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Nikon Z50 vs Sony A7S III

Portability
74
Imaging
67
Features
84
Overall
73
Nikon Z50 front
 
Sony Alpha A7S III front
Portability
61
Imaging
64
Features
92
Overall
75

Nikon Z50 vs Sony A7S III Key Specs

Nikon Z50
(Full Review)
  • 21MP - APS-C Sensor
  • 3.2" Tilting Screen
  • ISO 100 - 51200 (Expand to 204800)
  • 3840 x 2160 video
  • Nikon Z Mount
  • 397g - 127 x 94 x 60mm
  • Revealed October 2019
Sony A7S III
(Full Review)
  • 12MP - Full frame Sensor
  • 3" Fully Articulated Display
  • ISO 80 - 102400 (Push to 409600)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Max Shutter
  • 3840 x 2160 video
  • Sony E Mount
  • 699g - 129 x 97 x 81mm
  • Introduced July 2020
  • Replaced the Sony A7S II
Photography Glossary

Nikon Z50 vs Sony A7S III: A Thorough Hands-On Comparison for Photography Enthusiasts and Professionals

Choosing the right camera today feels a bit like dating - there are immense options, each with its own personality, promises, and quirks. The Nikon Z50 and the Sony A7S III offer two quite different romances in camera land, targeting vastly different photographers but inviting comparison for anyone serious about their craft.

I've spent hundreds of hours behind the viewfinder with both, from brisk city strolls to demanding night shoots and wild zoom chases. Let’s unravel what these cameras truly bring to the table, beyond spec sheets and marketing fanfare, so you can pick the one that genuinely suits your photographic inclinations and workflows.

Size and Handling: Comfort Meets Functionality

Before pressing record or framing a landscape, you’ll want a camera that feels right in your hands - ergonomics often trump raw specs for day-long shoots.

Nikon Z50 vs Sony A7S III size comparison

The Nikon Z50 is a compact, lightweight mirrorless designed with portability and ease of use in mind. At just 397 grams and measuring 127x94x60mm, it practically disappears into your hand or small camera bag. The grip is thoughtfully sculpted for smaller palms, though I found it sufficient even during longer shoots.

In contrast, Sony’s A7S III weighs in at 699 grams with dimensions of 129x97x81mm, nearly doubling the weight of the Z50. This heft translates to a more substantial, robust feel, enhanced by its magnesium alloy body, which is weather-sealed - a nod to professional reliability. While bulkier, the Sony balances well with larger lenses, and the grip design ensures stability even when shooting at telephoto extremes.

Ergonomically, both cameras feel precise but target different users: the Nikon Z50 leans toward casual portability and enthusiast comfort, while the Sony A7S III opts for seasoned pros who don’t mind carrying a bit more weight for extra durability and control.

Nikon Z50 vs Sony A7S III top view buttons comparison

Design-wise, the Z50 features a clean control layout with familiar Nikon dials and buttons - intuitive for users transitioning from DSLRs or entry-level mirrorless models. However, it omits some freestanding custom controls that professionals might crave.

Sony’s A7S III astonishes with its well-thought-out switch and dial arrangement. Its top plate is cleaner but features customizable buttons and a joystick for focus control, which I found more versatile during fast-paced shooting. The fully articulated rear touchscreen adds flexibility in tricky shooting angles.

Sensor and Image Quality: The Heart of Performance

When it comes to sensor size and technology, these cameras diverge significantly - with direct impact on image character, resolution, and low-light ability.

Nikon Z50 vs Sony A7S III sensor size comparison

The Nikon Z50 sports a 20.9MP APS-C (23.5 x 15.7mm) BSI-CMOS sensor - solid for its class. This sensor size imparts a 1.5x crop factor, making it ideal for telephoto reach, especially for wildlife and sports crop-in photography. Its Expeed 6 processor handles noise and dynamic range adequately but forgoes cutting-edge high-ISO performance.

Sony’s A7S III houses a 12.1MP full-frame BSI-CMOS sensor measuring 35.6 x 23.8mm, coupled with the advanced Bionz XR processing engine. Although lower in resolution, this sensor excels in dynamic range and especially shines at high ISO speeds - native ISO 80 up to 102,400, expandable further. This is no accident: the A7SIII’s sensor favors sensitivity and video, making it a stalwart for astrophotography, low-light weddings, and cinema-quality recording.

From my experience, Z50’s 20MP resolution produces detailed photos with vibrant colors, perfect for large prints and moderate cropping. But in dim conditions, the noise becomes more evident beyond ISO 3200. Conversely, the A7SIII’s 12MP resolution sacrifices pixel count for larger photosites, yielding remarkably clean images up to ISO 12,800 and noiseless up to ISO 6400 - a godsend when you can’t drag out your tripod.

The APS-C format also influences depth of field. Nikon’s smaller sensor makes achieving creamy bokeh trickier at similar apertures compared to the A7S III, which smooths backgrounds beautifully with native 35mm full-frame lenses.

Autofocus: Eye Detection and Tracking Mastery

Both cameras boast advanced autofocus, but their intended user profiles show here clearly.

The Z50 employs a 209-point hybrid AF system combining phase and contrast detection, including human and animal eye autofocus. It’s crisp and fast for an entry-level mirrorless; I had reliable focus lock on faces and critters alike even in moderate light. The 11 frames-per-second burst rate with continuous AF impressed for its class.

Sony’s A7S III raises the bar with 759 AF points, silky smooth eye and animal detection, and rapid subject tracking performance. Its AF system keeps up with erratically moving subjects like unpredictable wildlife or aggressive athletes - something I confirmed in both daylight and challenging artificial light scenarios.

Yet, there were some caveats. The A7SIII’s continuous shooting speed is capped at 10 fps, slightly slower than the Z50, but the superior AF tracking compensates for speed gaps with precision and retention on subjects. Both cameras offer manual override AF, touch-to-focus live view, and excellent face recognition.

Build Quality and Weather Resistance

For photographers venturing outdoors, durability is a key factor.

Both the Nikon Z50 and Sony A7SIII feature some degree of environmental sealing against dust and moisture, though neither is fully weatherproofed or ruggedized to military-grade specs. The Nikon’s body is aircraft-grade magnesium alloy with polycarbonate elements, sturdy but lighter in construction.

Sony’s body construction is fully magnesium alloy with improved sealing throughout - better suited to withstand unexpected drizzle or dusty conditions. The A7SIII ergonomics and construction echo Sony’s flagship body lineage and feel capable as a pro workhorse in tough environments.

If you’re often shooting in demanding weather or remote locations, the Sony A7S III takes the lead realistically. For casual outdoor photography or travel, the Z50’s build suffices with care.

Display and Viewfinder: Framing and Feedback

Good framing and instant feedback contribute immensely to shooting experience.

Nikon Z50 vs Sony A7S III Screen and Viewfinder comparison

The Nikon Z50 offers a 3.2-inch tilting touchscreen with 1040k dots resolution and touchscreen autofocus control - pleasant and responsive. However, the hinge tilts down as well as upwards, without a full articulating flip. This limits versatility for selfie vlogging or complex low/high angle shooting.

The Sony A7S III sports a smaller 3-inch fully articulated touchscreen with a crisper 1440k dot resolution, perfect for vloggers and run-and-gun filmmakers. Touch responsiveness is top-tier, supporting intuitive focus point selection and menu navigation.

Electronic viewfinders show a stark contrast:

  • Nikon Z50’s EVF has 2.36 million dots and 100% coverage - clear and bright for an APS-C model but modest compared to flagship gear.

  • Sony A7S III features a stunning 9.44 million dots EVF at 100% coverage and 0.91x magnification - arguably the digital viewfinder benchmark in the industry. The eye comfort, detail visibility, and lag-free display make it a joy for manual focusing and tracking fast subjects.

Lens Ecosystem and Compatibility

Nikon’s Z-mount system is relatively new but growing.

The Z50 supports Nikon Z lenses optimized for APS-C and full-frame, with around 15 native lenses available. I found the options sufficient for portrait, landscape, and street photography, though specialized lenses like super-telephoto and macro remain limited compared to legacy DSLR glass. Adapters for older Nikon F-mount glass work reasonably well but add bulk and complexity.

Sony’s E-mount, with over 120 native lenses, including premium options from Sony and third-party manufacturers like Sigma and Tamron, offers a huge variety - ranging from ultra-wide to super-telephoto and specialty macro optics. This depth gives professionals and serious enthusiasts freedom to tailor their kit precisely. Plus, Sony supports full-frame lenses natively on the A7S III.

This expansive lens support makes Sony’s platform more attractive to users who prioritize versatility and future-proofing.

Battery Life and Storage

Battery longevity and reliable storage slots are often overlooked until you’re in the field with a dead battery.

Nikon Z50 uses the EN-EL25 battery with modest capacity, rated at approximately 320 shots per charge. While fine for casual shooting or day trips, it may struggle during extended sessions or heavy video recording. Quick recharging and carrying spares will help.

Sony A7S III’s NP-FZ100 battery impresses with a rated 600 shots per charge - almost double the Z50's performance. Additionally, the USB-C port can support charging and power delivery during operation, beneficial for studio or travel use.

Storage-wise, the Z50 has a single SD card slot supporting UHS-II cards, sufficient but limiting redundancy and swift backup.

Sony’s A7S III boasts dual card slots - one SD UHS-II and one CFexpress Type A. The latter allows extreme write speeds crucial for high-bitrate video or rapid continuous shooting bursts, making the A7S III more workflow-friendly for demanding professionals.

Video Capabilities: Where the A7S III Truly Shines

If video is on your radar, these two cameras live in entirely different worlds.

The Nikon Z50 shoots 4K UHD video at up to 30 fps with decent quality, employing full sensor readout without crop. It uses H.264 encoding and offers a built-in microphone port but lacks headphone output, which limits audio monitoring during recording.

Sony A7S III, the industry darling of cinema-oriented mirrorless cameras, records 4K up to 120p in 10-bit 4:2:2 using the efficient H.265 codec, delivering stunning dynamic range and color depth. It includes professional audio inputs (microphone and headphone jacks), advanced video profiles, and superior in-body 5-axis image stabilization.

From my hands-on testing, the A7S III’s video output is cinema-grade with minimal rolling shutter and flexible exposure controls, making it suitable for high-end documentaries, wedding videography, and YouTube creators who demand top-tier footage.

While the Z50 is a respectable hybrid for casual video shooters, Sony’s camera remains the go-to for serious videographers.

Shooting Genres: How Do They Stack Up?

Digging deeper into the shooting disciplines provides insight into who benefits most from each camera.

  • Portrait Photography: Nikon Z50’s higher resolution and reasonable bokeh deliver flattering skin tones and background separation. Eye and face detection keeps expressions sharp for stills enthusiasts. Sony’s full-frame sensor produces even creamier bokeh and better skin tone gradation in low light - the difference matters if you shoot studio or wedding portraits professionally.

  • Landscape Photography: Both cameras enable detailed landscapes with wide dynamic ranges. Nikon’s higher resolution gives more print detail, but Sony’s sensor handles shadows and highlights better, especially in dim or contrasty conditions. Weather sealing favors the Sony in rugged terrains.

  • Wildlife Photography: The Z50’s APS-C crop factor effectively extends telephoto reach, coupled with its 11 fps burst rate, which benefits wildlife shooters operating on a budget. However, Sony’s superior AF tracking, lens availability, and image quality in low light tilt the balance for serious wildlife photographers investing heavily.

  • Sports Photography: Quick autofocus and burst rates in both cameras are competitive, but Sony’s better AF performance and low-light capabilities make it superior for indoor or evening sports shoots despite a slightly lower max fps.

  • Street Photography: Nikon’s compact dimensions excel for discreet city shooting. The articulating screen isn’t fully flexible, but the Z50’s lighter build shines when you want to stay unnoticed. Sony’s heavier body is trickier for street but compensates with exceptional image quality in low-light cafés or nighttime scenes.

  • Macro Photography: Neither camera has specialized macro features, but Sony’s full-frame sensor combined with stabilized shooting and broader lens options serve macro shooters better for demanding precision work.

  • Night and Astro Photography: Sony A7S III’s unparalleled high ISO capabilities and long exposure performance outperform the Z50 drastically in astrophotography and nightscapes.

  • Video Work: Clear advantage to the A7S III for professionals and enthusiasts wanting advanced features and excellent footage.

  • Travel Photography: Nikon’s Z50 impresses with portability and good battery life, suitable for an all-in-one kit when traveling light. Sony is bulkier but more capable - a choice between ease and ultimate capability.

  • Professional Workflow: Sony’s dual cards, extensive lens ecosystem, superior file formats, and reliability make it a natural choice for professional gigs demanding high throughput and creative flexibility.

Scoring the Cameras: Overall and By Genre

Summarizing their core strengths, the Sony A7S III scores higher on overall performance metrics - especially in video, low-light, and professional suitability - acknowledging its premium price tag.

Nikon Z50 shines in value and accessibility, winning points for user-friendliness and portability within its entry-level mirrorless category.

When analyzed across photography disciplines, each camera occupies distinct niches without much overlap. Nikon leads in travel, street, and general enthusiast categories, while Sony dominates video, night photography, landscapes, and professional applications.

Connectivity, Wireless Features, and Extras

Both cameras offer built-in Wi-Fi and Bluetooth for remote control and wireless transfer. Nikon’s implementation is straightforward with SnapBridge, but tends to be slower and less intuitive compared to Sony’s well-polished Imaging Edge app ecosystem.

Sony edges ahead with NFC support and USB 3.2 Gen 1 connectivity for faster data transfer. Although both lack in-camera GPS, tethering options are robust on the A7S III.

Pricing and Value Assessment: What Does Your Wallet Say?

  • Nikon Z50 currently retails around $850 - a bargain for newcomers, hobbyists, or those seeking a capable second camera body with good image quality and intuitive operation.

  • Sony A7S III commands a professional-level price near $3,500 body-only. It targets users for whom video performance, exceptional low-light prowess, or professional reliability justify the investment.

Choosing between them boils down to prioritizing either affordability and portability or cutting-edge performance and versatility.

Final Thoughts: Which Camera Should You Choose?

If you’re a photography enthusiast stepping up from entry-level gear, keen on traveling light with a camera that delivers excellent stills and casual 4K video, the Nikon Z50 is a well-rounded hero. It’s thoughtful, approachable, and provides user-friendly performance for a wide range of photographic genres - particularly portraits, street, and travel.

On the other hand, if you are a professional or advanced enthusiast who demands state-of-the-art video features, unbeatable low-light performance, and versatile autofocus for challenging environments, the Sony A7S III is an investment that pays dividends. Its full-frame sensor, extensive lens options, and formidable build elevate it into a separate league - perfect for videographers, landscape pros, night shooters, and dedicated wildlife photographers.

To summarize:

  • Go Nikon Z50 if you want a compact, budget-conscious mirrorless with versatile imaging for stills and light video, favoring portability and ease of use.

  • Opt for Sony A7S III if professional 4K video, superb low-light ability, and extensive lens compatibility at full-frame quality top your needs - with higher spending and increased size as trade-offs.

Both cameras are competent performers in their own right. Your choice will hinge on whether you prioritize convenience and economy or powerful performance and professional-grade features.

Selecting your next camera is personal, but I hope this detailed, experience-driven breakdown demystifies the technical details so you can make a confident, informed decision.

Happy shooting!

Appendix: Key Specs Quick Reference

Feature Nikon Z50 Sony A7S III
Sensor 20.9MP APS-C BSI-CMOS 12.1MP Full-frame BSI-CMOS
Max ISO 51200 102400 (boosted 409600)
Burst Rate 11 fps 10 fps
AF Points 209 759
Viewfinder 2.36M-dot EVF 9.44M-dot EVF
LCD Screen 3.2" Tilting, 1040k dots 3" Fully Articulated, 1440k dots
Video 4K @ 30p H.264 4K @ 120p 10-bit H.265
Stabilization None 5-axis In-body Sensor Shift
Battery Life 320 shots 600 shots
Storage Single SD slot (UHS-II) Dual SD/CFexpress slots
Weight 397 g 699 g
Body Materials Magnesium alloy + polycarbonate Magnesium alloy
Price (body only) $856.95 $3,499

If you want detailed sample image comparisons or deeper technical test charts, feel free to ask - I’m happy to dive in.

Thank you for letting me share my insights on the Nikon Z50 and Sony A7S III!

Nikon Z50 vs Sony A7S III Specifications

Detailed spec comparison table for Nikon Z50 and Sony A7S III
 Nikon Z50Sony Alpha A7S III
General Information
Brand Name Nikon Sony
Model type Nikon Z50 Sony Alpha A7S III
Category Entry-Level Mirrorless Pro Mirrorless
Revealed 2019-10-10 2020-07-21
Body design SLR-style mirrorless SLR-style mirrorless
Sensor Information
Processor Chip Expeed 6 Bionz XR
Sensor type BSI-CMOS BSI-CMOS
Sensor size APS-C Full frame
Sensor measurements 23.5 x 15.7mm 35.6 x 23.8mm
Sensor area 369.0mm² 847.3mm²
Sensor resolution 21 megapixels 12 megapixels
Anti alias filter
Aspect ratio 1:1, 3:2 and 16:9 3:2 and 16:9
Highest resolution 5568 x 3712 4240 x 2832
Highest native ISO 51200 102400
Highest boosted ISO 204800 409600
Lowest native ISO 100 80
RAW format
Lowest boosted ISO - 50
Autofocusing
Manual focusing
Touch to focus
Continuous autofocus
Autofocus single
Tracking autofocus
Selective autofocus
Center weighted autofocus
Autofocus multi area
Autofocus live view
Face detection focus
Contract detection focus
Phase detection focus
Total focus points 209 759
Lens
Lens mount type Nikon Z Sony E
Total lenses 15 121
Focal length multiplier 1.5 1
Screen
Range of screen Tilting Fully articulated
Screen size 3.2" 3"
Screen resolution 1,040 thousand dot 1,440 thousand dot
Selfie friendly
Liveview
Touch function
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 2,360 thousand dot 9,440 thousand dot
Viewfinder coverage 100% 100%
Viewfinder magnification - 0.91x
Features
Lowest shutter speed 30 seconds 30 seconds
Highest shutter speed 1/4000 seconds 1/8000 seconds
Continuous shooting speed 11.0 frames per sec 10.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change white balance
Image stabilization
Integrated flash
Flash distance 7.00 m (at ISO 100) no built-in flash
Flash settings - no built-in flash
External flash
AEB
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 3840 x 2160 @ 30p, MOV, H.264, Linear PCM 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
Highest video resolution 3840x2160 3840x2160
Video format MPEG-4, H.264 MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265
Microphone input
Headphone input
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 3.2 Gen 1 (5 GBit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 397 gr (0.88 pounds) 699 gr (1.54 pounds)
Dimensions 127 x 94 x 60mm (5.0" x 3.7" x 2.4") 129 x 97 x 81mm (5.1" x 3.8" x 3.2")
DXO scores
DXO All around rating not tested 85
DXO Color Depth rating not tested 23.6
DXO Dynamic range rating not tested 13.3
DXO Low light rating not tested 2993
Other
Battery life 320 images 600 images
Style of battery Built-in Battery Pack
Battery ID EN-EL25 NP-FZ100
Self timer Yes Yes (2 or 10 sec; continuous (3 or 5 exposures))
Time lapse recording With downloadable app
Storage media SD/SDHC/SDXC card (UHS-II supported) Dual SD/CFexpress Type A slots
Storage slots One Two
Launch price $857 $3,499