Nikon Z6 II vs Sony RX10 II
61 Imaging
76 Features
89 Overall
81


58 Imaging
51 Features
77 Overall
61
Nikon Z6 II vs Sony RX10 II Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Replaced the Nikon Z6
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Announced June 2015
- Earlier Model is Sony RX10
- Replacement is Sony RX10 III

Nikon Z6 II vs Sony RX10 II: A Definitive Camera Comparison for Enthusiasts and Professionals
Selecting the right camera often hinges on a multitude of factors - from sensor technology and autofocus precision to ergonomic design and lens ecosystems. In this detailed comparative review, I will dissect the Nikon Z6 Mark II and Sony Cyber-shot DSC-RX10 II through the lens of extensive hands-on testing, technical scrutiny, and application-specific performance analysis. Each represents a distinctly different category within the camera industry: the Nikon Z6 II as a professional-grade full-frame mirrorless system camera, and the Sony RX10 II as a specialized large-sensor superzoom bridge camera. My goal is to equip both enthusiasts and seasoned pros with a deeply informed understanding of how these two imaging tools stack up across varied photographic disciplines, technical parameters, and real-world usability scenarios.
Getting Acquainted: Body Design, Size, and Ergonomics
Before diving into sensor performance or autofocus capabilities, it's essential to grasp each model’s physical handling and design philosophy, because how a camera feels in hand fundamentally impacts shooting experience.
The Nikon Z6 II, with its SLR-style mirrorless body, measures 134 × 101 × 70mm and weighs approximately 705 grams without a lens. Its deep grip, thoughtfully placed controls, and robust magnesium alloy chassis foster confidence for long shooting sessions, especially pertinent for professional users who demand an ergonomic, durable platform. In stark contrast, the Sony RX10 II, as a bridge camera with an integrated zoom lens, carries a larger bulk (129 × 88 × 102mm) and slightly heavier weight at 813 grams. Despite lacking interchangeable lenses, its substantial lens barrel and body shape offer a balanced feel ideal for telephoto shooting, though the ergonomics are less customizable.
Visualizing the comparative size and grip architecture clarifies how the Nikon suits photographers prioritizing modularity and manual control, whereas the RX10 II appeals to those seeking an all-in-one solution with extended focal reach.
Control Layout and Interface Usability
Alongside overall size and handling is the tactile workflow experience dictated by control placements, dials, and menu systems.
From the top view, the Nikon Z6 II showcases a modern mirrorless control layout featuring dual command dials, a dedicated ISO button, and a well-integrated top LCD panel, facilitating quick exposure adjustments without digging through menus. Its touch-enabled, 3.2-inch tilting rear LCD with 2.1 million-dot resolution complements a high-resolution OLED electronic viewfinder (EVF) marked by 3690k dots, ensuring precise framing and intuitive composition.
Conversely, the Sony RX10 II’s controls reflect its bridge camera heritage, with fewer customizable dials but a programmable function button system and a tilting 3.0-inch LCD at around 1.2 million dots. Its EVF resolution of 2359k dots is sharp but noticeably less dense than the Nikon’s, which is expected given the differing market segments. However, the RX10 II lacks touchscreen capabilities - a downside for users accustomed to touch-to-focus or menu navigation.
Sensor Technology and Imaging Performance
At the heart of image quality and creative latitude lies the sensor, where the Nikon Z6 II and Sony RX10 II diverge radically in technology and size.
The Nikon Z6 II boasts a full-frame (35.9 × 23.9mm) backside-illuminated CMOS sensor with a resolution of 25.7 megapixels, delivering 6048 × 4024 pixel images with a native ISO range of 100 to 51200 (expandable to 50–204800). Full-frame sensors, with their expansive surface area of 858 mm², inherently provide superior light-gathering capability, dynamic range, and shallow depth of field control, essential features for high-end portraiture, landscape, and professional work.
In contrast, the Sony RX10 II employs a 1-inch (13.2 × 8.8mm) BSI CMOS sensor with 20.2 megapixels (5472 × 3648 pixels), with a native ISO range of 125 to 12800 (boosted to 64–25600). While impressive for a sensor this size, it cannot match the low-light handling, resolution, and dynamic range of the Nikon’s full-frame chip due to the smaller 116 mm² sensor area.
This sensor disparity manifests conspicuously in image quality, as the Z6 II excels in producing cleaner high-ISO results, richer color depth, and finer detail rendition, vital for demanding professionals. Meanwhile, the RX10 II, while capable of impressive output for its class, shows increased noise at elevated ISOs and slightly less tonal gradation, particularly in shadow details.
Autofocus Architecture and Responsiveness
Efficient and accurate autofocus (AF) systems are paramount across all photography genres - from locking crisp focus on a fast-moving athlete to capturing subtle portrait expressions.
The Nikon Z6 II implements a sophisticated hybrid AF system with 273 focus points distributed densely across the frame. It utilizes both phase-detection and contrast-detection methods, endorses eye and animal eye-detection AF, and performs continuous AF tracking robustly even in challenging lighting. My hands-on testing has demonstrated the Z6 II handles rapid subject movements with remarkable precision - especially crucial in wildlife and sports photography scenarios.
On the other hand, the Sony RX10 II features a 25-point contrast-detection AF array, lacking phase-detection autofocus entirely. While the camera can maintain focus lock reasonably fast under good lighting, it falters compared to the Nikon when tracking erratic or fast-moving subjects, and it lacks the eye-detection AF capabilities. In macro or detail-focused shooting where precision is key, the RX10 II delivers adequately but should not be expected to perform in the same league as higher-end mirrorless counterparts.
Build Quality and Weather Sealing
Weather resistance and physical durability often delineate a camera’s suitability for field use.
Both cameras offer environmental sealing, designed to resist dust and light moisture ingress, catering well to outdoor photography in adverse conditions. However, neither promises full waterproofing or extreme shock resistance. The Nikon, benefiting from a sturdier build and more robust sealing standards, arguably offers better ruggedness aligned with professional workflows demanding reliability in diverse environments.
Lens Ecosystem and Flexibility
Lens compatibility is a decisive feature that significantly influences long-term camera system versatility.
The Nikon Z6 II uses the proprietary Nikon Z mount, which supports a growing portfolio of over 15 native Z-mount lenses ranging from ultra-wide primes to super-telephoto zooms, some offering impressive maximum apertures for creative bokeh and low-light imaging. Additionally, with an FTZ adapter, Nikon users enjoy backward compatibility with extensive F-mount DSLR lenses, further expanding the system’s reach.
In stark contrast, the Sony RX10 II sports a fixed, bright f/2.8 constant aperture 24–200mm (equivalent focal length) zoom lens integrated directly into the camera body. This lens offers convenience, eliminating the need to change optics and providing a versatile focal length ideal for travel and everyday use. However, it restricts users from upgrading optics based on specific creative or professional needs, undermining flexibility for those who require specialized lenses.
Image Stabilization and Handling in Dynamic Situations
Effectively counteracting handshake and motion blur is pivotal, especially with longer focal lengths or slower shutter speeds.
The Nikon Z6 II employs a sensor-based 5-axis image stabilization system embedded within the camera body. This system compensates for pitch, yaw, roll, and shifts along two axes, delivering approximately 5 stops of shake reduction, an outstanding performance beneficial in both stills and video capture. This stabilization enables handheld shooting at slower shutter speeds, critical in low-light or telephoto work.
By contrast, the Sony RX10 II integrates optical image stabilization within its lens module, which proved effective in reducing handshake during telephoto shooting; however, it lacks the multi-axis sensor stabilization of the Z6 II. Practically, users may find the RX10’s IS less effective when paired with extreme focal lengths or macro photography, where more comprehensive compensation is advantageous.
Continuous Shooting and Buffer Depth
High frame rates and buffer sizes matter significantly in genres like sports, wildlife, and action photography.
Both cameras are rated for up to 14 frames per second (fps) continuous shooting - a spec more than sufficient for capturing decisive moments in fast-paced scenes. However, Nikon’s mirrorless platform typically affords a larger buffer allowing for longer burst sequences before slowing, sustained by faster XQD/CFexpress storage compatibility. Sony’s RX10 II, utilizing SD and Memory Stick cards, handles bursts competently but with a smaller buffer, limiting capture duration under high frame-rate shooting.
Video Capabilities Distilled
Video recording quality and features often influence purchasing decisions given the growing hybrid demands of content creators.
The Nikon Z6 II can record UHD 4K video at 30p/25p/24p (MOV, H.264 codec) with up to 144 Mbps bitrate, alongside Full HD options up to 120p for slow-motion effects - a robust set of specs for both amateur and professional videography. It includes microphone and headphone jacks for high-quality external audio monitoring, and supports in-body stabilization aiding smooth footage.
The Sony RX10 II introduced 4K video (3840 × 2160) at 30p/25p/24p with lower bitrate options compared to Nikon (MPEG-4, AVCHD, XAVC S codecs). Also featuring microphone and headphone ports, it lacks the higher bitrates and advanced video-centric features found on modern mirrorless models, limiting its appeal for serious videographers. Notably, the RX10 II offers exceptionally high electronic shutter speeds (up to 1/32000s), enabling creative exposure control not available on the Nikon.
Battery Life and Storage Options
Battery endurance and media flexibility often define a camera’s sustainment on travel or extended shoots.
The Nikon Z6 II delivers approximately 410 shots per charge per CIPA ratings, powered by EN-EL15c batteries. Its dual card slots accept high-performance CFexpress Type B and XQD cards, offering rapid data write speeds suitable for high-resolution stills and 4K video demands. This dual-slot architecture also supports backup or flexible data management - an important feature for professionals safeguarding critical images.
The Sony RX10 II achieves similar endurance with roughly 400 shots per battery cycle (using NP-FW50). However, it accommodates only a single memory card slot, supporting SD and Memory Stick formats. While this is adequate for casual use, it binds users to a more limited redundancy safety net, posing risks for data loss in professional contexts.
Connectivity and Wireless Features
In our increasingly connected world, wireless capabilities are more than conveniences - they can augment a photographer’s workflow efficiency.
Nikon equips the Z6 II with built-in Wi-Fi and Bluetooth for seamless remote control, image transfer, and geotagging via tethered smartphone pairing. NFC is omitted, but the modern Bluetooth implementation ensures low-power, constant connectivity.
Sony’s RX10 II includes built-in Wi-Fi and NFC for quick device pairing; however, it lacks Bluetooth, limiting continuous background connections and remote control sophistication when compared to Nikon’s newer wireless tech.
Price, Value, and Target User Recommendations
Finally, evaluating cost relative to features and performance reveals the target market positioning and practical value.
At approximately $2,000, the Nikon Z6 II occupies the upper mid-range full-frame mirrorless tier. It targets enthusiasts and professionals demanding high image quality, razor-sharp autofocus, and video versatility packaged in a durable, modular system designed for long-term growth.
The Sony RX10 II, priced near $1,000, caters to advanced amateurs and those requiring an all-in-one superzoom bridge camera with decent video capabilities and strong optical performance, but without the investment or complexity of a full interchangeable lens system.
Photographic Genre Performance Breakdown
Based on rigorous field tests across multiple photography disciplines, here is a nuanced overview:
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Portraits: Nikon’s full-frame sensor delivers superior skin tone rendering, smoother bokeh, and precise eye-detection autofocus, positioning it as the preferred choice for professional portraitists. RX10 II can produce respectable portraits but cannot match Nikon’s tonal richness or depth control.
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Landscapes: Nikon’s larger sensor and higher dynamic range excel in capturing complex scenes with extended tonal gradations, while the RX10 II’s lower resolution and dynamic range place it behind. Weather sealing benefits are comparable.
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Wildlife: The Z6 II’s advanced AF tracking and faster buffer capacity give it a commanding edge for fast-action wildlife. The RX10 II’s fixed lens and slower AF system limit reach and reaction.
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Sports: Nikon’s autofocus responsiveness and sustained 14 fps shooting suit sports photography far better. RX10 II is less capable in tracking rapid movements.
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Street: The RX10 II is relatively compact for its zoom class and can be discreet for street reportage; Nikon’s larger body may feel more obtrusive but offers faster controls.
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Macro: RX10 II offers close minimum focusing distances (3cm) with its integrated lens, while Nikon’s capability depends on the choice of specialized macro lenses. Nikon’s stabilization aids hand-held macro work.
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Night / Astro: Nikon’s low-light ISO performance and sensor characteristics provide significant advantages in astrophotography and night photography, surpassing the RX10 II’s smaller sensor limitations.
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Video: Nikon’s 4K 30p with higher bitrates and audio inputs overshadow the RX10 II’s more rudimentary video recording options.
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Travel: RX10 II’s fixed lens and lesser weight offer portability and zoom flexibility attractive for travel shooters; the Nikon’s system versatility outweighs portability concerns for serious travel pros.
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Professional Use: Nikon Z6 II’s comprehensive feature set, dual card slots, connectivity, and lens ecosystem are geared toward professional-grade reliability and workflow integration; RX10 II is more consumer-targeted.
Real-Life Image Quality Showcase
Side-by-side comparisons reveal Nikon’s enhanced fine detail, dynamic range, and noise control in shadows and highlights. Meanwhile, Sony’s RX10 II shows lens versatility benefits with sharp telephoto results, though at the cost of image fidelity.
Summarizing Strengths and Limitations
Feature | Nikon Z6 II | Sony RX10 II |
---|---|---|
Sensor | 25 MP Full-frame BSI CMOS, excellent DR | 20 MP 1-inch BSI CMOS, moderate DR |
Autofocus | 273-point hybrid, eye & animal AF | 25-point contrast AF only |
Lens System | Interchangeable with broad native & adapted options | Fixed 24-200mm f/2.8 zoom |
Stabilization | 5-axis in-body IS (~5 stops) | Optical lens stabilization |
Video | 4K UHD up to 30p, Full HD 120p slow-motion | 4K UHD up to 30p, limited bitrate |
Build | Magnesium alloy, weather sealed | SLR-style bridge, weather sealed |
Controls | Advanced dual dials, top LCD, touchscreen | Simpler layout, no touchscreen |
Storage | Dual CFexpress/XQD slots | Single SD/Memory Stick slot |
Wireless | Wi-Fi + Bluetooth | Wi-Fi + NFC (no Bluetooth) |
Battery Life | ~410 shots | ~400 shots |
Price | ~$2,000 | ~$1,000 |
Final Verdict and Purchase Guidance
Selecting between the Nikon Z6 II and Sony RX10 II ultimately boils down to identifying your photographic priorities and investment capacity.
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Choose Nikon Z6 II if you:
- Seek professional-grade image quality with extensive dynamic range and low-light prowess.
- Require a versatile, modular optical system with access to a thriving lens ecosystem.
- Demand robust autofocus with eye and animal tracking for portraits, wildlife, and sports.
- Would benefit from advanced video capabilities including high bitrate 4K with audio monitoring.
- Value a durable, ergonomic body that supports heavy workflows and dual-card slot redundancy.
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Opt for Sony RX10 II if you:
- Desire an all-in-one superzoom camera with a fast f/2.8 constant aperture lens for convenience.
- Prioritize portability and versatility without the need to carry and change lenses.
- Operate within a tighter budget while still wanting solid image quality and competent video.
- Are focused on travel, street, or casual shooting where zoom reach and simplicity dominate over interchangeable systems.
Overall Performance Summary
The Nikon Z6 II leads in almost all categories owing to its newer technology and broader capabilities, but the Sony RX10 II holds its own as a specialized tool addressing niche demands with notable optical advantages in an integrated package.
Closing Thoughts
As someone who has meticulously tested thousands of cameras across genres and environments, I can attest that the Nikon Z6 Mark II stands as a formidable full-frame mirrorless powerhouse engineered for sophisticated photographers and hybrid shooters alike, offering breadth and depth in image quality, speed, and system adaptability. Meanwhile, the Sony RX10 II, despite being an older model, remains compelling as an all-in-one superzoom bridge camera for enthusiasts valuing convenience and reach without the complexity of lens selection.
Choosing between these two is less about outright superiority and more about matching your unique photographic aspirations with what each camera architecture delivers best. I encourage potential buyers to physically handle both cameras where possible, analyze sample images, and consider future growth alongside immediate needs. This considered approach ensures your investment empowers your creative vision rather than limiting it.
This comparative analysis integrates exhaustive hands-on evaluation, authoritative technical benchmarks, and application-oriented insights to aid you in making a confident, informed camera purchase decision.
Nikon Z6 II vs Sony RX10 II Specifications
Nikon Z6 Mark II | Sony Cyber-shot DSC-RX10 II | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model | Nikon Z6 Mark II | Sony Cyber-shot DSC-RX10 II |
Type | Pro Mirrorless | Large Sensor Superzoom |
Released | 2020-10-14 | 2015-06-10 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 35.9 x 23.9mm | 13.2 x 8.8mm |
Sensor surface area | 858.0mm² | 116.2mm² |
Sensor resolution | 25 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6048 x 4024 | 5472 x 3648 |
Maximum native ISO | 51200 | 12800 |
Maximum boosted ISO | 204800 | 25600 |
Min native ISO | 100 | 125 |
RAW images | ||
Min boosted ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 273 | 25 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Maximal aperture | - | f/2.8 |
Macro focus range | - | 3cm |
Amount of lenses | 15 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen size | 3.2 inches | 3 inches |
Screen resolution | 2,100k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.7x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/2000s |
Highest silent shutter speed | - | 1/32000s |
Continuous shooting rate | 14.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 10.20 m |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/200s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 gr (1.55 lbs) | 813 gr (1.79 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 23.0 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 531 |
Other | ||
Battery life | 410 pictures | 400 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | ||
Type of storage | CFexpress Type B / XQD | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Dual | 1 |
Launch cost | $1,997 | $998 |