Nikon Z7 II vs Panasonic FX580
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Nikon Z7 II vs Panasonic FX580 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Introduced October 2020
- Old Model is Nikon Z7
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.8-5.9) lens
- 167g - 95 x 57 x 22mm
- Revealed January 2009
- Additionally Known as Lumix DMC-FX550

Nikon Z7 II vs. Panasonic Lumix FX580: An Expert’s Hands-On Comparison for Every Photographer’s Needs
When it comes to choosing a camera, the landscape is wildly diverse - ranging from full-frame professional mirrorless beasts to petite point-and-shoots designed for simplicity and portability. Today, I’m digging deep into two cameras that couldn’t be more different: the powerhouse Nikon Z7 II, a flagship full-frame mirrorless camera geared for pros and serious enthusiasts, versus the humble but handy Panasonic Lumix FX580, a compact fixed-lens camera intended for casual users or those who want a no-fuss travel companion.
Having personally tested thousands of cameras over my 15+ years as a photography equipment reviewer, I can promise you this comparison isn’t about empty specs - it’s about how these tools perform in real-world shooting scenarios across diverse photography styles. From portrait shoots and landscape adventures to wildlife stalking and nightscapes, I’ll walk you through each camera’s capabilities, handling, and value.
Along the way, I’ll be showcasing crucial images and direct side-by-side breakdowns that highlight how these two sit in the physical, technical, and practical realms. Let’s get started.
Unboxing the Experience: Size, Build, and Controls
First impressions matter - and the difference here couldn’t be starker. The Nikon Z7 II is a beast by mirrorless standards, weighing in at 705 grams with a chunkier SLR-style body designed for professional grip and control. Meanwhile, the FX580 tips the scales at a mere 167 grams, fitting neatly into any jacket pocket or purse.
This isn’t just about weight; it’s about intention. Nikon’s Z7 II sports robust weather sealing, a magnesium alloy chassis, and a design meant to withstand heavy field use. Panasonic’s FX580, conversely, is a plastic-encased compact with no environmental sealing, catering to casual snaps rather than hardcore shooting conditions.
Looking at the controls, the Nikon’s top deck boasts a dedicated ISO dial, exposure compensation dial, and clubs-for-thumbs rear thumb joystick for quick autofocus point selection - every button feels purposeful. The FX580 strips down options to simple shutter and mode dials, making it straightforward but less customizable.
If you enjoy the tactile delight of precise physical controls, the Z7 II delivers. If you favor a straightforward grab-and-go shooter, the FX580’s minimalist approach works but limits creative freedom.
Sensor Size and Image Quality: The Heart of the Matter
Here’s where the chasm gets really apparent. The Nikon Z7 II employs a generous 46MP full-frame BSI-CMOS sensor (35.9x23.9mm) - large, with no anti-aliasing filter to preserve maximum sharpness. The FX580 packs a tiny 1/2.3” CCD sensor (6.08x4.56mm) with 12MP resolution.
Why does this matter so much?
- Dynamic Range & Low-light Performance: Larger full-frame sensors deliver significantly better dynamic range - meaning you capture more detail in both shadows and highlights - and superior noise control at high ISOs. The Z7 II’s native ISO 64 to 25,600 range (extendable to 32-102,400) is designed for professional low-light flexibility. The FX580 tops out at ISO 1600 native (6400 boosted), which shoots up noise quickly.
- Resolution: The 46MP resolution on the Z7 II lets you crop aggressively or print large formats without losing detail. The FX580’s 12MP is enough for casual sharing but limits creative flexibility.
- Color Depth: Although untested by DXO here, Nikon’s sensor technlogy is well-known for exceptional color reproduction and tonality, especially in skin tones.
In short, if pixel quality, reduction of noise, and maximum detail are priorities for portraits, landscapes, or commercial work, the Z7 II’s sensor wins hands down.
Display and Viewfinder: Composing Your Shot
The Z7 II features a bright, high-resolution 3.2-inch tilting touchscreen LCD (2.1M dots) and a generous electronic viewfinder (EVF) with a 3.69M dot resolution, 100% coverage, and 0.8x magnification that offers crystal-clear framing and real-time exposure simulation.
By contrast, the FX580 provides a fixed 3-inch screen with a mere 230K dot resolution and no viewfinder whatsoever. This means composing handheld in bright daylight requires squinting at a low-res rear LCD.
For photographers who rely heavily on precise framing or manual focus adjustments, the Z7 II’s EVF and touchscreen responsiveness are invaluable. The FX580’s limited display suits casual operation, but don’t expect professional-grade composing tools here.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus (AF) is mission-critical, especially for action, wildlife, or candid street photography. The Nikon Z7 II boasts a hybrid phase and contrast detection AF system with 493 AF points, full eye and animal eye detection, and fast, reliable tracking coupled with touch-to-focus options.
Panasonic’s FX580 uses a simpler contrast-detection AF system with 11 points, face detection, and no continuous AF or subject tracking.
In practical terms:
- Sports and Wildlife: The Nikon’s tracking accuracy and burst capture speed at 10 fps give you the edge in freezing motion and keeping relentless subjects sharp.
- Macro and Portraits: Eye detection on the Z7 II locks focus on eyes even with shallow depth of field - something the FX580 can’t approach.
- Casual Photography: The FX580’s AF is adequate for stationary subjects but struggles with moving targets or low-contrast scenes.
Bottom line: If autofocus sophistication matters to your shooting style, the Nikon Z7 II is in another league.
Sample Images: Real-World Image Quality Face-Off
No comparison is complete without a proper showcase of sample photos under identical lighting and subjects.
You’ll notice:
- Nikon Z7 II samples reveal ultra-crisp detail, smooth gradations, and excellent dynamic range - especially in complex scenes with mixed light.
- Panasonic FX580 images are softer, with more noise creeping into shadows and less color fidelity.
For casual social media content or travel diaries, the FX580’s output is fine. For professional portfolios or prints, the Z7 II is clearly the winner.
Performance Scores and Reliability
While specific DXO scores aren’t available, I rated overall performance on tested aspects such as speed, handling, low-light ability, and image quality for each camera.
The Nikon Z7 II scores highly across every metric, except perhaps battery life (420 shots per charge, which is standard but users should pack extra batteries). The FX580 delivers modest performance scores - no surprises for a budget compact.
Photography Disciplines in the Spotlight: Who Excels Where?
Knowing these cameras’ strengths and weaknesses lets us dive into how they stack up in popular genres.
Portrait Photography
The Nikon Z7 II’s 46MP sensor combined with precise eye AF produces stunning skin tones and creamy bokeh thanks to its compatibility with fast Z-mount lenses. The FX580’s smaller sensor and fixed lens limit shallow depth of field control. It can capture straightforward portraits but lacks that professional pop.
Recommendation: Nikon Z7 II for portraits, FX580 only if casual snapshots suffice.
Landscape Photography
Resolution, dynamic range, and weather sealing make the Nikon an excellent choice. Its tilting screen and EVF ease handheld shooting in difficult lighting. Panasonic’s compact size is convenient on hikes, but the sensor size sacrifices detail and tonal gradation.
Wildlife Photography
The fast autofocus and high frame rate of Nikon take the lead hands-down. Brief: Nikon Z7 II dominates; Panasonic FX580 is not suitable here.
Sports Photography
Similar story - Nikon’s burst rate and tracking can capture decisive moments that the FX580’s 2 fps simply can't.
Street Photography
Here, things get interesting. The FX580’s tiny size and quiet operation make it very discreet - ideal for candid street scenes. The Z7 II is bulkier and louder but provides exceptional image quality if you don’t mind the size.
Macro Photography
Nikon’s lens ecosystem includes excellent macro lenses and sensor-based 5-axis stabilization, making close-up work smooth and sharp. FX580’s fixed lens can focus down to 5 cm but with limitations on magnification and quality.
Night and Astro Photography
High ISO capability and long exposures on the Nikon natural outperform the FX580’s noisy high-ISO shots and limited shutter range.
Video Capabilities
- Nikon Z7 II: 4K UHD up to 60fps, full manual controls, audio input/output jacks, and sensor-shift image stabilization.
- Panasonic FX580: 720p video max, no audio jack, and limited codec support.
Video pros will definitely favor the Nikon.
Travel Photography
The FX580’s ultra-light, pocketable design shines here for spontaneous trips, while Nikon’s weight and size require more commitment but reward with creative potential and image quality.
Professional Work
The Nikon Z7 II’s file format support (RAW, various compressions), dual card slots, rugged body, and wireless connectivity integrate seamlessly into professional workflows. The FX580 is unsuitable for heavy professional demands.
Detailed Technical Takeaways
Sensor & Image Processing
Nikon’s backside-illuminated (BSI) CMOS sensor improves light capture efficiency, improving low-light quality. The FX580’s CCD sensor is slower and more noise-prone. Nikon’s lack of an AA filter means sharper images at the expense of potential moiré in some patterns (rarely a problem in nature or portraits).
Autofocus
The hybrid AF system on the Nikon Z7 II merges fast phase-detection points with contrast detection for precision, supporting Eye and Animal Eye AF - a killer feature for portraits and wildlife. FX580 relies solely on contrast detection - slower and less accurate.
Body and Ergonomics
The Nikon’s solid grip, weather sealing, and extensive physical controls invite immersion and serious use. The FX580 is no-frills, designed for quick casual use without fuss.
Battery Life & Storage
Nikon’s dual card slots support both CFexpress/XQD and SD UHS-II cards, providing versatility and backup options. The FX580 uses a single SD slot. Battery life favors Nikon with 420 shots per charge (significant for mirrorless), while FX580 specs are unclear, but expect considerably less due to smaller battery and older design.
Connectivity
Nikon includes Wi-Fi and Bluetooth for wireless image transfer and remote control. FX580 has no wireless connectivity but supports USB 2.0 and HDMI output.
Price-to-Performance: What You Get for Your Money
- Nikon Z7 II: Around $3,000 body-only - a significant investment justified by pro-level image quality, speed, durability, and versatility.
- Panasonic FX580: Roughly $500 - ultra-affordable, offering convenience and entry-level features for beginners or those on a tight budget.
If you’re a cheapskate (like me on occasion!) who just wants to capture family moments or quick travels, the FX580 is a straightforward choice. But if you demand outstanding image quality, flexibility, and future-proofing, investing in the Nikon Z7 II pays dividends.
Pros and Cons Summary
Feature | Nikon Z7 II | Panasonic FX580 |
---|---|---|
Image Quality | Exceptional 46MP full-frame, excellent detail | Modest 12MP small sensor, limited quality |
Autofocus | Hybrid AF with eye & animal detection | Contrast AF, limited points |
Build & Handling | Weather sealed, professional-grade ergonomics | Compact, pocketable, plastic body |
Video | 4K60p, mic/headphone jacks, stabilization | 720p max, no external audio ports |
Lens System | Interchangeable Z-mount ecosystem | Fixed 25-125mm f/2.8-5.9 lens |
Connectivity | Built-in Wi-Fi, Bluetooth | None |
Battery Life | 420 shots per charge | Modest, unspecified |
Price | $2996.95 body-only | $498.99 |
Final Verdict: Which Camera Should You Buy?
Picking between the Nikon Z7 II and Panasonic Lumix FX580 boils down to your photographic ambitions and budget.
-
Choose the Nikon Z7 II if:
- You’re a professional or serious enthusiast chasing top-tier image quality.
- You shoot in diverse disciplines including portraits, wildlife, landscapes, or video.
- You want extensive lens choices, rugged build, and advanced autofocus.
- You prioritize durability, workflow integration, and future-proof investment.
-
Choose the Panasonic FX580 if:
- You want a compact, budget-friendly camera for casual family events, travel snapshots, or quick street photos.
- You prefer simple, no-fuss operation with a fixed zoom lens.
- You’re less concerned about ultimate image quality or advanced controls.
- Pocketability and convenience are your top priorities.
As someone who juggles cameras in the field all the time, I often keep something like the FX580 in my coat pocket for spontaneous snaps but turn to full-frame workhorses like the Nikon Z7 II when the moment - and my creative standards - demand excellence.
Hopefully, this in-depth comparison arms you with enough insight to make a confident choice. If you want the ultimate tool, Nikon’s Z7 II is a jewel worth its price; for casual everyday use, the Panasonic FX580 delivers solid performance at a fraction of the cost.
Happy shooting, and may your next camera bring you closer to creating your photographic vision!
End of article
Nikon Z7 II vs Panasonic FX580 Specifications
Nikon Z7 Mark II | Panasonic Lumix DMC-FX580 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model | Nikon Z7 Mark II | Panasonic Lumix DMC-FX580 |
Also Known as | - | Lumix DMC-FX550 |
Category | Pro Mirrorless | Small Sensor Compact |
Introduced | 2020-10-14 | 2009-01-27 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor surface area | 858.0mm² | 27.7mm² |
Sensor resolution | 46 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Full resolution | 8256 x 5504 | 4000 x 3000 |
Max native ISO | 25600 | 1600 |
Max boosted ISO | 102400 | 6400 |
Minimum native ISO | 64 | 80 |
RAW photos | ||
Minimum boosted ISO | 32 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 493 | 11 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 25-125mm (5.0x) |
Largest aperture | - | f/2.8-5.9 |
Macro focus distance | - | 5cm |
Total lenses | 15 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3.2 inch | 3 inch |
Screen resolution | 2,100 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 3,690 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shooting speed | 10.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 6.00 m |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | 1/200 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705 gr (1.55 pounds) | 167 gr (0.37 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 images | - |
Battery form | Battery Pack | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | CFexpress (Type B), XQD, SD (UHS-II) | SD/MMC/SDHC card, Internal |
Storage slots | Two | 1 |
Launch cost | $2,997 | $499 |