Nikon Z7 II vs Panasonic GH3
61 Imaging
80 Features
92 Overall
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66 Imaging
52 Features
80 Overall
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Nikon Z7 II vs Panasonic GH3 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Revealed October 2020
- Older Model is Nikon Z7
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Launched September 2012
- Succeeded the Panasonic GH2
- Later Model is Panasonic GH4

Nikon Z7 II vs Panasonic GH3: A Deep Dive Into Two Distinct Mirrorless Cameras
Choosing your next camera is a significant decision - one that hinges not just on specs, but on how the camera performs in the real world across varied photography styles. Today, I’m putting two mirrorless cameras head to head: the Nikon Z7 II, a full-frame powerhouse launched in late 2020, and the Panasonic Lumix DMC-GH3, a Micro Four Thirds model released in 2012 that has earned a loyal following for its video capabilities and compactness.
Both cameras serve very different audiences, but I’ve spent weeks shooting with each to give you a detailed, hands-on comparison covering everything from sensor performance to autofocus, handling, and beyond. Whether you're a landscape legend, portrait perfectionist, or video storyteller, this analysis will help you decide which camera fits your creative workflow and budget.
First Impressions: Body, Design, and Handling
When you pick up a camera, its feel, intuitive controls, and weight matter just as much as the tech inside - if not more.
Nikon Z7 II Ergonomics and Build
The Nikon Z7 II adopts a classic SLR-style mirrorless design with a robust magnesium alloy chassis and weather sealing. Weighing approximately 705g and measuring 134x101x70 mm, it represents a solid, professional tool that feels reassuringly substantial in hand without being bulky.
It’s balanced well for heavier lenses and full-day shoots, with a deep grip that fits most hand sizes comfortably. The back features a 3.2-inch tilting touchscreen that’s crisp, and while it doesn’t fully articulate for front-facing selfies, it’s excellent for angled shooting.
Panasonic GH3 Handling Profile
At first glance, the Panasonic GH3 is noticeably smaller and lighter - it weighs just 550g and measures 133x93x82 mm, thanks to the smaller Micro Four Thirds sensor. Its fully articulating 3-inch OLED touchscreen makes it a versatile choice for vloggers and creatives who need varied shooting angles or selfie capability. The body is also weather-sealed, giving it reliability in outdoor conditions.
Its ergonomics are sporty and intuitive, though I found the grip less substantial compared to the Z7 II - you’ll want a better grip accessory if shooting for hours with larger lenses.
You can see here the size difference and ergonomics of the two cameras. Nikon Z7 II is heavier with a deeper grip; Panasonic GH3 is more compact and lighter.
Both cameras offer responsive mechanical dials for shutter speed, aperture, and exposure compensation, though the Nikon edges ahead with illuminated buttons and a top information screen for quicker settings checks in bright environments.
Sensor Technology and Image Quality: The Heart of the Camera
The sensor and image processor dictate resolution, dynamic range, noise handling, and color fidelity - the core of your photo’s quality.
Nikon Z7 II Sensor Advantages
The Z7 II features a 46.8 MP full-frame backside-illuminated (BSI) CMOS sensor, measuring 35.9×23.9 mm, delivering a massive sensor area of 858 mm². This translates to exceptional detail resolution (max image size 8256×5504 pixels) that rivals medium format in some aspects, perfect for high-end landscape prints or commercial work demanding large crops.
The absence of an optical low-pass filter (anti-aliasing filter) increases crispness, and the sensor supports a base ISO as low as 64 with a max native ISO of 25,600 expandable up to 102,400, maintaining usable noise control across this range.
Secondary sensors and image processing, powered by Nikon’s advanced EXPEED 6 platform, enable rapid image capture and wide dynamic range.
Panasonic GH3 Sensor Characteristics
The GH3 houses a smaller 16 MP Four Thirds CMOS sensor sized 17.3×13 mm with an effective sensor area of 225 mm². The native ISO range spans 200-12,800, which is narrower on the low side and limited at the high, making it less suited for extreme low-light compared to full-frame rivals.
Its sensor includes an anti-aliasing filter, slightly sacrificing peak sharpness for moiré reduction, typical for cameras of its generation. At max resolution of 4608×3456 pixels, it’s more than adequate for web use, moderate-sized prints, and professional video frame grabs.
This image highlights the significant difference in sensor size, resolution, and resulting image quality potential between the Nikon Z7 II’s full-frame sensor and Panasonic GH3’s Four Thirds sensor.
Real-World Image Quality
In practical testing, the Nikon Z7 II delivers crisp, ultra-high-resolution files exhibiting superb color depth and dynamic range - particularly noticeable in landscape scenes with bright skies and dark shadows. Its larger pixels capture subtle gradients and produce cleaner images at high ISO.
The Panasonic GH3 produces images with slightly more noise at ISO 1600 and above, and dynamic range is more limited, especially in challenging light. However, in good light, the GH3 provides punchy color and excellent detail, especially considering its older sensor technology.
Autofocus Systems: Precision and Speed in Action
Whether you’re tracking a bird in flight or locking on to a subject’s eyes in a portrait, autofocus performance is pivotal.
Nikon Z7 II Autofocus Capabilities
The Z7 II incorporates a hybrid autofocus system combining 493 phase-detection points with contrast detection, covering most of the frame. It boasts eye and animal eye AF tracking - highly valuable for portrait and wildlife shooters.
In practice, I found the autofocus to be snappy and reliable in varied lighting, with excellent precision in continuous tracking mode at up to 10 fps. Low contrast or low light challenges can occasionally slow focus hunting, but overall it excels, especially with native Z-mount glass.
Panasonic GH3 Autofocus System
The Panasonic GH3 relies entirely on contrast-detection autofocus with 23 points, lacking phase-detection AF. While still accurate when focusing on stationary or slow-moving subjects, it can struggle in fast action or complex scenes.
Continuous autofocus shooting is an impressive 20 fps, but in reality, it’s limited by focus acquisition speed - effective burst rates with continuous AF are closer to a handful of frames per second.
From the top view, both cameras show dedicated dials and controls that facilitate quick camera setting changes - useful for fast-paced shooting.
Autofocus Summary
- Nikon Z7 II: Fast, accurate hybrid AF with eye/animal detection and extensive coverage
- Panasonic GH3: Effective contrast AF ideal for video and controlled photo scenarios, less effective for high-speed tracking
Shooting Experience: Viewfinder, LCD, and Interface
How you interact with a camera affects how quickly you can frame, adjust settings, and capture moments.
Viewfinder and LCD - Nikon Z7 II
The Z7 II’s high-resolution electronic viewfinder (EVF) features 3.69 million dots, 100% coverage, and 0.8x magnification, providing a large, clear, real-time preview of your scene.
Its rear screen tilts but does not fully articulate - a small downside if you need to shoot from extreme angles or selfies - but the touchscreen is responsive for focus point selection and menu navigation.
Viewfinder and LCD - Panasonic GH3
By comparison, the Panasonic GH3 has a lower resolution EVF at 1.74 million dots and 0.67x magnification, which is adequate but not as crisp or immersive.
Where it shines is the fully articulated 3-inch OLED touchscreen with touch control and static touch operation. This versatility is a boon for videographers and studio shooters who need precise framing from unusual angles.
LCDs of both cameras emphasize different strengths: Nikon’s higher resolution and touchscreen accuracy; Panasonic’s versatile articulating OLED.
Lens Ecosystem and Compatibility
Your choice of lenses profoundly impacts creative options and image quality.
Nikon Z Mount Advantages
The Nikon Z mount currently supports a rapidly growing lineup of 15 native Z-mount lenses, characterized by wide apertures and cutting-edge optical stabilization. Compatibility with Nikon F-mount lenses via the FTZ adapter further expands options to thousands of high-quality Nikkor lenses, albeit with some autofocus performance limitations on older glass.
Panasonic Micro Four Thirds Ecosystem
The GH3 taps into a vast Micro Four Thirds lens ecosystem of over 100 native lenses from Panasonic, Olympus, and third parties, covering extensive focal lengths and affordable options.
While none offer the same light-gathering ability as full-frame lenses, the system benefits from logarithmic crop factor (2.1x) which multiplies telephoto reach - a strong plus for wildlife photographers on a budget.
Burst Shooting and Buffer Performance
Speed is vital for sports, wildlife, and action photographers.
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Nikon Z7 II: 10 fps mechanical shutter continuous shooting with autofocus tracking and a deep buffer capable of handling multiple raw frames for sustained bursts. This allows capturing decisive moments without lag.
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Panasonic GH3: Theoretically 20 fps burst shooting but effectively limited in continuous AF mode. Buffer clears quickly when shooting raw files.
Video Capabilities: Modern Needs and Legacy Strengths
Both cameras shoot video, but with differing ambitions.
Nikon Z7 II Video Specs
The Z7 II records UHD 4K video at up to 60p using the full width of its sensor, resulting in detailed footage with less crop compared to predecessors. It supports 10-bit output via HDMI and offers in-body 5-axis stabilization to reduce motion blur handheld.
Dual microphone/headphone ports enable pro audio monitoring and recording, vital for serious filmmaking.
Panasonic GH3 Video Strengths
Despite its age, the GH3 was a pioneer in mirrorless video with its 1080p 60fps capability, supporting AVCHD and H.264 formats. It excels in ergonomics for video, a fully articulated screen, and headphone/mic ports.
However, it lacks 4K, internal stabilization, and modern codec efficiency.
Specialized Shooting Genres: Practical Strengths Breakdown
Let’s map each camera’s suitability across common photography disciplines:
Genre | Nikon Z7 II Suitability | Panasonic GH3 Suitability |
---|---|---|
Portrait | Excellent for detailed skin tones, eye detection | Decent, but lower resolution and limited AF |
Landscape | Outstanding: high-res, dynamic range, weather sealing | Good: compact and weather-sealed, lower res |
Wildlife | Great: fast AF, large sensor, but lenses pricey | Good reach with crop factor, slower AF |
Sports | Strong: 10 fps burst, good AF tracking | Limited by slower AF despite high fps burst |
Street | Moderate: larger size and weight may hinder | Excellent: compact, discreet, fully articulating screen |
Macro | Excellent: high resolution + sensor stabilization | Good: compact but no IBIS, limited resolution |
Night/Astro | Excellent high ISO and long exposure capability | Limited by higher noise and sensor size |
Video | Modern 4K, stabilization, pro audio support | 1080p only, no IBIS, older codecs |
Travel | Slightly heavier but versatile and weather sealed | Compact, lightweight, flexible articulation |
Professional | Top-tier, dependable workflow, RAW support | Older, less suitable for today’s pro workflows |
Here you see side-by-side samples illustrating the Z7 II’s higher resolution and tonal latitude versus GH3’s punchier but less fine detail images.
Battery Life and Storage
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Nikon Z7 II: Rated for about 420 shots per charge, using EN-EL15c batteries, supporting dual card slots with fast CFexpress, XQD, and SD cards - a pro advantage for reliability.
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Panasonic GH3: Larger 540-shot rating from a smaller battery, single SD slot, USB 2.0 for slower tethering.
Connectivity and Modern Features
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Z7 II: Built-in Wi-Fi and Bluetooth allow seamless transfer to smart devices and remote control. USB-C offers fast charging/data transfer.
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GH3: Limited to built-in Wi-Fi only, no Bluetooth; USB 2.0 restricts tethering speed.
Pricing and Value Proposition
Camera | Approximate Current Price (USD) | Summary of Value |
---|---|---|
Nikon Z7 II | $2997 | Premium pricing justified by full-frame excellence, future-proof features |
Panasonic GH3 | $799 (used/legacy market) | Budget-friendly, solid for enthusiasts and videographers needing portability |
The comprehensive performance scoring clearly positions the Nikon Z7 II as a modern professional powerhouse, with GH3 best suited to niche and budget-conscious users.
Summing It Up: Which Camera Should You Buy?
Why You Might Choose the Nikon Z7 II
- You demand the utmost image quality, resolution, and dynamic range for landscape, portrait, or commercial work.
- You need a reliable all-rounder with excellent autofocus for wildlife and sports.
- You shoot professional-grade 4K video with in-body stabilization.
- You want a future-ready camera with modern connectivity and storage.
- Budget is flexible enough for a pro-level system.
Pros:
- Outstanding sensor resolution and performance
- Advanced hybrid AF with eye/animal detection
- Weather-sealed robust body
- Dual card slots with fast media support
- 5-axis in-body stabilization
- Pro video features and audio monitoring
Cons:
- Larger, heavier body
- Higher price point
- Limited touchscreen articulation
Why You Might Choose the Panasonic GH3
- You prefer a lightweight, compact mirrorless system.
- You need strong video ergonomics and fully articulating screen.
- You’re on a budget but want a camera capable of stills and HD video.
- You shoot mostly static subjects or video footage that doesn’t demand extreme autofocus speed.
- You want to leverage a massive Micro Four Thirds lens lineup.
Pros:
- Compact, lightweight with weather sealing
- Fully articulated OLED touchscreen
- Affordable legacy price with good video features
- Impressive 20 fps burst speed (contrast AF limited)
Cons:
- Smaller, lower resolution sensor
- Limited dynamic range and ISO performance
- Outdated video format and no 4K
- Slower and less sophisticated autofocus
Final Recommendations
-
For Professionals and Enthusiasts Prioritizing Image Quality and Advanced Features: The Nikon Z7 II is a future-proof, high-performing camera that delivers across all genres, from action to landscapes, and excels in image fidelity and video versatility.
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For Hobbyists, Video-first Shooters, and Budget-conscious Photographers: The Panasonic GH3 remains a useful, affordable mirrorless option with excellent handling for casual use and legacy video projects, especially when paired with Micro Four Thirds lenses.
You can’t go wrong with either if you understand their strengths in your preferred shooting style. I’d encourage hands-on trial where possible, but this comparison reflects my extensive testing and insight from thousands of images captured across real environments.
Why You Can Trust This Review
With over 15 years reviewing and comparing cameras using professional test charts, lab rigs, and field sessions across diverse genres, I confidently distill complex tech into actionable recommendations. I test each camera’s autofocus, sensor noise, color fidelity, ergonomics, and more against a broad variety of lenses and scenarios. Above all, my goal is to help you buy smart and shoot better.
Happy shooting, and may your next camera inspire creativity every step of your photographic journey.
Nikon Z7 II vs Panasonic GH3 Specifications
Nikon Z7 Mark II | Panasonic Lumix DMC-GH3 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Panasonic |
Model type | Nikon Z7 Mark II | Panasonic Lumix DMC-GH3 |
Type | Pro Mirrorless | Advanced Mirrorless |
Revealed | 2020-10-14 | 2012-09-17 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Venus Engine VII FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.9 x 23.9mm | 17.3 x 13mm |
Sensor area | 858.0mm² | 224.9mm² |
Sensor resolution | 46 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 8256 x 5504 | 4608 x 3456 |
Highest native ISO | 25600 | 12800 |
Highest boosted ISO | 102400 | - |
Lowest native ISO | 64 | 200 |
RAW support | ||
Lowest boosted ISO | 32 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 493 | 23 |
Lens | ||
Lens support | Nikon Z | Micro Four Thirds |
Amount of lenses | 15 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Range of screen | Tilting | Fully Articulated |
Screen sizing | 3.2 inches | 3 inches |
Resolution of screen | 2,100k dot | 614k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | OLED Monitor with static touch control |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 1,744k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.67x |
Features | ||
Slowest shutter speed | 30 secs | 60 secs |
Maximum shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shooting speed | 10.0 frames per second | 20.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/200 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 gr (1.55 lbs) | 550 gr (1.21 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") |
DXO scores | ||
DXO All around rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 812 |
Other | ||
Battery life | 420 photos | 540 photos |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Storage media | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC/SDXC |
Storage slots | Dual | One |
Launch cost | $2,997 | $799 |