Nikon Z50 vs Sony A6400
74 Imaging
67 Features
84 Overall
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83 Imaging
69 Features
88 Overall
76
Nikon Z50 vs Sony A6400 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Introduced October 2019
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Expand to 102400)
- 3840 x 2160 video
- Sony E Mount
- 403g - 120 x 67 x 50mm
- Launched January 2019

Nikon Z50 vs Sony A6400: An In-Depth Comparison for the Discerning Photographer
When shopping for a mirrorless camera in the APS-C range, two models that frequently come up are Nikon’s Z50 and Sony’s A6400. Both launched in 2019, these cameras share many features but cater to subtly different user preferences and needs. Drawing on extensive hands-on testing in varied photographic disciplines, I’ll guide you through a thorough comparison that demystifies the specs and delivers actionable insights for your next camera purchase.
Whether you’re a portrait artist, a nature enthusiast, or a hybrid shooter dabbling in video and travel, this article dissects these two cameras across every relevant angle - performance, handling, image quality, and value - backed by my direct experiences and industry-standard testing methods.
Let’s dive in.
First Impressions: Size, Ergonomics, and Physical Design
The initial encounter with any camera involves how it feels and fits in your hands. Here, Nikon’s SLR-style approach contrasts with Sony’s rangefinder silhouette: two philosophies embodied by the Z50 and A6400, respectively.
Nikon Z50
- Dimensions: 127 × 94 × 60 mm, Weight: 397g
- Larger grip and SLR-style body promote comfortable extended shooting
- Well-positioned shutter and command dials respond naturally to hand placement
Sony A6400
- Dimensions: 120 × 67 × 50 mm, Weight: 403g
- Kompakt, streamlined rangefinder design favors portability and discretion
- Shallower grip can feel less secure during long handheld sessions
In practical tests, I found the Z50’s deeper grip especially welcome during wildlife shoots or anytime you rely on heavier lenses. Sony’s compact design excels for street photographers and travelers who prioritize light gear without compromising performance.
Control Layout and User Interface: Navigating the Camera With Confidence
How intuitive your camera feels boils down largely to the control scheme, dial responsiveness, and screen usability during actual shooting.
Nikon Z50
- Classic layout with dedicated exposure compensation dial
- Customizable buttons provide quick access to autofocus modes and ISO
- Accessible top-plate display substitutes for traditional glass viewfinder info
Sony A6400
- Minimalist top dials but lacks dedicated exposure compensation dial
- Well-placed Fn button accesses a quick menu for customizing settings
- No rear bonus screen on top, but straightforward button layout
I appreciated the Z50’s tactile dials while running fast-paced sports sequences, especially for exposure tweaks on the fly. However, Sony’s clean, button-driven interface suits those who rely heavily on the rear touchscreen for adjustments.
Sensor and Image Quality: What’s Under the Hood?
At the core of any camera is its sensor, which dictates detail retention, dynamic range, and noise performance - crucial factors for both amateurs and seasoned pros.
- Nikon Z50: 21MP BSI-CMOS APS-C sensor (23.5 × 15.7 mm), ISO 100–51200 native, anti-aliasing filter
- Sony A6400: 24MP CMOS APS-C sensor (23.5 × 15.6 mm), ISO 100–32000 native, anti-aliasing filter
Resolution and Detailing
Sony’s A6400 edges Nikon on pixel count, offering 6000 × 4000 max resolution compared to Z50’s 5568 × 3712. This translates to slightly crisper images with more latitude for cropping. During landscape and macro tests, the A6400 captured marginally finer details, provided you use high-quality lenses.
Dynamic Range and Color Depth
Sony’s sensor exhibits excellent dynamic range - around 13.6 EV tested independently - allowing preservation of shadow and highlight nuances, especially important for landscape and shadow-rich portraiture. Nikon benefits from the Expeed 6 processor’s color rendering, yielding pleasing skin tones straight out of the camera, which I found advantageous for event and portrait shooters prioritizing natural hues.
Noise Control and High ISO
The Z50 supports a boosted ISO up to 204,800, while the A6400 maxes out at 102,400. However, in real-world low-light shooting, Sony’s sensor maintains cleaner images at ISO 3200 and above, thanks to more refined noise reduction algorithms. Nikon remains impressive but images can show slight softness and grain beyond ISO 6400.
LCD Screen and Viewfinder: Seeing Your Shot Clearly
Your ability to compose and review images accurately is partly dependent on the electronic viewfinder (EVF) and rear LCD quality.
- Z50: 3.2-inch tilting touchscreen, 1040k dots resolution
- A6400: 3-inch tilting touchscreen, 922k dots resolution
The Z50’s screen offers a larger, sharper interface, helpful when reviewing photos or tapping through menus in bright daylight. Sony’s screen includes superior tilting angles, flipping upward 180 degrees, great for vlogging or creative angles - something I leveraged extensively in my video tests.
Both cameras feature EVFs with about 2.36M dots and 100% coverage. Notably, the A6400 provides slightly higher magnification (0.7x vs Z50’s unspecified) which gives a less “zoomed out” feel, preferred by some for manual focusing and precise framing.
Autofocus Systems: The Heart of Capturing the Moment
Speed and accuracy of autofocus (AF) can make or break your shooting experience - from wildlife action to candid street moments.
Feature | Nikon Z50 | Sony A6400 |
---|---|---|
AF Points | 209 (hybrid phase/contrast detection) | 425 (hybrid phase/contrast detection) |
Eye & Animal Eye AF | Yes, effective on both humans and animals | Yes, industry-leading Real-time Eye AF for humans & animals |
Continuous AF & Tracking | Good, reliable in daylight but slightly lags in dim light | Exceptional, very fast and reliable across lighting conditions |
AF Modes | Single, Continuous, Manual, Spot, Face/Smile Detection | Same plus comprehensive tracking options |
In hands-on tests, Sony’s autofocus proved superior in speed and continuous tracking, especially in sports and wildlife scenarios, where the camera consistently locked on and tracked moving subjects with minimal focus hunting.
Nikon’s AF system impressed me with solid face and eye detection - ideal for portraits and casual shooting. It also supports animal eye AF, a welcome feature for pet photographers, though occasionally with minor focus latency compared to Sony.
Lens Ecosystem: Expanding Creative Possibilities
Lens availability and compatibility are often decisive factors for mid- to long-term use.
- Nikon Z50: Native Nikon Z mount, designed primarily for full-frame Z-mount lenses but with a growing selection of APS-C options; around 15 lenses as of now
- Sony A6400: Sony E mount, mature lens system with approximately 121 native APS-C and full-frame lenses, plus strong third-party support
Sony’s extensive, versatile lens collections, including primes and zooms at various price points, provide significant creative breadth. Nikon’s ecosystem, while improving, remains limited in APS-C native lenses, relying more on adapted full-frame lenses.
For users prioritizing lens variety and future-proofing, Sony’s system offers more flexibility.
Burst Rate and Buffer: Capturing the Action
Fast continuous shooting is critical for sports, wildlife, and fast-moving street photography.
Camera | Maximum Burst Speed (fps) | Buffer Capacity |
---|---|---|
Nikon Z50 | 11 fps | Moderate, sufficient for JPEG; slows with RAW |
Sony A6400 | 11 fps | Good buffer depth, handles RAW better |
Both cameras hit 11 fps mechanically, a solid speed for APS-C mirrorless bodies in this segment. However, Sony’s stronger processing and buffer management allow longer bursts before slowdown, which I noticed during extended sequences like motorsports.
Video Capabilities: 4K and Beyond
Video enthusiasts will want to know how these cameras perform beyond stills.
Specification | Nikon Z50 | Sony A6400 |
---|---|---|
Max Resolution | UHD 4K (3840 × 2160) @ 30p | UHD 4K @ 30p, 100 Mbps XAVC S codec |
Bit Rate | Standard H.264 / MPEG-4 | Higher bit-rate XAVC S for better quality |
Audio | Built-in Mic, External input | Same, no headphone jack |
In-Body Stabilization | None | None |
Slow-motion | Not native | 1080p up to 120 fps (slow-mo possible) |
Sony’s video quality and codec options offer superior flexibility for professional use. In multiple shoot tests, the A6400’s autofocus in 4K video was noticeably faster and smoother, critical for run-and-gun videography.
Nikon’s camera, while competent, lacks some advanced codecs and higher bitrates but still delivers good 4K with decent autofocus and a friendly interface for beginners.
Build Quality and Weather Sealing: Ready for the Field?
Both cameras claim weather resistance, an important criterion for outdoor photographers.
- Nikon Z50: Weather sealed against dust and moisture; plastic construction with metal mount for balanced durability
- Sony A6400: Similar weather resistance credentials; compact and sturdy magnesium alloy body components
In my real-world field testing in damp and dusty environments, both held up admirably with no ingress or operational failures - a comforting assurance if you shoot landscapes, travel, or field reportage.
Battery Life and Storage: How Long Can You Shoot?
Despite compact bodies, battery life impacts usability.
Camera | Battery Life (CIPA Standard) | Storage Type |
---|---|---|
Nikon Z50 | 320 shots per charge | SD/SDHC/SDXC (UHS-II supported) |
Sony A6400 | 410 shots per charge | SD/SDHC/SDXC/UHS-I + Memory Stick DUO compatible |
Sony’s higher battery capacity extends shooting time, beneficial for prolonged trips or long event coverage. Nikon’s lower count means carrying spare batteries is advised if you shoot intensively.
Storage-wise, Nikon’s support for UHS-II cards enables faster write speeds important for burst shooting and video capture, surpassing Sony’s still competent UHS-I.
Wireless and Connectivity
Both cameras feature built-in Wi-Fi and Bluetooth for seamless file transfer and remote control. Sony’s inclusion of NFC adds alternative pairing options, though less widely used today.
Real-World Performance Across Photography Genres
Let’s analyze each camera’s practicality for the major photographic genres I tested with these bodies.
Portrait Photography
- Z50: Natural skin tone reproduction with pleasing color science; eye and face detection ensures sharp portraits; ample bokeh with native fast Z-mount lenses
- A6400: Excellent AF eye-tracking keeps focus nailed during head movements; slightly sharper high-res files favor large prints or editorial use
Landscape Photography
- Z50: Good dynamic range and color fidelity; tilting LCD facilitates low-angle compositions; weather sealing suitable for outdoor conditions
- A6400: Superior resolution and dynamic range advantage; lens variety including affordable wide-angle primes expands creative control
Wildlife Photography
- Z50: Reliable focus but slight AF lag in challenging light; smaller native lens selection limits telephoto reach
- A6400: Fast, precise AF and large buffer excel at high-speed action; wide lens options make reaching distant subjects easier
Sports Photography
- Identical 11 fps burst rates but Sony takes lead in buffer depth and autofocus tracking accuracy, resulting in higher keeper rates for fast sports action.
Street Photography
- Z50: Larger grip less discreet but better for long shooting sessions
- A6400: Compact size and flip-up screen better for unobtrusive shooting and quick selfies or vlogging
Macro Photography
Neither camera has dedicated macro features built-in; performance depends mostly on lens choice. Sony’s wider lens catalog dominates here.
Night and Astro Photography
- Sony’s cleaner high-ISO output and better exposure control give it a leg up for low-light and astrophotography shooting.
Video Use
Sony’s advanced codec options, higher bitrate, and smoother autofocus make it the preferred choice for hybrid photographers and videographers.
Travel Photography
- Nikon’s ergonomic design helps manage heavier lenses comfortably on tours
- Sony’s smaller, lighter package paired with more extensive lens choice appeals to minimalist travelers
Professional Workflows
- Both support RAW capture essential for professional retouching, but Sony’s compatibility with more third-party accessories and native professional lens options enhances workflow integration.
Summing Up the Scores
Based on extensive testing and analysis, the Sony A6400 generally pulls ahead due to:
- Superior autofocus system with 425 points
- Higher resolution sensor with better dynamic range and low-light performance
- Larger, versatile lens ecosystem
- Enhanced video capabilities and higher buffer capacity
- Longer battery life
The Nikon Z50 stands out for:
- Ergonomic SLR-style body comfortable for extended use
- Excellent color science and pleasing skin tones
- Competitive burst rate and reliability
- Great value, often priced slightly lower
Final Recommendations: Which Camera Is Right for You?
Choose the Nikon Z50 if:
- You prioritize comfortable, DSLR-style handling and ergonomics
- You want a straightforward entry-level mirrorless with solid image quality
- Portrait photography with a focus on skin tones and color accuracy is your primary interest
- Your budget leans toward value without sacrificing essential features
Choose the Sony A6400 if:
- You require advanced autofocus performance for wildlife, sports, or event shooting
- Video and hybrid photo/video shooting are key - with higher bitrate 4K and better codec options
- You want access to an expansive lens lineup and ecosystem
- Portable size and discreet street shooting matter to you
- You’re willing to invest in batteries and accessories for extended professional work
Closing Thoughts
Both the Nikon Z50 and Sony A6400 represent thoughtful engineering and offer excellent APS-C mirrorless options. My extensive hands-on trials confirm that Sony’s a6400 leads in technological versatility and performance, especially for demanding autofocus and video tasks. Meanwhile, Nikon’s Z50 shines as a user-friendly, great-looking camera that appeals strongly to those who want reliability and beautiful in-camera color rendering.
Your choice ultimately hinges on your shooting style, priorities, and budget. Whichever you pick, you’re entering the mirrorless world with highly capable tools tested to professional standards.
Be sure to weigh these insights alongside your personal shooting scenarios - here’s hoping your next camera unlocks new creative horizons!
If you want to delve even deeper or compare lenses, accessories, or newer models, I’m happy to help guide your next steps. Happy photographing!
Nikon Z50 vs Sony A6400 Specifications
Nikon Z50 | Sony Alpha a6400 | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model type | Nikon Z50 | Sony Alpha a6400 |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Introduced | 2019-10-10 | 2019-01-15 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Expeed 6 | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 369.0mm² | 366.6mm² |
Sensor resolution | 21 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 5568 x 3712 | 6000 x 4000 |
Maximum native ISO | 51200 | 32000 |
Maximum enhanced ISO | 204800 | 102400 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 209 | 425 |
Lens | ||
Lens support | Nikon Z | Sony E |
Total lenses | 15 | 121 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Tilting | Tilting |
Display diagonal | 3.2 inches | 3 inches |
Resolution of display | 1,040k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 11.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (at ISO 100) | 6.00 m (at ISO 100) |
Flash settings | - | Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264, XAVC-S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397 gr (0.88 lb) | 403 gr (0.89 lb) |
Dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 120 x 67 x 50mm (4.7" x 2.6" x 2.0") |
DXO scores | ||
DXO Overall rating | not tested | 83 |
DXO Color Depth rating | not tested | 24.0 |
DXO Dynamic range rating | not tested | 13.6 |
DXO Low light rating | not tested | 1431 |
Other | ||
Battery life | 320 pictures | 410 pictures |
Battery type | Built-in | Battery Pack |
Battery ID | EN-EL25 | NP-FW50 |
Self timer | Yes | Yes |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC/Memory Stick DUO (UHS-I compliant) |
Card slots | 1 | 1 |
Pricing at release | $857 | $898 |