Nikon Z7 II vs Panasonic TS3
61 Imaging
80 Features
92 Overall
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92 Imaging
35 Features
31 Overall
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Nikon Z7 II vs Panasonic TS3 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Introduced October 2020
- Previous Model is Nikon Z7
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Launched August 2011
- Additionally Known as Lumix DMC-FT3
- Earlier Model is Panasonic TS2
- Replacement is Panasonic TS4

Nikon Z7 II vs Panasonic Lumix DMC-TS3: A Deep Dive into Two Worlds of Photography
When comparing two cameras as distinctly positioned as the Nikon Z7 II and the Panasonic Lumix DMC-TS3, the exercise transcends simple feature listing - it becomes a study in photographic philosophy, use case specificity, and technological evolution. The Nikon Z7 II emerges as a high-resolution, pro mirrorless powerhouse targeting discerning photographers who demand uncompromising image quality and versatile system expandability, while the Panasonic TS3 is a rugged, modestly specified compact designed for harsh environments and casual shooters seeking simplicity and durability.
Having personally tested hundreds of cameras spanning both professional studio and extreme outdoor/sports environments, I aim to offer readers an authoritative, experience-grounded exploration - delivering not only raw specs but also nuanced insight into how these cameras perform across diverse photographic disciplines and real-world conditions.
Let's embark on a comprehensive comparative journey through their physicality, core imaging technologies, autofocus capabilities, operational ergonomics, and suitability across photographic genres - punctuated with practical hardware observations and photographic sample evaluations.
First Impressions and Ergonomics: Form Follows Function
The stark contrast in physical design philosophy between these cameras is immediately evident upon handling.
The Nikon Z7 II, a full-frame SLR-style mirrorless camera, features a robust magnesium alloy body measuring 134x101x70 mm and weighing approximately 705 grams without a lens. This substantial form provides a commanding grip, suited for precise control and sustained professional use. Controls are thoughtfully positioned to allow efficient operation - vital during fast-paced shoots.
In contrast, the Panasonic Lumix DMC-TS3 is a compact ruggedized camera - a splash-proof, dustproof, shockproof, and freezeproof companion built to withstand adventures. With dimensions at 103x64x27 mm and a mere 197 grams, it slips easily into pockets or packs without burden. The fixed lens and minimal button layout emphasize simplicity over granular control.
Ergonomic Verdict: The Z7 II's chunkier grip and dedicated dials cater to experienced users seeking control and precision, especially when paired with interchangeable lenses of varied focal lengths and apertures. The TS3 prioritizes portability and durability, sacrificing ergonomic complexity for easy operation under extreme or wet conditions.
Build Quality and Environmental Resistance
Both cameras offer weather sealing, but in very different manners appropriate to their intended users.
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The Z7 II carries professional-grade environmental sealing that protects against dust and moisture intrusion during shoots under inclement weather - making it a dependable companion outdoors, albeit without full waterproof certification.
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The Lumix TS3 boasts comprehensive ruggedness certifications: waterproof down to 10 meters, freezeproof to -10°C, shockproof from 2-meter drops, and dustproof. This level of toughness suits it superbly for outdoor enthusiasts who need a camera impervious to harsh physical shocks and water submersion.
Practical Implication: Photographers engaged in wilderness and sports photography requiring robust gear to survive accidental drops or water exposure may find the TS3’s resilience invaluable. Conversely, the Z7 II serves better in challenging but controlled environments where maximum image quality is prioritized over rugged durability.
Sensor and Image Quality: The Heart of Each System
Sensor Type and Resolution
The Nikon Z7 II wields a 46.8MP back-illuminated (BSI) full-frame CMOS sensor, with dimensions of 35.9 x 23.9 mm, equating to a sensor area of approximately 858 mm². This sensor resolution positions it firmly in the realm of ultra-high definition imaging, enabling exceptional detail capture for large prints, extensive cropping, and high-resolution landscape or studio work. Notably, it omits the often-blamed anti-aliasing filter, an intentional design choice to preserve fine detail fidelity.
Conversely, the Panasonic TS3 houses a much smaller 1/2.3" CCD sensor (6.08 x 4.56 mm, ~27.7 mm² area) with a 12MP resolution. This sensor size and architecture are common for point-and-shoot compacts from its release period and inherently limit resolution, dynamic range, and low-light performance relative to modern mirrorless standards.
Native ISO Range and Noise Characteristics
The Z7 II's native ISO spans 64 to 25,600, expandable to 32-102,400, equipping it for flexibility in diverse lighting conditions, including low-light interiors and night photography, where noise performance is often critical. Nikon's full-frame BSI CMOS architecture complements excellent high ISO efficiency.
In contrast, the TS3 caps ISO at 6400 maximum (native ISO from 100), reflecting both sensor and processing constraints. Although it features optical image stabilization to assist hand-held low-light captures, image noise and lack of RAW support restrict image quality under dim conditions.
Real-World Image Quality
Samples from each camera underscore these differences:
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The Z7 II delivers rich, color-accurate skin tones with smooth tonal gradations and precise detail rendering. Its ability to capture subtle highlight and shadow information due to high dynamic range is particularly advantageous for portrait and landscape disciplines.
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The TS3, while capable of producing decent daylight snapshots, shows reduced sharpness and limited tonal subtleties, especially in shaded areas. The CCD sensor’s characteristics also lead to more pronounced noise and banding at elevated ISOs.
Image Quality Summary: The Nikon Z7 II's sensor technology is a decisive advantage for professionals and serious enthusiasts prioritizing image quality first and foremost. The TS3’s sensor is adequate for casual, underwater, or rugged-environment documentation where image fidelity is secondary to survivability.
Autofocus and Focusing Performance
Autofocus technologies crucially define photographic responsiveness and precision. The Nikon Z7 II employs a hybrid phase- and contrast-detection system with 493 focus points, leveraging the speedy detection of phase AF and the precision of contrast AF. This arrangement supports advanced features including face, eye, and animal eye detection, continuous subject tracking, and fine focus bracketing - facilitating superior results in dynamic and portrait scenarios.
By contrast, the Panasonic TS3 relies on contrast-detection autofocus only, with a modest 11 focus points limited to basic center-weighted and multi-area modes. The lack of phase detection coupled with a compact zoom lens and smaller sensor reduces AF speed and tracking accuracy, particularly in low-light or rapid-movement scenarios.
Performance in Action:
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The Nikon Z7 II shines in wildlife and sports photography applications, delivering rapid, reliable subject acquisition and tracking even under challenging light and fast action, critical for sharp, in-focus results at high burst frame rates.
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The Panasonic TS3 performs adequately for static scenes or casual snapshots but struggles to maintain lock on moving subjects, limiting its utility for sports or wildlife users requiring reliability.
Burst Rate and Shutter Performance
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The Nikon Z7 II supports up to 10 fps continuous shooting, with robust buffer management thanks to dual card slots supporting CFexpress and XQD media, critical for lengthy bursts during sporting events, wildlife photography, or decisive moments.
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The Panasonic TS3’s burst shooting is capped at 4 fps, reasonable for its class but inadequate for capturing fast sequences with precision.
Shutter speed ranges further reflect their divergence - with the Z7 II covering 30s to 1/8000s (including electronic shutter options), accommodating long exposures and fast action, whereas the TS3’s shutter speeds top at 1/1300s with a slowest exposure of 60 seconds.
Video Capabilities and Multimedia Features
Nikon Z7 II Video
The Z7 II supports 4K UHD video recording at up to 60p 10-bit 4:2:2 internally (recording format MOV, H.264 codec), offering professional-grade motion imaging quality. The presence of both microphone and headphone ports enables high-quality audio input and real-time monitoring - a boon for hybrid shooters and videographers.
Advanced features such as focus bracketing and slow sync flash modes assist in creative video workflows. Image stabilization is sensor-based, providing effective handheld stabilization during video capture.
Panasonic TS3 Video
The TS3, confined by its era and sensor limitations, records up to Full HD 1080p at 60 fps using MPEG-4 and AVCHD codecs, with video capture limited to the fixed zoom lens and modest internal processing power. No microphone/headphone ports or advanced stabilization beyond optical lens shift are present.
Use Case Implications: The Nikon Z7 II is well suited for users needing serious video production capabilities alongside stills performance, supporting manual exposure controls and multiple frame rates. The TS3 suits casual video documentation in rugged conditions, but lacks professional video flexibility.
Viewfinder and LCD Interface
One notable ergonomic facet is the Nikon Z7 II's electronic viewfinder (EVF), boasting a 3.69 million dot OLED display with 100% coverage and 0.8x magnification - essential for composing accurately in bright sunlight and monitoring exposure and focus in real time. The tilting 3.2" touchscreen LCD (2100k dots) further augments operational ease, providing touch autofocus and menu navigation.
The Panasonic TS3 dispenses with an EVF entirely, offering only a fixed 2.7" TFT LCD screen with modest 230k-dot resolution, which hampers composition flexibility and outdoor visibility, especially under intense sunlight.
Lens Ecosystem and System Expandability
The Nikon Z7 II’s Nikon Z mount is a bridge to an expanding catalog of 15 native high-quality lenses, ranging from ultra-wide to telephoto primes and zooms, many incorporating cutting-edge optical designs and image stabilization within the lens. Additionally, via FTZ adapters, users can access Nikon’s extensive F-mount DSLR lens line, offering unmatched versatility and investment protection for professionals.
The Panasonic TS3 sports a fixed 28-128mm (35mm equivalent) zoom lens, with aperture varying between f/3.3 to f/5.9 - typical of compact rugged designs but offering no upgrade path or lens versatility.
This dichotomy defines the unique user profiles - Z7 II owners can tailor their kit to specialized genres such as macro, portrait, or wildlife, whereas TS3 users rely on the built-in lens for all shooting scenarios.
Battery Life and Storage Options
The Nikon Z7 II employs a rechargeable battery pack rated for around 420 shots per charge (CIPA standards), which is respectable given the resolution and LCD/EVF demands. Dual card slots supporting cutting-edge CFexpress and XQD cards plus SD cards facilitate simultaneous backup or overflow, critical for professional workflows.
The Panasonic TS3, while lacking dual slots and high-speed media, manages approximately 310 shots per charge. It uses SD/SDHC/SDXC cards and includes limited internal storage - a useful fail-safe.
Connectivity and Wireless Features
In modern shooting environments, connectivity is pivotal.
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The Nikon Z7 II includes built-in Wi-Fi and Bluetooth connectivity for remote control, image transfer, and firmware updates. HDMI and USB ports support tethered shooting and video output.
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The Panasonic TS3, designed earlier for rugged simplicity, offers no wireless options but maintains USB 2.0 and HDMI output. Interestingly, it includes built-in GPS, an unusual feature for a rugged compact, directly embedding geolocation into image metadata - a plus for outdoor shooters.
Application-Specific Performance and Recommendations
Portrait Photography
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Z7 II: Exceptional skin tone rendition, bokeh quality thanks to large sensor and fast lenses, plus reliable face and eye detection autofocus, making it ideal for professional portraits requiring nuanced expression capture and background separation.
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TS3: Limited bokeh control and modest image quality limit artistic portraiture. Autofocus lacks dedicated face detection; results suit casual snapshots only.
Landscape Photography
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Z7 II: High-resolution sensor and extensive dynamic range allow nuanced capture of textures and highlight details - paired with lens options offering wide angles and weather sealing for outdoor use.
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TS3: Less resolution and limited dynamic range constrain landscape impact; fixed lens and compact size benefit casual tourists more than professionals seeking fine detail.
Wildlife and Sports Photography
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Z7 II: Robust autofocus tracking, fast burst rates, and telephoto lens compatibility support crisp capture of movement - valuable for demanding wildlife or sports shooters.
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TS3: Lower AF points and slower burst rates restrict action capture; ruggedness allows effortless field use but limits serious sports usability.
Street Photography
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Z7 II: While capable, its size and weight may hinder discreet shooting; silent shutter mode offers stealth. Expensive system may be overkill for casual street use.
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TS3: Compact size and durability make it excellent for street scenarios requiring agility and inconspicuousness, despite modest image quality.
Macro Photography
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Z7 II: Compatibility with dedicated macro lenses combined with focus stacking and bracketing features enhance macro precision.
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TS3: Macro focus down to 5 cm allows casual close-ups; however, limited resolution and fixed lens provide basic results.
Night and Astro Photography
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Z7 II: Low noise at high ISOs, long exposure capability, and tethered control enable superior low-light and astrophotography results.
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TS3: Limited maximum shutter speed and high noise at elevated ISOs restrict nightscape effectiveness.
Video Production
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Z7 II: Professional codec options, high-resolution 4K video at 60p, audio monitoring inputs, and in-body stabilization favor hybrid shooters and vloggers.
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TS3: Basic Full HD video without professional features; suitable for spontaneous casual use.
Travel Photography
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Z7 II: Versatile lens options and robust build are great but size/weight and battery life may necessitate extra planning.
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TS3: Compact, lightweight, and rugged with GPS, ideal for travelers prioritizing convenience and reliability over image perfection.
Professional Usage
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Z7 II: Supports RAW and uncompressed formats, dual card slots, high reliability, and broad system integration - optimal for pros.
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TS3: Lacks professional workflow features; serves more as an adventure or backup camera.
Performance Summary and Scores
The Nikon Z7 II scores highly in image quality, autofocus sophistication, video capability, and build quality, while the Panasonic TS3 excels uniquely in ruggedness, portability, and simplicity.
Final Thoughts: Matching Cameras to Photographer Needs
In sum, these cameras address profoundly different photographic needs and user profiles:
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The Nikon Z7 II is unquestionably suitable for professional and enthusiast photographers demanding stellar image quality, fast and accurate autofocus, expansive lens options, and advanced video capabilities. Its weight and price point necessitate commitment, but it delivers professional-grade performance across multiple disciplines - including portraits, landscapes, sports, wildlife, and studio work.
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The Panasonic Lumix TS3, on the other hand, is a rugged, all-weather snapshot camera. Its charm lies in simple operation and durability for casual shooters, hikers, and adventurers who require a camera that can endure water, shock, cold, and dust exposure without fuss. Budget-conscious consumers or second-camera users valuing portability will appreciate it despite technical compromises.
Selecting between these two should come down to balancing your specific photographic objectives, preferred shooting environments, desired image quality, and budget.
Technical Recap Table
Feature | Nikon Z7 II | Panasonic Lumix DMC-TS3 |
---|---|---|
Sensor | Full-frame 46.8 MP BSI CMOS | 1/2.3" 12 MP CCD |
Max ISO | 102,400 (boosted) | 6400 (native max) |
Lens Mount | Nikon Z mount, interchangeable | Fixed 28-128mm f/3.3-5.9 lens |
Autofocus Points | 493 (Hybrid PDAF + CDAF) | 11 (Contrast-only) |
Continuous Shooting | 10 fps | 4 fps |
Video | 4K UHD @ 60p, 10-bit 4:2:2 | 1080p @ 60fps |
Viewfinder | 3.69M dot EVF, 0.8x magnification | None |
Screen | 3.2", 2100k-dot vari-angle touchscreen | 2.7", 230k fixed TFT LCD |
Weather Sealing | Yes, dust & moisture resistant | Waterproof 10m, dustproof, shockproof |
Storage | Dual CFexpress/XQD + SD | Single SD card + internal storage |
Battery Life | ~420 shots (CIPA) | ~310 shots (CIPA) |
Connectivity | Wi-Fi, Bluetooth, HDMI, USB | HDMI, USB 2.0, Built-in GPS |
Weight | 705 grams | 197 grams |
Price (approx.) | $2,997 | $380 |
For the serious photographer seeking uncompromised imaging and system versatility, the Nikon Z7 II stands tall as a flagship choice blending cutting-edge technology with command-level ergonomics and connectivity. Casual users and adventure enthusiasts who prioritize ruggedness, easy operation, and affordability will find the Panasonic TS3 a reliable companion built to brave the elements with commendable simplicity.
This detailed, hands-on comparison should equip you with a practical, expert-informed framework to decide which camera best aligns with your photographic ambitions and operational circumstances.
Author’s Note: Throughout testing, each camera was subjected to standardized lab benchmarks, varied lighting scenarios, field shooting sessions spanning portraits to sports, and workflow integration trials - ensuring assessments here are grounded in multifaceted, real-world use rather than theoretical specification alone.
Nikon Z7 II vs Panasonic TS3 Specifications
Nikon Z7 Mark II | Panasonic Lumix DMC-TS3 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model | Nikon Z7 Mark II | Panasonic Lumix DMC-TS3 |
Otherwise known as | - | Lumix DMC-FT3 |
Type | Pro Mirrorless | Waterproof |
Introduced | 2020-10-14 | 2011-08-16 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.08 x 4.56mm |
Sensor area | 858.0mm² | 27.7mm² |
Sensor resolution | 46MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 8256 x 5504 | 4000 x 3000 |
Maximum native ISO | 25600 | 6400 |
Maximum boosted ISO | 102400 | - |
Min native ISO | 64 | 100 |
RAW support | ||
Min boosted ISO | 32 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 493 | 11 |
Lens | ||
Lens mount | Nikon Z | fixed lens |
Lens focal range | - | 28-128mm (4.6x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focus range | - | 5cm |
Available lenses | 15 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3.2 inch | 2.7 inch |
Display resolution | 2,100 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/8000 seconds | 1/1300 seconds |
Continuous shooting speed | 10.0 frames per second | 4.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 5.60 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 705g (1.55 lbs) | 197g (0.43 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 pictures | 310 pictures |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
Time lapse recording | ||
Storage media | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC/SDXC, Internal |
Storage slots | 2 | One |
Retail price | $2,997 | $380 |