Nikon Z6 II vs Sony W370
61 Imaging
76 Features
89 Overall
81


94 Imaging
36 Features
25 Overall
31
Nikon Z6 II vs Sony W370 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Revealed October 2020
- Old Model is Nikon Z6
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 34-238mm (F3.6-5.6) lens
- 179g - 100 x 57 x 26mm
- Released January 2010

Nikon Z6 II vs Sony Cyber-shot W370: A Comprehensive Real-World Comparison
When stepping up your photography gear, the choice between a professional-grade mirrorless system like the Nikon Z6 Mark II and a compact point-and-shoot such as the Sony Cyber-shot DSC-W370 can seem nearly unfathomable. Yet, both cameras appeal to distinctly different types of users - one emphasizing serious, versatile imaging performance; the other, simplicity and portability. Over my 15+ years testing cameras, I’ve rarely encountered two models so electrically opposite yet persistently relevant in their own rights.
In this detailed comparison, I’ll draw from extensive hands-on experience, lab testing, and field use to evaluate these two through the lens of numerous photography disciplines, technical specifications, and overall versatility. Whether you’re a seasoned pro, an advanced hobbyist, or simply curious about what’s possible from tiny compacts versus full-frame mirrorless beasts, this article will serve as your authoritative guide.
First Impressions: Ergonomics and Handling
Let’s start with the physicality of both cameras. The Nikon Z6 II’s SLR-style mirrorless body contrasts sharply with the Sony W370’s ultra-compact, pocketable size.
With dimensions of 134x101x70mm and weighing 705g, the Z6 II feels substantial and reassuring in hand. It has ample grip depth, firm button placement, and a robust build. This heft benefits handling heavy lenses and prolonged shooting sessions. On the other hand, the Sony W370 measures 100x57x26mm, with a featherweight frame of just 179g. It slips effortlessly into pockets, making it a classic travel companion, though its minuscule body means ergonomic trade-offs - buttons are smaller, control options limited, and grip comfort minimal.
If you prioritize physical control, long shooting stints, and lens swapping, the Nikon Z6 II’s design is a huge advantage. For casual snapshots and ultra-portability, the Sony wins with ease. Ergonomics here largely align with intended audience and use cases.
Design & Control Layout: Usability Under the Hood
Moving beyond size, the top and rear controls reveal deeper divergences in workflow and usability.
The Z6 II flaunts a traditional DSLR-inspired control layout: dual command dials, dedicated exposure mode dial, ISO button, and customizable function keys. This arrangement supports quick tactile adjustments - a boon during dynamic shooting scenarios like sports or wildlife photography. The presence of a top LCD panel adds real-time info glanceability, a feature usually reserved for pro cameras.
Conversely, Sony’s DSC-W370 pares down to minimal buttons, relying heavily on on-screen menus accessed through the fixed rear LCD. While straightforward for beginners, this approach hampers fast operational tweaks and spontaneous creativity. No dedicated exposure modes or aperture/shutter priority exists; instead, it defaults to fully automatic or scene modes.
Professional or serious amateurs gravitate to the Z6 II for operational control. Casual shooters or those desiring uncomplicated point-and-shoot fun may find Sony’s simplification appealing.
Sensor Technology and Image Quality: The Heart of the Matter
This is where the two cameras’ fundamental disparities become shockingly clear.
The Nikon Z6 II employs a 24.5-megapixel full-frame BSI CMOS sensor measuring 35.9 x 23.9mm, boasting superior light-gathering capabilities, native ISO range of 100–51200 with extended boost up to 204800, and sensor stabilization. Its native anti-aliasing filter balances sharp detail with moiré reduction. This sensor delivers excellent dynamic range, color depth, and low-light performance - essential pillars for pro-level imaging.
In stark contrast, the Sony W370 houses a modest 14.1-megapixel 1/2.3-inch CCD sensor with a tiny 6.17 x 4.55mm footprint. Its native ISO caps at 3200, and it lacks advanced stabilization or RAW support (Sony offers JPEG only). While the sensor suffices for casual daylight shots, noise rises dramatically above ISO 800, and detail lacks crispness when zoomed or heavily cropped.
Through controlled tests and practical shooting, the Nikon’s sensor yields images with richer tonal gradations, deeper shadows, and better highlight retention compared to the Sony’s flat, low-resolution output. This makes the Z6 II a vastly more capable camera for disciplines demanding image fidelity - portraits, landscapes, and commercial work. The W370 shines mainly in bright, simple scenes where convenience outweighs image quality.
Display and Interface: Real-World Monitoring
Evaluating screen quality is crucial since the display is a primary interface for framing, reviewing, and navigating menus.
The Z6 II sports a 3.2-inch tilting touchscreen LCD with a high resolution of 2.1 million dots, enabling precise focus point selection, touch-to-shoot, and intuitive menu operation. It complements the sharp 3.69 million-dot OLED electronic viewfinder, offering 100% frame coverage and 0.8x magnification - critical for critical composition, especially in bright conditions.
By contrast, the Sony’s fixed 3-inch screen delivers a meager 230k-dot resolution with no touchscreen capability. Its small size and lackluster brightness make framing in strong sunlight challenging, and without any viewfinder, users must rely entirely on this display, which limits flexibility.
For anyone shooting beyond snapshots, especially in varied lighting, the Z6 II’s superior displays significantly enhance usability and confidence in framing and focusing.
Autofocus and Burst: Speed and Precision
Autofocus performance often makes or breaks shooting success, particularly in lively, unpredictable scenes - sports, wildlife, action.
-
Nikon Z6 II:
- 273 focus points utilizing hybrid phase/contrast detection
- Eye and animal eye AF plus face detection
- Continuous AF for tracking moving subjects
- Burst shooting speed up to 14 fps with AF/AE tracking
-
Sony W370:
- 9 contrast-detection AF points
- No eye detection or continuous AF tracking
- Max burst rate around 2 fps
In practical field testing, the Z6 II’s AF system excels at locking onto fast-moving subjects with remarkable accuracy - even in low light or dense backgrounds. The eye detection, both for humans and animals, is responsive and reliable, delivering crisp portraits and wildlife shots with the eyes tack sharp. The 14 fps burst allows for capturing decisive moments in fast action sequences.
Conversely, the Sony struggles with focus speed, often hunting especially in low contrast or dim scenes. The absence of eye detection and limited AF points render it ineffective for fast-moving subjects. Burst shooting rate is too slow to consistently freeze action.
If your photography involves motion - sports, wildlife, street reportage - the Nikon Z6 II’s autofocus system is light years ahead, enabling creative confidence. The Sony is better reserved for static or posed scenarios.
Lens Ecosystem and Compatibility
A camera is only as versatile as its glass, and here Nikon’s system approach provides unmatched expansion potential.
The Nikon Z6 II uses the Z-mount lens system, currently offering over 15 native lenses ranging from ultra-wide primes, fast portrait lenses, to pro-level telephotos and macro optics. If needed, compatibility with F-mount via adapter adds a vast legacy lens arsenal. This extensive ecosystem suits every genre: studio portraits, landscape vistas, wildlife telephoto reach, and specialized macro work.
Meanwhile, the Sony W370 sports a fixed 34–238mm (35mm equivalent) zoom lens with max apertures ranging from f/3.6 to f/5.6. There’s no option to swap lenses and the fastest aperture at telephoto is relatively slow, limiting low-light and shallow depth-of-field capabilities.
Whether you’re after a single do-it-all lens or a whole stable to cover every angle, Nikon’s lens lineup greatly outshines Sony’s single fixed lens in flexibility and quality.
Build Quality and Weather Sealing
Professional photographers and enthusiasts traveling or shooting outdoors demand resilience and dependability.
-
The Nikon Z6 II features a robust magnesium alloy body and comprehensive weather sealing - dust, moisture, and cold resistance tested down to -10°C. I’ve personally shot in wet, dusty conditions and subzero flights with this camera functioning flawlessly.
-
The Sony W370 lacks any weather sealing, with a mostly plastic body prone to damage under rough treatment or humidity.
If durability and all-weather usability matter (which they do for landscape, travel, wildlife, and professional fields), the Z6 II is the clear winner.
Battery Life and Storage
Power efficiency directly impacts how long you can stay on location shooting.
-
Nikon Z6 II:
- Rated for approximately 410 shots per charge under CIPA standards.
- Dual card slots supporting CFexpress Type B and XQD cards ensure ample storage and fast write speeds.
- USB charging supported for on-the-go topping-up.
-
Sony W370:
- Battery life unspecified but typical of compacts is around 200-250 shots.
- One card slot supporting SD and proprietary Memory Stick formats.
- No USB charging; battery removal required for charging.
While the Nikon’s battery life isn’t game-changing, it is respectable, especially with dual slots for backup flexibility - a professional feature missing in the Sony.
Connectivity and Wireless Features
Modern workflows benefit from seamless connectivity.
The Nikon Z6 II comes with built-in Wi-Fi and Bluetooth for snapping and sharing images wirelessly, remote shooting via app, and firmware updates. It also supports USB 3.0 for fast tethered shooting and HDMI output for external monitors.
The Sony W370 offers no wireless connectivity, relying only on USB 2.0 and HDMI, which curtails remote control, instant sharing, and double-duty as a webcam.
Video Capabilities: Beyond Stills
Video capabilities add versatility for multimedia storytellers.
Feature | Nikon Z6 II | Sony W370 |
---|---|---|
Max resolution | 4K UHD up to 30 fps | 1280 x 720 (HD) 30 fps |
Frame rates | Up to 120 fps in Full HD | 30 fps only |
Formats | MOV, H.264 | Motion JPEG |
Image stabilization | 5-axis sensor-shift | Optical lens stabilization |
Mic/headphone jacks | Yes | No |
Slow motion | Yes (Full HD 120fps) | No |
The Nikon Z6 II’s video specs are impressive, rivaling many dedicated video cameras with detailed 4K recording, active stabilization, and professional audio inputs. I’ve used this camera extensively for event videography and timelapse, appreciating its sharp video and manual controls.
Sony’s W370 is adequate for family home movies but severely limited for creative or professional video.
Performance Across Photography Genres
To ensure an informed recommendation, I assessed both cameras under a variety of photography genres. The aggregate scoring illustrates stark performance contrasts.
- Portraits: Nikon Z6 II’s accurate skin tones, sharpness, and nuanced bokeh excel. Sony W370’s shallow depth of field is limited, rendering flatter portraits.
- Landscapes: Exceptional dynamic range and resolution from Nikon deliver rich textures and tonal gradations. Sony’s small sensor cannot match.
- Wildlife: Nikon’s burst speed, autofocus tracking, and long-lens compatibility dominate.
- Sports: High frame rate and AF speed in Nikon enable crisp action shots. Sony falls behind noticeably.
- Street: Here Sony’s compactness earns points for discretion, but Nikon offers higher quality and versatility if size tolerance is possible.
- Macro: Nikon’s lens options and focus stacking advantage make it ideal.
- Night/Astro: Nikon’s low-light sensor and high ISO range produce usable images; Sony struggles with noise.
- Video: Nikon is clearly superior.
- Travel: Sony’s lightweight profile is a draw, but Nikon’s versatility trumps.
- Professional Use: Nikon’s raw support, durability, and workflow integration make it suitable.
Pricing and Value Analysis
At the time of review:
- Nikon Z6 II body only: Approximately $2,000 USD
- Sony Cyber-shot W370: Around $230 USD (new or refurbished market)
Though this is an enormous price gap, it reflects the vastly different target markets and capabilities. The Nikon is a professional tool built for serious imaging, while the Sony is a consumer compact for casual users.
For buyers on a tight budget seeking casual travel or family snapshots, the W370 remains a reasonable choice. However, photographers wanting longevity, system expandability, and high-quality imaging will find the Nikon Z6 II a wise investment despite the steep price.
Final Thoughts and Recommendations
After hours testing, shooting across conditions, and comparing sample files side-by-side, here’s my distilled verdict:
-
Choose the Nikon Z6 Mark II if you:
- Demand excellent image quality for professional or enthusiast use.
- Shoot diverse subjects including portraits, wildlife, sports, and landscapes.
- Require advanced AF, weather sealing, and robust build.
- Want full-frame sensor benefits in dynamic range, low light, and resolution.
- Value video capabilities for hybrid multimedia workflows.
- Are ready to invest in an expandable lens system and accessories.
-
Opt for the Sony W370 if you:
- Primarily want a straightforward, pocket-sized camera for casual shooting.
- Need a budget-friendly option for travel or family snapshots.
- Prefer convenience and portability over image quality or control.
- Don’t mind auto-only modes and limited customization.
Both have their place in the photographic ecosystem, but they are not interchangeable. The Nikon Z6 II caters to photographers who view their camera as a creative partner and serious tool. The Sony W370 suits those prioritizing simplicity and carry-light practicality.
Technical At-a-Glance Comparison Table
Feature | Nikon Z6 II | Sony DSC-W370 |
---|---|---|
Sensor Size | 35.9 x 23.9 mm (Full Frame) | 6.17 x 4.55 mm (1/2.3") |
Resolution | 24.5 MP | 14.1 MP |
ISO Range | 100–51200 (boost to 204800) | 80–3200 |
Autofocus Points | 273 (Hybrid AF) | 9 (Contrast-detect) |
Continuous Shooting | 14 fps | 2 fps |
Video | 4K 30p, 1080p 120 fps | HD 720p 30 fps |
Viewfinder | 3.69M-dot OLED EVF | None |
LCD Screen | 3.2" 2.1M-dot Tilt Touch | 3" 230k-dot Fixed |
Stabilization | 5-axis In-Body | Optical Lens |
Weather Sealing | Yes | No |
Storage Slots | 2 (CFexpress/XQD) | 1 (SD/Memory Stick) |
Weight | 705 g | 179 g |
Price (Approx.) | $2,000 | $230 |
I hope this in-depth comparison helps you better understand the strengths and limitations of these two hugely different cameras. Remember, it’s less about absolute “best” and more about fit for your unique needs, style, and budget. Feel free to reach out for specific scenario advice or hands-on sample requests - photography is a vast world, and choosing your tools wisely is paramount.
Happy shooting!
Nikon Z6 II vs Sony W370 Specifications
Nikon Z6 Mark II | Sony Cyber-shot DSC-W370 | |
---|---|---|
General Information | ||
Brand | Nikon | Sony |
Model | Nikon Z6 Mark II | Sony Cyber-shot DSC-W370 |
Class | Pro Mirrorless | Small Sensor Compact |
Revealed | 2020-10-14 | 2010-01-07 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 25MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 6048 x 4024 | 4320 x 3240 |
Max native ISO | 51200 | 3200 |
Max enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 80 |
RAW photos | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 273 | 9 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 34-238mm (7.0x) |
Largest aperture | - | f/3.6-5.6 |
Number of lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3.2 inches | 3 inches |
Resolution of display | 2,100k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30 secs | 2 secs |
Fastest shutter speed | 1/8000 secs | 1/1600 secs |
Continuous shutter rate | 14.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 5.00 m |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Slow syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/200 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 grams (1.55 pounds) | 179 grams (0.39 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 100 x 57 x 26mm (3.9" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 410 images | - |
Battery style | Battery Pack | - |
Battery model | - | NP-BN1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse feature | ||
Storage type | CFexpress Type B / XQD | SD/SDHC, Memory Stick Duo/Pro Duo/ Pro HG-Duo, Internal |
Card slots | Dual | 1 |
Pricing at release | $1,997 | $230 |