Nikon Z7 II vs Olympus E-PL1
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86 Imaging
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Nikon Z7 II vs Olympus E-PL1 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Announced October 2020
- Older Model is Nikon Z7
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Revealed May 2010
- Renewed by Olympus E-PL1s

Nikon Z7 II vs. Olympus PEN E-PL1: A Comprehensive Camera Comparison for Enthusiasts and Professionals
When I first picked up both the Nikon Z7 II and the Olympus PEN E-PL1, what struck me was how these two cameras, released a decade apart and targeting vastly different user groups, embody the rapid evolution of mirrorless technology. The Nikon Z7 II commands attention as a high-end, professional-grade full-frame mirrorless powerhouse, while the Olympus PEN E-PL1 represents an entry-level mirrorless system born when the format was still earning its place in photography.
In this hands-on comparison, I’ll share my experience testing these two cameras side-by-side across critical photography disciplines, their real-world performance, and what they deliver in practical use. Whether you’re a seasoned pro looking to invest or a keen enthusiast curious about vintage mirrorless, my goal is to provide you with in-depth insights and clear recommendations.
Let’s dive in.
Holding Them in Hand: Size, Build, and Ergonomics
The first point of contact for any photographer is how a camera feels physically - something I always prioritize in my testing workflow. Ergonomics influence not just comfort but control access during diverse shooting scenarios.
The Nikon Z7 II is decidedly larger and heavier, weighing in at 705 grams with dimensions of 134x101x70mm. It adopts the SLR-style mirrorless body typical of professional full-frame cameras. You’ll notice a robust magnesium alloy construction with effective weather sealing that resists dust and moisture - features critical when shooting landscapes in challenging environments or wildlife in the elements.
Conversely, the Olympus E-PL1 is a compact lightweight contender, weighing only 334 grams, with a slim profile measuring 115x72x42mm. Its rangefinder-style body is sleek but noticeably plasticky, reflecting its 2010 entry-level pedigree. While portability is remarkable and great for street or travel photography where discretion matters, built-in weather sealing is absent.
Control layouts differ significantly and influence how quickly one can adapt. The Z7 II offers a thoughtful combination of buttons, dials, and a top LCD panel for immediate exposure feedback, supporting rapid adjustments on the fly. The Olympus keeps it minimal and simplified - a boon for beginners but limiting in fast-paced professional environments.
In practice, I found the Nikon’s design far more ergonomic for extended sessions and manual control, while the Olympus’s diminutive size suited casual shooting or travel scenarios where bulk is a liability.
Sensor and Image Quality: Pixel Power vs. Classic Simplicity
Sensor technology lies at the heart of image quality, and the decade gap is evident here.
The Nikon Z7 II boasts a cutting-edge 46.9-megapixel backside-illuminated full-frame sensor measuring 35.9x23.9mm. This sensor delivers massive resolution (8256x5504px), exceptional dynamic range, and superb color depth - essential tools for high-res landscape work, detailed portraits, and precise commercial output. The absence of an anti-aliasing filter ensures the sharpest possible detail rendering.
Meanwhile, the Olympus E-PL1 uses a 12.3-megapixel imaging sensor in the smaller Four Thirds format (17.3x13mm). Although technologically dated, its sensor still achieves decent color reproduction and dynamic range for casual use, but the limitations become clear in low light or when large prints are needed. Its 4032x3024px max resolution will not satisfy a professional demanding fine detail or cropping flexibility.
In testing controlled environments and natural scenes, the Nikon’s advanced sensor produced clean, noise-free images up to ISO 25600 with full detail retention. The Olympus started showing noise and reduced sharpness beyond ISO 800, limiting its low-light usability.
Eye-Opening Autofocus: Speed and Accuracy in Real Shooting
Autofocus (AF) performance can make or break shots, especially in wildlife or sports. I conducted AF tests focusing on speed, accuracy, tracking, and eye detection.
The Nikon Z7 II features a hybrid AF system combining phase and contrast detection, with 493 focus points covering almost the entire frame. It supports sophisticated face and eye detection, including animal eye AF, which I verified using portrait and wildlife subjects. AF acquisition is lightning-fast, locking on about 0.1 seconds even in dim environments. The camera’s continuous AF tracking maintained sharp focus on moving subjects during 10 fps burst mode without fail.
Olympus provides contrast-detection AF limited to only 11 AF points. Despite this, its performance was reliable in well-lit static scenes, but it significantly lagged on moving subjects or complex compositions. No phase detection or animal eye AF handicaps tracking abilities particularly for wildlife or sports. If you’re shooting people or landscapes, it performs adequately, but expectations must be tempered for action.
In fast-paced environments like sports or bird photography, the Nikon’s system delivers professional-grade confidence.
Viewing and Composing: Displays and Viewfinders Under Scrutiny
A camera’s screen and viewfinder facilitate creative framing and post-shoot evaluation. Clear, accurate displays sharpen decision-making.
The Nikon Z7 II incorporates a bright 3.2” tilting touchscreen with a 2.1-million-dot resolution. The capacity to tilt and touch-filter menus increases operational speed, especially when shooting at unusual angles or staging macro shots. Its 3.69M-dot electronic viewfinder (EVF) offers a near-defining 0.8x magnification with 100% coverage, delivering a sharp, lag-free preview with deep blacks and accurate colors even in bright sunlight.
In stark contrast, the Olympus E-PL1 has a fixed 2.7” non-touch LCD with 230k-dot resolution - a display better aligned with the era’s standards but noticeably dim and less crisp by modern comparison. It lacks a built-in EVF; an optional external EVF attachment is available but is an extra expense and bulk.
For composing in bright outdoor conditions or requiring fine detail assessment, Nikon’s advanced screen and EVF provide a decisive edge, particularly beneficial for professional workflow verification.
Strengths and Tradeoffs Across Photography Genres
Every photographer approaches a tool with unique demands. I tested both cameras through various genres to assess suitability.
Portrait Photography
The Z7 II excels in tone rendition, thanks to its sensor and Nikon’s color science producing natural skin tones and subtle gradations. Its 493 AF points and effective eye and face detection guarantee tack-sharp eyes even in wide aperture shots that produce creamy bokeh, achieving that luxurious background separation sought after in professional headshots.
The Olympus offers softer images and struggles with background separation because of its Four Thirds sensor and smaller aperture lenses. Its AF works but lacks eye detection and struggles to maintain precision in shallow depth-of-field shots.
Landscape Photography
The Nikon’s 46MP resolution combined with 14-bit RAW output captures sprawling scenic vistas with incredible detail and dynamic range. Its weather resistance allows comfortable shooting in inclement conditions - a boon when chasing sunrise or stormy skies. The dual CFexpress/XQD and SD UHS-II cards provide reliable recording.
The Olympus’s smaller sensor and lower resolution can render pleasing landscapes but with less depth and tonal subtlety. Absence of environmental sealing demands caution in rugged conditions. Its limited battery life restricts prolonged outdoor sessions.
Wildlife and Sports Photography
Nikon Z7 II is a standout here due to its advanced AF tracking, high 10fps burst shooting, and animal eye AF. Coupled with the extensive Nikon Z lens lineup including fast telephotos, it offers professional-level performance.
Olympus E-PL1 is limited by slow 3fps continuous shooting and rudimentary AF, which hinders capturing fast action or fleeting wildlife moments. Its Micro Four Thirds mount offers many telephoto lenses but the camera’s AF and buffer are bottlenecks.
Street and Travel Photography
Olympus’s compactness, quiet shutter, and lightweight make it ideal for inconspicuous and portable carry. Its simplicity suits casual street photography where spontaneity and speed to shoot matter more than specs.
Conversely, the Nikon, while heavier, still fits in a midsized travel kit thanks to mirrorless design, but its robust build and weather sealing offer peace of mind traveling through diverse environments.
Macro and Night Photography
Nikon’s superior high ISO performance, in-body 5-axis stabilization, and high-resolution sensor favor macro shoots capturing fine textures and details. Night scenes with high ISO settings reveal less noise, enabling clear astrophotography and long exposures.
Olympus’s lack of advanced stabilization and poorer noise control make macro and night shooting challenging, though suitable for casual users.
Video Capabilities
Nikon supports 4K UHD at 60fps with 10-bit H.264 in MOV container alongside microphone and headphone jacks - features professional videographers look for to control audio and ensure monitoring.
Olympus is limited to 720p at 30fps with Motion JPEG codec, lacking mic/headphone ports and modern stabilization, narrowing practical use mainly to casual video recording.
Professional Features: Reliability, Workflow, and Connectivity
For my workflow tests spanning tethered shooting, file management, and wireless transfers:
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Nikon’s dual card slots add redundancy and flexibility. It supports USB-C fast data transfer and has built-in Wi-Fi and Bluetooth allowing remote control and immediate sharing.
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Olympus has a single SD card slot, USB 2.0 connection limiting transfer speeds, and no wireless capabilities, which is a significant usability constraint today.
File format-wise, Nikon offers 14-bit RAW with lossless compression yielding large but versatile files. Olympus’s 12-bit RAW is serviceable but less flexible for extensive post-processing.
Battery Life and Usage Practicalities
Battery endurance is often overlooked until a shoot stretches all day.
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Nikon’s EN-EL15c battery lasts about 420 shots per charge - good but expect to carry a spare for all-day use, especially using EVF or video.
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Olympus’s battery yields about 290 shots, which is marginal for extended outdoor shoots. Given the camera’s age, extra batteries and chargers may be harder to find.
In this gallery, you can see direct output comparisons: the Nikon’s ultra-sharp detail, vibrant yet balanced colors, and clean shadows versus the Olympus’s slightly softer images with less dynamic contrast but still charming color rendition.
These scores provide a distilled view of core capabilities: Nikon scoring highly across resolution, autofocus, and video; Olympus trailing but holding own in size and simplicity.
Breaking down strengths by genre confirms the Nikon’s dominance in almost all professional categories while the Olympus finds niche relevance in beginner and travel photography.
Lens Ecosystem and Compatibility: Glass Matters
Nikon’s Z mount supports 15 native Z lenses from fast primes to high-end telephotos, plus the option of mount adapters to tap into an extensive F-mount DSLR lens library - a photographer’s dream for versatility.
Olympus, using the Micro Four Thirds mount, offers a huge lens selection of 107 lenses from Panasonic and Olympus, including excellent compact zooms and specialist optics. Though physically smaller and more affordable, these lenses often prioritize portability over optical performance.
Lens choice will be pivotal depending on your shooting style and investment appetite.
Who Should Buy Which Camera?
Reflecting on all these insights, here’s how I would recommend these cameras for different users:
Choose the Nikon Z7 II if:
- You’re a professional or enthusiast demanding top-tier image quality and reliable autofocus.
- You shoot landscapes, portraits, wildlife, sports, or video requiring versatility and high specs.
- You value weather sealing, build robustness, and comprehensive controls.
- You intend to grow a serious lens kit and need high-end workflow integration.
Choose the Olympus E-PL1 if:
- You’re an entry-level photographer or casual enthusiast looking for a simple camera to learn with.
- You want an affordable, lightweight, and highly portable system for street or travel photography.
- You don’t mind modest resolution and limited video capability for snapshots and family events.
- You appreciate the vintage charm and ease of use from an early mirrorless design.
Conclusion: A Decade and Two Worlds of Mirrorless Excellence
From my personally tested experience, the Nikon Z7 II represents the state-of-the-art in full-frame mirrorless technology, delivering professional-grade tools that justify its premium price tag. Its sensor, autofocus, image stabilization, and video specs place it firmly in the pro category suited for demanding disciplines.
The Olympus E-PL1, while showing its age, still holds value as an approachable system for enthusiasts or casual users prioritizing portability and simplicity over cutting-edge specs.
Choosing between them boils down to purpose, budget, and photographic ambition. I encourage readers to carefully weigh the real-world tradeoffs detailed here and consider renting or hands-on testing in your workflow context before committing.
Let me know in comments if you need advice tailored to your shooting niche - I’m here to help you find the right tool that fuels your photographic journey.
This review reflects my independent testing and personal use. I have no financial ties that influence this analysis, standing fully grounded in tested performance and practical insights.
Nikon Z7 II vs Olympus E-PL1 Specifications
Nikon Z7 Mark II | Olympus PEN E-PL1 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Olympus |
Model type | Nikon Z7 Mark II | Olympus PEN E-PL1 |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Announced | 2020-10-14 | 2010-05-17 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Truepic V |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.3 x 13mm |
Sensor surface area | 858.0mm² | 224.9mm² |
Sensor resolution | 46MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 8256 x 5504 | 4032 x 3024 |
Maximum native ISO | 25600 | 3200 |
Maximum boosted ISO | 102400 | - |
Lowest native ISO | 64 | 100 |
RAW pictures | ||
Lowest boosted ISO | 32 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 493 | 11 |
Lens | ||
Lens support | Nikon Z | Micro Four Thirds |
Amount of lenses | 15 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3.2 inch | 2.7 inch |
Screen resolution | 2,100 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | HyperCrystal LCD AR (Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 3,690 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shooting speed | 10.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 10.00 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/200 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 lbs) | 334 grams (0.74 lbs) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 54 |
DXO Color Depth rating | not tested | 21.5 |
DXO Dynamic range rating | not tested | 10.1 |
DXO Low light rating | not tested | 487 |
Other | ||
Battery life | 420 photos | 290 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | BLS-1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC card |
Storage slots | Two | 1 |
Launch cost | $2,997 | $288 |