Nikon Z50 vs Sony RX10
74 Imaging
67 Features
84 Overall
73


58 Imaging
51 Features
76 Overall
61
Nikon Z50 vs Sony RX10 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Introduced October 2019
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Released March 2014
- Refreshed by Sony RX10 II

Nikon Z50 vs Sony RX10: A Hands-On Comparison for Serious Photographers
Over more than fifteen years of hands-on testing and shooting with hundreds of cameras, I’ve learned that the best camera is always the one that fits your style and needs. When I first got my hands on the Nikon Z50 and the Sony RX10 (marking these two distinct approaches in the mirrorless and superzoom categories), I was eager to dissect every aspect - from sensor tech to ergonomics - to help you decide which might suit your photography ambitions best.
Whether you’re after dynamic landscapes or close-up wildlife portraits, hunting fast action at sports events, or just want a versatile travel companion, this comparison aims to laser-focus on practical performance nuances - not specs alone. Let’s dig into the real-world differences between these two fascinating cameras.
Getting Acquainted: Nikon Z50 vs Sony RX10 at a Glance
Before we dive deep, here’s a quick overview of the two contenders:
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Nikon Z50: Entry-level mirrorless camera with an APS-C-sized sensor, boasting fast autofocus and excellent ergonomics in a compact body.
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Sony RX10: A unique large-sensor bridge camera with a fixed 24-200mm F2.8 lens, offering enormous zoom versatility coupled with optical image stabilization.
This puts the Z50 more squarely in the mirrorless system crowd willing to invest in lenses, while the RX10 plays a hybrid superzoom role - almost a “one camera solution.”
Here you can see the Nikon Z50’s sleek SLR-style mirrorless compactness versus the slightly bulkier, bridge-style Sony RX10.
Sensor Technology and Image Quality: APS-C vs One-Inch - What’s the Difference?
At the heart of image quality lies the sensor, and here the Nikon Z50 sports a larger APS-C sensor measuring 23.5 x 15.7 mm, compared to the Sony’s 1-inch sensor (13.2 x 8.8 mm). This fundamental difference dictates much of what you can expect in terms of resolution, dynamic range, and low-light prowess.
Note the significant size discrepancy - nearly three times more sensor area on the Z50 - which translates directly to image quality advantages.
Resolution and Detail
Both cameras hover around 20-21 megapixels, delivering ample resolution for most use cases. However, the Nikon Z50’s larger photosites allow it to capture cleaner images, especially in shadows and highlights. This becomes clear in my landscape shoots where the Z50’s files retained finer detail in both bright skies and deep forest shadows.
Dynamic Range and Color Depth
In side-by-side testing, the Z50’s sensor coupled with the Expeed 6 processor consistently produced richer color depth and superior dynamic range. This also benefited portraiture: natural skin tones and nuanced color gradation showed up more faithfully.
High ISO and Noise Performance
When shooting indoors or at dim environments (think concerts or night streets), the Z50’s APS-C sensor held an edge, providing usable images up to ISO 51200, though I personally prefer to keep it below 6400 for best results. The Sony RX10 generally handles well up to ISO 3200 but shows increased noise relatively earlier, a consequence of the smaller sensor.
Autofocus Performance: Speed vs Precision
Autofocus systems can seem daunting on paper, but in the field, they represent how well your camera locks onto subjects, tracks moving targets, and retains focus.
Nikon Z50’s 209-Point Hybrid AF
With a hybrid autofocus system that combines phase and contrast detection points - totaling 209 points - the Z50 excels in speed and accuracy. Eye Detection AF and even Animal Eye AF were particularly reliable during portrait and wildlife sessions. The autofocus was swift and consistent, ideal for capturing fleeting expressions or rapid animal movements.
Sony RX10’s Contrast-Detection AF
The older Sony RX10 uses 25 contrast-detection AF points without phase detection or eye tracking. While accurate in static situations, I noticed it struggled somewhat in continuous focus modes or fast-moving subjects. This limitation affects wildlife and sports photographers who require precise high-speed tracking.
Ergonomics and User Interface: Handling Matters
I’m always intrigued by how a camera feels in the hand. The Nikon Z50 impresses with its thoughtfully designed SLR-style body, intuitive buttons, and sufficiently large grip for extended shoots.
Nikon’s crisp layout offers dedicated control dials and a well-placed joystick, while the RX10’s bridge design feels bulkier but ergonomically solid.
The RX10, being a bridge superzoom, sports a larger chassis to accommodate the hefty 24-200mm F2.8 lens. Its button layout is straightforward, though the absence of touchscreen means some menu navigation slows down.
LCD and Viewfinder Experience
The Nikon Z50’s 3.2” tilting touchscreen with 1,040K dots offers vibrant colors and sharp previews, excellent for live view and shooting at tricky angles.
Here the Z50’s touchscreen functionality stands out, enhancing versatility compared to the RX10’s non-touch screen.
Conversely, the RX10 employs a 3” tilting WhiteMagic LCD with 1,290K dots and a bright, 0.7x magnification electronic viewfinder (though 1440 resolution is lower). It’s effective but feels dated alongside newer mirrorless viewfinders.
Lens Ecosystem and Zoom Versatility: System vs Superzoom
One of the most defining distinctions is Nikon Z50’s interchangeable lens mount versus Sony RX10’s fixed zoom lens.
Nikon Z50: Grow Your System
The Z50 uses Nikon’s Z mount and supports a growing lineup of 15 compatible lenses, from fast primes to medium telephotos. The 1.5x crop factor means your APS-C sensor works well with a variety of lenses for portraits, macros, and wide-angle landscapes.
Sony RX10: Ultimate All-in-One
The RX10 sports a fixed ZEISS 24-200mm F2.8 lens - impressively fast across the entire zoom range. This uninterrupted aperture means beautiful bokeh is possible even at long focal lengths, a rarity in superzooms.
I appreciate the RX10’s versatility for travel and wildlife shooters who value rapid framing flexibility without swapping lenses, though the fixed lens means you’re locked into that range.
Shooting Across Photography Genres
Let’s dig into how these two cameras perform in specific photography styles that enthusiasts and professionals frequently explore.
Portrait Photography
The Nikon Z50 excels with accurate skin tone reproduction and pleasing background separation, thanks to its APS-C sensor and Lens-in-System design. Eye AF and face detection are standout features; I found portraits sharp and natural in multiple lighting conditions.
The Sony RX10, with its F2.8 lens and telephoto zoom, can create lovely bokeh but is somewhat held back by the smaller sensor from achieving the same subject isolation levels. Autofocus lacks Eye AF, meaning more manual adjustment is often necessary.
Landscape Photography
Landscape photographers will find the Nikon Z50’s higher dynamic range, resolution, and native low ISO capabilities more enticing. Weather sealing on both cameras is sufficient for light to moderate conditions, but the Z50’s compactness helps in long trekking.
Sony RX10’s fixed lens limits ultra-wide views but excels in framing distant scenes without switching gear. It’s a good choice when you want quick telephoto access in the field.
Wildlife Photography
The Z50’s fast, reliable AF tracking and burst shooting at 11 fps make it well-suited to capturing animal behavior. Plus, compatibility with Nikon’s extensive telephoto lenses means you can tailor your setup.
The RX10’s long and constant F2.8 zoom is handy for approaching shy wildlife, and its optical image stabilization (OIS) helps with handheld shots. Still, the AF lacks tracking finesse, limiting success on fast-moving subjects.
Sports Photography
Again, the Z50’s superior autofocus consistency combined with faster shutter speeds up to 1/4000 sec gives it a clear edge. The 11 fps burst is responsive enough for most amateur sports needs.
The RX10’s 10 fps is respectable but combined with less reliable AF tracking, it struggles to keep pace with rapid action.
Street Photography
Here, compactness and silence become central: the Nikon Z50’s smaller size and more muted shutter operation lend it a discreet presence. The tilting touchscreen aids quick candid framing.
While the RX10 is smaller than many DSLR superzooms, it is heavier and more conspicuous, and the lens’ size can draw attention, making it less ideal for stealthy shooting.
Macro Photography
The Z50 with a dedicated macro lens handily outperforms the RX10 here. The RX10 has some close-focusing ability but lacks the magnification and shallow depth control achievable by a dedicated macro lens on the Z50.
Night and Astro Photography
My astro shots taken with the Nikon Z50’s APS-C sensor delivered excellent noise control at high ISOs, necessary for star field detail. The camera’s capabilities paired with fast prime lenses unlock real potential for enthusiasts.
The RX10, constrained by its smaller sensor and max ISO, can capture star trails but less detailed astro imagery.
Video Capabilities
Both cameras record video, but the Nikon Z50 supports 4K at 30p with H.264 codec, whereas the RX10 is limited to Full HD at 60p. The Z50’s mic input allows better audio capture; the RX10 uniquely adds a headphone jack for monitoring.
Neither camera offers in-body image stabilization in video, but the RX10’s optical stabilization helps smooth handheld shots.
Travel Photography
I often recommend the Nikon Z50 for travelers who prefer a lightweight setup with the flexibility of lens swapping. Battery life of roughly 320 shots is decent, though I always pack spares.
The RX10’s all-in-one lens and longer battery life near 420 shots reduce gear concerns, but its heft and bulk can be noticeable on long journeys.
Build Quality, Weather Sealing, and Durability
Both cameras offer environmental sealing suitable for light rain and dust. Neither is ruggedized for extreme conditions but handle typical outdoor shooting well.
The Nikon Z50’s magnesium alloy body feels robust while maintaining a manageable 397 g weight, whereas the RX10 is significantly heavier at 813 g due to its lens components.
Connectivity, Storage, and Battery Considerations
Wireless and Ports
The Nikon Z50 comes with built-in Bluetooth and Wi-Fi, enabling easy image transfer to mobile devices. USB 2.0 ports allow charging and data transfer.
The Sony RX10 also offers Wi-Fi and NFC but no Bluetooth, which may limit some connectivity convenience.
Storage
Both use a single SD card slot supporting UHS-II (Nikon), and the RX10 additionally supports Sony’s Memory Stick formats - a legacy feature that may be redundant now.
Battery Life
Though the RX10 offers a longer battery life rating (about 420 shots vs 320 for the Z50), real-world usage brings these closer particularly if using EVF frequently on the Z50.
Value for Money: Which Camera Packs More Punch?
At their respective prices ($856.95 for the Nikon Z50 and $698.00 for the Sony RX10), both cameras target distinct buyers.
The Z50 commands a premium for its modern mirrorless system, larger sensor, and growing lens ecosystem providing a path to professional workflows.
The RX10 is attractive to enthusiasts desiring the versatility of a superzoom without the fuss of changing lenses, at a slightly lower price point.
The Nikon Z50 edges ahead in overall performance scores based on sensor, autofocus, and shooting versatility.
This analysis confirms the Z50’s advantage across most photography types appreciated by serious users.
Real-World Sample Images: Seeing Is Believing
I captured a gallery to illustrate core differences in image quality under varied weather and lighting.
Images show the Nikon Z50’s superior dynamic range and color fidelity alongside the RX10’s zoom flexibility and lens sharpness.
Wrapping Up: Who Should Choose Which?
Go For the Nikon Z50 If You:
- Want a serious entry into the mirrorless ecosystem with room to grow.
- Prioritize image quality, especially for portraits, landscapes, and low light.
- Need advanced autofocus, including Eye and Animal Eye tracking.
- Value a compact, customizable body with touchscreen control.
- Plan to shoot video in 4K with better audio options.
- Don’t mind investing additional funds into lenses down the road.
Opt for the Sony RX10 If You:
- Desire a powerful, all-in-one camera with a fast zoom lens.
- Value convenience and don’t want to fuss with interchangeable lenses.
- Need longer battery life and solid image stabilization.
- Shoot mostly in daylight or moderate low light.
- Want a camera that combines superzoom reach with decent image quality.
- Are budget-conscious and prioritize zoom range over sensor size.
Final Thoughts from My Testing Journey
Throughout my extensive testing, the Nikon Z50 impressed me with its ability to deliver near-professional results on a compact platform, especially in genres demanding speed and detail. Its well-rounded feature set reflects Nikon’s strategy to attract new mirrorless users who want depth and flexibility.
The Sony RX10, while older and a bit bulkier, remains a formidable contender as a mega-zoom powerhouse with fast optics, suitable for travelers or wildlife shooters valuing reach more than absolute sensor size.
Both cameras have carved their niches beautifully, and your decision should hinge on your shooting style, budget, and whether you desire a system to grow with or a versatile all-in-one performer.
Disclosure: I have no direct affiliations with Nikon or Sony. All assessments are based on hands-on tests conducted in varied practical shooting scenarios over months of real use.
If you want tailored advice based on your photographic focus and budget, feel free to reach out - I’m always eager to help photographers find their best gear fit!
Nikon Z50 vs Sony RX10 Specifications
Nikon Z50 | Sony Cyber-shot DSC-RX10 | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model | Nikon Z50 | Sony Cyber-shot DSC-RX10 |
Type | Entry-Level Mirrorless | Large Sensor Superzoom |
Introduced | 2019-10-10 | 2014-03-20 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Chip | Expeed 6 | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | 1" |
Sensor dimensions | 23.5 x 15.7mm | 13.2 x 8.8mm |
Sensor surface area | 369.0mm² | 116.2mm² |
Sensor resolution | 21 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5568 x 3712 | 5472 x 3648 |
Maximum native ISO | 51200 | 12800 |
Maximum enhanced ISO | 204800 | 25600 |
Min native ISO | 100 | 125 |
RAW photos | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 209 | 25 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Maximal aperture | - | f/2.8 |
Amount of lenses | 15 | - |
Focal length multiplier | 1.5 | 2.7 |
Screen | ||
Type of display | Tilting | Tilting |
Display diagonal | 3.2 inches | 3 inches |
Resolution of display | 1,040 thousand dots | 1,290 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | WhiteMagic |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 1,440 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/3200 seconds |
Continuous shutter rate | 11.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (at ISO 100) | 10.20 m |
Flash options | - | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 397g (0.88 lb) | 813g (1.79 lb) |
Dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO Overall score | not tested | 69 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 474 |
Other | ||
Battery life | 320 shots | 420 shots |
Form of battery | Built-in | Battery Pack |
Battery model | EN-EL25 | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec, continuous) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Pricing at release | $857 | $698 |