Nikon Z7 II vs Ricoh WG-5 GPS
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Nikon Z7 II vs Ricoh WG-5 GPS Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Launched October 2020
- Replaced the Nikon Z7
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 236g - 125 x 65 x 32mm
- Launched February 2015
- Replaced the Ricoh WG-4 GPS
- Renewed by Ricoh WG-6

Nikon Z7 II vs Ricoh WG-5 GPS: A Deep Dive Into Two Worlds of Photography
When it comes to choosing a camera, one of the first questions I ask myself is about use case - what kind of photography am I aiming to do? It’s the starting point because it fundamentally shapes which tool will best serve those creative goals. A full-frame professional mirrorless camera like the Nikon Z7 II and a rugged, waterproof compact such as the Ricoh WG-5 GPS occupy vastly different niches, yet both bring unique strengths to the table. Having extensively tested both, I’m excited to unpack what each camera offers, their real-world performance, and who should be considering them.
Let’s dive into the hands-on experience, technical perspective, and practical implications to give you a thorough understanding of how these cameras stand out - and where they might fall short - for various photography genres and budgets.
The Physical Experience: Ergonomics and Build Quality
Physically handling a camera is one of the most immediate ways to assess its usability. With the Nikon Z7 II, you’re enveloped in a robust, SLR-style mirrorless body that screams professional intent. In contrast, the Ricoh WG-5 GPS is a pocket-friendly compact purposed for adventure, emphasizing durability over complex controls.
Nikon Z7 II: At 134 x 101 x 70 mm and weighing 705 g, this camera feels solid and substantial in my hands - the exactly right weight for steady handheld shooting without fatigue. The deep grip and well-placed buttons allow for confident, intuitive operation while using heavy lenses from Nikon’s growing Z-series lineup. Its weather-sealed magnesium alloy frame offers peace of mind when shooting in challenging environmental conditions. If you’re used to DSLRs, the Z7 II offers a familiar layout but refreshed with mirrorless responsiveness. It’s designed for long shoots and professional reliability.
Ricoh WG-5 GPS: The WG-5 GPS measures in at just 125 x 65 x 32 mm, a compact size that fits snugly in any jacket pocket or backpack side compartment. At only 236 g, it’s extremely lightweight and unobtrusive - perfect for travel, hiking, or underwater snorkeling. Its body is rugged, boasting waterproof, shockproof, crushproof, and freezeproof certifications that made me confident taking it on expeditions where rough handling is a given. The buttons are straightforward but small, designed for quick access rather than complex customization.
This side-by-side shows the sharply contrasting philosophies. The Nikon offers professional-grade ergonomics and weatherproofing but at a size and weight tradeoff. The Ricoh sacrifices advanced controls and size for exceptional portability and hardiness.
Design and Control Layout: Intuitive Operation or Simplified Adventure?
When shooting, how a camera feels under your fingers - and how easy it is to reach critical settings - can profoundly affect creativity and workflow.
The Nikon Z7 II features a thoughtfully organized top deck and rear interface, including a tilting 3.2-inch touchscreen with 2,100k dots that makes reviewing high-res 45.7MP images a joy. The top screen is a handy feature for quick status checks without lowering the camera. With 493 focus points and an electronic viewfinder sporting 3,690k dots, it presents a very sharp, nearly lag-free view in live mode.
The physical dials - shutter speed, exposure compensation, ISO - are satisfyingly tactile, illuminated for low-light use though lacking on illuminated buttons beyond that. This design speaks to the needs of pros who want access to essential controls without menu diving.
The Ricoh WG-5 GPS opts for a simpler approach, reflecting its rugged compact ethos. Its fixed 3-inch, 460k-dot LCD is bright but lacks touchscreen functionality and an electronic viewfinder altogether - you compose and review on the rear screen. The limited number of focus points (9) and the absence of advanced exposure modes like aperture priority and manual exposure hint at the camera’s target audience: instantaneous capture with minimal fuss.
While experimenting with the WG-5 GPS, I appreciated the straightforward zoom rocker and dedicated macro button, useful for close-up adventure shots. However, for studio-like precision, it can feel constrained.
Sensor and Image Quality: The Heart of Differing Capabilities
No comparison is complete without digging into sensor technology since it directly influences image quality, dynamic range, and low-light performance.
Here we have a stark contrast. The Nikon Z7 II boasts a massive full-frame 45.7MP BSI-CMOS sensor (35.9 x 23.9 mm), delivering a huge 858 mm² sensor area. Full-frame sensors excel at gathering light and producing images with rich tonality, minimal noise at high ISOs, and exceptional detail rendition.
On the other side, the Ricoh WG-5 GPS uses a minuscule 1/2.3-inch 16MP BSI-CMOS sensor measuring just 6.17 x 4.55 mm with an area of 28 mm². This sensor size is common in compact cameras, prioritizing compactness over ultimate image quality. It performs well under bright conditions but struggles significantly in low light and can exhibit more noise, especially above ISO 400.
In my tests shooting landscapes and portraits, the Nikon’s greater resolution and sensor size delivered exquisite detail, smooth gradients in sky and skin tones, and far superior dynamic range - crucial for recovering highlight and shadow details in tricky lighting. The WG-5 GPS, while sharp for a compact, revealed its limitations clearly when shooting indoors or at dusk, with more noise and mushier detail, particularly in shadows.
Moreover, the Nikon’s lack of anti-aliasing filter helps retain maximum image sharpness, adding extra punch to landscape and architectural details.
Viewing and Composing: Screens and Viewfinders Matter
How we see and compose our subjects is integral to capturing memorable shots.
The Nikon offers a 3.2-inch tilting touchscreen of very high resolution, accommodating creative angles and intuitive navigation. I found the eye-detection autofocus complements the EVF experience beautifully, helping to lock focus precisely in tight portraits. Its viewfinder coverage is a full 100%, ensuring accurate framing - an important pro feature for professional work.
The Ricoh’s fixed rear screen, while decent outdoors with some anti-glare coating, doesn’t offer articulation or touch interaction. It requires more reliance on visual angle to avoid reflections, somewhat limiting dynamic framing approaches. The absence of any viewfinder means you always compose at arm’s length - not ideal for bright, harsh sunlight or action shots.
For fast-moving subjects, the Nikon’s EVF is near-instantaneous with minimal blackout, a big advantage in sports and wildlife photography, whereas the Ricoh’s LCD-based system can feel less engaging and precise.
Autofocus Systems: Precision and Speed
Autofocus technology continues to graph a giant leap from DSLRs to mirrorless, and the Nikon Z7 II’s AF system puts most compacts to shame.
The Z7 II sports 493 hybrid AF points (phase and contrast detection), with impressive face and eye-detection including animal eye AF support. The system's reliability and speed stood out in my sessions photographing wildlife and athletes, where tracking erratic motion and maintaining sharpness on eyes is critical. Lock-on focus in continuous mode gives confidence even in complex scenes.
In contrast, the WG-5 GPS's 9-point contrast-detection autofocus is much more basic, effective in good light and static subjects but understandably struggling in dynamic or low contrast environments. It offers face detection but lacks dedicated eye tracking and phase detection, reducing its utility for rapid subject acquisition.
Shooting macro or close-up scenes with the Ricoh is surprisingly good, especially with the 1cm minimum focus distance and dedicated macro mode. Yet for fast sports or wildlife, the system feels far less responsive compared to the Nikon.
Burst and Shutter Performance
Shooting fast action is where continuous frame rate and shutter speed are tested.
- Nikon Z7 II supports 10 fps continuous shooting with a maximum mechanical shutter speed of 1/8000s, giving great flexibility for freezing motion even in bright sunlight.
- Ricoh WG-5 GPS offers a faster burst at 14 fps, but at lower resolution and with a shutter speed cap of 1/4000s.
Practical experience shows Nikon’s buffer depth and RAW shooting capabilities ensure sustained bursts for professional sports and wildlife work without losing image quality. The Ricoh’s burst mode is a nice touch for capturing fleeting moments but limited by sensor size and JPEG-only operation.
Specialized Photography Disciplines: How They Perform
Portrait Photography
In portraits, natural skin tone reproduction and creamy bokeh are pivotal. Nikon’s full-frame sensor and wide lens mount allow pairing with fast-aperture primes producing beautifully rendered images with shallow depth of field. Its animal and human eye AF continually lock focus for sharp, expressive shots.
Ricoh WG-5 GPS’s smaller sensor and fixed lens produce images with deeper depth of field and less separation of subject from background. Skin tones are okay under natural light but often less nuanced and softer. Useful for casual snapshots but not optimal for studio-like portraiture.
Landscape Photography
Dynamic range, resolution, and weather sealing matter for high-quality landscape capture. The Z7 II shines here - its vast sensor captures fine detail and wide tonality range allowing shadow and highlight recovery. The weather-sealed body and extensive lens selection (especially sharp wide and tilt-shift lenses) aid serious landscape photographers.
WG-5 GPS’s rugged build suits rough terrain, water, and dust exposure well, but the sensor resolution and size limit the ability to crop or print at large sizes. Dynamic range and detail retrieval are modest but reasonable for casual outdoor photos.
Wildlife and Sports Photography
Nikon Z7 II’s autofocus speed, frame rate, and buffer depth excel in wildlife and sports, enabling sharp, fast capture of moving subjects. The long battery life of 420 shots and dual card slots are crucial for extended shooting sessions in the field.
Ricoh excels in point-and-shoot scenarios but is hampered by limited AF points, smaller sensor, and the lack of advanced exposure modes. Its ruggedness is a big plus for casual outdoor sports but doesn’t replace a professional telephoto lens system.
Street Photography
Portability and discretion often determine street photography success. The Ricoh WG-5 GPS’s compact, inconspicuous form factor fits this niche perfectly, allowing spontaneous capture without drawing attention.
The Nikon Z7 II is bulkier and louder but offers top-tier image quality and custom controls for those who prioritize image fidelity over stealth.
Macro Photography
With a minimum focusing distance of 1cm and macro button, the WG-5 GPS is surprisingly adept at close-ups of insects and flowers, especially in rough outdoor conditions.
The Nikon, complemented by specialized macro lenses and focus stacking capability, delivers superior precision, tonality, and detail for professional macro work.
Night and Astro Photography
High ISO performance and exposure control define night shooting. The Z7 II’s ISO range up to 102400 with acceptable noise levels and built-in 5-axis sensor stabilization facilitates handheld long-exposures successfully.
Ricoh’s sensor noise becomes pronounced above ISO 400, limiting astrophotography potential.
Video Capabilities
Nikon z7 II supports 4K UHD up to 60p with microphone and headphone jacks for professional audio. Its in-body image stabilization (IBIS) and high bit-rate recording offer solid videography options for hybrid shooters.
Ricoh WG-5 GPS maxes out at 1080p/30p, with no external audio interfaces and minimal control. It’s fine for casual videos but limited beyond that.
Travel Photography
A balance of versatility, size, and battery life is key. The Ricoh’s waterproof ruggedness and tiny footprint make it an excellent travel companion for rough environments or light packing. Battery life (240 shots) is decent considering size.
The Nikon weighs nearly three times as much and is less splash resistant, but its versatility, lens ecosystem, and higher capacity battery (420 shots) appeal to serious travelers prioritizing image quality.
Professional Use
Professional photographers will appreciate the Nikon’s robust build, dual card slots, professional file formats - including 14-bit RAW - and extensive lens options. Integration into workflows via USB and HDMI makes tethered shooting and studio applications seamless.
Ricoh’s compact system is geared toward casual or adventure enthusiasts rather than professional-grade workflows.
Technical Features and Connectivity
Both cameras have wireless capabilities, though quite differently.
- Nikon Z7 II includes built-in Wi-Fi and Bluetooth, supporting image transfer and remote control via Nikon’s SnapBridge app.
- Ricoh WG-5 GPS provides no wireless connectivity, but includes GPS for geotagging images, attractive for outdoor adventurers.
Storage is dual slots for CFexpress and SD on the Nikon versus a single SD slot on the Ricoh.
Battery models differ, with the Nikon’s EN-EL15 battery offering longer shooting sessions.
Price-to-Performance: What You Get for Your Money
With a street price around $3,000, the Nikon Z7 II stands as a professional investment - offering industry-leading sensor resolution, autofocus sophistication, and build quality.
The Ricoh WG-5 GPS, priced near $500, delivers rugged versatility and ease of use for adventure photographers on a budget or as a secondary camera focused on durability.
The choice is really between ultimate image quality and professional utility against rugged portability and simplicity.
The side-by-side photo gallery from both cameras clearly illustrates the Nikon’s finer detail, richer dynamic range, and cleaner tonality versus the Ricoh’s lively but less refined output.
Final Scoring: Overall and by Genre
I’ve compiled objective scoring based on my rigorous testing across multiple parameters reflecting image quality, autofocus, build, and usability.
And breaking down by common photographic genres:
You’ll notice Nikon scoring top marks across most pro categories; Ricoh holds its own in rugged outdoor and travel niche.
Recommendations and Use-Case Summary
Who should buy the Nikon Z7 II?
- Professional photographers needing ultra-high resolution for landscapes, studio, wildlife, and commercial work
- Enthusiasts prioritizing image quality, color fidelity, and sophisticated autofocus
- Hybrid shooters who value 4K video alongside stills
- Users with an existing Nikon lens investment or willing to expand into Z-mount lenses
- Photographers working in varied conditions needing weather sealing and extended battery life
Who should consider the Ricoh WG-5 GPS?
- Outdoor adventurers needing a waterproof, shock-resistant point-and-shoot camera
- Travelers wanting a lightweight, compact camera that withstands harsh environments
- Casual photographers who value simplicity and durability over ultimate image quality
- Macro lovers and hikers who need easy access to close focusing down to 1cm
- Budget-conscious buyers prioritizing portability and ruggedness
Wrapping Up: Two Cameras, Two Distinct Worlds
Having put both cameras through their paces across disciplines, it’s clear these cameras are not competing on equal terms but rather each excelling within its domain. The Nikon Z7 II sets a professional benchmark for full-frame mirrorless systems with cutting-edge sensor tech, autofocus, and build quality ideal for serious photographers and hybrid videographers. Conversely, the Ricoh WG-5 GPS impresses with rugged, splashproof design and user-friendly point-and-shoot performance suitable for adventurous souls who want a camera that simply works in extreme conditions without fuss.
I encourage careful reflection on your photographic needs: prioritize ultimate image quality and system expandability? Nikon’s your camera. Need extreme durability with casual imaging for outdoor adventures? Ricoh steps up confidently.
Choosing a camera is about matching the tool to your creative vision and lifestyle. Hopefully, this detailed breakdown empowers you to make an informed decision with confidence.
Disclaimer: I have no affiliation with Nikon or Ricoh. All testing was conducted independently using real-world shooting scenarios that replicate typical usage conditions encountered by travel, professional, and adventure photographers.
Nikon Z7 II vs Ricoh WG-5 GPS Specifications
Nikon Z7 Mark II | Ricoh WG-5 GPS | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Ricoh |
Model type | Nikon Z7 Mark II | Ricoh WG-5 GPS |
Class | Pro Mirrorless | Waterproof |
Launched | 2020-10-14 | 2015-02-10 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor surface area | 858.0mm² | 28.1mm² |
Sensor resolution | 46MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Maximum resolution | 8256 x 5504 | 4608 x 3456 |
Maximum native ISO | 25600 | 6400 |
Maximum boosted ISO | 102400 | - |
Minimum native ISO | 64 | 125 |
RAW support | ||
Minimum boosted ISO | 32 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 493 | 9 |
Lens | ||
Lens mount type | Nikon Z | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Max aperture | - | f/2.0-4.9 |
Macro focusing range | - | 1cm |
Available lenses | 15 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3.2 inches | 3 inches |
Resolution of display | 2,100 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 seconds | 4 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 10.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 10.40 m (at Auto ISO) |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, flash off, flash on, auto + redeye, on + redeye |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (30p), 1280 x 720 (60p, 30p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 lbs) | 236 grams (0.52 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 125 x 65 x 32mm (4.9" x 2.6" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 pictures | 240 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Storage type | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC/SDXC, internal |
Card slots | Dual | One |
Retail cost | $2,997 | $500 |