5: The 273-point hybrid AF system with animal eye detection is a boon for wildlife. Paired with lightweight Z-mount telephoto lenses, this setup worked well in tracking birds and mammals with reasonable burst shooting.
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A900: Lags behind due to fewer AF points, no eye detection, and no live view AF. The heavier DSLR body and robust A-mount lenses can offer excellent image quality but demand greater user skill for focus accuracy.
Sports Photography: Tracking and Frame Rates
Limited by relatively slow continuous shooting and older AF tracking, both cameras can handle only moderate sports shooting. The Z5’s hybrid AF gives it a slight edge in tracking moving subjects, but professional sports photographers would prefer faster models.
Street Photography: Discreetness and Portability
The Nikon Z5’s smaller body and silent electronic shutter mode make it much more discreet for urban street photography. Its tilting screen and decent ISO range enable work in low-light urban conditions.
In contrast, the bulky Sony A900 DSLR, with louder mechanical shutter and larger footprint, feels less comfortable blending in crowds.
Macro Photography: Magnification and Stabilization
The Z5 benefits from 5-axis in-body image stabilization (IBIS), helping when hand-holding macro shoots. Combined with Nikon’s emerging fast Z-mount macro lenses, I found focusing precise and results sharp.
Sony A900 lacks in-body stabilization, depending on lens IS or tripod support. But classic Minolta macro lenses are renowned for their sharpness.
Night and Astrophotography: ISO and Exposure Control
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Z5: The BSI CMOS sensor excels with low noise at extended ISOs, supporting clean astrophotos and night landscapes. Exposure controls include time lapse and long exposures.
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A900: Reaches max ISO 6400 but noise is heavier. No live view hampers precise focusing at night, making it more challenging for astrophotographers.
Video Capabilities: 4K and Beyond
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Z5: Shoots 4K UHD (up to 30p) with clean HDMI out, microphone and headphone jacks, and good in-body stabilization. Great for hybrid shooters wanting quality video alongside stills.
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A900: No video recording capability, as expected from a 2008 DSLR.
Travel Photography: Versatility and Battery Life
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Nikon Z5: Lightweight, small, weather sealed, with 470 shots battery life according to CIPA ratings. Good balance of portability and functionality. Dual SD card slots aid security on long trips.
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Sony A900: Larger and heavier, with longer battery life (880 shots), but less convenient for travel due to size. Uses two memory slots (CF and Memory Stick Pro Duo), which complicate workflow.
Image Quality Showcase: Real-World Results
The above gallery illustrates the strengths and weaknesses: Nikon Z5 delivers crisp, vibrant images with clean backgrounds and excellent detail retention in shadows and highlights. Sony A900 images retain solid resolution but show subtle noise and lower color saturation, especially at elevated ISO.
Technical Details You Shouldn’t Overlook
Lens Mount and Ecosystem
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Nikon Z5: Uses the modern Nikon Z-mount with a growing lineup of fast, sharp lenses tailored for mirrorless. If you own Nikon DSLRs, FTZ adapters enable full compatibility with Nikon F-mount lenses.
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Sony A900: Sony/Minolta A-mount offers numerous legacy mechanical and autofocus lenses, but availability is drying up. No autofocus with many older lenses, and adapters to mirrorless are less common.
Storage and Connectivity
- Both cameras feature dual-card slots - Z5 with SD UHS-II, A900 with CF and Memory Stick Duo.
- Nikon Z5 offers full Wi-Fi and Bluetooth wireless connectivity for easy image transfer and remote control.
- Sony A900 has no wireless connectivity, relying on USB 2.0 and HDMI outputs.
Battery and Power Considerations
- Z5 uses the EN-EL15c battery, common with higher-tier Nikon cameras, convenient if you upgrade or own multiple Nikon bodies.
- A900’s NP-FM500H battery delivers nearly double the shots per charge, a legacy strength, but the larger body is less convenient for travel.
Summary of Strengths and Weaknesses
Category | Nikon Z5 | Sony A900 |
---|---|---|
Image Quality | Modern BSI sensor, excellent color and noise | Good resolution, older sensor, higher noise |
Autofocus | 273-point hybrid AF, face and animal eye AF | 9-point AF, no eye detection |
Ergonomics | Compact, weather sealed, touchscreen | Larger, sturdy, no touchscreen |
Continuous Shooting | 4.5 fps, solid burst with AF | 5 fps, slower AF tracking |
Viewfinder | High-res electronic EVF | Optical pentaprism, no EVF features |
Video | 4K video with audio inputs | No video |
Battery Life | Moderate (470 shots) | Excellent (880 shots) |
Lens Ecosystem | Growing Z-mount lenses + F-mount adapters | Large legacy A-mount lens library |
Wireless Connectivity | Built-in Wi-Fi/Bluetooth | None |
Price (at release) | ~$1400 | ~$2700 (used market) |
Who Should Buy Which Camera?
Choose Nikon Z5 If You:
- Want a modern, versatile mirrorless full-frame with excellent autofocus, appealing for portrait, wildlife, landscape, and video work
- Value compactness, touch controls, and in-body stabilization
- Need 4K video capabilities alongside stills
- Prefer wireless connectivity and an up-to-date lens ecosystem
- Shoot regularly in low light and outdoor conditions
Choose Sony A900 If You:
- Are a dedicated DSLR enthusiast comfortable with older tech, preferring optical viewfinders and manual controls
- Already own a large library of A-mount lenses
- Prioritize battery life over portability
- Need a rugged body with classic DSLR ergonomics
- Are primarily shooting still images with moderate action speed
Final Thoughts: My Personal Take
Having extensively tested both cameras across diverse genres, I see the Nikon Z5 as the clear choice for most users seeking current technology, hybrid shooting, and versatile performance. Its combination of advanced autofocus, sensor improvements, video, and portability makes it an outstanding all-rounder for enthusiasts and pros alike.
The Sony A900, while a landmark in full-frame DSLR design, now serves more as a priority camera for collectors or those heavily invested in the A-mount system. It demands patience for autofocus, lacks video, and the bulky body limits flexibility. However, it remains capable of delivering high-quality images in experienced hands.
Whether you’re capturing portraits, landscapes, wildlife, or video, be sure you're buying the camera that aligns with your shooting style, lens investments, and ergonomic preferences. Both the Nikon Z5 and Sony A900 have unique strengths, but the Z5 delivers modern advantages that will resonate with contemporary photographers’ workflows.
Before You Go
If you want to dive deeper, check out our detailed Nikon Z5 and Sony A900 individual reviews to explore sample images, handling videos, and more in-depth lens recommendations.
Happy shooting!
About the Author
With over 15 years in the field, testing thousands of cameras and lenses, I’ve worked directly with manufacturers and professional photographers worldwide, providing reliable, hands-on insights based on rigorous side-by-side comparisons. This article reflects my commitment to helping photographers make smart, informed choices based on real-world performance - not marketing hype.
Nikon Z5 vs Sony A900 Specifications
Nikon Z5 | Sony Alpha DSLR-A900 | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model | Nikon Z5 | Sony Alpha DSLR-A900 |
Category | Advanced Mirrorless | Advanced DSLR |
Announced | 2020-07-20 | 2008-10-22 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | Expeed 6 | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 35.9 x 23.9mm | 35.9 x 24mm |
Sensor area | 858.0mm² | 861.6mm² |
Sensor resolution | 24MP | 25MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 6016 x 4016 | 6048 x 4032 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 100 |
RAW pictures | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 273 | 9 |
Lens | ||
Lens mounting type | Nikon Z | Sony/Minolta Alpha |
Available lenses | 15 | 143 |
Crop factor | 1 | 1 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3.2 inch | 3 inch |
Resolution of screen | 1,040k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.74x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting rate | 4.5 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | - |
Highest video resolution | 3840x2160 | None |
Video format | MPEG-4, H.264 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675g (1.49 lb) | 895g (1.97 lb) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 1431 |
Other | ||
Battery life | 470 shots | 880 shots |
Battery type | Battery Pack | Battery Pack |
Battery model | EN-EL15c | NP-FM500H |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Card slots | Two | Two |
Pricing at launch | $1,399 | $2,736 |