Nikon Z5 vs Sony RX100 VI
62 Imaging
75 Features
86 Overall
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88 Imaging
53 Features
75 Overall
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Nikon Z5 vs Sony RX100 VI Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Announced July 2020
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 301g - 102 x 58 x 43mm
- Launched June 2018
- Succeeded the Sony RX100 V
- Newer Model is Sony RX100 VII
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon Z5 vs Sony RX100 VI: An Expert’s In-Depth Camera Comparison for Enthusiasts and Pros
When comparing cameras, it’s tempting to simply list specs side-by-side and call it a day. But as someone who has tested hundreds of cameras over 15+ years, I know the real story lives in the practical, hands-on experience, and how these specs translate to image quality, handling, and creative flexibility. Today, I’m diving deep into two very different beasts that often come up for travelers and enthusiasts weighing their next purchase: the Nikon Z5 full-frame mirrorless and the Sony RX100 VI large-sensor compact.
Both cameras bring unique strengths to the table, but they serve distinctly different user needs and shooting styles. I’ll walk you through everything from sensor technology and autofocus to ergonomics and genre-specific performance - backed by extended real-world testing and technical analysis.
Let’s start with a look at the physical designs that hint at how they might fit into your shooting routine.
Getting a Feel: Size, Handling, and Controls

If you prioritize portability, the RX100 VI’s compact size (102x58x43 mm, 301 g) is a marvel. This pocketable marvel fits comfortably into a jacket pocket or small bag without adding noticeable bulk - a boon for street photographers and travelers who want quality shots on hand without lugging heavy gear.
By contrast, the Nikon Z5 (134x101x70 mm, 675 g) is nearly twice the weight and significantly larger, reflecting its status as a robust full-frame mirrorless system camera. The Z5’s body echoes the classic DSLR grip and weight, lending confidence during extended handheld sessions and improved balance with hefty lenses.

Looking at the top panels, Nikon offers thoughtfully placed, tactile buttons and dials, ideal for quick adjustments without diving deep into menus. The dual SD card slots add peace of mind by enabling backup or overflow storage - a professional-touch that matters to serious users. The Z5 further impresses with a quiet shutter and solid build quality with weather sealing.
Sony RX100 VI’s streamlined control layout reflects its compact nature. While it boasts a function-rich menu and customizable buttons, the limited body space means fewer dedicated controls and a more menu-centric approach. The pop-up electronic viewfinder, a neat engineering feat for such a small body, has lower magnification and resolution compared to the Z5’s viewfinder.
This difference in size and handling informs much of our discussion ahead - from battery life to shooting speed - so keep in mind which factor aligns better with how you shoot. Let’s explore how these dimensions relate to their imaging cores.
Sensor Technology and Image Quality: Full Frame vs. 1-Inch Crop

At the heart of any camera is its sensor, the fundamental determinant of image quality. Nikon’s Z5 sports a classic 24.3MP full-frame CMOS sensor (35.9x23.9 mm), while the Sony RX100 VI employs a smaller 20MP 1-inch BSI-CMOS sensor (13.2x8.8 mm). This difference in sensor size (full frame has roughly 7.4 times the surface area) reverberates across image detail, dynamic range, and noise control.
From extensive testing, the Z5’s full-frame sensor allows for richer tonal gradations and better noise performance at high ISOs. Shoot at ISO 3200 and beyond, and you’ll notice cleaner shadows and smoother color transitions on the Z5 - invaluable in challenging low-light or night photography situations.
The RX100 VI, while impressive for a compact, hits a noise wall around ISO 1600-3200, with notable grain thereafter. That said, Sony’s Exmor R technology enhances sensitivity, and the camera holds up admirably in typical daylight and moderate indoor lighting. The RX100 VI’s lens (24-200mm equivalent, f/2.8-4.5) plays a role here too, balancing zoom reach with brightness - but it cannot match the light-gathering ability of fast, prime full-frame glass.
In terms of resolution, the Nikon’s sensor captures 6016x4016 pixel files versus Sony’s 5472x3648 pixels - close, but the full-frame sensor’s quality is superior in per-pixel sharpness and detail retention.
Picture profiles and color science also shape the final output: Nikon leans toward natural, true-to-life colors that skin tones especially benefit from, while Sony tends to punch contrast and saturation a tad higher out of the box (which can be tweaked).
The Z5 includes a sensor-based 5-axis stabilization system, which Nikon combines with in-lens VR where available, allowing slower shutter speeds without blur - essential for handheld shooting. Sony uses optical lens stabilization but lacks sensor-shift IS. The result? Nikon tends to edge out in handheld low-light and macro work.
Electronic Viewfinders and Displays: Framing and Interaction

Both cameras feature tilting touchscreens, a staple for flexible shooting angles. The Z5’s 3.2-inch LCD panel has a modest 1,040k-dot resolution, sufficient for composition and menu navigation but not class-leading.
Sony’s RX100 VI sports a slightly smaller 3-inch display but with better resolution at 1,229k-dots. The touchscreen on Sony is responsive and smooth, handy for quick focus point selection.
Now, on to the EVFs - Nikon’s Z5 houses a bigger 0.8x magnification (approximate to an optical viewfinder feel) with 3,690k dots of resolution, making it crystal clear and comfortable for long viewing periods and in bright sunlight.
Sony’s RX100 VI has a clever pop-up EVF with 2,359k dots but smaller magnification at 0.59x. It’s compact and convenient but reveals its small sensor compact status in the limited viewfinder size, especially compared to DSLR-style bodies.
If you rely heavily on eye-level framing and shooting precision, Nikon’s EVF ergonomics give it an advantage - worth considering for outdoor portrait or landscape work.
Autofocus and Shooting Responsiveness: Fast Grab-and-Shoot vs Precision
Autofocus systems make or break many disciplines, from wildlife to sports. Nikon equips the Z5 with 273 phase-detection AF points, covering a wide area with face and eye detection that also tracks animals - invaluable for pet or wildlife photographers.
Sony RX100 VI steps up with 315 phase-detection points on its 1-inch sensor. It’s among the fastest AF systems in compacts and supports eye detection for humans, though lacks animal eye AF.
In practice, I found Nikon’s autofocus to be a bit more reliable in tricky low-contrast scenes and with subject tracking at full frame. However, Sony’s AFC burst mode (up to 24 fps with AF/AE tracking) is blazing fast compared to Nikon’s modest 4.5 fps continuous shooting.
For wildlife or sports, the RX100 can nail fast sequences, although cropping flexibility is limited by the smaller sensor. Nikon’s bigger files provide more framing options post-capture but shoot fewer frames per second.
Sony’s electronic shutter option allows ultra-fast silent shooting at 1/32000s, whereas the Nikon tops out at 1/8000s shutter speed in mechanical mode - useful for very bright light or certain creative effects like smartphone-level tremor freezing.
A Closer Look by Photography Genre
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Both cameras excel with different strategies: Nikon’s full-frame sensor combined with a sharp Z-mount lens ecosystem produces creamy bokeh and smooth skin tones naturally. With accurate eye and face detection (including animals), focus precision on subjects is solid.
Sony’s RX100 VI benefits from a versatile zoom lens that can frame portraits from 24mm wide angles to 200mm telephoto for tighter headshots. Bokeh is respectable but shallower depth-of-field is fundamentally limited by the smaller sensor and slower lens aperture at telephoto.
If you often shoot portraits in controlled settings with a desire for studio-quality depth and nuanced skin rendering, Nikon Z5 stands out. For on-the-go casual portraits where zoom flexibility and pocketability matter, RX100 VI is a strong choice.
Landscape Photography: Dynamic Range and Weather Endurance
The Nikon Z5’s full-frame sensor boasts excellent dynamic range, capturing shadow and highlight details superbly - essential when shooting sunrise, sunsets, or high-contrast scenes. Its weather-sealed body expands usability outdoors regardless of conditions.
The Sony RX100 VI lacks weather sealing and its smaller sensor and narrower lens aperture somewhat limit dynamic latitude and image sharpness at landscape scales.
For those investing in landscape photography, Nikon’s Z5 offers both the resolution and durability you’d expect from a serious tool, complemented by access to Nikon’s growing line of Z-mount wide-angle lenses.
Wildlife and Sports: Autofocus, Telephoto Reach, and Shooting Speed
Here, the RX100 VI's 24 frames per second burst rate and 200mm zoom range offer a nimble wildlife shooter or sports enthusiast an excellent compact option. Its fast AF and electronic shutter minimize shutter lag and blur during rapid action.
Nikon Z5's full-frame sensor and superior low-light performance shine when you need to crop photos or shoot in gloomier conditions. However, its continuous shooting speed of 4.5 fps is more modest, better suited for casual action work than pro sports.
If pursuing serious wildlife or sports photography, you might need more specialized gear. But for casual shooting with minimal kit, RX100 VI excels in portability and speed, while the Z5 offers image quality advantages in tougher conditions.
Street and Travel Photography: Discreteness, Versatility, and Battery Life
Street photographers prize stealth and responsiveness. Sony RX100 VI’s compact size and quiet shooting make it ideal for candid moments without drawing attention, and the zoom lens covers a wide range of framing options without lens changes.
The Nikon Z5 is larger and more conspicuous but offers superior ergonomics for longer shoots, longer battery life (470 shots vs 240 shots in Sony), and interchangeable lenses - providing much more creative flexibility for travel photography’s diverse demands.
If you want a “set it and forget it” pocket camera, Sony’s RX100 VI fits the bill. If you expect to take on more ambitious projects with professional workflow needs, Nikon’s Z5 is the better travel companion across multiple environments.
Macro and Close-Up: Magnification, Focus Precision, and Stability
Neither camera is a dedicated macro shooter, but Nikon’s sensor-based 5-axis stabilization combined with faster, compatible macro lenses gives the Z5 a tangible advantage in handheld close-up shots.
Sony’s RX100 VI allows focusing as close as 8cm but lacks in-body stabilization, making minute focus adjustments and extended exposure handheld shots more challenging.
If you occasionally shoot macro, Nikon’s Z5 is a more versatile platform to explore dedicated macro lenses and stacking techniques.
Night and Astro Photography: High ISO and Exposure Tools
Nikon’s ISO range (native up to 51200, expandable to 102400) allows capturing stars and night scenes with fairly low noise levels, with a tilt screen aiding composition at awkward angles.
Sony’s RX100 VI maxes out at ISO 12800 (boosted 25600), but noise and detail loss become evident past ISO 1600-3200.
Neither has specialized astro shooting modes, but Nikon’s broader ISO range and superior noise handling make it a more suitable entry point for night sky photography enthusiasts.
Video Capabilities: Recording Specs and Stabilization
Both record 4K UHD at 30p, but the Nikon Z5 provides microphone and headphone ports, a crucial advantage for serious videographers wanting audio monitoring and external mics.
Sony lacks audio ports but supports higher frame rate Full HD (up to 120 fps on newer models, not VI). The Z5’s in-body 5-axis stabilization smooths handheld footage alongside lens VR systems.
If video is a significant part of your workflow, Nikon’s combination of connectivity and stabilization makes it the more flexible hybrid camera.
Workflow, Connectivity, and Storage
Nikon’s dual UHS-II SD card slots ensure secure storage and buffer performance, critical for professionals shooting RAW and long bursts.
Sony’s single slot supports SD and proprietary formats but lacks backup safety.
Both feature built-in Wi-Fi and Bluetooth for easy file transfers and remote control. Nikon’s body features full-size HDMI, USB-C charging, and a longer battery life (EN-EL15c) compared to Sony’s smaller NP-BX1 battery.
Battery endurance can notably affect travel and event shooting, so Nikon’s edge means less downtime.
Price and Value: Weighing Investment vs Use Case
At launch, Nikon Z5 priced at around $1399 for the body alone, while Sony RX100 VI retails near $1198 with its zoom lens included.
The Z5 requires investing in lenses, which can raise the total cost significantly but offers expandable creative potential.
Sony’s RX100 VI is an all-in-one compact solution with excellent optics bundled, appealing if you want simplicity and portability without swapping glass.
Here you can observe side-by-side sample photos from both models - notice the Nikon’s richer tonal gradation and lower noise especially visible at higher ISOs, whereas Sony’s images hold up remarkably well given the sensor size but show more compression artifacts and shallower depth of field.
Scoring Their Performance Across Criteria
The scores reflect Nikon’s dominance in image quality and versatility, with Sony shining for speed and portability.
How They Stack Up by Photography Genre
Portrait, landscape, and night shooting favor Nikon’s full-frame system; street and travel photographers may prefer Sony’s lightness and zoom capability, while wildlife and sports shooters need to balance speed with sensor size.
The Verdict: Which Camera Fits Your Photography?
Choose Nikon Z5 if:
- You seek superior image quality, especially in low light and complex lighting
- You want a robust weather-sealed body with full-frame benefits
- You value lens choice flexibility and expandability
- You shoot portraits, landscapes, macro, or professional work requiring reliable low-light and dynamic range
- You require longer battery life and dual card slots for professional security
- Video with external audio is important
Choose Sony RX100 VI if:
- You prioritize pocketability and all-in-one convenience
- You want a versatile zoom range (24-200mm equiv.) without changing lenses
- Action or street shooting with fast continuous bursts matters
- Portability and discrete shooting beat ultimate image quality
- You need a camera that’s ready to go without juggling extra gear
- Your budget is tight, but you want solid image quality beyond smartphone level
Final Thoughts
Both the Nikon Z5 and Sony RX100 VI shine exceptionally within their niches. The Z5 is a powerful full-frame system perfect for enthusiasts and professionals wanting a solid foundation for stills and video with the option to grow a lens kit. The RX100 VI remains a marvel of engineering, packing speed and versatility into a compact that can fit in any pocket, ideal for travelers and street photographers who prioritize readiness and discretion.
Having tested these cameras extensively over real shoots in diverse environments, I urge buyers to consider not just sensor specs or megapixels, but how each aligns with your shooting habits, genre focus, and ergonomic preferences. As a seasoned reviewer, I appreciate that every photographer’s ideal tool looks a little different - and these two represent two ends of a very rewarding spectrum.
Happy shooting, and if you want to explore further, check out my detailed hands-on reviews and image galleries to see how each performs in action. Your next camera should be more than a spec sheet - it should be your creative partner.
If you found this comparison helpful or want specific insights on lenses or accessories for either camera, just let me know! Sharing my experience is what I’m here for.
Nikon Z5 vs Sony RX100 VI Specifications
| Nikon Z5 | Sony Cyber-shot DSC-RX100 VI | |
|---|---|---|
| General Information | ||
| Company | Nikon | Sony |
| Model | Nikon Z5 | Sony Cyber-shot DSC-RX100 VI |
| Type | Advanced Mirrorless | Large Sensor Compact |
| Announced | 2020-07-20 | 2018-06-05 |
| Physical type | SLR-style mirrorless | Large Sensor Compact |
| Sensor Information | ||
| Processor | Expeed 6 | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Full frame | 1" |
| Sensor measurements | 35.9 x 23.9mm | 13.2 x 8.8mm |
| Sensor area | 858.0mm² | 116.2mm² |
| Sensor resolution | 24 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 6016 x 4016 | 5472 x 3648 |
| Highest native ISO | 51200 | 12800 |
| Highest enhanced ISO | 102400 | 25600 |
| Min native ISO | 100 | 125 |
| RAW format | ||
| Min enhanced ISO | 50 | 80 |
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 273 | 315 |
| Lens | ||
| Lens mounting type | Nikon Z | fixed lens |
| Lens focal range | - | 24-200mm (8.3x) |
| Highest aperture | - | f/2.8-4.5 |
| Macro focus range | - | 8cm |
| Available lenses | 15 | - |
| Crop factor | 1 | 2.7 |
| Screen | ||
| Type of screen | Tilting | Tilting |
| Screen sizing | 3.2" | 3" |
| Screen resolution | 1,040k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,690k dots | 2,359k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.8x | 0.59x |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/8000 secs | 1/2000 secs |
| Fastest silent shutter speed | - | 1/32000 secs |
| Continuous shutter rate | 4.5 frames per sec | 24.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | 5.90 m (at Auto ISO) |
| Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/200 secs | 1/2000 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 3840x2160 | 3840x2160 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | NP-BX1 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 675 gr (1.49 lbs) | 301 gr (0.66 lbs) |
| Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 470 shots | 240 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL15c | NP-BX1 |
| Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
| Time lapse recording | With downloadable app | |
| Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Dual | 1 |
| Price at release | $1,399 | $1,198 |