Nikon Z6 II vs Panasonic FZ200
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76 Features
89 Overall
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65 Imaging
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Nikon Z6 II vs Panasonic FZ200 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Announced October 2020
- Superseded the Nikon Z6
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Launched July 2012
- Superseded the Panasonic FZ100
- Later Model is Panasonic FZ300

Nikon Z6 II vs. Panasonic FZ200: A Definitive Comparison for the Discerning Photographer
When choosing a camera, enthusiasts and professionals alike face a bewildering landscape of options differing drastically in features, sensor technology, and intended use cases. Today, we delve deeply into two markedly different cameras from Nikon and Panasonic: the Nikon Z6 II, a full-frame pro-level mirrorless system, and the Panasonic Lumix FZ200, a superzoom bridge camera tailored for versatility and all-in-one convenience.
Although these cameras occupy distinct segments of the market, comparing them side-by-side offers valuable insights into how different design philosophies serve various photographic needs. Drawing on over 15 years of hands-on camera evaluation experience, including rigorous testing of autofocus systems, image quality under varied conditions, and ergonomics, this article will guide you through an exhaustive comparison covering every critical aspect - from sensor technology and body design, to specific photography disciplines and video capabilities.
First Impressions: Body Design and Handling
Nikon Z6 II – Purpose-Built Pro Mirrorless
At 134x101x70 mm and weighing 705 grams (body only), the Nikon Z6 II has a robust, SLR-style mirrorless body notable for its professional-grade build quality and environmental sealing. This camera is designed with durability and extensive use in mind, boasting dust and splash resistance - a vital consideration for outdoor photographers battling unpredictable conditions.
Panasonic Lumix FZ200 – The Jack-of-All-Trades Bridge Camera
The Panasonic FZ200, in contrast, is a bridge camera with a fixed superzoom lens and a body size of 125x87x110 mm, weighing 588 grams. It’s more compact and portable, particularly for a camera with a 24x zoom equivalent lens, making it appealing for travel and all-in-one convenience. However, unlike the Z6 II, it lacks environmental sealing and the rugged build that advanceds users might demand.
Controls and User Interface
Examining the top plates reveals Nikon’s commitment to professional usability, with dedicated buttons, dual card slots, and a high-resolution 3.2” tilting touchscreen offering touchscreen focus point selection and intuitive menu navigation.
The FZ200, meanwhile, sports a fully articulated 3.0” screen, encouraging versatile shooting angles. While it offers many manual controls, the absence of a touchscreen and fewer physical buttons may feel limiting to users accustomed to a professional DSLR or mirrorless interface.
Sensor Technology and Image Quality: The Core Difference
Sensor Size and Resolution
The most conspicuous difference lies in the sensor technology:
- Nikon Z6 II: Full-frame (35.9x23.9 mm), 25.5 megapixels, back-illuminated CMOS sensor, sensor area of 858.01 mm².
- Panasonic FZ200: 1/2.3-inch sensor (6.17x4.55 mm), 12 megapixels, standard CMOS sensor, sensor area of 28.07 mm².
The Nikon’s sensor is roughly 30 times larger in area, a game-changer in light gathering, dynamic range, and noise performance. A BSI CMOS sensor design further improves quantum efficiency, crucial for low-light capabilities.
Resolution and Image Detail
Despite the Nikon’s 25 MP advantage, Panasonic’s effective resolution of 12 MP matches expectations for a small-sensor superzoom, balancing detail with manageable file sizes. The Nikon, however, delivers substantially greater detail retention, finer gradations, and superior raw data fidelity - essential for prints, cropping flexibility, and professional workflows.
ISO Performance
The Nikon native ISO range of 100–51200 (boost to 204800) vastly surpasses FZ200’s 100–3200 (boosted 6400). Our lab and field tests underline the Nikon’s ability to maintain clean images at elevated ISOs, whereas the FZ200’s sensor size limits low-light prowess, resulting in noticeable noise at ISO 800 and above.
Autofocus Systems: Accuracy and Speed Under Pressure
Nikon Z6 II
Equipped with 273 focal-plane phase-detect autofocus points covering almost the entire frame, the Z6 II features hybrid AF with both phase- and contrast-detection, offering fast, accurate focus acquisition and excellent tracking. Eye and animal eye detection AF provide reliable portrait focus precision, a major boon for professional photographers.
Panasonic FZ200
The FZ200 utilizes contrast-detection autofocus spread over 23 focus points without phase detection, leading to relatively slower AF performance, especially in continuous tracking scenarios. Although effective for general use and macro focusing (to as close as 1 cm), it is less suited for rapid subjects such as wildlife or sports where predictive tracking is paramount.
Image Stabilization and Burst Shooting
Stabilization
Nikon’s Z6 II employs sensor-shift 5-axis in-body image stabilization, providing up to 5 stops of shake correction, invaluable for handheld shooting across genres, especially with non-stabilized lenses.
Panasonic’s FZ200 offers optical image stabilization integrated into its lens. While effective for casual shooting, it cannot match the versatility or precision of sensor-shift systems.
Burst Rate
The Z6 II delivers up to 14 frames per second (fps) with its mechanical shutter, and continuous eye-AF tracking making it a competent sports and wildlife camera. The FZ200 achieves a zippy 12 fps but lacks sophisticated tracking capabilities, limiting its suitability for fast action photography.
Ergonomics and Display
The Nikon’s 3.2” high-resolution touchscreen tilts and supports intuitive touch-to-focus and menu navigation. The large, bright electronic viewfinder (3.69 million dots) provides excellent eye-level framing. Though lacking illuminated buttons, the well-spread physical controls expedite on-the-fly adjustments.
The Panasonic’s smaller, fully articulated 3” 460k-dot TFT screen favors shooting versatility over precision. Its electronic viewfinder offers 1.31 million dots, adequate but inferior for critical focus checking or playback clarity.
Lens Ecosystem and Compatibility
Nikon Z6 II
Mounting Nikon’s new Z mount, the Z6 II supports a growing lineup of 15 native Z lenses, ranging from ultra-wide primes and fast portrait lenses to professional telephotos. It also benefits from compatibility with Nikon’s extensive F-mount lenses via an adapter, preserving legacy glass investment - a notable advantage for professionals.
Panasonic FZ200
Fixed lens configuration with a 25–600 mm equivalent zoom at constant f/2.8. While versatile in focal range and aperture, this limits optical quality and flexibility compared to interchangeable lens systems.
Battery Life and Storage Flexibility
Despite the Nikon’s high-performance specs and fully articulated displays, it offers a modest 410 shot battery life (CIPA standard), typical of full-frame mirrorless but necessitating spare batteries for extended use.
By contrast, the Panasonic FZ200 delivers an impressive 540 shots per charge, benefiting traveling users who prefer low maintenance.
Storage options differ: Nikon employs dual slots supporting pro-level CFexpress and XQD cards, increasing workflow resilience and speed, while the FZ200 relies on a single SD card slot.
Video Capabilities: Detailed and Ready for Pro Use
The Nikon Z6 II supports 4K UHD video at 30p, 25p, and 24p with a high bitrate of 144 Mbps, using the efficient H.264 codec internally. It also offers slow-motion full HD recording up to 120 fps, ideal for creative footage. Both microphone and headphone jacks facilitate professional audio monitoring, and HDMI provides clean output - features prized by video content creators.
The Panasonic’s video maxes out at 1920x1080 Full HD (60p max), encoded primarily in MPEG-4 and AVCHD, sufficient for casual video but lacking 4K capability or advanced color profiles. It does have a mic input but no headphone jack.
Specialized Use-Case Performance
Portrait Photography
The Z6 II excels with precise eye/animal detection AF, natural skin tone reproduction due to full-frame color depth, and pleasing bokeh rendered by fast Z lenses, enabling stunning subject isolation in portraits.
The FZ200’s smaller sensor and fixed zoom limit background separation; still, its constant f/2.8 aperture across zoom range is a rarity for bridge cams and offers decent subject-background separation in daylight.
Landscape Photography
The Z6 II’s large sensor and wide dynamic range capture nuanced shadow and highlight details, while weather sealing ensures reliability in harsh outdoor conditions. Its 25 MP sensor offers ample resolution for large prints and cropping.
The FZ200 is less suitable, with limited resolution and sensor size diminishing image quality; absence of weather sealing poses risks outdoors.
Wildlife and Sports Photography
Fast autofocus with eye tracking makes the Nikon Z6 II outstanding here. Its burst rate and lens compatibility with telephoto zooms let professionals capture fleeting moments reliably.
The FZ200’s long zoom is a plus, but slower AF and lower burst capabilities limit its effectiveness in fast-paced scenarios.
Street Photography
While the Z6 II is compact for a full-frame mirrorless, it’s heavier and more conspicuous than the FZ200, which, with its returnable fixed lens and versatile zoom, provides discreet shooting flexibility at lower weight.
Macro and Close-Up Photography
Panasonic’s FZ200 offers macro focusing to 1 cm, enabling exotic close-ups with convenient zoom framing. Nikon’s interchangeable lens options include dedicated macro lenses, usually delivering superior image quality but requiring lens changes.
Night and Astro Photography
The Nikon’s large sensor, high native ISO, and longer exposures (up to 30 seconds) facilitate astrophotography and low-light shooting, while the FZ200’s small sensor struggles beyond well-lit scenes.
Video Workflows
The Nikon’s array of pro video features, including headphone monitoring and high bitrate 4K capture, appeals to filmmakers and content creators seeking quality and professional control.
Panasonic’s limited HD video is serviceable for home or casual video but less so for professional needs.
Travel Photography
The FZ200’s all-in-one compactness, extensive zoom, and extended battery life favor travelers seeking simplicity without lugging multiple lenses. The Nikon’s professional advantages come at the cost of larger size, weight, and need for multiple lenses - factors balanced depending on trip type and photographic goals.
Summary of Performance Scores Across Genres
Final Recommendations: Which Camera Suits Your Photography Needs?
Choose the Nikon Z6 II if you:
- Demand outstanding image quality for professional or enthusiast work, especially in portraiture, landscape, wildlife, sports, or low-light environments.
- Require fast, accurate autofocus with eye/animal detection and high burst rates.
- Value the flexibility of an interchangeable lens system with a growing native lens lineup.
- Are invested in serious video production requiring 4K capabilities and advanced audio monitoring.
- Need weather-sealed reliability for harsh conditions.
- Can accommodate a higher budget and manage bulkier equipment.
Choose the Panasonic FZ200 if you:
- Want a versatile, all-in-one bridge camera with a superzoom lens covering wide to extreme telephoto.
- Prioritize portability, extended battery life, and ease of use without the complexity of multiple lenses.
- Shoot mostly in good light conditions and create casual video content without 4K needs.
- Have budget constraints that preclude investment in a full-frame interchangeable system.
- Desire macro capability integrated into a fixed zoom lens.
Closing Thoughts
Comparing the Nikon Z6 II and Panasonic FZ200 epitomizes two contrasting photographic journeys - dedicated, high-fidelity, pro-level imaging contrasted with accessible, versatile, affordable all-in-one convenience.
Both cameras uniquely serve their markets with thoughtful feature sets and design choices. Ultimately, your decision rests on prioritizing image quality, system flexibility, and intended photographic application against budget and portability.
Informed by extensive testing methodologies honed over decades - ranging from controlled environment lab evaluations to unpredictable real-world shoots - this comprehensive analysis equips you to make a smart, tailored choice. Remember, the best camera is one that aligns perfectly with your creative vision and practical workflow demands.
If you’d like personalized advice on lens pairings or accessory recommendations for either system, feel free to reach out for further expert insights. Your photographic journey deserves equipment choices built on a foundation of deep expertise and practical knowledge.
Nikon Z6 II vs Panasonic FZ200 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model | Nikon Z6 Mark II | Panasonic Lumix DMC-FZ200 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Announced | 2020-10-14 | 2012-07-18 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Powered by | - | Venus Engine VII FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 25 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6048 x 4024 | 4000 x 3000 |
Highest native ISO | 51200 | 3200 |
Highest boosted ISO | 204800 | 6400 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 273 | 23 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 25-600mm (24.0x) |
Highest aperture | - | f/2.8 |
Macro focus distance | - | 1cm |
Number of lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen diagonal | 3.2 inches | 3 inches |
Screen resolution | 2,100k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 1,312k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | - |
Features | ||
Slowest shutter speed | 30 secs | 60 secs |
Maximum shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shooting rate | 14.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 13.50 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/200 secs | 1/4000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 gr (1.55 pounds) | 588 gr (1.30 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO All around score | not tested | 37 |
DXO Color Depth score | not tested | 19.1 |
DXO Dynamic range score | not tested | 10.8 |
DXO Low light score | not tested | 114 |
Other | ||
Battery life | 410 photos | 540 photos |
Battery style | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage type | CFexpress Type B / XQD | SD/SDHC/SDXC, Internal |
Card slots | Dual | 1 |
Price at launch | $1,997 | $499 |