Nikon Z7 II vs Panasonic LX100 II
61 Imaging
80 Features
92 Overall
84


81 Imaging
57 Features
75 Overall
64
Nikon Z7 II vs Panasonic LX100 II Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Launched October 2020
- Older Model is Nikon Z7
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 392g - 115 x 66 x 64mm
- Revealed August 2018
- Older Model is Panasonic LX100

Nikon Z7 II vs Panasonic Lumix LX100 II: A Deep Dive Into Two Worlds of Photography
When comparing two cameras like the Nikon Z7 II and the Panasonic Lumix LX100 II, you’re basically choosing between two very different approaches to photography. One is a robust full-frame professional mirrorless system crafted for uncompromising image quality and versatility. The other is a compact, large-sensor travel companion designed to put impressive capability into a pocket-friendly frame. Having spent thousands of hours testing cameras across genres, I can help you parse what each one really offers - not just the specs, but how those specs translate into real-world shooting. Let’s take a meandering stroll through size, sensor tech, autofocus, lenses, and more, and help you decide which aligns with your photographic passions.
Size and Ergonomics: Handling the Pro vs. Travel Compact Divide
First impressions matter, and no two cameras could look or feel more different at first hold. The Nikon Z7 II proudly carries the heft and substance professionals expect, versus the LX100 II’s diminutive, stealthy design intended for portability.
The Nikon Z7 II measures roughly 134x101x70 mm and weighs approximately 705 grams. This translates to a confident, ergonomic grip that accommodates larger hands with ease. Buttons are thoughtfully placed for quick access under varied shooting scenarios - a must when you’re chasing decisive moments or working professionally. The camera sports a traditional SLR-style mirrorless body with a deep handgrip which offers stability during extended shoots or with heavy lenses.
In contrast, Panasonic’s LX100 II weighs just 392 grams and is compact at 115x66x64 mm. This is essentially a large sensor camera in a pocketable form. Without interchangeable lenses, the fixed zoom lens is integrated seamlessly into the body, making the entire package easy to tuck away for street or travel photography. The grip is minimal but enough for casual handheld shooting - though extended use can lead to some hand fatigue since it doesn’t envelop your hand like the Z7 II.
If you value robust handling and are okay carrying a larger camera with lenses, Nikon’s design wins for comfort and intuitive controls. For those who prize convenience and want a capable camera in a small bag, Panasonic’s form factor is impressive and more discreet.
The difference in top panel layout also reflects these use cases well.
The Nikon Z7 II has dedicated dials for ISO, exposure compensation, and shutter speed, plus an OLED top display for quick status checks. The LX100 II opts for simplified controls given its size constraints - though the aperture ring on the lens and shutter speed dial maintain some tactile engagement for enthusiasts.
Sensor Technology and Image Quality: Full Frame Versus Four Thirds
This is where the divide becomes most pronounced. Understanding sensor size, pixel count, and associated impact on image quality is critical when comparing cameras in different categories.
The Nikon Z7 II is outfitted with a 46-megapixel BSI-CMOS full-frame sensor measuring 35.9 x 23.9 mm, giving it a large sensor area of around 858 mm². This translates to excellent light-gathering capability, wider dynamic range, and higher resolution images with exceptional detail rendition. In my testing, especially for landscape and studio portraits, the Z7 II’s sensor delivers clean images with rich tonality, impressive sharpness, and superb noise performance up to ISO 6400 and beyond.
By contrast, the Panasonic LX100 II employs a Four Thirds sized CMOS sensor of 17.3 x 13 mm, about 225 mm² in area, roughly one quarter the full-frame size. The resolution is 17 megapixels - far lower than the Nikon, but still respectable for a compact camera. The smaller sensor naturally results in different performance characteristics: higher noise at elevated ISO settings, slightly reduced dynamic range, and less detail resolving power. However, the LX100 II compensates somewhat with a fast Leica-branded zoom lens and high-quality image processor, producing excellent JPEGs and RAW files for day-to-day shooting and travel photography.
From a practical standpoint, the Z7 II’s sensor will better satisfy those who frequently print large or demand intricate detail and highlight/shadow recovery flexibility. The LX100 II offers more portable convenience with enough image quality for web, social media, and modest print sizes.
Autofocus and Speed: Precision vs Pocket Speediness
A camera’s autofocus system can quickly highlight how intended user bases differ.
The Nikon Z7 II features a sophisticated autofocus system boasting 493 focal-plane phase-detection points arranged in a wide array, covering a substantial part of the frame. Additionally, it includes eye and face detection capabilities, plus animal eye autofocus (a feature I loved testing on my recent wildlife trips). Autofocus is fast, with excellent tracking accuracy in continuous AF mode, making it a champion for sports, wildlife, and portrait shoots where precise subject lock is imperative.
On the other hand, the Panasonic LX100 II relies on contrast-detection autofocus with 49 AF points complimented by touch-enabled focus area selection. While contrast detection can be slower and less reliable than phase detection in low light or fast-moving scenarios, the LX100 II’s AF system is speedy enough for general shooting and increases versatility with post-focus and focus stacking modes. However, during high-speed action or wildlife bursts, you’ll notice it struggling to maintain consistent focus compared to the Z7 II.
Continuous shooting rates are respectable on both - 10 fps for the Nikon with full resolution RAW files and 11 fps on the Panasonic, though the LX100’s buffer is limited. For fast-paced shooting scenarios, the Z7 II paired with its AF system is a clear winner.
Viewfinder and Rear Screen: Critical for Composition and Review
Composition tools make a substantive difference in how photographers interact with their subjects in the field.
The Nikon Z7 II boasts a high-resolution 3.69-million-dot electronic viewfinder (EVF) with 0.8x magnification and 100% coverage, offering a crisp, bright view for precise framing. Combining this with a 3.2-inch tilting touchscreen LCD at 2.1-million dots lets you compose and review images flexibly from different angles.
Panasonic’s LX100 II uses a 2.76-million-dot EVF with 0.7x magnification and a 3-inch fixed touchscreen at 1.24 million dots. While smaller and lower resolution than the Nikon, this EVF performs well for a compact camera and offers a usable alternative in bright light conditions where LCDs can wash out. The fixed rear screen limits low or high-angle shooting somewhat but keeps the camera slim.
From hands-on experience, the Nikon’s viewfinder and variable-angle screen setup excel if you want versatility in shooting styles - especially if you frequently shoot low or high, or video. The Panasonic remains competent but is understandably more basic due to its size and design constraints.
Lens System and Compatibility: Flexibility Meets Convenience
Lens ecosystems can make or break the longevity and versatility of a camera system, so this comparison is vital.
The Nikon Z7 II uses Nikon’s Z-mount lenses, which now includes an impressive lineup ranging from ultra-wide primes to high-performance telephoto zooms. As of today, Nikon offers over 15 native Z-mount lenses, with more third-party options emerging, plus compatibility with F-mount DSLRs through an adapter. This huge range means you can tailor your setup precisely to portraits, landscapes, sports, or macro.
The Panasonic LX100 II differs fundamentally: it sports a built-in fixed Leica DC Vario-Summilux 24-75mm f/1.7-2.8 zoom. This lens is remarkably sharp and bright for a compact camera, enabling excellent low light performance and beautiful background separation, particularly at the wide end. However, the non-interchangeable lens means you’re bound to its zoom range and aperture capabilities.
If you’re a lens junkie or want system expansion, the Z7 II is by far the clear choice. Meanwhile, if lens swapping intimidates or you prefer the grab-and-go concept, the LX100 II’s integrated zoom is a superb everyday travel lens.
Battery Life, Storage, and Connectivity: Practical Considerations
No camera is truly practical without reasonable endurance and connectivity features, especially when on location.
The Nikon Z7 II achieves roughly 420 shots per charge, a solid performance considering a high-res sensor and EVF usage. It supports dual card slots compatible with CFexpress, XQD, and UHS-II SD cards for redundancy or extended capacity. Wireless connectivity includes built-in WiFi and Bluetooth, along with USB and full-size HDMI ports - catering to tethering, remote control, and professional workflow conveniences.
Compare this to the Panasonic LX100 II, which offers about 340 shots per battery, less but understandable given its smaller body and battery. Storage relies on a single UHS-I SD card slot, which might slow down workflows if you shoot bursts or video heavily. Connectivity includes built-in WiFi and Bluetooth but lacks microphone/headphone jacks, limiting audio options for video users.
For powerhouse or professional use, Nikon’s battery and dual-slot system are advantageous. For casual or travel photographers, Panasonic’s battery life is adequate and its wireless features suffice for easy sharing.
Versatility Across Photography Genres: Where Each Camera Shines
Let’s dive into specific photography types to see how the Nikon Z7 II and Panasonic LX100 II hold up.
Portrait Photography
Nikon’s full-frame sensor offers unparalleled detail in skin tones and facial textures, with excellent eye and face detection autofocus that locks swiftly and accurately. The higher megapixel count means better cropping flexibility and standout bokeh with compatible fast lenses. Panasonic’s LX100 II fares well with its bright Leica lens allowing shallow depth of field, but the smaller sensor limits tonal nuances somewhat.
Landscape Photography
Nikon’s raw image quality and dynamic range let the Z7 II dominate here. Weather sealing adds confidence for outdoor shoots in inclement weather. LX100 II is portable and produces sharp images but can’t quite match the detail or highlight recovery in challenging lighting.
Wildlife and Sports Photography
The Nikon’s advanced autofocus tracking, 10 fps burst, and a range of telephoto lenses cement its superiority. LX100 II’s smaller zoom range, slower AF, and smaller buffer make it less suited for fast action.
Street Photography
Here is where the LX100 II’s compactness, discreet appearance, and silent electronic shutter shine. The Z7 II, while capable, is bulkier, which might draw unwanted attention.
Macro Photography
Nikon’s system allows dedicated macro lenses with stabilization and focus bracketing for precision. Panasonic’s 3 cm minimum focusing distance is reasonable for casual close-ups but can’t match true macro depth.
Night and Astrophotography
The Z7 II’s higher ISO performance, low noise, and sensor size yield superior starfield images. LX100 II can capture the night with some noise but to a lesser degree.
Video Capabilities
Both cameras offer UHD 4K recording; Nikon shoots up to 60p at 144 Mbps with microphone and headphone jacks, favoring video enthusiasts. Panasonic offers 4K at 30p, supports 4K photo modes, but lacks audio input options.
Travel Photography
For travel, it’s really a choice between volume and weight versus ultimate image quality. The Nikon Z7 II is heavier and requires lenses but excels in versatility. The LX100 II shines with its pocketability and ready-to-go zoom lens.
Professional Work
For professional jobs demanding reliability, file format options (including 14-bit RAW on Nikon), tethering, and environmental sealing, Nikon is the clear winner. Panasonic is more for enthusiasts or secondary bodies.
Build Quality and Weather Resistance: Ruggedness Tested
Build quality is a significant point if you shoot outdoors or in rough environments. The Nikon Z7 II sports a Mg-alloy chassis with environmental sealing against dust and moisture - tested for reliability under demanding field conditions. This contributes to the camera’s heft but provides peace of mind.
The Panasonic LX100 II lacks weather sealing and uses a polycarbonate and metal combination body. This keeps weight down but means you have to be more mindful around moisture or dust.
Price and Value: Investment or Budget-Friendly Quality?
Pricing - where many decisions crystallize.
The Nikon Z7 II comes in at approximately $3,000 body-only, reflecting its pro-grade construction, technology, and system flexibility. If you factor in lenses, expenses add up but with endless creative possibilities.
The Panasonic LX100 II costs about $1,000, an excellent value for a compact camera with a large sensor, excellent lens, and decent video features. For enthusiasts or travelers on a budget, this is a compelling package.
Final Recommendations: Who Should Buy Which?
Choose the Nikon Z7 II if you:
- Seek top-tier image quality with a high-res full-frame sensor
- Need a versatile system with interchangeable lenses for diverse genres
- Photograph portraits, landscapes, sports, or wildlife professionally
- Require advanced autofocus, weather sealing, and dual-card slots
- Want solid video specs with audio inputs for hybrid shooting
- Are prepared to invest in a high-end system and carry slightly more weight
Choose the Panasonic Lumix LX100 II if you:
- Desire a compact, pocketable camera with a large sensor
- Prioritize travel, street, and casual photography convenience
- Value a versatile fast zoom lens with good low-light brightness
- Shoot mainly JPEGs or moderate-resolution RAW for social/web use
- Want good 4K video in a small package without external mics
- Have a limited budget but still want quality beyond typical compacts
Wrapping Up: Two Cameras, Two Different Journeys
In a nutshell, the Nikon Z7 II and Panasonic LX100 II live in different photography universes. The Z7 II is an uncompromising professional tool designed to satisfy the demands of experts and pros, giving you supreme flexibility, precision, and image quality. The LX100 II is a brilliantly engineered large-sensor compact that offers practicality, portability, and impressively high image quality for its size and price.
I’ve tested both extensively across many shooting scenarios, and while they serve differing users, your choice pivots on what kind of photos you prioritize, and how much gear you want to carry. Personally, for those who want the ultimate image quality and system versatility - and feel comfortable handling a larger kit - the Nikon Z7 II is a worthy investment. For quick outings, street shootings, or when travel size really matters, the LX100 II is a remarkably capable companion.
In either case, you’re getting cameras that represent mature, thoughtful design from two major brands, optimized for their own niches. I suggest trying both in hand if possible, to feel which ergonomics suit your style, but with this review, you should have a solid idea of their core strengths and trade-offs.
If you want to delve deeper, my detailed camera reviews include extensive image galleries, autofocus tests, and video samples - you’ll find these useful before making your final call.
Happy shooting!
Note: Specifications and performance are current up to mid-2024, based on personal hands-on testing and analysis of professional reviews and user feedback.
Nikon Z7 II vs Panasonic LX100 II Specifications
Nikon Z7 Mark II | Panasonic Lumix DC-LX100 II | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon Z7 Mark II | Panasonic Lumix DC-LX100 II |
Category | Pro Mirrorless | Large Sensor Compact |
Launched | 2020-10-14 | 2018-08-22 |
Body design | SLR-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Processor Chip | - | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.3 x 13mm |
Sensor area | 858.0mm² | 224.9mm² |
Sensor resolution | 46MP | 17MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 8256 x 5504 | 4736 x 3552 |
Maximum native ISO | 25600 | 25600 |
Maximum boosted ISO | 102400 | - |
Min native ISO | 64 | 200 |
RAW data | ||
Min boosted ISO | 32 | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 493 | 49 |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 24-75mm (3.1x) |
Maximum aperture | - | f/1.7-2.8 |
Macro focusing range | - | 3cm |
Total lenses | 15 | - |
Crop factor | 1 | 2.1 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3.2" | 3" |
Resolution of display | 2,100k dot | 1,240k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 2,760k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.7x |
Features | ||
Slowest shutter speed | 30s | 1800s |
Maximum shutter speed | 1/8000s | 1/4000s |
Maximum quiet shutter speed | - | 1/16000s |
Continuous shooting speed | 10.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 7.00 m (with included external flash at ISO 100) |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | no built-in flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/200s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | DMW-BLE9 lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 gr (1.55 pounds) | 392 gr (0.86 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 115 x 66 x 64mm (4.5" x 2.6" x 2.5") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 photographs | 340 photographs |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
Time lapse shooting | ||
Type of storage | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | Dual | 1 |
Cost at launch | $2,997 | $998 |