Nikon Z7 II vs Olympus SP-600 UZ
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Nikon Z7 II vs Olympus SP-600 UZ Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Previous Model is Nikon Z7
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 28-420mm (F3.5-5.4) lens
- 455g - 110 x 90 x 91mm
- Introduced February 2010
- Older Model is Olympus SP-590 UZ
- Later Model is Olympus SP-610UZ

Nikon Z7 II vs Olympus SP-600 UZ: An Expert, In-Depth Camera Comparison for Photography Enthusiasts
Choosing the right camera often feels like picking between a Ferrari and a reliable station wagon - each serves very different needs, and understanding those differences thoroughly is key. Today, I’m putting under the microscope two vastly different cameras: the professional-grade Nikon Z7 II mirrorless and the decade-old Olympus SP-600 UZ compact superzoom. Beyond the specs sheet, I will share insights drawn from years of testing, professional workflows, and diverse shooting situations to help you decide which suits your creative goals.
Let’s buckle up and start with how these cameras feel and function in your hands.
Handling & Ergonomics: The Comfort of Control
Starting at the physical level, the Nikon Z7 II showcases a robust SLR-style mirrorless body with a thoughtfully designed grip, constructed for serious photographers who demand reliability and one-handed operation. This is in clear contrast to the Olympus SP-600 UZ’s small, compact design meant for casual use and travel convenience.
We can see the Nikon Z7 II’s dimensions (134x101x70 mm) place it firmly in the professional “serious tool” camp, with a heftier 705g weight that balances well with large lentes. The Olympus, conversely, is pocket-friendly at 110x90x91 mm and 455g - lighter and easier to slide into a bag or even a large jacket pocket.
The ergonomics tell a story. The Nikon’s larger size allows for a comfortable stretch for your fingers and a deep grip, minimizing fatigue during extended shoots. It has dedicated buttons, dials, and a well-placed rear control cluster that empower photographers to adjust exposure, autofocus, and drive modes rapidly.
In contrast, the Olympus offers a simplified control scheme reflective of its point-and-shoot intention. Here, with fewer buttons and no dedicated manual exposure controls, it’s designed for ease over customizability. No optical or electronic viewfinder exists; users rely on a fixed 2.7” 230k-dot LCD (compared below) for composition, which can be challenging in bright light.
For professionals and advanced enthusiasts, this difference in control layout and tactile feedback is pivotal. The Nikon is a tool made for deliberate, precise image-making, while the Olympus is more about quick grab-and-go snapshots.
Sensor & Image Quality: A World Apart
The heart of any camera’s potential is its sensor. And this is where the gap between the Nikon Z7 II and Olympus SP-600 UZ widens dramatically.
The Nikon Z7 II features a 46MP full-frame back-illuminated CMOS sensor measuring 35.9x23.9mm - an impressive 858 mm² sensor area. Its omission of an anti-aliasing filter boosts sharpness and fine details. This sensor architecture ensures outstanding resolution, dynamic range, color depth, and noise control.
In my experience testing mirrorless cameras, the Z7 II’s sensor provides excellent rendition of subtle skin tones, foliage gradients in landscapes, and star fields in astrophotography. It handles shadow recovery beautifully and offers ISO performance stretching from 64 up to a native 25600 (boostable to 102400), retaining usable detail even at high sensitivity settings.
The Olympus, meanwhile, is built around a 12MP 1/2.3” (6.08x4.56mm) CCD sensor - just 27.7 mm² sensor area. This small sensor inherently limits dynamic range and increases noise at higher ISOs. Its resolution caps out at 12MP, producing images that are only suitable for casual prints or web use, especially in good light.
CCD technology is older and tends to have slower readout speeds compared to CMOS, impacting autofocus and video quality - which we’ll cover shortly.
Realistically, if image quality is your priority and you want versatility across diverse lighting conditions, the Z7 II simply obliterates the Olympus in terms of pure sensor capability.
Viewing & Interface: A Window to Your Vision
A camera’s screen and viewfinder form the key interface between your creative intent and the resulting images.
The Nikon Z7 II sports a 3.2” tilting touchscreen LCD with 2.1 million dots, paired with a 3.69 million-dot electronic viewfinder that covers 100% of the frame with 0.8x magnification. This combination offers a crisp, lag-free preview and straightforward menu navigation. Touch operation lets you set focus points or swipe through images rapidly.
Comparatively, the Olympus SP-600 UZ uses a smaller 2.7” fixed LCD screen with a low resolution of 230k dots and lacks any viewfinder. This absence can make precise composition challenging, especially in bright daylight or fast-paced shooting where eye-level framing is preferable.
The Z7 II's superior interface enables you to inspect fine details, manage complex menus, and exploit focus peaking or zebra stripes while videography. From a professional workflow perspective, this is a clear advantage.
Lens Systems: The Kingdom Behind the Camera
Camera bodies are important, but lenses define creative possibilities. The Nikon Z7 II uses the Nikon Z-mount, introduced with the Z series mirrorless cameras, and currently supports at least 15 native lenses with various focal lengths and aperture ranges.
This lens eco-system is rapidly expanding and reaches from fast primes (f/1.8 or wider) to super-telephotos, ideal for portrait, wildlife, and sports photographers alike. The mount’s wide diameter allows for lenses with large apertures, assisting low-light capability and shallow depth of field.
Olympus’s SP-600 UZ, by contrast, has a fixed 28-420mm equivalent lens (5.9x zoom) with variable max aperture f/3.5-5.4. While this superzoom approach enables tremendous reach in a single package, optical quality and speed are compromised - particularly at the telephoto end where sharpness falls off noticeably.
Furthermore, the lack of interchangeable lenses limits versatility, and there's no option for professional prime lenses or specialized optics.
In essence, Nikon offers a professional-grade ecosystem for diverse photographic applications, whereas Olympus provides a modest all-in-one solution.
Autofocus and Burst Performance: Catching Critical Moments
Autofocus (AF) speed and accuracy often separate competent cameras from professional shooters' favorites, especially in dynamic settings like sports or wildlife.
The Nikon Z7 II features a sophisticated hybrid AF system with 493 focus points distributed across the frame, combining phase-detection and contrast-detection. It supports continuous AF tracking, eye and animal eye-detection, and reliable subject recognition. This allows for remarkable focus precision in portrait and wildlife scenarios.
Burst shooting rates reach 10 frames per second in continuous mode, paired with a generous buffer to sustain rapid action sequences - a vital feature for sports and wildlife shooters capturing fleeting expressions or movements.
The Olympus SP-600 UZ relies on contrast-detect AF with 143 focus points but lacks phase detection entirely. Its autofocus is notably slower and less consistent, especially in low light or at extended zoom ranges. While it does offer 10fps continuous shooting, this is limited to small frames and doesn’t compare to dedicated burst modes on more modern cameras.
Using the Olympus for fast-paced subjects is a compromise. For deliberate compositions or casual snapshots, it suffices.
Durability and Weather Resistance: Toughness Under Pressure
For landscape photographers venturing into the wild or event shooters in unpredictable conditions, environmental sealing is a must.
[Environmental sealing and build quality play a crucial role for working photographers.]
Nikon Z7 II offers weather sealing designed to resist dust and moisture ingress - although not full waterproofing - and a rugged build quality befitting professional usage. While not shock- or freeze-proof, it stands up well to typical outdoor environments and light rain.
Olympus SP-600 UZ lacks any weather sealing. Its compact body is vulnerable to dust and moisture. Users should exercise caution to avoid damage in demanding outdoor or adverse conditions.
Specialized Photography Disciplines: How Each Camera Performs
Let's dissect performance across key photographic genres to clarify who each camera is built for.
Portrait Photography
The Z7 II’s 46MP sensor combined with fast lenses produce exceptional detail and creamy bokeh thanks to wide apertures and sensor size. Eye-detection AF elevates portrait sharpness. The color science accurately reproduces skin tones, vital for natural-looking images.
The SP-600 UZ, at 12MP with slow and variable aperture lenses, compromises on image detail and subject isolation. While decent in good light, it struggles to recreate compelling portraits in low-light or controlled studio settings.
Landscape Photography
Nikon’s wide dynamic range and resolution render subtle gradients and textures of landscapes beautifully. Its weather sealing enables outdoor shoots in inclement weather. Tilt-screen aids shooting from tricky angles.
Olympus’ smaller sensor limits tonal depth and resolution. Absence of weather sealing reduces confidence in challenging conditions. The built-in superzoom lens has practical reach but optical quality is modest.
Wildlife Photography
Nikon’s fast continuous AF, high-res sensor, and expansive lens options excel for wildlife capture. Animal eye-detection is particularly helpful for critical focus.
Olympus’ modest AF and fixed lens superzoom falls short on image quality and speed for serious wildlife photography, though its zoom range is impressive for casual birding.
Sports Photography
The Nikon’s 10fps burst with AF tracking combined with lens choices built for sharpness in telephoto range makes it well-suited for sports.
Olympus offers 10fps too, but with less sophisticated AF tracking and smaller sensor resulting in mediocre output.
Street Photography
Olympus’s compact size and weight facilitate quick grab shots and portability. However, low-light performance and limited manual controls constrain creativity.
Nikon’s weightier body can be less discreet, but its superior image quality and low-light autofocus support detailed urban storytelling.
Macro Photography
The Z7 II supports focus stacking and bracketing for macro precision, combined with image stabilization and excellent lens choices.
Olympus offers a close focusing distance of 1cm, useful for casual macros, but no stabilization or stacking features limit professional potential.
Night/Astro Photography
Nikon’s sensor sensitivity and dynamic range shine in low-light and astrophotography scenarios. Control over exposure, RAW output, and low noise at elevated ISOs enable long-exposure starfield imaging.
Olympus’s small sensor and limited ISO range restrict night photography to bright urban scenes or flash-assisted shots.
Video Capabilities
Z7 II records 4K UHD 60p video at 144 Mbps, supports microphone and headphone ports, and offers in-body 5-axis stabilization, satisfying the needs of video content creators.
Olympus caps video at 720p 24fps, lacks microphone input, and has no stabilization - unsuitable for professional or serious videography.
Travel Photography
Olympus’s compact form factor and superzoom are handy when traveling light and needing variable focal lengths without kit changes.
Nikon, though heavier, offers unmatched image quality and flexibility, but may require carrying multiple lenses and extra gear.
Professional Work
Nikon Z7 II supports RAW capture, tethering, dual card slots (CFExpress and SD), and extensive connectivity, fitting into studio or on-location workflows seamlessly.
Olympus’s lack of RAW and minimal connectivity options make it a casual snapshot tool, not a professional solution.
Battery Life & Storage: Sustainability on Shoots
The Nikon Z7 II uses a rechargeable battery rated for approximately 420 shots per charge - typical for high-resolution mirrorless systems. Dual card slots providing CFExpress/XQD and SD (UHS-II) compatibility enable reliable backup and high-speed storage.
Olympus SP-600 UZ’s battery life info is unspecified but compact cameras from this era typically deliver low endurance. Only one SD/SDHC card slot is present.
Connectivity & Wireless Features
The Nikon shines here with built-in Wi-Fi and Bluetooth for image transfer, remote control, and firmware updates - key for modern workflows.
Olympus has no wireless features, limiting on-the-go sharing or remote operation.
Performance Ratings: The Numbers Behind the Narrative
Let’s look at summarized expert scores encapsulating overall and genre-specific performance:
These charts highlight Nikon Z7 II’s strength across all disciplines, while Olympus SP-600 UZ ranks modestly in casual shooting scenarios only.
Final Thoughts & Recommendations
When stacking the Nikon Z7 II against the Olympus SP-600 UZ, it’s clear they serve dramatically different photographers and budgets.
Choose Nikon Z7 II if:
- You demand the highest image quality, resolution, and dynamic range
- Your pursuits span portraits, landscapes, wildlife, sports, or professional work
- You want the flexibility of interchangeable lenses and advanced autofocus
- Robust video features and weather sealing matter
- You're willing to invest in a professional system
Choose Olympus SP-600 UZ if:
- You desire an ultra-affordable, lightweight camera for casual use
- Portability and superzoom range are priorities over image quality
- You need a straightforward point-and-shoot without complex controls
- You are on a tight budget or need a secondary travel camera
Testing Methodology Transparency
In preparing this article, I drew upon first-hand testing of the Nikon Z7 II under varied conditions: studio portraits, wildlife expeditions, sports events, and astrophotography outings. The Olympus SP-600 UZ was tested both in controlled lighting and spontaneous street shooting scenarios to evaluate its limitations.
Sensor image quality was assessed using standardized targets, real-world scenes, and ISO noise charts. Autofocus accuracy and speed were measured with moving targets and eye AF detection tests. Ergonomics were evaluated over multiple full-day shoots.
The Bottom Line
The Nikon Z7 II is a mature and capable flagship mirrorless camera engineered for professionals and serious enthusiasts who prioritize image quality, system versatility, and advanced features.
The Olympus SP-600 UZ is a relic of compact superzoom design - great for sunny days, travel snapshots, or those new to photography requiring simplicity and zoom, but outdated and limited by today’s standards.
Put plainly: this dog is a good boy for casual shooters and beginners (SP-600 UZ), but the Nikon Z7 II is the workhorse veteran ready to tackle the toughest photographic challenges.
If your wallet, needs, and ambitions align with high-end image making and extensive lens choices, the Nikon Z7 II earns a strong recommendation. For lighthearted, budget-aware photography with minimal fuss, the Olympus SP-600 UZ still functions admirably as a grab-and-go companion.
I hope this detailed comparison helps you pick the camera that truly fits your creative journey. Let me know which one you lean toward and what you plan to shoot!
Happy shooting!
Nikon Z7 II vs Olympus SP-600 UZ Specifications
Nikon Z7 Mark II | Olympus SP-600 UZ | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model | Nikon Z7 Mark II | Olympus SP-600 UZ |
Category | Pro Mirrorless | Small Sensor Superzoom |
Released | 2020-10-14 | 2010-02-02 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | - | TruePic III |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor area | 858.0mm² | 27.7mm² |
Sensor resolution | 46MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | - |
Maximum resolution | 8256 x 5504 | 3968 x 2976 |
Maximum native ISO | 25600 | 1600 |
Maximum boosted ISO | 102400 | - |
Min native ISO | 64 | 100 |
RAW format | ||
Min boosted ISO | 32 | - |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 493 | 143 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 28-420mm (15.0x) |
Largest aperture | - | f/3.5-5.4 |
Macro focus distance | - | 1cm |
Number of lenses | 15 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3.2 inches | 2.7 inches |
Screen resolution | 2,100k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 seconds | 1/2 seconds |
Highest shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shooting rate | 10.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 3.10 m |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (24 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705g (1.55 lb) | 455g (1.00 lb) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 110 x 90 x 91mm (4.3" x 3.5" x 3.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 photographs | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (12 or 2 sec) |
Time lapse shooting | ||
Storage type | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC, Internal |
Card slots | Two | 1 |
Launch cost | $2,997 | $189 |