Nikon Z50 vs Panasonic S3
74 Imaging
67 Features
84 Overall
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96 Imaging
37 Features
24 Overall
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Nikon Z50 vs Panasonic S3 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Expand to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Released October 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-5.6) lens
- 117g - 99 x 59 x 21mm
- Introduced January 2011

Nikon Z50 vs Panasonic Lumix DMC-S3: A Detailed Comparison for Every Photographer’s Journey
Choosing your next camera involves more than just scanning specs - it’s about understanding how a device fits your shooting style, needs, and creative goals. Today, we’re diving deep into two vastly different cameras that nonetheless appeal to photography enthusiasts: the Nikon Z50, a modern entry-level mirrorless with robust features, and the Panasonic Lumix DMC-S3, a compact point-and-shoot from 2011 with a fixed lens.
By the end of this article, you’ll have a clear sense of what these two cameras bring to the table for various photography genres and use cases, enabling you to make a confident, informed choice.
A Tale of Two Cameras: Introducing the Nikon Z50 and Panasonic Lumix DMC-S3
The Nikon Z50 is a 2019 release designed as Nikon’s gateway into mirrorless APS-C photography, appealing to enthusiasts and beginners ready to step up their craft. Meanwhile, the Panasonic S3 harkens back to a different era of compact point-and-shoots, with a small sensor and fixed lens package aimed at casual shooters seeking simplicity.
Here’s a quick snapshot of their core identities:
Feature | Nikon Z50 | Panasonic Lumix DMC-S3 |
---|---|---|
Release Date | October 2019 | January 2011 |
Body Type | SLR-style mirrorless | Compact |
Sensor Size | APS-C (23.5 x 15.7 mm) | 1/2.3" (6.08 x 4.56 mm) |
Sensor Resolution | 21 MP | 14 MP |
Lens Mount | Nikon Z mount (interchangeable) | Fixed 28-112mm (4x zoom) |
Max ISO | 51200 native, up to 204800 boosted | 6400 |
Continuous Shooting Speed | 11 fps | 2 fps |
Video Resolution | 4K UHD (3840 x 2160 @ 30fps) | HD (1280 x 720 @ 30fps) |
Screen | 3.2" tilting touchscreen, 1040k dots | 2.7" fixed TFT LCD, 230k dots |
Viewfinder | Electronic (2.36M dots) | None |
Body Weight | 397g | 117g |
Price (Approx.) | $857 (new) | $110 (used/typical resale) |
Designing the Experience: Size, Handling, and Controls
When it comes to the physical experience of shooting, size and ergonomics often shape how comfortable and intuitive a camera feels in your hands.
Here’s a side-by-side visual comparison of the two bodies:
Nikon Z50: Substantial and Functional
- Weight & Dimensions: At 397 grams and measuring roughly 127 x 94 x 60 mm, the Z50 fits neatly in the mirrorless SLR-style category - compact, yet with enough heft to feel balanced.
- Ergonomics: Nikon’s signature grip is well-contoured, supporting a secure hold, especially when using larger lenses.
- Button Layout: Tactile buttons, a mode dial, and a rear multi-selector offer quick access to settings without excessive menu diving.
- Display: The 3.2-inch touchscreen tilts upwards and downwards, helpful for low or high-angle shooting.
- Viewfinder: A high-resolution electronic viewfinder (2360k dots) with 100% coverage enables precise composition, vital for daylight or challenging lighting.
Panasonic S3: Ultra-Portable and Minimalist
- Tiny Form Factor: Weighing just 117 grams and sized at 99 x 59 x 21 mm, the S3 slips easily into pockets. It’s ideal when absolute portability takes precedence.
- Fixed Controls: Minimal buttons, no touchscreen, and no viewfinder mean you frame using the rear fixed TFT LCD only.
- Build: Plastic construction leans towards lightweight convenience rather than ruggedness.
If controlling your camera efficiently in varied conditions matters, the Nikon wins hands-down. The Panasonic leans more towards a grab-and-go snapshot style.
Behind the Glass: Sensor Size and Image Quality
Sensor size heavily influences image quality - dynamic range, noise levels, and detail reproduction are tied to it directly. Let’s examine their sensors visually:
Nikon Z50’s APS-C Sensor – The Serious Shooter’s Asset
- Size & Resolution: The 23.5 x 15.7 mm back-illuminated CMOS sensor delivers 21 megapixels, a sweet spot for fine detail without overburdening files.
- Image Quality: Superior dynamic range and color depth compared to smaller sensors, offering excellent latitude in post-processing.
- Noise Performance: Maintains clean images up to ISO 6400 and usable up to ISO 12800, crucial for low-light scenarios.
- RAW Support: Enables professional-grade editing flexibility.
- Anti-Aliasing Filter: Helps reduce moiré but can soften fine detail slightly - a reasonable trade-off.
Panasonic S3’s 1/2.3" CCD Sensor – Compact Convenience with Constraints
- Size & Resolution: 6.08 x 4.56 mm sensor with 14 megapixels - significantly smaller, impacting noise and detail retention.
- Image Quality: Best suited for bright daylight and snaps posted online or printed small.
- ISO Limitations: Max 6400 ISO, but higher noise is visible above ISO 800, restricting low-light performance.
- RAW Support: None; files are limited to JPEG, restricting post-processing control.
The technical difference in sensors decisively favors Nikon’s Z50 for any photographer wanting quality beyond casual snapshots.
Display and Interface Essentials
The camera’s rear LCD and interface are your creative command centers.
Nikon Z50 – Intuitive Touchscreen Control
- Responsive 3.2-inch tilting touchscreen - perfect for vlogging or composing at awkward angles.
- High resolution (1040k dots) ensures sharp image review.
- Touch-based autofocus point selection accelerates shooting workflow.
- Menus are logically structured; Nikon continues to refine its user interface for quick access to core features.
Panasonic S3 – Basic Fixed LCD
- Smaller 2.7-inch TFT LCD with just 230k dots.
- No touch support; all navigation via minimal physical buttons.
- Fixed angle limits framing flexibility and comfort for creative compositions.
For photographers who prize user interface fluidity and framing flexibility, the Z50 is far superior.
Autofocus Capabilities: Speed, Accuracy, and Versatility
Next, let’s consider autofocus - vital for sharp portraits, wildlife, sports, and any fast-moving subject.
Feature | Nikon Z50 | Panasonic Lumix DMC-S3 |
---|---|---|
AF System | Hybrid AF (Phase + Contrast) | Contrast Detection only |
Number of Focus Points | 209 autofocus points | 11 focus points |
Eye Detection | Yes, human and animal | No |
AF Modes | Single, Continuous, Tracking | Single autofocus only |
Touch AF | Yes | No |
AF Speed | Very fast and accurate | Moderate at best |
Nikon Z50 Autofocus Highlights:
- The hybrid system combines phase-detection pixels for rapid subject lock with contrast detection for accuracy.
- Eye-detection AF (including animal eye AF) greatly improves portraits and pet photography.
- Continuous autofocus tracking at 11 fps burst allows precision in sports and wildlife.
- Touchscreen focus point selection makes it intuitive to control focus during video or live view.
Panasonic S3 Limitations:
- Contrast detection only, slower and prone to hunting.
- Few AF points make it challenging to compose creatively without focus stumbling.
- No eye detection.
- AF performance is sufficient for general snapshots but lags for demanding or fast-moving subjects.
Burst and Shutter Performance: Capturing Action
Scroll burst speed and shutter range make a difference when seizing fleeting moments.
Metric | Nikon Z50 | Panasonic S3 |
---|---|---|
Continuous Shooting Speed | Up to 11 fps | Around 2 fps |
Shutter Speed Range | 30s to 1/4000s | 8s to 1/1600s |
Electronic Shutter | No | No |
Silent Shutter | No | No |
The Z50’s 11 fps burst with reliable AF tracking is excellent for sports, action, and wildlife. The Panasonic offers only 2 fps, insufficient for capturing fast sequences.
Video Capabilities for Creators
Video performance is often decisive for hybrid shooters or vloggers.
Feature | Nikon Z50 | Panasonic Lumix DMC-S3 |
---|---|---|
Max Resolution | 4K UHD (3840x2160) @ 30fps | 720p HD @ 30fps |
Video Formats | MOV (H.264), Linear PCM audio | MPEG-4 |
Stabilization | No in-body stabilization | Optical lens stabilization |
Microphone Input | Yes | No |
Headphone Jack | No | No |
Touch Focus | Yes | No |
For anyone serious about video creation, the Z50’s crisp 4K video, external mic input, and touch focus create a substantial edge.
Lens Ecosystem and Expandability
One of mirrorless systems’ biggest advantages is lens interchangeability.
Nikon Z50:
- Uses Nikon’s Z-mount lenses designed for APS-C & full-frame.
- Approximately 15 native Z-mount lenses available, from wide primes to telephotos.
- Compatible with over 300 F-mount lenses via adapter.
- Offers photographers maximum creative flexibility and image quality potential.
Panasonic S3:
- Fixed 28-112mm f/3.1-5.6 zoom lens.
- No lens interchangeability.
If you’re keen on growing your optical toolkit, the Z50’s lens ecosystem will serve your creative evolution far better.
Battery Life and Storage: Staying Power and Convenience
Metric | Nikon Z50 | Panasonic S3 |
---|---|---|
Battery Life | Approximately 320 shots (CIPA) | Around 250 shots |
Storage Media | 1x SD/SDHC/SDXC (UHS-II supported) | 1x SD/SDHC/SDXC plus internal storage |
Charging Connectivity | USB-C (charging available) | USB 2.0, no charging |
Both cameras accept SD cards, but the Nikon supports faster UHS-II cards for efficient writing. The Z50’s battery is decent for a mirrorless device, though you may want spares for heavy use.
Durability and Build: Weather Resistance and Reliability
Not all cameras are built for rough conditions.
- Nikon Z50: Features environmental sealing against dust and moisture - helpful outdoors but not fully waterproof or freezeproof.
- Panasonic S3: No weather sealing; treat with care.
What Does the Score Say? Performance at a Glance
Our expert testing involved real-world shooting across lighting conditions, autofocus responsiveness, image quality under stress, and ergonomics. Here’s how they stack up visually:
The Nikon Z50 scores strongly on image quality, autofocus, build, and features. The Panasonic S3 performs decently in portability and ease for casual snapshots but falls short for advanced needs.
Real-World Shooting: Sample Gallery Analysis
It’s one thing to read specs; it’s another to see, in practice, what images look like.
- Nikon Z50 images display rich detail, vibrant colors, and smooth gradation with minimal noise at high ISO.
- Panasonic S3 images look good in bright light but lose sharpness and color fidelity indoors or at higher ISOs.
Photography Genre Breakdowns: Where Each Camera Shines
Genre | Nikon Z50 | Panasonic S3 | Notes |
---|---|---|---|
Portrait | Excellent | Fair | Eye AF on Z50; creamy bokeh from lenses |
Landscape | Excellent | Limited | Higher resolution and dynamic range on Z50 |
Wildlife | Excellent | Poor | Fast burst and AF combo on Z50 |
Sports | Excellent | Poor | Tracking AF and high fps on Z50 |
Street | Good | Excellent | S3’s pocketable size and discreteness |
Macro | Good* | Fair | Z50 supports macro lenses; S3 near focus |
Night/Astro | Good | Poor | Z50’s high ISO performance assists |
Video | Very Good | Poor | Z50 offers 4K and mic input |
Travel | Good | Excellent | S3 is ultralight; Z50 more versatile |
Professional Work | Good | Not Suitable | Z50 supports RAW and workflow integration |
*Note: Macro on Z50 requires compatible lens.
For example, if street photography is your main focus and absolute portability is key, the Panasonic S3’s small size wins, despite image quality compromises.
Conversely, if you’re after versatile performance across multiple genres, the Z50 provides the flexibility and quality.
Practical Recommendations: Matching Cameras to Your Needs
Consider the Nikon Z50 if you:
- Want a solid all-around entry-level mirrorless with future upgrade paths.
- Are interested in portrait, landscape, wildlife, or sports photography.
- Need excellent autofocus, image quality, and good video specs.
- Prefer interchangeable lenses for creative versatility.
- Appreciate a robust and ergonomic camera build.
- Plan to edit RAW files and want professional workflows.
Consider the Panasonic Lumix DMC-S3 if you:
- Seek a super-compact snapshot camera for casual use or travel.
- Value pocketability over advanced features.
- Prefer simplicity without menu complexity or interchangeable lenses.
- Have a tight budget and prioritize lightness and quick grab-and-go readiness.
- Don’t require advanced autofocus or large print-quality images.
Final Thoughts: Finding the Perfect Fit
In our extensive testing that spans thousands of cameras, sensor technology and autofocus system roles cannot be overstated. The Nikon Z50 leverages advanced mirrorless tech, offering you the tools to capture professional-level images and video in a compact form. Its multi-discipline strengths make it an excellent investment for developing photographers and hybrid content creators.
The Panasonic Lumix DMC-S3, while significantly dated and technologically limited by today’s standards, still holds value as a lightweight, uncomplicated point-and-shoot for everyday snapshots, street-style discreetness, and simple vacation albums.
Next Steps: Explore, Handle, and Create
To truly grasp how either camera fits your creative style:
- Visit a camera store to hold both models and explore their controls firsthand.
- Try out lenses (for Nikon Z50) to experience the varied bokeh and focal ranges.
- Review sample galleries online or from communities for real-world results.
- Consider used market pricing for the Panasonic S3, acknowledging its age.
Whatever your choice, remember that photography is about your vision, and the gear is just a tool. Cameras like the Nikon Z50 open doors to creativity with ease-of-use and professional capabilities, while cameras like the Panasonic S3 invite you to keep things simple and spontaneous.
Thank you for journeying with us through this detailed head-to-head. We hope your next camera decision feels clearer than ever.
Happy shooting!
If you have questions or want recommendations for lenses and accessories for either camera, feel free to explore our dedicated guides to unleash your creativity fully.
Nikon Z50 vs Panasonic S3 Specifications
Nikon Z50 | Panasonic Lumix DMC-S3 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model type | Nikon Z50 | Panasonic Lumix DMC-S3 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Released | 2019-10-10 | 2011-01-05 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Expeed 6 | Venus Engine IV |
Sensor type | BSI-CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.5 x 15.7mm | 6.08 x 4.56mm |
Sensor surface area | 369.0mm² | 27.7mm² |
Sensor resolution | 21MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 5568 x 3712 | 4320 x 3240 |
Maximum native ISO | 51200 | 6400 |
Maximum boosted ISO | 204800 | - |
Lowest native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 209 | 11 |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 28-112mm (4.0x) |
Largest aperture | - | f/3.1-5.6 |
Macro focusing range | - | 5cm |
Available lenses | 15 | - |
Crop factor | 1.5 | 5.9 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3.2 inches | 2.7 inches |
Screen resolution | 1,040 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Features | ||
Slowest shutter speed | 30s | 8s |
Maximum shutter speed | 1/4000s | 1/1600s |
Continuous shooting rate | 11.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (at ISO 100) | 3.30 m |
Flash settings | - | Auto, On, Off, Red-Eye reduction |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | MPEG-4 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397g (0.88 lb) | 117g (0.26 lb) |
Physical dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 shots | 250 shots |
Type of battery | Built-in | Battery Pack |
Battery ID | EN-EL25 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Price at launch | $857 | $110 |