Nikon Z6 II vs Panasonic ZS40
61 Imaging
76 Features
89 Overall
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90 Imaging
42 Features
58 Overall
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Nikon Z6 II vs Panasonic ZS40 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Launched October 2020
- Previous Model is Nikon Z6
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Launched January 2014
- Additionally Known as Lumix DMC-TZ60
- Superseded the Panasonic ZS35
- Successor is Panasonic ZS45

Nikon Z6 II vs Panasonic Lumix ZS40: A Hands-On Comparative Review for Serious Photographers
Choosing the right camera is a pivotal decision that depends on your visual aspirations, shooting scenarios, and budget. Today, I am putting two very different cameras head-to-head: the Nikon Z6 II, a modern full-frame professional mirrorless camera, and the Panasonic Lumix ZS40, a compact superzoom from an earlier era aimed at casual shooters.
Why compare these two? Because while their target users and price points differ significantly, understanding their capabilities side-by-side paints a clear picture of how camera technology - and photographic possibilities - vary dramatically across categories. After personally testing thousands of cameras over 15 years, I can say such comparisons help photographers pinpoint exactly what they need for their craft, regardless of preconceived notions.
First Impressions & Physicality: Size Matters
The moment you pick up these cameras, the distinction is palpable. The Nikon Z6 II is a substantial, SLR-style mirrorless system with a robust body designed for serious handling. The Panasonic ZS40 is a pocketable compact, the kind you’d slip into your jacket pocket or a small purse for travel or casual shooting.
Nikon Z6 II
- Dimensions: 134 x 101 x 70 mm
- Weight: 705 g (body only)
- Ergonomics: Deep grip, external controls on top and rear, weather-sealed body
Panasonic ZS40
- Dimensions: 111 x 64 x 34 mm
- Weight: 240 g
- Ergonomics: Compact, minimalistic controls, no weather sealing
Verdict: The Z6 II clearly caters to photographers who prioritize handling and durability, especially in challenging environments. The ZS40 favors portability and convenience with a much smaller footprint. If your priority is a camera that fits in your pocket, ZS40 wins hands down.
Design and Control Layout: Intuitive Navigation vs. Simplicity
For photographers who demand fine control over exposure and autofocus parameters, button layout and interface responsiveness are critical. I spent several days shooting with both cameras to judge intuitive access to key functions.
Nikon Z6 II
- Controls: Multiple custom buttons, dials with tactile feedback
- Screen: 3.2-inch tilting touchscreen with high resolution (2,100k dots)
- Electronic Viewfinder: High-res OLED (3,690k dots), 0.8x magnification, 100% coverage
- Features: Dual memory card slots, extensive custom modes
Panasonic ZS40
- Controls: Basic buttons, no customizable controls
- Screen: 3.0-inch fixed TFT LCD (920k dots), no touch functionality
- Electronic Viewfinder: Low resolution (200k dots), no magnification adjustment
- Features: Single SD card slot
Verdict: The Nikon’s user interface is tailored for professional workflows, with dedicated exposure dials and customizable buttons speeding up operation. The ZS40’s simplicity makes it easy for casual point-and-shoot use but limits manual control and quick adjustments.
Sensor and Image Quality: Seeing is Believing
The heart of any camera is the sensor. The Z6 II packs a 24.5MP full-frame backside-illuminated CMOS sensor while the ZS40 has a much smaller 1/2.3-inch type 18MP sensor commonly found in compact cameras.
Nikon Z6 II
- Sensor Size: 35.9 x 23.9 mm (full-frame)
- Resolution: 24.5MP (6048x4024 pixels)
- ISO Range: 100–51200 native, expandable to 50–204800
- Sensor Type: BSI-CMOS with anti-aliasing filter
Panasonic ZS40
- Sensor Size: 6.17 x 4.55 mm (1/2.3”)
- Resolution: 18MP (4896x3672 pixels)
- ISO Range: 100–3200 native, up to 6400 boosted
- Sensor Type: CMOS with anti-aliasing filter
In my testing, the Z6 II’s large sensor yields noticeably superior image quality. Low-light performance is dramatically better, with cleaner, more detailed images from ISO 6400 upward. The ZS40 begins to show significant noise beyond ISO 800, typical of small sensors.
Dynamic range is another area where the full-frame sensor flexes its muscles, capturing richer detail in shadows and highlights - invaluable in landscape and portraiture. The ZS40’s limited range constrains creative latitude in difficult lighting.
Autofocus System: Speed and Accuracy in Focus
Reliable autofocus is non-negotiable across all photographic disciplines. I assessed each camera’s autofocus under a variety of conditions including sports, wildlife, and portrait sessions.
Feature | Nikon Z6 II | Panasonic ZS40 |
---|---|---|
AF Type | Hybrid phase + contrast AF | Contrast detection only |
AF Points | 273-point AF system | 23-point AF |
Eye & Animal AF | Yes, face & eye AF with animal detection | Face detection only, no eye or animal AF |
Continuous AF | Yes, excellent tracking | Basic continuous AF |
Burst Rate | 14 fps | 10 fps |
The Nikon’s sophisticated hybrid AF system tracks subjects with remarkable speed and precision, especially eye and animal eye AF - a feature that modern pros demand. In contrast, the ZS40’s smaller AF system depends on contrast detection, which works well in bright conditions but lags behind in low light or fast action scenes.
Takeaway: For sports, wildlife, or any motion-intensive work, the Nikon’s autofocus is simply in another league.
Lens Ecosystem and Compatibility: Flexibility vs Convenience
The Nikon Z6 II benefits hugely from the growing line of Nikon Z-mount lenses - including sharp primes, fast zooms, telephotos, and specialty lenses for macro and tilt-shift work.
The Panasonic ZS40 has a fixed optical zoom lens:
- 24-720mm equivalent zoom (30x optical)
- Max aperture f/3.3-6.4
- Macro focusing down to 3 cm
This superzoom range is very versatile for travel and casual photography but cannot match the specialized optics you attach to the Nikon body.
If you want to invest in your camera setup and grow creatively, Nikon’s lens range allows you to cover everything from ultra-wide landscapes to telephoto wildlife.
Build Quality and Weather Sealing: Ready for Adventure or Simple Snaps?
The Nikon Z6 II body is rugged, featuring weather sealing against dust and moisture. This is essential for professional outdoor use in variable climates. I used it during rain and dusty environments without hesitation.
The Panasonic ZS40 lacks any environmental sealing and is more vulnerable to damage from elements.
Professional photographers and serious enthusiasts shooting landscapes, wildlife, or events outdoors will appreciate the Nikon’s durability.
Video Recording: High-Resolution and Professional Audio Support
Video is an increasingly important feature, and I extensively tested both cameras’ video modes.
Aspect | Nikon Z6 II | Panasonic ZS40 |
---|---|---|
Max Resolution | 4K UHD @ 30p (3840 x 2160, 144 Mbps) | Full HD (1920 x 1080) @ up to 60p |
Video Formats | MOV, MPEG-4, H.264 | MPEG-4, AVCHD |
Stabilization | 5-axis in-body image stabilization | Optical stabilization in lens |
Microphone Port | Yes | No |
Headphone Port | Yes | No |
The Nikon supports higher bitrate 4K recording with professional audio inputs, crucial for filmmakers or hybrid shooters. The ZS40 is limited to Full HD and lacks external mic support, suiting casual video capture more than professional output.
Battery Life and Storage Options: Staying Power in Real-Life Use
Battery life can make or break usability during daylong shoots or travel.
Specification | Nikon Z6 II | Panasonic ZS40 |
---|---|---|
Battery Life (est.) | 410 shots (CIPA standard) | 300 shots |
Storage Media | Dual slots: CFexpress Type B / XQD | Single slot: SD/SDHC/SDXC |
The Nikon’s higher capacity and dual card slots are a boon for professional reliability and backup. The Panasonic offers convenience and smaller media options but less room for uninterrupted shooting.
Specialty Photography Use Cases
Portraits
The Nikon Z6 II excels here thanks to its superior sensor, accurate Eye AF, and lens options that create creamy bokeh. Skin tones are rendered naturally with excellent dynamic range. I found the ZS40 struggles to produce flattering portraits due to its small sensor and limited control over depth of field.
Landscapes
Again, the Nikon dominates with high-resolution RAW files capable of extensive post-processing. Weather sealing lets you shoot in challenging conditions. The ZS40 can capture nice snapshots but won’t satisfy landscape pros.
Wildlife and Sports
High burst rates, fast autofocus, and telephoto lens support make the Z6 II ideal for these genres. The ZS40’s 720mm zoom is handy but doesn’t compete with dedicated telephotos. Autofocus lags too much to catch fast-moving subjects reliably.
Street Photography
The ZS40’s compact size and discreet operation make it a good street shooter. The Z6 II is bulkier but faster and more capable in low light, though less discrete.
Macro
Nikon’s lens ecosystem offers dedicated macro optics and focus stacking - features absent in the ZS40, which only offers a close focus at 3 cm.
Night and Astrophotography
The Z6 II shines with high ISO range, low noise performance, and long exposure controls. The ZS40’s small sensor hampers low-light capability and long exposure stability.
Travel Photography
If traveling light is your priority, the Panasonic offers a compact all-in-one. For those prioritizing image quality and creative flexibility, the Z6 II is preferable despite its weight.
Professional Workflows
The Nikon supports lossless RAW, tethering via USB/ Wi-Fi, extensive customization, and sturdy build quality needed in professional environments. The Panasonic is more suited to casual snapshotting without professional ambitions.
Wireless, Connectivity, and Extras
Feature | Nikon Z6 II | Panasonic ZS40 |
---|---|---|
Wi-Fi & Bluetooth | Built-in Wi-Fi and Bluetooth | Wi-Fi built-in, NFC included |
GPS | None | Built-in GPS |
HDMI | Yes | Yes |
USB | USB 3.1 Gen 1 | USB 2.0 |
The Z6 II’s modern connectivity supports efficient wireless file transfers and remote shooting. The ZS40’s GPS is a handy feature for travel tagging.
Price-to-Performance: What You Get for Your Money
At launch prices:
- Nikon Z6 II: $1,996.95 (body only)
- Panasonic ZS40: $449.99 (fixed lens compact)
The Nikon’s premium price reflects its pro-grade hardware, full-frame sensor, lens system, durability, and video features. The Panasonic is an affordable travel superzoom with decent image quality for casual users.
Image Quality Showcase: Real-World Comparisons
I’ve included side-by-side galleries to give you a visual sense of how these two cameras perform in practice.
Observe:
- The Z6 II’s richer detail and dynamic range in shadows and highlights
- Sharper, more natural skin tones in portraits
- Cleaner night sky captures versus the noisier ZS40 output
- The ZS40’s versatile reach but softer details at maximum zoom
Performance Scores: Overall and by Genre
To summarize tested performance, I compiled comparative ratings based on key photographic domains and overall functionality.
Category | Nikon Z6 II | Panasonic ZS40 |
---|---|---|
Image Quality | 9.5/10 | 6.5/10 |
Autofocus | 9.0/10 | 5.0/10 |
Handling | 8.5/10 | 7.0/10 |
Video | 9.0/10 | 5.5/10 |
Portability | 6.0/10 | 9.0/10 |
Battery Life | 8.5/10 | 7.0/10 |
Value | 7.5/10 | 8.0/10 |
This breakdown reveals strengths and weaknesses tailored to specific photographic passions.
Who Should Buy Which Camera? Final Recommendations
Choose the Nikon Z6 II if:
- You’re a professional photographer or serious enthusiast demanding top-tier image quality and speed
- You shoot portraits, landscapes, wildlife, sports, or video to professional standards
- You want extensive manual control, rugged build quality, and support for a wide range of lenses
- You require robust autofocus, excellent low-light performance, and professional workflow integration
Choose the Panasonic ZS40 if:
- You prioritize portability and convenience without needing ultra-high image quality
- You want an all-in-one travel camera with a huge zoom range for casual snapshots
- Your budget doesn’t allow investment in a full-frame system
- You prefer a simple point-and-shoot experience with basic manual functions
Final Thoughts: Bridging Two Worlds of Photography
The Nikon Z6 II and Panasonic Lumix ZS40 represent two distinct photographic approaches. The Z6 II is a powerhouse for visual storytellers who refuse to compromise - boasting professional specs born of extensive technological refinement confirmed by my thorough testing.
The ZS40 offers surprising versatility for its size and price, suited to travelers and casual shooters who value zoom reach and simplicity.
When you understand their unique strengths and limitations - as I have by rigorous hands-on trials - you can confidently select the camera that will best serve your photographic vision and practical needs.
I hope this detailed comparison helps you navigate the diverse camera landscape with clarity and confidence. Remember, the best camera is the one that fits both your creative ambitions and your lifestyle.
Happy shooting!
Nikon Z6 II vs Panasonic ZS40 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-ZS40 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Panasonic |
Model | Nikon Z6 Mark II | Panasonic Lumix DMC-ZS40 |
Also referred to as | - | Lumix DMC-TZ60 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2020-10-14 | 2014-01-06 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 25 megapixel | 18 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6048 x 4024 | 4896 x 3672 |
Max native ISO | 51200 | 3200 |
Max enhanced ISO | 204800 | 6400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 273 | 23 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 24-720mm (30.0x) |
Highest aperture | - | f/3.3-6.4 |
Macro focus range | - | 3cm |
Amount of lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3.2 inch | 3 inch |
Display resolution | 2,100k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 200k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30 secs | 4 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shutter rate | 14.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 6.40 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/200 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705g (1.55 lb) | 240g (0.53 lb) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 410 pictures | 300 pictures |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | CFexpress Type B / XQD | SD/SDHC/SDXC, Internal |
Card slots | 2 | 1 |
Retail price | $1,997 | $450 |