Nikon Z50 vs Panasonic FZ300
74 Imaging
67 Features
84 Overall
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59 Imaging
37 Features
73 Overall
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Nikon Z50 vs Panasonic FZ300 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Push to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Released October 2019
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1/16000s Max Shutter
- 3840 x 2160 video
- 25-600mm (F2.8) lens
- 691g - 132 x 92 x 117mm
- Released July 2015
- Earlier Model is Panasonic FZ200

Nikon Z50 vs Panasonic FZ300: An Expert Camera Comparison for Enthusiasts and Professionals
When selecting a capable camera, especially for enthusiasts or those stepping into professional ranks, evaluating strengths and compromises is key - and few comparisons are as instructive as pitting the Nikon Z50 against the Panasonic FZ300. Though these two cameras inhabit quite different niches - one a mirrorless APS-C system and the other a versatile bridge superzoom - they both appeal to photographers prioritizing portability, autofocus performance, and video capability, all within competitive price points.
From sensor technology and autofocus prowess to ergonomics and real-world usability in diverse photography disciplines, this in-depth comparison draws on extensive hands-on testing, imaging benchmarks, and usability trials to help you determine which model best matches your photographic style and budget.
Physical Design and Handling: Compact Entry-Level vs. Bridge Zoom Bulk
A key decision starting point is camera size, handling comfort, and control layout, since a camera must fit your shooting style and portability needs.
The Nikon Z50 exemplifies an entry-level mirrorless design with an APS-C sensor, its body measuring a compact 127 x 94 x 60 mm and tipping the scales at 397 grams, making it significantly lighter and more pocketable than the Panasonic FZ300. This reduced weight, combined with a streamlined grip, aids extended handheld sessions, crucial for street and travel photographers who prize discretion and comfort.
In contrast, the Panasonic FZ300 is an SLR-style bridge camera at 132 x 92 x 117 mm and weighing a substantial 691 grams, nearly doubling the Nikon's heft. Its integrated 24x optical zoom lens (25-600mm equivalent) accounts for much of the size, inevitably trading off pocketability for versatility - ideal for wildlife and travel shooters who prioritize a broad focal range without frequent lens changes but can accommodate the bulk.
Control design also reflects their market intent. The Z50 features a clean top plate with ergonomically placed dials and buttons, facilitating quick exposure mode switches (shutter/aperture priority, manual exposure), ISO adjustments, and drive settings without menu dives - beneficial for fast-paced shooting. Conversely, the FZ300’s layout prioritizes zoom and exposure controls integrated around the fixed lens barrel and body, with a fully articulating screen providing flexible live view shooting angles.
Sensor Technology and Image Quality Fundamentals
Image quality begins with the sensor, arguably the most crucial specification in any camera.
The Nikon Z50 employs a 21.0MP APS-C (23.5 x 15.7mm) BSI-CMOS sensor paired with the Expeed 6 processing engine, delivering crisp, noise-controlled images. APS-C sensors generally offer superior dynamic range, color depth, and low-light performance relative to smaller sensors, benefiting portraits, landscapes, and low-light scenarios extensively.
Meanwhile, the Panasonic FZ300 is built around a 1/2.3 inch (6.17 x 4.55mm) CMOS sensor with a 12MP resolution. Such a small sensor provides higher depth of field but inherently compromises image quality at high ISO due to smaller photosites leading to more noise and limited dynamic range.
Practically, Nikon’s Z50 creates cleaner, sharper images with more detail retained in shadows and highlights, an advantage for versatile disciplines such as landscapes and portraits, where image quality nuances count. The FZ300, however, offers respectable image fidelity within its sensor limitations, further cushioned by its bright constant f/2.8 lens that helps somewhat in low-light but cannot fully offset sensor size constraints.
Autofocus Systems: Speed, Accuracy, and Subject Recognition
Autofocus is the backbone of photographic success, especially for wildlife, sports, and street photography where subjects may be swift or erratic.
The Z50’s autofocus system impresses with 209 focus points utilizing hybrid phase and contrast detection, delivering rapid, reliable AF tracking and subject recognition - including face and animal eye detection - based on Nikon’s notable AF engine developed for higher-end Z-series models. This enables confident focus lock even in challenging light or when subjects move unpredictably.
Contrast this with the FZ300’s 49-point contrast-detection AF system (without phase detection), generally slower and less adaptive, especially in lower light or on fast-moving subjects. While adequate for casual shooting and video tracking with Panasonic’s Depth From Defocus technology, it cannot match the precision or speed of the Z50’s hybrid system.
In summary, photographers prioritizing fast-paced photography such as sports, wildlife, or documentary will find the Z50’s autofocus system a definite advantage.
Build Quality and Environmental Durability
Both cameras tout some degree of weather resistance, a boon for outdoor shooting enthusiasts.
The Nikon Z50 offers environmental sealing protecting against dust and moisture, aligning with its lightweight but robust magnesium alloy and polycarbonate body construction. While not advertised as waterproof, it tolerates challenging weather better than typical entry-level mirrorless cameras.
Similarly, the Panasonic FZ300 goes further, boasting fully waterproof construction, dust sealing, and splashproof design, enabling shooting in rain or near water without additional protection. This ruggedness appeals to adventure photographers or outdoor videographers requiring confidence in harsh conditions.
For demanding fieldwork or travel under variable climates, the FZ300’s weatherproofing is a standout feature.
LCD and Electronic Viewfinder: Usability and Flexibility
Live view composition and review benefit from effective screen and viewfinder design.
Both cameras feature roughly 3-inch tilting LCD panels with 1040k-dot resolution and touch sensitivity. The FZ300’s fully articulated screen swivels comprehensively for selfies, vlogging, or awkward angles - a critical asset for video creators and street photographers who often shoot from unconventional perspectives. The Z50’s tilting screen moves vertically but lacks full articulation, suitable for most standard shooting positions but less flexible for self-recording.
For electronic viewfinders, the Z50 offers a high-resolution 2360k-dot OLED EVF with 100% coverage, delivering sharp detail and clarity, enhancing framing precision and eye comfort, especially in bright daylight or fast action. The FZ300’s EVF has lower 1440k-dot resolution but still covers 100% and provides adequate viewing with minimal lag.
The Z50’s superior EVF makes a compelling choice for traditional shooters who rely heavily on viewfinder framing.
Lens Ecosystem and Compatibility
Lens availability significantly shapes a camera’s potential over time.
Using the Nikon Z mount, the Z50 accesses an expanding lineup (currently 15 native lenses), including fast primes, wide-angle zooms, and telephoto options tailored to APS-C sensors, such as the excellent Nikkor Z DX lenses. Compatibility with full-frame Nikon Z lenses and F-mount lenses via an adapter multiplies versatility, allowing capture across genres, from macro to wildlife to professional portraiture.
Conversely, the Panasonic FZ300 comes with a fixed 25-600mm equivalent zoom lens with a consistent f/2.8 aperture, offering remarkable composure flexibility straight out of the box without the need for lens changing. However, the fixed lens limits overall creative lens options and focal characteristics.
For photographers prioritizing lens variety and future upgrades, the Z50's system unlocks greater long-term potential, whereas the FZ300 emphasizes all-in-one convenience.
Burst Shooting, Buffer Depth, and Shutter Mechanics
Action photographers demand reliable continuous shooting with ample buffer to capture decisive moments.
The Nikon Z50 supports up to 11fps continuous shooting (mechanical shutter), matching many mid-tier cameras. Its buffer depth handles raw bursts effectively, making it suitable for sports or wildlife where timing is critical.
The FZ300 offers a higher 12fps burst rate but is limited by slower buffer clearing and smaller sensor image sizes. Its maximum mechanical shutter speed is 1/16000s (fast, excellent for bright conditions), compared to the Z50’s 1/4000s, enabling better control of exposure in challenging light.
Overall, the Z50 exhibits balanced burst speed with superior image processing, while the FZ300 edges raw speed but with tighter buffer constraints.
Video Performance and Features
As hybrid shooters increasingly demand video alongside stills, both cameras embrace modern 4K video, yet with critical differences.
The Nikon Z50 records UHD 4K video at up to 30p with the H.264 codec and Linear PCM audio, providing clean, sharp footage with good color depth. However, it lacks advanced video stabilization, relying on lens stabilization where available, which may limit handheld smoothness.
The Panasonic FZ300 excels here with fully optical image stabilization integrated into its lens, supporting smoother handheld 4K capture at 30p and also offering 4K photo modes (extracting 8MP stills from footage), a handy hybrid function for fast shooters. Its fully articulating screen benefits vloggers and video recordists framing themselves.
Neither camera includes headphone outputs, limiting audio monitoring, but both provide microphone inputs for enhanced sound capture control.
Videographers assessing mobility versus stabilization will appreciate the FZ300's in-body optical solution, while the Z50’s higher image quality sensor may appeal to those prioritizing pristine footage quality with stabilized lenses.
Battery Life and Storage Flexibility
Extended shooting demands cameras with reliable power management.
The Nikon Z50 uses the EN-EL25 battery, rated approximately 320 shots per charge - typical for mirrorless models though somewhat modest for all-day use without spares. Storage is via a single SD card slot supporting UHS-II speeds, beneficial for rapid raw write speeds during bursts.
The Panasonic FZ300 offers better battery longevity (around 380 shots) with a rechargeable battery pack, slightly higher than the Nikon, and supports standard SD cards (UHS-I), adequate for most continuous shooting. The FZ300's bridge camera architecture allows efficient power consumption despite its larger sensor and zoom lens.
Users traveling or shooting extended events should consider spare battery affordability and charging infrastructure; Nikon’s compact battery is smaller but may require more frequent swaps.
Connectivity and Wireless Features
Modern shooting workflows increasingly rely on wireless image transfer and camera control via smartphones.
The Nikon Z50 includes built-in Wi-Fi and Bluetooth connectivity, supporting Nikon’s SnapBridge app for remote shooting and seamless image transfers. Bluetooth enables effortless pairing with minimal power draw, an advantage for on-the-go photographers wanting instant social media uploads or remote trigger flexibility.
On the other hand, the Panasonic FZ300 features only built-in Wi-Fi without Bluetooth support. While it offers remote functionality through Panasonic’s app, initial connectivity and power management are less streamlined than Nikon’s dual wireless solution.
For photographers invested in smartphone tethering or remote operations, the Z50 provides a more modern and comprehensive wireless experience.
Practical Photography Genre Evaluations
To further ground this comparison, let’s examine how these cameras fulfill needs across key photography genres.
Portraiture
The Nikon Z50’s APS-C sensor and 209-point hybrid AF, including eye and animal eye detection, provide exceptionally natural skin tone rendition and precise, pleasingly smooth bokeh from fast Z-mount lenses. Its electronic viewfinder sharpness aids compose-and-shoot confidence, crucial for nuanced lighting control in portraits.
The FZ300’s deeper depth of field due to its small sensor limits background blur, and its fixed lens aperture restricts creative focus control. While its lens is sharp, it cannot rival the Z50’s portrait quality or subject isolation.
Landscape Photography
Dynamic range and resolution matter here - the Z50’s 21MP APS-C sensor delivers rich tonal gradation and detailed images suited to large prints. Environmental sealing aids shooting in varying conditions, and with compatible wide-angle Nikkor Z lenses, it excels.
The FZ300's small sensor limits dynamic range and resolution (12MP), reducing quality and cropping flexibility. However, its weather-proof design allows rugged outdoor usage. Its wide 25mm equivalent start helps scanning sceneries but cannot match full APS-C quality.
Wildlife and Sports Imaging
Fast autofocus and burst shooting dominate these genres. The Z50’s advanced 209-point AF system and 11fps burst make it superior for tracking erratically moving wildlife or athletes. Its telephoto lens pairing options extend reach critically.
The FZ300’s 24x zoom (600mm equivalent) is versatile but paired with contrast-only AF and slower burst buffer, limiting capture precision. It works well for casual wildlife but struggles with fast sports action.
Street Photography
The lightweight Nikon Z50 offers stealth and quick responsiveness, with a compact body able to slip into small bags. Its tilting screen aids candid shooting angles. The FZ300’s bulk and zoom lens make it less discrete, though its articulated screen is flexible.
The Z50’s superior low-light capabilities also benefit urban night shots, crucial for street photogs capturing atmospheric scenes after dark.
Macro Photography
Both cameras lack dedicated macro lenses or attachments, but the FZ300 boasts a 1 cm macro minimum focus distance, enabling close-ups with impressive detail in a superzoom package. However, limited sensor size curtails resolution and depth rendering.
The Z50 can leverage dedicated macro Z-mount primes for superior image quality and detail but requires investment in lenses for that specialty.
Night and Astro Photography
The Z50’s APS-C sensor better controls noise at high ISO (up to 51200), combined with the Expeed 6 processor, enabling cleaner long exposures and star field capture. Its electronic shutter and exposure bracketing aid astro imaging techniques.
The FZ300 limits ISO and sensor capability, introducing more noise and less shadow detail, thereby restricting astrophotography potential despite its brighter lens.
Video and Hybrid Use
The FZ300’s built-in optical stabilization gives it clear video shooting advantages, especially for handheld 4K capture. Its fully articulating screen and 4K photo mode add hybrid shooting conveniences.
The Z50, while lacking internal stabilization, produces higher quality video files with rich detail and less noise.
Travel and General Versatility
The Z50’s size, weight, lens system, wireless connectivity, and image quality suit extended travel photography - ideal for destinations demanding flexible stills and video shooting.
The FZ300’s all-in-one zoom eliminates lens changes and offers rugged weatherproofing, preferred by photographers wanting straightforward utility over bulkier systems.
Overall Performance Ratings and Scores
Attempting to quantify the comprehensive capabilities, here’s a visual summary:
This chart aggregates sensor performance, autofocus, ergonomics, video, and value, clearly showing the Nikon Z50 excelling in sensor-based metrics and AF precision, with excellent balance of features, while the FZ300 scores strongly on ruggedness, zoom flexibility, and stabilization.
Genre-Specific Strengths and Best User Matches
An extended breakdown of suitability across photography types:
- Portrait: Nikon Z50 leads with richer skins and bokeh.
- Landscape: Nikon Z50 favored for dynamic range and detail.
- Wildlife: Nikon Z50 offers better tracking and long lens options.
- Sports: Nikon Z50 for burst rate and AF.
- Street: Nikon Z50 for portability and discretion.
- Macro: Panasonic FZ300 offers close focus convenience but limited quality.
- Night/Astro: Nikon Z50 for superior noise control.
- Video: Panasonic FZ300 for stabilization and 4K features.
- Travel: Balanced - Z50 for quality and lenses, FZ300 for zoom and weatherproof.
- Professional: Nikon Z50 for workflow and image file quality.
In-Field Sample Image Comparison
View the practical output from both cameras, illustrating differences discussed:
The Nikon Z50 images exhibit superior detail, tonal gradation, and color fidelity, while the FZ300 images, especially at telephoto and low light, show the impact of sensor size constraints.
Summing Up Recommendations
Who Should Buy the Nikon Z50?
- Photographers seeking high image quality with APS-C sensor advantages
- Users who value fast, versatile autofocus including eye/animal detection
- Anyone planning to expand lens choices over time
- Enthusiasts or pros needing solid stills and 4K video with detailed output
- Travel and street photographers wanting light, compact bodies
Who Should Choose the Panasonic FZ300?
- Photographers craving simple, all-in-one superzoom convenience
- Adventure or outdoor users needing waterproofing and durability
- Videographers prioritizing stabilized handheld 4K capture out-of-box
- Hobbyists valuing versatility without lens swaps or heavy investment
- Macro enthusiasts seeking a close shooting distance in a single lens
Final Thoughts: A Balance of Sensor Power vs. Zoom Versatility
After extensive firsthand evaluation encompassing technical factors and real-world photographic applications, it’s clear that the Nikon Z50 and Panasonic FZ300 cater to distinctly different priorities despite overlapping price ranges.
The Nikon Z50 excels in image quality, autofocus sophistication, professional workflows, and medium-format lens ecosystem, rewarding users who want future-proofed creativity and precise photographic control. Meanwhile, the Panasonic FZ300 extends zoom reach and ruggedness with video-friendly features that resonate strongly with multi-purpose enthusiasts who desire an integrated optics solution without system complexity.
Selecting between these models rests on your primary photographic ambitions: do you wish to prioritize superior sensor performance and flexible lens options with a compact, mirrorless system? Or is your priority an all-in-one weatherproof camera with impressive zoom power and built-in stabilization? This comparison should assist in making a thoroughly informed choice aligned with your style.
In closing, both the Nikon Z50 and Panasonic FZ300 remain compelling choices well-suited to different segments within enthusiast and budget-conscious professional ranks - validating Nikon’s rise in APS-C mirrorless and Panasonic’s enduring leadership in superzoom bridge cameras through solid engineering and user-centric design.
Nikon Z50 vs Panasonic FZ300 Specifications
Nikon Z50 | Panasonic Lumix DMC-FZ300 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Panasonic |
Model | Nikon Z50 | Panasonic Lumix DMC-FZ300 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Released | 2019-10-10 | 2015-07-16 |
Body design | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Expeed 6 | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.5 x 15.7mm | 6.17 x 4.55mm |
Sensor surface area | 369.0mm² | 28.1mm² |
Sensor resolution | 21 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5568 x 3712 | 4000 x 3000 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 209 | 49 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 25-600mm (24.0x) |
Largest aperture | - | f/2.8 |
Macro focus range | - | 1cm |
Total lenses | 15 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of screen | Tilting | Fully Articulated |
Screen diagonal | 3.2 inch | 3 inch |
Screen resolution | 1,040 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 1,440 thousand dot |
Viewfinder coverage | 100% | 100% |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/16000 secs |
Continuous shooting speed | 11.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (at ISO 100) | 8.80 m (at Auto ISO) |
Flash settings | - | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 397 grams (0.88 lbs) | 691 grams (1.52 lbs) |
Physical dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 132 x 92 x 117mm (5.2" x 3.6" x 4.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 320 pictures | 380 pictures |
Style of battery | Built-in | Battery Pack |
Battery model | EN-EL25 | - |
Self timer | Yes | Yes |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Cost at launch | $857 | $598 |