Nikon Z6 II vs Sony RX100 VI
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76 Features
89 Overall
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88 Imaging
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Nikon Z6 II vs Sony RX100 VI Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Revealed October 2020
- Old Model is Nikon Z6
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 301g - 102 x 58 x 43mm
- Announced June 2018
- Earlier Model is Sony RX100 V
- Successor is Sony RX100 VII
Sora from OpenAI releases its first ever music video Head-to-Head: Nikon Z6 II vs Sony RX100 VI – A Masterclass in Camera Versatility
Choosing a camera isn't just about specs on paper - it’s where real-world performance meets your personal style and photographic vision. Having spent hundreds of hours shooting, testing, and pushing cameras like the Nikon Z6 II and Sony RX100 VI through their paces, I’m here to unpack what each really delivers beyond their spec sheets. These two are radically different cameras from different categories – a full-frame mirrorless powerhouse versus a large-sensor compact – yet both have garnered passionate followings. Which one fits your needs? Let’s dive deep into what separates these two in terms of design, tech, and performance across the broad photography spectrum.

First Impressions: Size, Ergonomics, and Handling
At a glance, the Nikon Z6 II and Sony RX100 VI couldn't be more different physically. The Z6 II weighs in at 705 grams with robust SLR-style ergonomics that feel like an extension of your hand. The RX100 VI, by contrast, is a marvel of pocket-sized engineering: just 301 grams and compact enough to slip into most jackets or large pockets. How much does size matter? It depends entirely on your shooting context.
While testing the Nikon Z6 II, I appreciated the solid grip and tactile controls - they instill confidence for heavy-duty use. The camera’s magnesium alloy body offers a reassuring heft, especially for landscape and wildlife shooters who need vibration dampening and weather sealing. Its heft also means it’s less likely to cause accidental shakes.
In contrast, the RX100 VI’s compact body means immediate portability and discretion - ideal for street and travel photography where being low-profile matters. Despite its small size, Sony’s legendary engineering packs quite a bit into this diminutive unit. However, prolonged handheld shooting can lead to fatigue more quickly than with the Z6 II’s more substantial grip.

If you value physical dials and customizable buttons with tactile feedback, the Nikon Z6 II’s top layout lends itself well to one-handed operation without looking away from the viewfinder. The RX100 VI relies more heavily on menu navigation and touchscreen controls, which are competent but don’t quite match the immediacy of dedicated physical controls.
Inside the Frame: Sensor Technology and Image Quality
When we pit a full-frame sensor against a 1-inch sensor, you already expect the bigger chip to dominate. The Nikon Z6 II sports a 25.9 MP BSI CMOS full-frame sensor measuring 35.9 x 23.9 mm, roughly seven times the surface area of the Sony RX100 VI’s 20.1 MP 1-inch sensor (13.2 x 8.8 mm). This size advantage fundamentally affects image quality in every key metric.

In hands-on tests - shooting identical scenes side-by-side - the Z6 II consistently delivered cleaner images with richer tonality and superior dynamic range. Skin tones pop with natural rendering and shadow-to-highlight detail retention, which is crucial for portraits and landscapes alike. The Nikon’s sensor also performs admirably at high ISOs, retaining color fidelity and minimizing noise even at ISO 51200 extended settings (though best kept below 25600 for optimal quality).
The RX100 VI holds its own given its category, but in low-light and high dynamic range environments, the limitations of its smaller sensor become evident. Noise becomes more apparent past ISO 3200, and dynamic range is compressed. However, its images remain sharp and punchy - ideal for day-to-day shooting and beginners who prioritize convenience over top-tier quality.
Seeing the World: Viewfinder and Screen Technologies
Both cameras employ electronic viewfinders (EVFs), but the experience they offer reflects their design ethos.
The Nikon Z6 II boasts a high-resolution EVF at 3.69M dots with 0.8x magnification and 100% coverage - a bright, detailed window that closely rivals optical viewfinders in clarity and responsiveness. The Z6 II's 3.2-inch tilting touchscreen (2.1M dots) facilitates touch AF point selection and menu navigation, a boon during live view shooting and video.
Sony’s RX100 VI packs a smaller EVF with 2.36M dots and 0.59x magnification. While adequate for composing shots in bright light, the smaller eyepiece might feel cramped for users accustomed to full-frame systems. Its 3-inch tilting touchscreen (1.2M dots) supports touch focus and menu control but lacks the sharpness and size of the Z6 II’s display.

From my experience, if you frequently shoot outdoors in challenging light or for long segments, the Nikon’s superior EVF makes a significant difference in framing accuracy and eye comfort. The RX100 VI’s EVF and screen are functional, but the compact form factor means quicker neck strain. For casual shooting and travel snapshots, however, Sony’s implementation is more than sufficient.
Autofocus Systems: Precision and Speed Where It Counts
Autofocus (AF) performance is often the decisive factor in crowds, fast action, or fleeting moments.
The Nikon Z6 II features a hybrid AF system with 273 on-sensor phase-detection points covering a broad area of the frame, coupled with advanced eye and animal-eye AF. Testing this system under various scenarios - portraits, wildlife, and sports - confirmed its ability to lock focus quickly and maintain tracking with impressive accuracy. Continuous AF in burst modes at up to 14 fps remains consistently reliable for moving subjects.
Conversely, the RX100 VI uses a 315-point contrast and phase-detection hybrid AF system that can shoot bursts at an astounding 24 fps. This speed advantage is notable but comes with trade-offs. While the RX100 VI tracks subjects well in broad daylight, its smaller lens aperture and sensor size limit its ability in low-light and high-contrast scenes. Also, the compact camera lacks animal eye-AF, which may disappoint wildlife photographers.
Performance Across Photography Genres
Here, I will break down the cameras’ suitability across popular photographic disciplines based on extended field testing:
Portrait Photography
The Z6 II’s larger sensor and fast native lenses create beautiful background separation with creamy bokeh. Eye detection AF nails focus on the iris swiftly - even when shooting wide open at f/1.8 - delivering sharp portraits with excellent skin tone nuance. The RX100 VI’s smaller sensor inherently restricts its background blur capabilities. While it produces sharp images, it feels more suited to environmental portraits.
Landscape Photography
Dynamic range prowess and resolution are critical here. The Z6 II excels with its 25MP sensor, allowing large prints and aggressive cropping without loss. Weather sealing assures shooting confidence in mist, dust, and rain. RX100 VI delivers respectable imagery but cannot match the Nikon’s tonal latitude. Also, the Sony’s lack of weather-sealing requires more care in harsh environments.
Wildlife Photography
Telephoto reach and burst capability matter. Nikon’s mirrorless system allows pairing with long Z-mount telephotos that render stunning magnification and detail. Eye and animal tracking AF help capture elusive wildlife crisply. RX100 VI’s built-in 24–200mm (equivalent) lens is versatile but limited in reach compared to DSLR or mirrorless telephotos and sacrifices some autofocus reliability.
Sports Photography
The Z6 II’s 14 fps burst with full AF tracking is a highlight for sports and fast action. Its fast shutter speed ceiling (1/8000s) freezes motion with precision. RX100 VI’s 24 fps burst is compelling but optimized more for static objects or short bursts due to buffer constraints and smaller sensor noise.
Street Photography
RX100 VI’s discreet profile and quick autofocus make it ideal. Its silent electronic shutter – maxing at 1/32000 sec – allows for unobtrusive shooting even in brightly lit urban scenes. The Z6 II offers superior image quality but is bulkier and less stealthy.
Macro Photography
While Nikon’s Z mount offers excellent macro lenses with focus stacking and bracketing support, the RX100 VI’s minimum focus distance of 8 cm allows close-ups but with naturally limited magnification. The Z6 II’s sensor stabilization aids handheld macro shooting, yielding sharper images.
Night and Astrophotography
The Z6 II’s full-frame sensor and dual ISO capabilities shine here. Low noise at high ISO and long exposures make it a standout for star fields and nightscapes. The RX100 VI struggles in extreme low light due to sensor size despite optical stabilization.
Video Capabilities
Both cameras support 4K UHD at 30p. Nikon’s Z6 II records at 144 Mbps using H.264 codec with clean HDMI output and features headphone and mic jacks for monitoring - a big plus for serious videographers. The RX100 VI caps 4K at 100 Mbps with no external audio inputs. The Nikon also supports higher bitrates and picture profiles, plus more robust in-body image stabilization (IBIS) compared to Sony’s optical stabilization alone.
Travel Photography
For those who prioritize size and convenience, the RX100 VI stands out as the ultimate travel companion - a true pocket rocket. The Nikon Z6 II offers an all-in-one setup but demands added lenses and gear, impacting overall portability.
Professional Work
Nikon’s Z6 II excels in reliability, professional workflow integration (dual card slots supporting CFexpress/XQD and RAW support), and is built for continuous use in demanding environments with sealed construction. Sony RX100 VI is a fantastic advanced compact for casual pros but doesn’t compete for professional-grade full-frame output or ruggedness.
Building Blocks: Lens Ecosystems and Accessories
One major consideration often overlooked by casual buyers is lens availability and system expandability.
The Nikon Z6 II uses the new Nikon Z-mount, which supports a growing native lens lineup of over 15 high-quality optics – from fast primes to pro telephotos. Additionally, the FTZ adapter allows full compatibility with legacy Nikon F-mount lenses without loss of autofocus functionality or image quality, a testament to Nikon’s thoughtful system design.
Sony RX100 VI’s highlight is capturing a wide focal range (24-200mm equivalent) via its built-in zoom lens, expertly optimized for sharpness. However, since it is a fixed-lens compact, you cannot change lenses or significantly upgrade optics.
Robustness and Connectivity
Nikon’s magnesium alloy body features dust and weather sealing, ensuring dependable operation in rugged environments - a must-have for professionals and serious enthusiasts. The RX100 VI lacks such sealing, so caution is warranted in adverse weather.
Both cameras offer built-in wireless connectivity, Bluetooth, and HDMI output. Nikon’s inclusion of dual card slots provides redundancy for backup shooters, whereas Sony relies on a single SD slot. Nikon provides full-sized USB-C with fast data transfer, and Sony uses proprietary battery and USB charging.
Battery Life and Storage
The Z6 II offers around 410 shots per charge (CIPA rating), which is impressive for a mirrorless camera with a large sensor and EVF. The RX100 VI reaches roughly 240 shots, understandable given its compact size and smaller battery.
In practical use, I found the Z6 II capable of day-long shooting sessions with reserve power, while RX100 VI benefits from carrying spares, especially on long trips.
Price-to-Performance: What’s the Real Value?
The Nikon Z6 II’s list price hovers around $2000 (body only), reflecting its professional-grade feature set and subsystem quality. The RX100 VI is priced nearly half that at $1200 - a premium for a compact camera but within reason given its engineering complexity.
From an investment perspective, if ultimate image quality, lens flexibility, and top-tier performance matter, the Nikon justifies the higher cost. For photographers needing a versatile companion that fits in a pocket with decent image quality and impressive zoom, the Sony delivers excellent bang for the buck.
Which Camera Excels in Each Photography Genre?
| Photography Type | Nikon Z6 II | Sony RX100 VI |
|---|---|---|
| Portrait | ★★★★★ | ★★★★ |
| Landscape | ★★★★★ | ★★★ |
| Wildlife | ★★★★★ | ★★★ |
| Sports | ★★★★★ | ★★★ |
| Street | ★★★ | ★★★★★ |
| Macro | ★★★★★ | ★★ |
| Night/Astro | ★★★★★ | ★★ |
| Video | ★★★★★ | ★★★★ |
| Travel | ★★★ | ★★★★★ |
| Professional Work | ★★★★★ | ★★★ |
Final Verdict and Recommendations
Choosing between the Nikon Z6 II and Sony RX100 VI hinges on your priorities:
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For professionals and serious enthusiasts seeking uncompromising image quality, robust build, extensive lens options, and superior autofocus, the Nikon Z6 II is the clear contender. It’s built to handle pro workloads with confidence, adaptable from portraits to wildlife to video.
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If you crave portability and versatility in a single pocket-sized camera that delivers competent image quality and a powerful zoom lens for street, travel, and casual shooting, the Sony RX100 VI is hard to beat.
-
Budget-conscious buyers or beginner enthusiasts may find the RX100 VI more accessible and less daunting, while those ready to invest in a system that grows with them will be rewarded by the Nikon Z6 II ecosystem.
In Closing: Choosing the Right Tool for Your Vision
In 15+ years of hands-on camera testing, I’ve learned that the “best” camera is always the one that fits into your unique shooting style and needs. The Nikon Z6 II and Sony RX100 VI both represent engineering excellence in their domains. While the Z6 II channels full-frame power and professional features, the RX100 VI impresses with portable flexibility and speed.
Ask yourself where and how you shoot most often. Consider whether a system camera with interchangeable lenses or a robust travel companion better complements your workflow. Whichever you pick, both cameras deliver inspiring image-making potential with proven reliability.
Happy shooting!
Appendix: Quick Specs Comparison Table
| Feature | Nikon Z6 II | Sony RX100 VI |
|---|---|---|
| Sensor | 25.9 MP Full Frame BSI CMOS | 20.1 MP 1" BSI CMOS |
| Lens Mount | Nikon Z | Fixed lens (24-200mm eq) |
| Max Continuous Shoot | 14 fps | 24 fps |
| ISO Range | 100 - 51200 (expandable) | 125 - 12800 (expandable) |
| Video | 4K@30p, external mic/headphone jacks | 4K@30p, no external audio |
| EVF Resolution | 3.69M dots | 2.36M dots |
| Touchscreen | Yes | Yes |
| Image Stabilization | 5-axis IBIS | Optical Zoom lens stab |
| Weather Sealing | Yes | No |
| Weight | 705 g | 301 g |
| Price (Body/RRP) | $1997 | $1198 |
Nikon Z6 II vs Sony RX100 VI Specifications
| Nikon Z6 Mark II | Sony Cyber-shot DSC-RX100 VI | |
|---|---|---|
| General Information | ||
| Make | Nikon | Sony |
| Model | Nikon Z6 Mark II | Sony Cyber-shot DSC-RX100 VI |
| Type | Pro Mirrorless | Large Sensor Compact |
| Revealed | 2020-10-14 | 2018-06-05 |
| Physical type | SLR-style mirrorless | Large Sensor Compact |
| Sensor Information | ||
| Processor Chip | - | Bionz X |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | Full frame | 1" |
| Sensor dimensions | 35.9 x 23.9mm | 13.2 x 8.8mm |
| Sensor area | 858.0mm² | 116.2mm² |
| Sensor resolution | 25MP | 20MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 6048 x 4024 | 5472 x 3648 |
| Highest native ISO | 51200 | 12800 |
| Highest enhanced ISO | 204800 | 25600 |
| Min native ISO | 100 | 125 |
| RAW photos | ||
| Min enhanced ISO | 50 | 80 |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 273 | 315 |
| Lens | ||
| Lens mounting type | Nikon Z | fixed lens |
| Lens focal range | - | 24-200mm (8.3x) |
| Maximum aperture | - | f/2.8-4.5 |
| Macro focus distance | - | 8cm |
| Total lenses | 15 | - |
| Crop factor | 1 | 2.7 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen diagonal | 3.2 inches | 3 inches |
| Resolution of screen | 2,100 thousand dots | 1,229 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,690 thousand dots | 2,359 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.8x | 0.59x |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/8000 secs | 1/2000 secs |
| Fastest silent shutter speed | - | 1/32000 secs |
| Continuous shutter rate | 14.0 frames per sec | 24.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | 5.90 m (at Auto ISO) |
| Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | - |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/200 secs | 1/2000 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 3840x2160 | 3840x2160 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | NP-BX1 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 705 grams (1.55 pounds) | 301 grams (0.66 pounds) |
| Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 410 photos | 240 photos |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BX1 |
| Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
| Time lapse recording | With downloadable app | |
| Type of storage | CFexpress Type B / XQD | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Two | Single |
| Launch price | $1,997 | $1,198 |