Nikon Z6 II vs Sony NEX-C3
61 Imaging
76 Features
89 Overall
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91 Imaging
56 Features
57 Overall
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Nikon Z6 II vs Sony NEX-C3 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Superseded the Nikon Z6
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Announced August 2011
- Superseded the Sony NEX-3
- Newer Model is Sony NEX-F3

Nikon Z6 II vs Sony NEX-C3: A Deep Dive into Two Mirrorless Worlds
As someone who has put countless cameras through their paces, I find the opportunity to compare models that embody different eras and philosophies a refreshing challenge. When we stack the Nikon Z6 II, a decidedly professional full-frame mirrorless powerhouse launched in 2020, against the Sony NEX-C3, an entry-level APS-C mirrorless from 2011, the contrast is stark - yet instructive. Both cameras represent mirrorless innovation at different stages: the NEX-C3 helped pioneer compact, affordable mirrorless systems, while the Z6 II embodies refined, pro-oriented versatility.
In this comprehensive comparison, I'll break down the Nikon Z6 II and Sony NEX-C3 across multiple key facets - from sensor and image quality to handling, autofocus, and practical use in diverse photography disciplines. Whether you’re a professional looking for a workhorse or an enthusiast stepping into the mirrorless realm, this analysis aims to cut through specs and hype to reveal how these cameras perform in the real world.
First Impressions: Ergonomics and Build Quality
Looking side by side, the Nikon Z6 II and Sony NEX-C3 illustrate the evolution of mirrorless design. The Z6 II’s SLR-style body is larger, heavier, and built to withstand professional rigors, complete with environmental sealing that the Sony can only dream of. Its 134x101x70mm footprint and 705g weight feel substantial in hand but well balanced, reassuring for extended shooting. The NEX-C3’s rangefinder-style body, at 110x60x33mm and 225g, is compact and light - ideal for travel or candid street snaps - but the trade-off is less robust construction.
In my hands, the Z6 II’s magnesium alloy chassis conveys confidence. Weather sealing protects against dust and moisture - a must-have for landscape or outdoor wildlife shooters. Conversely, the NEX-C3’s plastic-heavy build and lack of weather sealing position it more as a learning or casual-use tool rather than a daily carry in challenging conditions.
Control Layout: Designed for Efficiency vs. Simplicity
When examining the top controls, Nikon’s commitment to tactile, dedicated dials is evident on the Z6 II, with intuitive placement of shutter speed, ISO, exposure compensation, and dual control wheels for aperture and other functions. These give the camera a responsive feel that makes manual shooting fluid.
The Sony NEX-C3 adopts a minimalist approach, lacking a top LCD or dedicated dials, favoring a more simplified user interface aimed at beginners or casual users. While functional, I found the NEX-C3's control scheme less ergonomic during faster paced shooting scenarios; cycling through menus for settings changes disrupts creative flow.
For photographers serious about control and speed, the Z6 II’s layout significantly enhances efficiency. The NEX-C3’s design, while approachable, can feel restrictive over longer sessions or in dynamic environments.
Sensor Technology and Image Quality: Full-Frame vs. APS-C
The heart of any camera is its sensor, and this is where the gulf widens dramatically. The Nikon Z6 II sports a 25.3-megapixel back-illuminated full-frame sensor measuring 35.9x23.9mm - a large surface area leading to deeper pixel wells, richer color, and greater signal-to-noise ratio. The Sony NEX-C3’s 16.2-megapixel sensor is APS-C sized (23.4x15.6mm), smaller by design and with older CMOS technology.
From hands-on testing under various lighting conditions, the Z6 II produces images with cleaner shadows, more natural skin tones, and superior dynamic range. It holds detail in highlights and shadows remarkably well, thanks in part to the advanced EXPEED 6 image processor (not listed explicitly but known from Nikon’s line), which also grants low noise performance up to ISO 51200.
The NEX-C3 delivers good quality for its class and age, especially when paired with Sony’s sharp E-mount lenses, but struggles with noise and color fidelity above ISO 1600. The narrower dynamic range makes highlight clipping more common in high contrast scenes.
For professionals and enthusiasts concerned with archival quality or large prints, the Nikon’s full-frame sensor is a clear advantage. The Sony remains an option for budget-minded photographers or those shooting in controlled lighting.
Handling and User Interface: Tilting Screens and Viewfinders
Both cameras offer a tilting LCD screen: 3.2 inches with 2.1 million dots on the Nikon Z6 II versus 3 inches with 920k dots on the Sony NEX-C3. The Z6 II’s touchscreen interface is responsive and intuitive, letting you shift focus points and navigate menus fluidly - something I rely on heavily during fast sessions or video recording. The NEX-C3’s screen, while adequate, lacks touchscreen functionality, meaning slower menu navigation.
A significant usability differentiator is the presence of an electronic viewfinder (EVF) on Nikon's camera. The Z6 II’s 3.69-million-dot OLED EVF with 0.8x magnification offers a bright, detailed live view that makes manual focusing, framing, and exposure adjustments easier. The Sony NEX-C3 omits a built-in EVF, requiring reliance on the LCD - a limitation for outdoor use in bright conditions where glare hampers visibility.
In real-world shooting, especially outdoors or under varied lighting, the Z6 II’s EVF and superior screen resolution make focusing and composition less frustrating, enhancing overall photographic control.
Autofocus: Precision and Speed in Diverse Scenarios
Autofocus systems have seen transformative evolution between the two cameras. The Nikon Z6 II features an advanced hybrid AF system with 273 focus points covering a wide area of the frame, incorporating on-sensor phase detection and contrast detection for fast, accurate locking. Of special note is Nikon’s Eye Detection AF with animal eye AF support - crucial for portrait and wildlife photographers alike.
By contrast, Sony’s NEX-C3 uses contrast-detection AF with only 25 focus points, lacking phase detection and eye tracking. In practice, this limits its speed and accuracy, particularly on moving subjects or in low light.
Testing both on a range of subjects - from static landscapes to darting birds - the Z6 II’s system is noticeably snappier and more reliable. Burst shooting up to 14 FPS with AF/AE tracking reinforces its capability for sports and wildlife. The NEX-C3 caps at 6 FPS with slower focusing, reducing capture potential for action.
For professional or ambitious hobbyist shooters requiring sharp, consistent focus, especially on unpredictable subjects, Nikon is the evident winner.
Burst Rates and Buffer Depth: Capturing the Critical Moment
The Nikon Z6 II's 14fps continuous shooting rate with full autofocus and metering surpasses the Sony's 6fps, aligning better with the demands of sports, wildlife, and fast-paced photojournalism. More than speed alone, the Z6 II boasts a deeper buffer that can sustain this frame rate long enough to capture extended action sequences - a must for decisive moments.
The Sony NEX-C3's buffer limitation manifests quickly when shooting bursts, forcing you to wait for clearing before resuming. While adequate for casual shooting, it constrains serious action photography.
Video Capabilities: Modern 4K vs. Basic HD
Video recording options highlight generational improvements. The Nikon Z6 II outputs 4K UHD at up to 30p with high bit rates (144 Mbps), clean H.264 codec, and linear PCM audio. Enhanced by 5-axis in-body image stabilization, it supports smooth handheld video, critical for hybrid shooters.
Conversely, the Sony NEX-C3 offers only 720p HD at 30fps with MPEG-4 compression and no audio input capability - limiting its use to amateur home videos or web clips.
If video is part of your creative toolkit, the Nikon Z6 II clearly delivers a professional feature set, while the NEX-C3 feels dated.
Lens Ecosystem and Compatibility: Choices and Flexibility
Sony’s E-mount lens ecosystem has exploded since the NEX-C3’s debut, offering 121 lenses listed here, spanning primes, zooms, and specialty optics. However, the system in 2011 was still growing, and the NEX-C3-compatible lenses then were limited mostly to the initial E-mount set with relatively fewer professional options.
Nikon’s Z-mount, though newer, currently boasts about 15 native lenses listed, but critically includes many highest-quality options with wide apertures and sharp optics. Moreover, using Nikon’s FTZ adapter expands compatibility to extensive F-mount DSLR lenses - a major advantage for workflow flexibility and depth-of-field control.
Hence, while Sony offers greater quantity, Nikon’s lens selection better serves professional image quality demands and offers long-term growth.
Battery Life and Storage: Practical Considerations
Despite their age and category differences, both cameras offer respectable battery endurance: roughly 410 shots for the Z6 II and 400 for the NEX-C3, based on CIPA standards. Practically, the Z6 II has an edge due to modern energy efficiency and dual card slots accommodating both CFexpress and XQD cards, enhancing storage reliability and speed.
The NEX-C3 relies on a single SD card, limiting its use in critical workflows that demand instant backup.
Connectivity and Wireless Features
Nikon’s built-in Wi-Fi and Bluetooth integration allow seamless remote control, image transfer, and tethered shooting with the Z6 II, a boon for studio and field work. The Sony NEX-C3 predated widespread smartphone integration; it utilizes Eye-Fi cards for wireless but lacks direct Bluetooth or NFC.
In our connected age, Nikon’s modern wireless setup decidedly improves usability and workflow speed.
Genre-Specific Performance: How They Handle Different Photography Types
Breaking down performance over popular photography genres, the Nikon Z6 II shines due to sensor quality, AF system, and body ruggedness:
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Portraits: The Nikon’s eye and animal detection AF ensures tack-sharp eyes. Its full-frame sensor creates pleasing bokeh and smooth tonal gradation in skin. Sony lacks eye detection, making portraits slower and less precise.
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Landscape: Nikon’s dynamic range and weather sealing make it top choice outdoors in varied conditions. Higher resolution helps large prints. Sony’s lesser DR and no sealing limit versatility.
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Wildlife: Fast AF, high frame rates, and long telephoto lens support favor Nikon. Sony’s slower AF and smaller sensor hamper action capture.
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Sports: Nikon’s 14 fps burst and tracking accuracy make it capable for fast sports. Sony’s 6 fps and AF lag restrict use.
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Street: Sony’s small, discrete body benefits candid shots and travel. Nikon is bulkier but manageable for street with good controls.
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Macro: Nikon’s focus bracketing and stacking tools aid macro precision. Sony lacks these features.
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Night/Astro: Nikon’s low noise at high ISO and long exposure modes offer better astro shots. Sony struggles beyond ISO 1600.
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Video: Nikon’s 4K and stabilization offer fully developed video. Sony is limited to standard definition.
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Travel: Sony’s compactness and lightness benefit portability; Nikon balances slightly higher weight with superior flexibility.
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Professional Work: Nikon offers robust files (14-bit RAW), dual cards, and tethering suited to professional studios and media workflows. Sony is more amateur-focused here.
Real-World Image Samples: A Visual Story
In side-by-side shots, Nikon's images exhibit richer colors, smoother gradations, and finer detail retention in shadows and highlights. The Sony delivers clean JPEGs under good lighting but noise and softness appear in shadows or high ISO crops. Portrait shots display Nikon’s smoother skin tones and bokeh; landscapes show superior clarity and tonal range.
Overall Performance Ratings
An aggregate view summarizes the Z6 II scoring higher across nearly every axis: image quality, autofocus, video, build quality, and flexibility, whereas the NEX-C3 scores respectably in beginner ease and portability but sobers quickly as demands rise.
Price and Value: Investment in Capability
While the Sony NEX-C3 is an inexpensive, approachable camera suitable for new photographers on a budget (often found around $350), this comes with compromises in features and longevity. The Nikon Z6 II, retailing near $2000 body-only, represents a significant cost - but for that price, you receive a future-proofed, versatile system ideal for professionals and serious enthusiasts.
Depending on your photographic ambitions and workflows, this price disparity translates into very different roles: entry-level learning tool versus professional-level imaging platform.
Final Thoughts: Which Camera Suits Your Vision?
To wrap up, the Nikon Z6 II stands as a mature, feature-rich, and highly capable full-frame mirrorless camera that excels in diverse photographic disciplines, from landscapes to wildlife to video. Its modern sensor, sophisticated autofocus, robust build, and comprehensive feature set justify its premium price for professionals and dedicated enthusiasts demanding quality and reliability.
The Sony NEX-C3, although dated and limited by today's standards, holds value for beginners seeking a lightweight, affordable mirrorless introduction, ideal for casual shooting, street photography, or experimentation without a significant investment.
Here’s my quick-fire recommendation summary:
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Choose Nikon Z6 II if: You need professional image quality, fast and accurate autofocus, 4K video, rugged build, and future lens ecosystem access. Perfect for portraits, wildlife, sports, landscapes, and hybrid shooters.
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Choose Sony NEX-C3 if: You are a budget-conscious beginner prioritizing portability and simplicity, shooting mostly static subjects in good light, with casual interest in photography.
This comparison underscores how far mirrorless cameras have evolved in the past decade and reminds us to always weigh real-world performance alongside specs and price. I trust this deep dive gives you clarity on which camera matches your photographic journey.
Happy shooting!
Nikon Z6 II vs Sony NEX-C3 Specifications
Nikon Z6 Mark II | Sony Alpha NEX-C3 | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model type | Nikon Z6 Mark II | Sony Alpha NEX-C3 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Released | 2020-10-14 | 2011-08-22 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.9 x 23.9mm | 23.4 x 15.6mm |
Sensor area | 858.0mm² | 365.0mm² |
Sensor resolution | 25 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6048 x 4024 | 4912 x 3264 |
Maximum native ISO | 51200 | 12800 |
Maximum enhanced ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW files | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 273 | 25 |
Lens | ||
Lens support | Nikon Z | Sony E |
Amount of lenses | 15 | 121 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Display type | Tilting | Tilting |
Display size | 3.2 inches | 3 inches |
Resolution of display | 2,100k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | - | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/8000s | 1/4000s |
Continuous shutter speed | 14.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/200s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 gr (1.55 pounds) | 225 gr (0.50 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | 73 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.2 |
DXO Low light rating | not tested | 1083 |
Other | ||
Battery life | 410 images | 400 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse recording | ||
Type of storage | CFexpress Type B / XQD | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Dual | Single |
Retail pricing | $1,997 | $343 |