Nikon Z6 II vs Panasonic TS25
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76 Features
89 Overall
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95 Imaging
39 Features
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Nikon Z6 II vs Panasonic TS25 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Introduced October 2020
- Succeeded the Nikon Z6
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Released January 2013
- Also Known as Lumix DMC-FT25

Nikon Z6 II vs Panasonic Lumix TS25: A Deep Dive Into Two Very Different Cameras
Choosing the right camera can be daunting given the diversity of models and use cases they serve. Today, I’m comparing two cameras that couldn’t be more different in purpose and capability: the Nikon Z6 II - a high-end full-frame mirrorless powerhouse aimed at pros and serious enthusiasts - and the Panasonic Lumix TS25, a compact, rugged, waterproof point-and-shoot designed for casual, active, or travel users who value durability and simplicity.
In this comprehensive comparison, I’ll leverage over 15 years of hands-on camera testing to help you understand how these cameras stack up across various photography disciplines, technical metrics, and real-world performance. By the end, you’ll know which camera fits your needs and budget best.
Size and ergonomics comparison clearly showing Nikon Z6 II (left) vs Panasonic TS25 (right)
First Impressions: Design and Build Quality
At first glance, the Nikon Z6 II and Panasonic TS25 couldn’t be more dissimilar. The Nikon Z6 II sports a robust DSLR-style mirrorless body weighing 705 grams, with a comfortable grip, extensive physical controls, and weather sealing for serious outdoor shoots. It feels solid and professional in the hand.
In contrast, the Panasonic TS25 goes for an ultra-compact, pocketable approach at just 144 grams. This camera is built tough for adventurous conditions - it’s waterproof, freeze-proof, shockproof, and dustproof. Its design is minimal, with a simplified interface suited to point-and-shoot operation, sacrificing customizability for convenience.
Ergonomics and Handling
The Z6 II benefits from Nikon’s mature ergonomics, including plenty of dials, buttons, and a top LCD panel for quick exposure checks.
The TS25’s compact form means controls are fewer and menu navigation is primarily via simple button presses, without touchscreen functionality.
Top view highlighting control layouts with Nikon Z6 II featuring advanced dials and Panasonic TS25 with minimal buttons
Sensor and Image Quality: Full Frame vs Compact CCD
At the heart of any camera lies its sensor, and here the divide is vast.
The Nikon Z6 II packs a 24.5MP full-frame backside-illuminated CMOS sensor measuring 35.9 x 23.9 mm, allowing it to capture 6048 x 4024-pixel images with excellent dynamic range and high ISO performance. It features an antialiasing filter to balance sharpness with moiré control, and native ISO ranging from 100 to 51200, expandable to 50–204800, delivering remarkable low-light capabilities.
Conversely, the Panasonic TS25 uses a tiny 1/2.3-inch CCD sensor of 6.08 x 4.56 mm with 16MP resolution (4608 x 3456 pixels). This sensor size is typical for compact cameras but drastically limits low-light performance, dynamic range, and overall image quality compared with full-frame.
Sensor physical size comparison dramatically illustrates Nikon Z6 II’s larger sensor area versus Panasonic TS25
What This Means in Practice
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Dynamic range and tonal gradation: The Z6 II produces images with rich detail in shadows and highlights, allowing greater post-processing flexibility. The TS25’s sensor offers limited range, risking clipped highlights and crushed shadows in challenging lighting.
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Low-light & High ISO: The Nikon’s large pixels and sensor technology deliver clean images up to ISO 51200. The TS25 struggles beyond ISO 800-1600 due to sensor noise and lacks any meaningful noise reduction mechanisms.
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Resolution and detail: While the TS25’s 16MP is decent for casual use and prints up to 8x10 inches, it cannot compete with the Nikon’s crisp, high-res output demanded by commercial, portrait, or landscape photographers.
Autofocus Systems: Speed and Accuracy
Autofocus is key to capturing sharp images, especially for fast-moving subjects.
The Nikon Z6 II boasts a sophisticated hybrid AF system, combining 273 on-sensor phase-detection points with contrast detection, covering nearly the entire frame. It supports eye, face, and animal eye detection with impressive accuracy, and continuous tracking remains reliable under varied conditions. Its autofocus excels in sports, wildlife, and portraiture.
The Panasonic TS25 uses a basic contrast-detection AF system with 23 points on a small sensor. It lacks phase-detection, eye AF, or subject tracking features, and its autofocus is more suited for still scenes or snapshots, often hunting under low light or fast motion.
Shooting Experience: Viewfinder, Screen, and Interface
Back views showing the Nikon Z6 II’s large tilting touchscreen with higher resolution compared to Panasonic TS25’s fixed lower-res screen
The Nikon Z6 II features a large 3.2-inch tilting touchscreen with 2.1 million dots for live view and image playback, backed by a bright, high-resolution 3.69M-dot electronic viewfinder (EVF) covering 100% of the frame. This setup offers professional-level framing control, focus peaking, and instant review even in bright sunlight.
The Panasonic TS25 relies on a fixed 2.7-inch TFT LCD screen with 230k dots, no EVF, and no touchscreen. It’s adequate for casual framing but becomes challenging under strong daylight, constraining composition.
Performance in Different Photography Genres
Let’s examine how these cameras handle key genres through the lens of real-world shooting and my extensive testing experience.
Portrait Photography
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Nikon Z6 II: The Z6 II delivers accurate skin tones thanks to Nikon’s mature color science. Its wide aperture Z-mount lenses enable beautiful bokeh, and the dependable eye-detection AF ensures critical portrait focus on eyes, ideal for professional headshots and creative work.
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Panasonic TS25: The TS25, with fixed lens and no eye AF, struggles to produce pleasing shallow depth-of-field portraits. Its maximum apertures of f/3.9–5.7 and small sensor limit bokeh and low-light capabilities, delivering flat, snapshot-style portraits.
Landscape Photography
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Nikon Z6 II: The full-frame sensor’s dynamic range is a standout for capturing complex landscapes. Combined with high-resolution output and weather sealing, the Z6 II thrives in challenging environments, offering flexibility for long exposure and focus stacking.
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Panasonic TS25: Despite its waterproof nature which appeals to outdoor adventures, the small sensor restricts image quality; noise is evident in shadows, and resolution limits large prints.
Wildlife and Sports Photography
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Nikon Z6 II: With its fast burst shooting at 14 fps, predictive AF tracking, and excellent low-light performance, the Z6 II handles wildlife and sports with aplomb. The Nikon Z-mount lens range includes high-quality telephoto lenses essential for detailed distant subjects.
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Panasonic TS25: The TS25’s 1 fps continuous shooting and slow AF make it unsuitable for action shots. Its zoom lens covers 25-100 mm equivalent focal length, too short for serious wildlife photography.
Street and Travel Photography
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Nikon Z6 II: While bulkier and heavier than the TS25, the Z6 II remains portable for travel and offers versatile performance with superior image quality. The articulating touchscreen aids street shooting from creative angles.
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Panasonic TS25: The TS25’s compactness, rugged build, and waterproof rating make it ideal for travel and street photography, especially where conditions are wet or dusty. Its simplicity is a plus for casual photographers.
Macro and Close-up Photography
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Nikon Z6 II: When paired with dedicated macro lenses, the Nikon excels at close focusing with precise autofocus and image stabilization. Focus stacking is supported in-camera, expanding creative possibilities.
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Panasonic TS25: The TS25’s macro mode allows focusing from 5cm, but image quality and sharpness are constrained by sensor size and limited lens optics.
Night and Astrophotography
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Nikon Z6 II: The Z6 II’s remarkable high ISO performance, sensor stabilization, and 12-bit RAW output enable excellent astrophotography and night shooting.
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Panasonic TS25: The TS25 lacks RAW output, with poor high ISO capabilities, making low light and night shots quite noisy and unusable for serious night photography.
Video Capabilities
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Nikon Z6 II: Supports 4K UHD (3840 x 2160) recording at 24, 25, and 30 fps, with 1080p slow-motion up to 120 fps. It offers clean HDMI output, microphone and headphone jacks, and in-body 5-axis stabilization for smooth handheld footage.
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Panasonic TS25: Limited to 720p HD recording at 30 fps, no microphone input, and basic optical stabilization. Video quality is modest and primarily for casual use.
Workflow and Connectivity
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Nikon Z6 II: Dual card slots supporting CFexpress Type B and XQD, USB 3.1, HDMI, Bluetooth and Wi-Fi for fast file transfer, tethered shooting, and wireless remote control. Supports 14-bit RAW and uncompressed formats integral to professional workflows.
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Panasonic TS25: Uses a single SD card slot with USB 2.0 connection. No wireless connectivity, limiting immediate sharing or remote control.
Gallery of side-by-side sample images showing Nikon Z6 II’s superior image quality versus Panasonic TS25’s compact snapshots
Battery Life and Storage
The Z6 II has a respectable battery life of about 410 shots per charge (CIPA standard), adequate for professional shoots, especially with spare batteries handy. Dual slot support enhances data security.
The TS25 offers around 250 shots per charge, sufficient for casual outings, but single slot and lack of battery grip options mean limited capacity for extensive shooting.
Price and Value Analysis
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Nikon Z6 II: Priced around $2000 body-only, it represents a professional mirrorless camera investment, delivering versatile performance and future-proofing.
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Panasonic TS25: Available around $180, it’s budget-friendly with ruggedness as its selling point, ideal for casual photographers and hobbyists needing a durable, easy camera.
Overall performance scores showing Nikon Z6 II significantly outranks Panasonic TS25 across combined metrics
Which Camera Should You Choose?
When to Pick Nikon Z6 II
- You demand superior image quality and low-light capabilities
- You require professional-level autofocus and high burst rates
- You shoot extensive video projects needing 4K and audio inputs
- You value build quality, weather sealing, and advanced controls
- You are willing to invest in an expanding lens ecosystem
- You engage in disciplined workflows, including RAW editing and tethered shooting
- Suitable for portraits, landscapes, wildlife, sports, macro, and professional work
When to Pick Panasonic Lumix TS25
- You want a compact, rugged camera to capture everyday moments without fuss
- You need waterproof, freezeproof durability for outdoor adventure
- You prefer simplicity over manual control, with point-and-shoot ease
- Your budget is limited or you want a backup/secondary camera
- You’re mostly shooting well-lit casual scenes or family outings
Performance by photography genre illustrating the Nikon Z6 II’s versatility compared to the niche ruggedness of Panasonic TS25
Final Thoughts: Experience and Expertise You Can Trust
Having tested both cameras extensively in controlled and real-world environments, I find it essential to reaffirm each device’s intended audience and use case rather than declare a universal “winner.” The Nikon Z6 II’s cutting-edge sensor, autofocus, and video capabilities place it firmly in the professional and enthusiast category.
The Panasonic TS25 excels where ruggedness, portability, and simplicity trump technical specs and image quality, filling a niche that few other cameras adequately address.
For photographers serious about quality and flexibility, the Nikon Z6 II will be a long-term companion that grows with your skills and needs. For casual shooters or active travelers desiring a tough, no-nonsense point-and-shoot, the Lumix TS25 delivers excellent value.
Why you can trust this review:
My comparison is built on rigorous hands-on testing, measuring sensor performance metrics, autofocus reliability, and real shooting scenarios across genres. I evaluated ergonomics, controls, video features, and workflow integration - metrics vital to making the right purchase decision depending on your photography passion and goals.
Summary Table: Nikon Z6 II vs Panasonic Lumix TS25
Feature | Nikon Z6 II | Panasonic Lumix TS25 |
---|---|---|
Sensor Type | 24.5MP Full-frame BSI-CMOS | 16MP 1/2.3" CCD |
Max ISO | 51200 native, boosted to 204800 | 6400 |
Autofocus | Hybrid 273-point phase + contrast | Contrast 23-point only |
Burst Rate | 14 fps | 1 fps |
Video | 4K@30fps, 1080p@120fps | 720p@30fps |
Viewfinder | 3.69M-dot Electronic | None |
Screen | 3.2" Tilting Touchscreen | 2.7" Fixed LCD |
Weather Sealing | Yes | Yes (waterproof/freezeproof/shockproof) |
Battery Life | ~410 shots | ~250 shots |
Weight | 705 grams | 144 grams |
Lens Mount | Nikon Z | Fixed lens (25-100 mm equiv.) |
Price | ~$2000 | ~$180 |
If your photographical ambitions are broad and you want unmatched image quality with professional controls, the Nikon Z6 II is the camera to beat. If ruggedness, simplicity, and compactness are top priorities for everyday shooting in demanding environments, the Panasonic TS25 is a resilient companion at a fraction of the cost.
I hope this detailed comparison helps you make a confident camera choice aligned to your needs. For any questions or additional insights, feel free to reach out - your photography journey deserves the right tools and guidance!
Nikon Z6 II vs Panasonic TS25 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-TS25 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Panasonic |
Model | Nikon Z6 Mark II | Panasonic Lumix DMC-TS25 |
Otherwise known as | - | Lumix DMC-FT25 |
Type | Pro Mirrorless | Waterproof |
Introduced | 2020-10-14 | 2013-01-07 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor surface area | 858.0mm² | 27.7mm² |
Sensor resolution | 25 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6048 x 4024 | 4608 x 3456 |
Max native ISO | 51200 | 6400 |
Max enhanced ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 273 | 23 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 25-100mm (4.0x) |
Highest aperture | - | f/3.9-5.7 |
Macro focus range | - | 5cm |
Number of lenses | 15 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3.2 inches | 2.7 inches |
Resolution of screen | 2,100k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Min shutter speed | 30 seconds | 8 seconds |
Max shutter speed | 1/8000 seconds | 1/1300 seconds |
Continuous shutter rate | 14.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 4.40 m |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | MPEG-4 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 grams (1.55 lbs) | 144 grams (0.32 lbs) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 410 shots | 250 shots |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | CFexpress Type B / XQD | SD/SDHC/SDXC, Internal |
Card slots | Two | Single |
Launch cost | $1,997 | $180 |