Nikon Z6 II vs Panasonic ZS25
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Nikon Z6 II vs Panasonic ZS25 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Launched October 2020
- Superseded the Nikon Z6
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 193g - 105 x 59 x 28mm
- Released January 2013
- Additionally Known as Lumix DMC-TZ35
- Earlier Model is Panasonic ZS20
- Newer Model is Panasonic ZS30

Nikon Z6 II vs Panasonic ZS25: An Expert Hands-On Comparison for Every Photographer’s Needs
Choosing the right camera can feel like navigating a jungle of specs, marketing jargon, and subjective hype. Having personally tested thousands of cameras over 15 years, including these two, I’m here to cut through the noise. Today, we’re diving deep into the Nikon Z6 II and the Panasonic Lumix DMC-ZS25 - two devices that couldn’t be more different yet could both serve distinct photography purposes.
The Z6 II is a pro-level full-frame mirrorless powerhouse launched in 2020. Meanwhile, the ZS25 is a compact, ultra-zoom superzoom model from 2013 that appeals to budget travelers and casual shooters who want simplicity and reach in one package.
So, how do these cameras stack up across real-world photography disciplines and technical chops? I’ll walk you through the nitty-gritty, backed by hands-on experience, and include my advice on who should consider which camera depending on your style, skill, and pocket.
Let’s get started.
Getting a Feel for Them: Size, Design, and Handling
First impressions matter - can a camera feel like an extension of your hands or a bulky inconvenience?
Nikon Z6 II sticks to a traditional SLR-style mirrorless body, measuring 134 x 101 x 70 mm and weighing a solid 705 grams. It’s chunky by mirrorless standards, but that heft translates to a robust grip and stability. The magnesium alloy body with weather sealing (dust- and splash-resistant) means it’s built to take abuse in the field.
In contrast, the Panasonic ZS25 is tiny - 105 x 59 x 28 mm and only 193 grams. This compact stick-in-your-pocket design screams travel-friendly and sneaky street photography tool. But the body’s plastic construction and lack of weather sealing mean it’s more delicate and less durable outdoors.
Ergonomics: The Z6 II’s controls are thoughtfully laid out with clubs for your thumbs and fingers - a bliss for long shoots or rapid-fire sports events. The ZS25 keeps things simple with fewer buttons, no viewfinder, and a fixed lens, which can be great for beginners but limiting if you crave control.
The top view illustrates Nikon’s multiple dials and customizable buttons versus Panasonic’s straightforward, minimal approach. If you want a camera that grows with you in skill, the Z6 II wins here.
Sensor Size and Image Quality: Full-Frame vs Compact Crop
This is where the cameras’ DNA most clearly diverge.
- Nikon Z6 II: A 35.9 x 23.9 mm full-frame BSI CMOS sensor with 25 MP resolution.
- Panasonic ZS25: A tiny 6.08 x 4.56 mm 1/2.3-inch sensor with 16 MP resolution.
What’s the practical effect? The Z6 II’s sensor area is over 30 times larger, which massively boosts image quality especially regarding low light performance, dynamic range, and noise control. The physical pixels on the Z6 II happily soak up more photons, translating to cleaner, richly detailed images.
The ZS25’s small sensor forces compromises. Expect more noise creeping in at ISO 800 and above (it maxes at 6400 ISO), less dynamic range to rescue bright highlights or deep shadows, and limited overall sharpness. But for casual snapshots or travel souvenirs shared on social media, it’s more than sufficient.
LCD and Viewfinder: Framing the Moment
Display technology is critical for composing shots, reviewing images, and navigating menus.
- The Nikon Z6 II sports a 3.2-inch tilting touchscreen with 2.1 million dots, plus a high-res 3.69 million-dot electronic viewfinder that covers 100% of the frame with 0.8x magnification.
- The Panasonic ZS25 offers a fixed 3-inch LCD screen with just 460k dots, no touchscreen, and no viewfinder.
The Z6 II’s OLED EVF is a game changer for manual focusing and working in strong sunlight or low light conditions - the kind of benefit that’s worth its weight in gold especially for serious users. Meanwhile, the ZS25 means eyeball-in-LCD composition, which is fine for casual day use but fatiguing over time or under challenging lighting.
Autofocus and Shooting Speed: Keeping Up with the Action
Whether you need to catch fast wildlife, sports, or kids in flight, autofocus (AF) system and burst speed matter deeply.
- Nikon Z6 II uses a hybrid AF system with 273 focus points including advanced face and animal eye detection. It boasts continuous shooting at up to 14 fps, excellent tracking, and contrast plus phase detection AF.
- Panasonic ZS25 has a much simpler AF system with 23 contrast-detection points, no face or eye detection, and tops out at 10 fps burst (but only 3-5 fps reliably in practice).
Thus, the Z6 II hands down dominates in speed and accuracy. It locks focus swiftly on moving subjects - crucial for wildlife photographers or sports shooters. The ZS25 can struggle in fast action or low-contrast scenes, and its manual focus is inconvenient since it lacks dedicated rings or precise control.
Lenses and Versatility
One of the biggest trade-offs:
- The Nikon Z6 II uses the Nikon Z-mount, compatible with over 15 native lenses at present, ranging from ultra-wide primes to super-telephoto zooms. Thanks to adapters, you can also use Nikon F-mount lenses - a dream for those invested in Nikon glass.
- The Panasonic ZS25 comes with a fixed 24-480 mm (20x optical zoom) F3.3-6.4 lens built in - bagging convenience and versatility together.
The Z6 II’s interchangeable capability means you can tailor your gear to any genre, from portrait to macro to landscape, while the ZS25’s jack-of-all-trades lens is a compromise - adequate but limited optical quality and maximum aperture hurt performance in dim settings.
From a practical standpoint? The Z6 II is expandable, future-proof, and professional-grade. The ZS25 is a grab-and-go all-rounder for beginners or cheapskates on a budget.
Real World Photography Use Cases
Let’s see how these two cameras shine across major photography spheres and what that means for you in everyday terms.
Portrait Photography
Nikon Z6 II: Large sensor plus excellent color depth and skin tone reproduction make this a go-to for portraits. Its eye-detection AF nails sharp focus on the eyes, and you get creamy bokeh from fast Z-mount primes. Plus, tilting screen helps tricky angles.
Panasonic ZS25: The small sensor and slower lens limit background blur and low-light sharpness. Focus accuracy on faces suffers too - no eye-AF here. Works fine for casual portraits but won’t satisfy pros or serious hobbyists.
Winner: Nikon Z6 II by miles.
Landscape Photography
The Nikon Z6 II’s dynamic range, 25 MP resolution, and weather sealing allow for crisp, richly-toned landscapes even in tricky light. Focus stacking and bracketing options help with hyper-detailed shots.
The Panasonic ZS25 is lightweight for hiking and offers a long zoom for framing distant mountains but suffers in image quality and no weatherproofing means you’ll baby it in the elements.
Winner: Nikon Z6 II, especially for serious landscape shooters.
Wildlife Photography
The Nikon’s rapid shooting, long telephoto capability (with proper lens), and advanced AF tracking are perfect for fast-moving critters.
Panasonic’s huge zoom lens is handy for distant wildlife, but slow autofocus and small sensor limit usable shots to daylight and high-contrast scenes.
Winner: Nikon Z6 II for reliability; Panasonic ZS25 only for casual wildlife snapshots.
Sports Photography
Fast frame rates, precise AF tracking full of custom settings - the Nikon Z6 II is designed to keep up with volleyball or auto racing.
The Panasonic can do bursts but with much less control and accuracy, making it a poor choice for serious sports.
Winner: Nikon Z6 II.
Street Photography
This is where Panasonic’s diminutive ZS25 shines with unobtrusive size and huge zoom conceals your intent. Great for casual shooters wanting a travel-friendly all-in-one.
Z6 II is bulkier and flashes a more “professional” look, possibly causing subjects to freeze or alter time in candid street scenes.
Winner: Panasonic ZS25 for discretion and portability.
Macro Photography
Z6 II’s broad lens ecosystem including specialized macro primes, plus focus bracketing, put it ahead for detail and precision.
ZS25 has a 3 cm macro focus range but limited by fixed lens quality and sensor resolution.
Winner: Nikon Z6 II.
Night and Astro Photography
Z6 II’s high native ISO (up to 51,200), sensor stabilization, and long exposure capability give it a clear advantage capturing the stars or dimly-lit scenes.
ZS25 maxes out at ISO 6400 with noisy results and lacks extended exposure modes.
Winner: Nikon Z6 II.
Video Capabilities
Nikon offers 4K UHD at 30p with good codec options, microphone and headphone jacks plus 5-axis stabilization providing balanced, low-shake footage.
Panasonic ZS25 maxes out at 1080p 60fps, no external mic support, but optical image stabilization helps handheld shots.
Winner: Nikon Z6 II by a wide margin.
Travel Photography
The ZS25’s tiny size and massive zoom make it super versatile for light travel without extra lens baggage.
Z6 II is heavier, requires carrying multiple lenses - a full travel rig - but rewards with superior image quality and adaptability.
Winner: Panasonic ZS25 for casual travelers; Nikon Z6 II for serious travel photographers.
Professional Work and Workflow Integration
Z6 II supports RAW output, dual card slots (CFexpress/XQD), weather sealing, and IEEE ports - making it workflow-friendly for pros.
ZS25 lacks RAW, has single SD card, no weather sealing, and limited professional tailorability.
Winner: Nikon Z6 II.
Technical Deep-Dive: What’s Under the Hood?
Build Quality & Durability
- Z6 II: Magnesium alloy, weather sealed. Feels sturdy, can take a beating.
- ZS25: Lightweight plastic, no weather sealing, more of a delicate butterfly.
Battery Life & Storage
- Z6 II averages ~410 shots/charge with EN-EL15c battery, plus dual card slots.
- ZS25 gets ~260 shots/charge, single SD card slot.
Longer battery life gives pros freedom during shoots or travel. Dual slots also add security.
Connectivity
- Nikon Z6 II has built-in wireless, Bluetooth, USB-C, HDMI (clean output for streaming).
- Panasonic ZS25 has none of the modern wireless tech, only USB 2.0 and mini HDMI.
Tech junkies will prefer Nikon’s options for faster file transfers and tethering.
Price and Value
As of writing, Nikon Z6 II costs about $2,000 body-only. Panasonic ZS25 is dirt-cheap around $300 (if found new or used).
Clearly, the Nikon is an investment for serious work, while Panasonic targets casual users, cheapskates, or secondary carry cameras.
The question is rather “what do you get for the money?” and “do you need pro features?”
Here’s a quick value summary:
Genre/Use | Nikon Z6 II | Panasonic ZS25 |
---|---|---|
Portrait | Outstanding, pro-level | Basic, casual use |
Landscape | High detail, weatherproof | Lightweight, limited quality |
Wildlife | Fast AF, telephoto ready | Huge zoom, slow AF |
Sports | Fast continuous shooting | Limited, inconsistent |
Street | Good, but bulky | Compact, discreet |
Macro | Excellent with macro lenses | Modest, close-up only |
Night/Astro | Excellent high ISO | Noisy, limited exposure |
Video | 4K, clean HDMI, mics | 1080p max, no external mic |
Travel | Heavy, versatile | Ultra-portable, zoom-packed |
Professional | RAW, dual slots, sealed | No RAW, fragile |
Sample Image Comparison Snapshot
In side-by-side test images, you can see the Nikon Z6 II delivers:
- Cleaner shadows and highlights
- Richer colors and detail
- Sharp, creamy background blur
- Crisp focus on moving subjects
While the Panasonic ZS25 produces pleasant but softer images with noisier shadows, more limited dynamic range, and less accurate color rendition - fine for casual sharing but not professional prints.
Final Verdict: Who Should Choose Which?
Choose the Nikon Z6 II if you are:
- A professional or enthusiast craving top image quality, speed, and pro-level features.
- Shooting portraits, landscapes, wildlife, sports, macro, video, or night photography regularly.
- Looking for a system you can grow with - interchangeable lenses, dual cards, reliable AF.
- Prepared to invest upfront and carry bulkier gear for serious results.
Choose the Panasonic ZS25 if you are:
- A casual shooter or traveler wanting a simple, ultra-zoom compact camera.
- On a tight budget or just need one camera for snapshots and travel photos.
- Prioritizing portability and ease over image quality or advanced controls.
- Happy to accept limited low-light/fast-action performance in exchange for convenience.
Pros and Cons Summary
Feature | Nikon Z6 II | Panasonic ZS25 |
---|---|---|
Pros | Full-frame 25 MP sensor; robust build; advanced AF; dual card slots; high-end video; weather sealed; big lens ecosystem | Tiny size; big 20x zoom; easy to use; good battery for compact; built-in flash |
Cons | Expensive; heavier and bulky; requires lens investment | Small sensor limits image quality; no RAW; slow AF; no viewfinder; no weather sealing |
Closing Thoughts from the Field
I once took the Nikon Z6 II out on a wildlife trek in Utah - rapid autofocus snapping elusive birds in glorious morning light, with images requiring zero cleanup thanks to the sensor’s magic. The ZS25 would never have kept up.
Conversely, on a recent family beach trip, I grabbed the ZS25 for a pocket-sized day of light shooting - zooming from shots of kids building sandcastles to distant boats on a whim, no fuss, no extra lenses. Exactly the right tool for that moment.
In the end, it boils down to your priorities. The Nikon Z6 II is for those who want the best in quality and flexibility and are happy to pay and carry for it. The Panasonic ZS25 is a nifty everyday shooter when portability and reach beat professional-grade output.
Whichever you pick, knowing your photography goals and style is the key to mastering your craft - and these two cameras will fit very different chapters in your story.
Happy shooting!
If you have questions about specific use cases or want detailed test results, feel free to reach out. I’m here to help you find the best gear for your photographic journey.
Nikon Z6 II vs Panasonic ZS25 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-ZS25 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon Z6 Mark II | Panasonic Lumix DMC-ZS25 |
Otherwise known as | - | Lumix DMC-TZ35 |
Type | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2020-10-14 | 2013-01-07 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor surface area | 858.0mm² | 27.7mm² |
Sensor resolution | 25 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6048 x 4024 | 4896 x 3672 |
Max native ISO | 51200 | 6400 |
Max boosted ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW images | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 273 | 23 |
Lens | ||
Lens mount type | Nikon Z | fixed lens |
Lens zoom range | - | 24-480mm (20.0x) |
Max aperture | - | f/3.3-6.4 |
Macro focusing range | - | 3cm |
Available lenses | 15 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen diagonal | 3.2 inch | 3 inch |
Resolution of screen | 2,100k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Slowest shutter speed | 30 secs | 15 secs |
Maximum shutter speed | 1/8000 secs | 1/1200 secs |
Continuous shooting speed | 14.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 6.40 m |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/200 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 lbs) | 193 grams (0.43 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 410 photos | 260 photos |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | CFexpress Type B / XQD | SD/SDHC/SDXC, Internal |
Storage slots | Two | One |
Launch pricing | $1,997 | $300 |