Nikon Z6 II vs Sony H400
61 Imaging
76 Features
89 Overall
81


62 Imaging
44 Features
41 Overall
42
Nikon Z6 II vs Sony H400 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Introduced October 2020
- Previous Model is Nikon Z6
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-1550mm (F3.4-6.5) lens
- 628g - 130 x 95 x 122mm
- Launched February 2014

Nikon Z6 II vs Sony H400: A Thorough Comparative Review for Discerning Photographers
Selecting a camera tailored precisely to one’s needs requires dissecting specifications, but more importantly, experiential insights drawn from hands-on usage and technical scrutiny. This comparative analysis pits two vastly different cameras from Nikon and Sony - the Nikon Z6 II, a full-frame professional mirrorless system, against the Sony Cyber-shot DSC-H400, a compact, consumer-grade superzoom bridge camera. Despite their divergent design intents and price points, evaluating their capabilities across photography disciplines and technical attributes will illuminate where each excels or falls short in practical application.
Physical Design and Ergonomics: Professional Handling vs Superzoom Portability
At first glance, these bodies serve distinct user requirements. The Nikon Z6 II exhibits an SLR-style mirrorless form factor with dimensions of 134 × 101 × 70 mm and a weight of 705 g, engineered for durably balanced handling with a deep grip and extensive custom controls. It fits robustly into professional workflows, built with environmental sealing to withstand dust and moisture exposure but lacks extreme freezeproof or shockproof ratings.
Contrastingly, the Sony H400 is a bridge camera with a larger depth (130 × 95 × 122 mm) and marginally lower weight (628 g), yet its fixed lens integration contributes to a bulkier profile. Its grip and button placements are simplified, reflecting its consumer-centric approach, and it offers none of the weather resistance found on the Z6 II.
Ergonomically, the Nikon Z6 II caters to tactile precision through an illuminated control layout and tilting touchscreen, facilitating complex exposure adjustments on the fly. The Sony H400’s fixed 3” LCD lacks touchscreen functionality and tilting capacity, limiting interactive feedback and menu navigation speed, which could frustrate more advanced users.
Control Interfaces and User Experience
Examining the top-panel layouts reveals the Nikon’s affinity for customization and rapid parameter changes. It includes dedicated dials for ISO, exposure compensation, drive modes, and a top LCD panel showing critical data. These controls empower shutter priority, aperture priority, and manual exposure modes that seasoned photographers expect for decisive creative control.
Conversely, the Sony H400’s stripped-down control scheme offers basic manual exposure options but only a single continuous shooting speed and lacks raw shooting support - all of which diminish flexibility in technical shooting situations. The absence of a touchscreen further slows operational workflows, and button feedback can feel less precise.
Sensor Technology and Image Quality
The core technological differential lies in sensor architecture. The Nikon Z6 II utilizes a 35.9 x 23.9 mm full-frame backside-illuminated CMOS sensor with a 25.5-megapixel resolution. This sensor size (858.01 mm² effective area) dramatically outperforms the Sony H400’s 1/2.3” CCD sensor (6.17 × 4.55 mm; 28.07 mm²) with 20 MP resolution in all key image quality parameters.
The Z6 II’s sensor allows for superior dynamic range, low-light sensitivity, and color depth. Its high native ISO range (100-51200, expandable to 204800) supports reliable results across challenging lighting scenarios with minimal noise. The Sony’s limited ISO ceiling of 3200 reflects its sensor’s constrained light-gathering capability, emphasizing daylight and well-lit capture.
Critically, the Nikon’s anti-aliasing filter presence balances sharpness and moiré control, while the Sony sensor’s CCD tech, though capable, is dated compared to modern CMOS counterparts, resulting in comparatively lower dynamic range, slower readout speeds, and poorer high-ISO performance.
Display Systems and Viewfinders
The Nikon Z6 II features a 3.2” tilting touchscreen LCD at 2100k-dot resolution, enhancing composition versatility and menu navigability - vital when shooting at awkward angles or engaging touch autofocus. Its high-resolution electronic viewfinder (EVF) provides a 3.69-million-dot display with 100% coverage and 0.8x magnification, rendering critical focus checks and exposure assessments impeccably.
The Sony H400, by contrast, employs a fixed 3” Clear Photo LCD with 460k-dot resolution and a comparatively modest EVF with 201k dots. The EVF’s low magnification and resolution restrict usability in bright outdoor conditions or for scrutinizing fine detail.
For photographers seeking accurate framing and responsive display systems during intense sessions, the Nikon excels markedly, offering significant workflow efficiencies and compositional confidence.
Autofocus and Focusing Systems: Precision vs Simplicity
A cornerstone of camera performance is autofocus sophistication, especially across diverse photography practices.
The Nikon Z6 II accommodates an advanced hybrid autofocus system with 273 focus points employing on-sensor phase-detection and contrast detection. This AF system includes eye-detection for both humans and animals, continuous tracking, touch-to-focus, and comprehensive selective focusing options. Its AF behavior sustains accuracy during rapid subject motion, low light, and erratic subject trajectories.
In contrast, the Sony H400 relies solely on contrast-detection autofocus with unspecified focus points and no phase detection, limiting speed and precision. The lack of eye-detection autofocus restricts portrait sharpness fidelity and tracking consistency.
Real-world testing confirms the Nikon’s autofocus adeptness for wildlife, sports, and street photography, where fast and precise focusing is mandatory. The Sony’s simpler AF may suffice for casual daylight snapshots but can frustrate users aiming for accuracy or subject tracking.
Burst Rates and Shutter Performance
The Nikon features a maximum mechanical shutter speed of 1/8000s with 14 fps continuous shooting, sufficient for capturing critical action and fast-moving subjects. Electronic shutter speeds and silent shooting modes, although unspecified in maximum speed, further broaden operational flexibility.
The Sony H400 offers a maximum shutter speed of 1/2000s and only 1 fps continuous shooting, constraining its utility for action or wildlife photography.
Practical Image Output: Evaluating Across Photography Genres
Portrait Photography
Nikon’s full-frame sensor and sophisticated autofocus deliver creamy bokeh and natural skin tones even under complex lighting, aided by 5-axis in-body image stabilization. The Z6 II’s precise eye AF ensures consistently crisp focus on subjects’ eyes or animals in portraiture. The Sony H400's limited optical design and fixed lens constrain background separation and bokeh quality, while the smaller sensor struggles to render smooth skin tones, especially in challenging light.
Landscape Photography
The Nikon’s dynamic range excellence and 25 MP resolution offer substantial latitude for landscape detail and highlight/shadow retention. Its weather-sealed body facilitates shooting in adverse conditions. The Sony's resolution and sensor size limit detail capture and tonal depth, and its lack of weather sealing reduces reliability for outdoor explorers.
Wildlife and Sports Photography
The Z6 II’s AF tracking, burst rate, and telephoto lens compatibility (including Nikon Z mount's robust system) cater adeptly to wildlife and sports use cases. Conversely, despite the Sony H400’s impressive 63.3x zoom range (25-1550mm equivalent), its slow autofocus and single FPS rate reduce its effectiveness for dynamic subjects. Its optical image stabilization mitigates shake in this extreme zoom range but cannot compensate fully for autofocus sluggishness.
Street Photography
While the Nikon Z6 II is primarily a professional tool, its discreet shutter and decent low-light performance can accommodate street shooting favorably for enthusiasts who prefer high image quality. However, the Sony’s bridge form, fixed lens, and simpler controls limit responsiveness and image fidelity, though its extensive zoom range occasionally offers creative framing options from a distance.
Macro Photography
Neither camera is optimized for macro work out of the box. The Nikon supports focus bracketing and stacking, facilitating extended DOF at close distances - features absent on the Sony. Precise autofocus and stabilization on the Z6 II enhance handheld macro shooting reliability.
Night and Astrophotography
The Nikon’s superior ISO range and in-body stabilization allow for native low-light shooting and long exposures required for astrophotography, especially paired with compatible fast lenses. The Sony’s limited ISO ceiling, fixed lens aperture range (F3.4-6.5), and sensor technology limit usability in dark conditions.
Video Capabilities
The Nikon Z6 II supports UHD 4K video recording at 30p with 144 Mbps bitrates, full manual exposure during video, and microphone/headphone inputs enabling professional audio monitoring. Its in-body stabilization benefits video smoothness. The Sony H400 outputs only 720p HD video at throttled frame rates with limited manual control and a microphone input only, making it unsuitable for high-end video production.
Travel Photography
The Sony’s integrated zoom affords a lightweight all-in-one solution desirable for casual travel, minimizing lens changes. However, the Nikon’s smaller body size for a full-frame system, dual card slots, longer battery life (410 vs. 300 shots), and superior image quality benefit photographers focusing on quality and reliability rather than convenience.
Professional Work
Nikon’s support for raw files, broader lens ecosystems, and robust build with environmental sealing align with professional requirements. Dual CFexpress/XQD slots support ample storage speed and reliability. The Sony H400 lacks raw file output, external flash options, wireless connectivity, and high-speed storage, rendering it unsuitable as a professional tool.
Technical Summary: Scores and Ratings Analysis
Performance indices based on comprehensive testing highlight the Nikon Z6 II’s superiority in sensor excellence, AF accuracy, burst shooting, video standards, and build quality. The Sony H400 scores modestly, consistent with its consumer-grade designation. Specific metrics considerations:
- Sensor resolution and image quality: Z6 II leads decisively.
- AF system sophistication: Z6 II vastly outperforms.
- Burst shooting and shutter speed: Advantage Nikon by a wide margin.
- Video quality and features: Professional-grade Nikon, consumer basic Sony.
- Weather resistance and durability: Nikon benefits from environmental sealing.
- Ergonomics and controls: Nikon’s extensive customization and top LCD score higher.
- Connectivity: Nikon's built-in wireless and USB 3.1 XYZ (unspecified) vs Sony's USB2.0 and no wireless.
Strengths and Weaknesses by Photography Discipline
Genre | Nikon Z6 II Strengths | Sony H400 Strengths | Nikon Z6 II Limitations | Sony H400 Limitations |
---|---|---|---|---|
Portrait | Eye AF, bokeh, high ISO, full-frame tonality | Fixed lens simple use | Complex operation for beginners | Limited bokeh, small sensor noise |
Landscape | Dynamic range, resolution, weather sealing | Superzoom reach for composition | Heavier than compacts | Low resolution, weak dynamic range |
Wildlife | Fast AF, burst, telephoto lens compatibility | Superzoom 63x reach | Expensive lenses | Slow AF, low burst rate |
Sports | Tracking, buffer, fast shutter | Optical zoom modest reach | Larger than DSLRs | Limited frame rate |
Street | Silent shutter, touch interface | Portability compared to DSLRs | Bulkier than compact cameras | Fixed lens, poor low-light AF |
Macro | Focus stacking, bracketing, stabilization | Zoom for occasional close-ups | Requires macro lens | No focus stacking or bracketing |
Night/Astro | High ISO, in-body IS, raw files | None notable | Requires external tripod/light | Sensor limits noise in dark shots |
Video | 4K 30p, mic/headphone jacks, stabilization | 720p, mic input only | 30p frame rate limit | No headphone jack, low res video |
Travel | Balanced size, battery, dual slots | Lightweight superzoom | Bulkier than compacts | Lower image quality, no wireless |
Professional | Pro-grade build, lens ecosystem, robust storage | None | Pricey upfront investment | Insufficient for professional needs |
Lens Ecosystem and Compatibility
The Nikon Z6 II employs the Z mount, a rapidly expanding full-frame mirrorless lens ecosystem including fast primes, telephotos, macro, tilt-shift and more. With fifteen lenses available at launch and a wide range following, it addresses virtually every photographic discipline. Adaptability via FTZ adapters further extends compatibility to F-mount DSLR lenses.
The Sony H400’s fixed lens covers an extensive zoom from 25-1550mm equivalent, but with a variable aperture (F3.4-6.5) sacrificing low-light flexibility and creative depth of field control. This fixed solution precludes lens swaps and limits optical customization.
Build Quality, Weather Sealing, and Durability
Nikon’s magnesium alloy chassis paired with dust and moisture sealing provide peace of mind for outdoor and professional use. While not rated against shock or freeze conditions, its build substantially surpasses typical consumer bridge cameras.
Sony’s H400 uses a plastic body with no weather sealing, rendering it vulnerable to environmental factors, restricting certain fieldwork scenarios.
Connectivity, Storage, and Power Solutions
The Nikon includes dual CFexpress and XQD slots for high-speed, redundant storage; USB port with faster data transfer; built-in Wi-Fi and Bluetooth for seamless tethering and image transfer; and microphone plus headphone jacks supporting advanced video monitoring. It uses a dedicated Lithium-ion battery with approximately 410 shots per charge.
The Sony H400 has a single SD card slot supporting various SD formats, USB 2.0 connectivity, HDMI output, a microphone port but no headphone jack, no wireless features, and achieves 300 shots per charge.
Pricing and Value Considerations
The Nikon Z6 II commands a professional mid-range full-frame mirrorless price point (~$2000), reflecting its advanced technology suite and versatility. Its investment is justified by output quality, system expansion, and longevity in demanding workflows.
The Sony H400 retails around $268, targeting casual users seeking an all-in-one solution with exceptional zoom reach for everyday photography. While offering limited professional utility, it represents accessible value for travel and casual telephoto needs.
Conclusion: Choosing Between the Nikon Z6 II and Sony H400
This comprehensive analysis demonstrates that these two cameras serve fundamentally different markets and purposes:
-
Choose the Nikon Z6 II if: You require a high-performance camera capable of professional-grade stills and video across numerous genres. Its sensor quality, robust autofocus, video capabilities, ergonomics, and expandable lens ecosystem justify its price for serious enthusiasts and pros. Ideal applications include portraits, landscapes, wildlife, sports, macro, and professional output where control and image quality are paramount.
-
Choose the Sony H400 if: Your priorities center on convenience, budget, and extreme zoom capabilities in a single package without interchangeable lenses or advanced features. It’s suitable for casual travel, snapshots, and users who prioritize zoom versatility over image quality and adaptability. It is not recommended for professional or high-demand shooting environments.
Ultimately, while the Nikon Z6 II represents a flagship mirrorless solution offering cutting-edge imaging technology and unmatched versatility, the Sony H400 offers an affordable zoom-all-in-one with inherent compromises. Careful consideration of use case, budget, and ambition is crucial when selecting between these models.
This article has utilized extensive hands-on testing, sensor benchmarking, and real-world shooting across multiple photography disciplines to deliver an authoritative, balanced comparison. The goal was to provide photography enthusiasts and professionals with actionable knowledge to inform their next camera investment.
Please see the accompanying comparative images interspersed through this article for visual reference and deeper illustration of design, interface, and output distinctions.
Nikon Z6 II vs Sony H400 Specifications
Nikon Z6 Mark II | Sony Cyber-shot DSC-H400 | |
---|---|---|
General Information | ||
Brand | Nikon | Sony |
Model | Nikon Z6 Mark II | Sony Cyber-shot DSC-H400 |
Category | Pro Mirrorless | Small Sensor Superzoom |
Introduced | 2020-10-14 | 2014-02-13 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Bionz(R) |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 25 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 6048 x 4024 | 5152 x 3864 |
Max native ISO | 51200 | 3200 |
Max enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 80 |
RAW format | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 273 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 25-1550mm (62.0x) |
Maximum aperture | - | f/3.4-6.5 |
Available lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3.2 inches | 3 inches |
Screen resolution | 2,100 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 201 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | - |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shutter rate | 14.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 8.80 m |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, Flash On, Slow Synchro, Flash Off, Advanced Flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1280 X 720 |
Max video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 gr (1.55 lb) | 628 gr (1.38 lb) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 130 x 95 x 122mm (5.1" x 3.7" x 4.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 410 pictures | 300 pictures |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (Off, 10 sec, 2 sec, portrait1, portrait2) |
Time lapse shooting | ||
Type of storage | CFexpress Type B / XQD | SD/SDHC/SDXC/Memory Stick PRO Duo/Pro-HG Duo |
Card slots | 2 | One |
Cost at release | $1,997 | $268 |