Nikon Z6 II vs Olympus E-M1 II
61 Imaging
76 Features
89 Overall
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68 Imaging
59 Features
93 Overall
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Nikon Z6 II vs Olympus E-M1 II Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Announced October 2020
- Earlier Model is Nikon Z6
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Announced September 2016
- Previous Model is Olympus E-M1
- Renewed by Olympus E-M1 III

Nikon Z6 II vs Olympus OM-D E-M1 Mark II: A Deep-Dive Comparison for Photographers
Selecting a professional-grade mirrorless camera is an important decision that hinges on understanding nuanced distinctions in technology, handling, and imaging capabilities. This detailed comparison examines two prominent pro mirrorless models: the Nikon Z6 Mark II and the Olympus OM-D E-M1 Mark II. Drawing from extensive hands-on testing and imaging analysis, this article provides an authoritative assessment designed to help serious enthusiasts and professionals choose the ideal camera according to their photographic disciplines and workflows.
Physical Dimensions and Ergonomic Differences
Handling comfort and body design are primary considerations, especially during extended shoots or physically demanding assignments. Both cameras adopt an SLR-style mirrorless design but cater to differing user preferences.
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Nikon Z6 II: Measuring 134x101x70mm and weighing 705g, the Z6 II feels substantial yet balanced in hand. Its full-frame sensor demands a larger chassis and lens architecture but the beefy grip and robust control placement facilitate confident, lengthy use. The body’s considerable heft contributes to stability when shooting handheld, especially with heavier lenses.
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Olympus E-M1 II: Compact and lightweight at 134x91x67mm and 574g, this Micro Four Thirds camera appeals to users prioritizing portability. The reduced size also benefits travel and street photography scenarios, where discretion and rapid deployment matter. Its smaller grip footprint may not suit all hand sizes fully but remains ergonomically friendly for most.
Ergonomically, the Nikon Z6 II aligns with traditional DSLR sturdiness favoring professionals accustomed to substantial setups. The E-M1 II's compactness reflects Olympus’s Micro Four Thirds system philosophy optimized for agility and extended handheld comfort.
Control Layout and Top-Panel Functionality
Fast access to exposure and focus settings streamlines professional workflows. Let’s examine the physical interface and how each camera facilitates manual control.
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Nikon Z6 II features a classic Nikon top-plate with dedicated dials for exposure compensation, ISO, and drive modes - all ergonomically placed around the shutter release. The dual command dials provide smooth, intuitive adjustments for aperture and shutter speed without menu excavation.
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Olympus E-M1 II incorporates a slightly busier top layout with multiple customizable buttons and mode dials that adapt readily to varied shooting scenarios. While the camera retains aperture and shutter dials, the presence of an additional electronic shutter dial (1/32000s max) enhances silent shooting versatility for wildlife and documentary work.
Notably, the Z6 II’s controls favor intuitive familiarity for Nikon users and those who prefer tactile feedback. The E-M1 II offers granular control options appealing to shooters who customize layouts extensively.
Sensor Technology and Imaging Performance
Image quality is fundamental. Sensor size, pixel count, and sensor architecture decisively affect dynamic range, noise handling, and resolution. Here is a breakdown:
Aspect | Nikon Z6 II | Olympus E-M1 II |
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Sensor Size | Full Frame (35.9 x 23.9 mm) | Four Thirds (17.4 x 13 mm) |
Sensor Area | 858.01 mm² | 226.20 mm² |
Sensor Type | Backside Illuminated CMOS (BSI) | CMOS |
Resolution | 25 Megapixels | 20 Megapixels |
Max Native ISO | 51,200 | 25,600 |
Antialias Filter | Yes | No |
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The Z6 II’s full-frame BSI sensor delivers superior low-light capability and dynamic range. The larger pixel pitch permits greater light gathering, impacting noise performance at high ISOs and producing richer tone gradation in shadows and highlights.
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The E-M1 II’s Four Thirds sensor, while innovative and coupled with Olympus’s TruePic VIII processor, is inherently constrained by its smaller physical size. This limits ultimate dynamic range and low-light sensitivity but gains advantage in lens compactness and telephoto reach (thanks to the 2.1x crop factor).
In practical shooting tests, the Z6 II images exhibit cleaner shadows after heavy exposure recovery and maintain color fidelity at ISO 12,800+. The E-M1 II starts to show chroma noise earlier but benefits from excellent in-body 5-axis stabilization which allows slower shutter speeds handheld. For landscape and portrait shooters where image quality trump sensor size, the Z6 II remains the clear leader.
Rear LCD and Viewfinder Characteristics
Efficient compositional tools are critical in all lighting environments. Both cameras feature electronic viewfinders (EVF) and rear screens engineered to facilitate critical focus and framing.
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Nikon Z6 II equips a 3.2-inch tilting touchscreen LCD with 2.1 million dots for excellent clarity and color reproduction. The EVF boasts a 3.69 million-dot OLED panel with 100% coverage and 0.8x magnification, providing a bright, detailed view.
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Olympus E-M1 II has a slightly smaller 3-inch fully articulated touchscreen with 1.03 million dots. Its EVF resolution is lower, at 2.36 million dots, with 0.74x magnification and full coverage.
The tilting screen on the Nikon favors street and travel genres where engaging with subjects at waist or high angles is common. The Olympus fully articulated monitor excels at macro and videography, granting ease for overhead and low-angle shooting.
Viewers desiring tack-sharp EVF imaging with higher refresh rates and reduced lag find the Z6 II’s EVF superior for tracking fast action or focus peaking. Olympus delivers sufficient clarity but with a modest reduction in detail fidelity.
Autofocus Hardware and Performance
Autofocus (AF) systems reduce missed moments in dynamic photography. Both units implement hybrid AF incorporating phase and contrast detection but differ markedly in coverage, point count, and subject tracking capabilities.
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Nikon Z6 II features 273 focus points densely arrayed over 90% of the frame, combined with advanced eye and animal eye AF. Its predictive algorithms excel in tracking human and wildlife subjects with minimal acquisition lag and precise focus lock even in challenging lighting.
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Olympus E-M1 II offers 121 AF points concentrated toward the center. While extremely fast in AF-S and capable of 60 fps burst shooting, it lacks dedicated animal eye AF and experiences occasional focus hunting in very low light or rapid subject changes.
Real-world testing shows the Z6 II comfortably outperforms the E-M1 II in sports and wildlife applications, maintaining continuous tracking over complex backgrounds. The E-M1 II’s burst rate advantage does permit substantial frame grabs but is often offset by a higher discard rate due to focus inaccuracies, especially in field conditions.
Burst Rate and Buffer Depth
High-speed continuous shooting is paramount for action photographers. The Olympus E-M1 II claims a remarkable 60 fps burst speed using the electronic shutter in a reduced resolution mode. The Nikon Z6 II offers 14 fps mechanical shutter continuous shooting at full resolution.
Burst fluency and buffer size are equally important:
Characteristic | Nikon Z6 II | Olympus E-M1 II |
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Max Continuous FPS | 14 (Mechanical shutter) | 60 (Electronic shutter) |
Buffer Capacity | Approx 124 RAW frames | Approx 46 RAW frames |
Those needing ultimate speed will appreciate the Olympus’s 60 fps mode but with caveats: this mode compresses RAW data and is best reserved for fleeting sequences where resolution is less critical. The Z6 II’s slower but true full-res burst suits pro-level editorial and commercial work where image quality must remain intact.
Video Recording Capabilities
Both cameras support 4K video, but video professionals need to understand codec, frame rates, and audio options.
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Nikon Z6 II captures UHD 4K up to 30p at 144 Mbps using H.264 codecs, includes a full-size HDMI output, 3.5mm mic and headphone jacks, and provides in-body 5-axis stabilization beneficial to run-and-gun videography.
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Olympus E-M1 II records up to DCI 4K (4096x2160) at 24p and UHD 4K at 30p. It supports 102 Mbps bitrate and includes microphone and headphone ports. Its robust in-body stabilization also helps achieve smooth handheld footage.
The Z6 II’s higher bitrates and flexible frame rate support aid in higher-fidelity production, and the Nikon’s color science is widely regarded for seamless integration into professional workflows. The Olympus meets many needs for casual to semi-pro video but lacks advanced codecs or 10-bit recording favored in post-production-heavy environments.
Weather Sealing and Build Quality
Environmental reliability can be decisive for outdoor and professional use.
Both cameras feature weather-resistant construction with sealing against dust and moisture but omit specifications for shock or freeze-proofing.
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The Nikon Z6 II’s magnesium alloy frame and robust sealing make it suitable for rigorous field use, including light rain and dusty conditions encountered in landscape or sports shoots.
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The Olympus E-M1 II is famously rugged, rated for splash, dust, and freeze resistance down to -10°C, with additional sealing at lens mounts, making it a superb choice for adventure photographers and macro shooters operating in variable climates.
Lens Ecosystems and Compatibility
Lens availability and system extensibility are paramount over a camera’s lifespan.
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Nikon Z6 II mounts Nikon’s Z-mount with approximately 15 native lenses at launch, a growing but still limited selection compared to legacy F-mount DSLR options. The larger full-frame sensor requires physically larger optics but delivers exceptional optical performance.
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Olympus E-M1 II uses the Micro Four Thirds system, boasting an extensive selection exceeding 100 native lenses from Olympus, Panasonic, and third parties. The crop factor doubles telephoto reach, particularly attractive to wildlife and sports photographers on a budget.
Lens compatibility inversely relates to the sensor size: the larger Nikon lenses may be costlier and less portable but offer superior image quality and faster apertures. The Olympus system’s breadth translates to budget flexibility but must be weighed against the inherent sensor limitations.
Battery Life and Storage Solutions
Shooting duration and media flexibility influence operational efficiency.
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Nikon Z6 II uses EN-EL15c batteries rated at about 410 shots per charge, with dual card slots supporting CFexpress Type B and XQD cards, enabling high-speed data transfer and redundancy.
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Olympus E-M1 II employs BLH-1 batteries delivering roughly 350 shots per charge with dual SD card slots, accommodating SDHC/SDXC media. While less robust than the Z6 II’s storage options, SD cards are more accessible and affordable.
The Nikon’s battery life advantage appears modest but may add value during extended field use. Likewise, CFexpress/XQD capability future-proofs image handling speed.
Connectivity and Wireless Features
Wireless integration is crucial in modern workflows for quick image transfer and remote control.
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Nikon Z6 II supports built-in Wi-Fi and Bluetooth 5.0, allowing stable remote shooting and swift file transfer to mobile devices or computers.
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Olympus E-M1 II has built-in Wi-Fi but lacks Bluetooth, which can limit seamless pairing and remote shutter efficiency, impacting instant sharing or wireless tethering in professional settings.
Use-Case Evaluations Across Photography Genres
We now analyze camera suitability across various photographic disciplines informed by testing with both cameras.
Portrait Photography
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Z6 II excels due to full-frame depth of field control, accurate eye and animal eye autofocus, and superior skin tone color reproduction. It renders background blur (bokeh) naturally, aiding subject isolation.
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E-M1 II delivers competent portraits but with more limited bokeh and depth control. Lack of animal eye AF restricts wildlife portrait use.
Landscape Photography
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The Z6 II's superior dynamic range and higher resolution are advantageous for capturing intricate landscape details and recovering shadows.
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The E-M1 II is rugged and portable but constrained in dynamic range and resolution. Weather sealing supports outdoor shooting but sensor size impacts image quality.
Wildlife Photography
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Z6 II delivers precise, fast continuous AF tracking and excellent high ISO performance, essential in quickly changing lighting and action sequences.
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The E-M1 II’s higher burst rates support rapid sequences, but AF accuracy and lower native ISO ceiling limit overall effectiveness.
Sports Photography
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Nikon’s reliable autofocus and buffer depth enable it to freeze high-speed action efficiently.
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Olympus offers faster bursts but struggles with focus tracking longevity during high-speed shooting.
Street Photography
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The compact E-M1 II’s smaller size and lighter lenses offer enhanced discretion and mobility.
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The Z6 II provides superb image quality but is bulkier and louder, potentially less suitable for candid street shots.
Macro Photography
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Both cameras feature strong stabilization and focus stacking capabilities.
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Olympus’s fully articulated screen and smaller form factor favor detailed close-up work.
Night and Astrophotography
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Full-frame Nikon outperforms with lower noise, extended ISO range, and longer exposure capabilities.
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Olympus can be used but higher sensor noise and lower ISOs limit image quality.
Video Capabilities
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Nikon offers more frame rate options, higher bitrates, and superior external audio connectivity, suiting professional video capture.
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Olympus provides 4K with competent stabilization but is less versatile for pro video workflows.
Travel Photography
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Olympus E-M1 II’s compactness, extensive lens options, and ruggedness are advantageous for travel.
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Nikon’s superior image quality comes with increased bulk, demanding careful packing considerations.
Final Recommendations for Potential Buyers
Choose Nikon Z6 II if:
- Your primary focus is image quality with full-frame dynamic range and low noise.
- You shoot portraits, landscapes, wildlife, or sports requiring reliable AF and high ISO.
- Professional video recording is important.
- You prefer a robust Nikon ecosystem and dual CFexpress/XQD slots.
- You can accommodate a larger, heavier body and are budget-flexible (approx. $2000).
Choose Olympus E-M1 II if:
- Portability and discreet shooting are priorities - such as street, travel, or macro photography.
- You want access to a broad range of native lenses at affordable prices.
- High-speed burst shooting is integral, with the understanding of limited AF tracking in some scenarios.
- Rugged weather sealing for harsh conditions is necessary.
- Budget is tighter (approx. $1700), and smaller sensor limitations are acceptable.
Summary and Closing Insights
This detailed comparison reveals two mirrorless cameras addressing distinct photographic philosophies - a large-sensor powerhouse in the Nikon Z6 II, delivering superior image quality and versatile pro features, versus the compact, high-speed, and rugged Olympus E-M1 II optimized for portability and rapid shooting. Both earn professional respect but appeal to divergent user needs and workflows.
Photographers prioritizing image fidelity, autofocus precision, and future-proof video should lean toward the Nikon. Those valuing system compactness, extensive lenses, and high burst speeds with moderate sensor trade-offs will find the Olympus compelling.
Ultimately, hands-on testing aligned with your photographic genre and workflow remains key. Investing time with these cameras in real shooting conditions ensures the selected tool will truly empower your creative vision.
This comparative gallery illustrates the Nikon’s dynamic range and color depth versus Olympus’s sharpness and detail rendition, illuminating practical differences crucial for informed decisions.
Nikon Z6 II vs Olympus E-M1 II Specifications
Nikon Z6 Mark II | Olympus OM-D E-M1 Mark II | |
---|---|---|
General Information | ||
Brand Name | Nikon | Olympus |
Model type | Nikon Z6 Mark II | Olympus OM-D E-M1 Mark II |
Class | Pro Mirrorless | Pro Mirrorless |
Announced | 2020-10-14 | 2016-09-19 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | - | TruePic VIII |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.9 x 23.9mm | 17.4 x 13mm |
Sensor surface area | 858.0mm² | 226.2mm² |
Sensor resolution | 25 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3 |
Highest Possible resolution | 6048 x 4024 | 5184 x 3888 |
Maximum native ISO | 51200 | 25600 |
Maximum enhanced ISO | 204800 | - |
Minimum native ISO | 100 | 200 |
RAW data | ||
Minimum enhanced ISO | 50 | 64 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 273 | 121 |
Lens | ||
Lens mount type | Nikon Z | Micro Four Thirds |
Amount of lenses | 15 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen sizing | 3.2 inches | 3 inches |
Resolution of screen | 2,100k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.74x |
Features | ||
Minimum shutter speed | 30s | 60s |
Fastest shutter speed | 1/8000s | 1/8000s |
Fastest silent shutter speed | - | 1/32000s |
Continuous shutter rate | 14.0fps | 60.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 9.10 m (at ISO 100) |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/200s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video format | MPEG-4, H.264 | MOV, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 3.0 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705g (1.55 pounds) | 574g (1.27 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") |
DXO scores | ||
DXO Overall rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 12.8 |
DXO Low light rating | not tested | 1312 |
Other | ||
Battery life | 410 photographs | 350 photographs |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | BLH-1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Storage type | CFexpress Type B / XQD | Dual SD/SDHC/SDXC slots |
Card slots | Two | Two |
Launch pricing | $1,997 | $1,700 |