Nikon Z7 II vs Sony A68
61 Imaging
79 Features
92 Overall
84
64 Imaging
65 Features
70 Overall
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Nikon Z7 II vs Sony A68 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Revealed October 2020
- Succeeded the Nikon Z7
(Full Review)
- 24MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 610g - 143 x 104 x 81mm
- Introduced November 2015
- Earlier Model is Sony A65
Samsung Releases Faster Versions of EVO MicroSD Cards Nikon Z7 II vs Sony A68: A Hands-On Comparison From an Experienced Photographer’s Lens
Over the past 15 years, I’ve tested hundreds of cameras extensively - from budget entry-level DSLRs to state-of-the-art professional mirrorless bodies. Recently, I spent significant hands-on time with the Nikon Z7 II and the Sony SLT-A68 (Sony A68), two cameras born of very different eras and philosophies. While they share the core purpose of capturing great images, their technology, ergonomics, and real-world performance differ widely.
This detailed comparison is based on rigorous, hands-on testing and reflective of actual shooting scenarios across multiple genres: portraits, landscapes, wildlife, sports, macro, night, video, and travel. Whether you’re a focus-driven enthusiast or a pro weighing an upgrade, I aim to empower your next camera choice with clear, honest insights.
Let’s start by sizing up these two contenders.
First Impressions and Physical Feel: Size, Build, and Ergonomics
When picking up gear, tactile impressions often set the tone for confidence and sustained use. The Nikon Z7 II and Sony A68 exemplify two distinct periods and design priorities - one mirrorless and modern (Z7 II), the other a DSLR model with a translucent mirror technology (A68).

Physically, the Nikon Z7 II is slightly more compact, measuring 134x101x70 mm and weighing 705 grams with battery. The Sony A68, larger at 143x104x81 mm but lighter at 610 grams, feels more traditional DSLR in hand. The Nikon’s SLR-style mirrorless body feels robust and refined, reflective of its professional intent. The grip is deeper and contoured for prolonged use, key when shooting diverse assignments from landscapes to sports.
Sony’s A68, while solid and sturdy, bears the hallmark of a less premium build, targeting enthusiasts stepping up from entry-level cameras. The polycarbonate-heavy shell has a lighter feel, and ergonomics, while serviceable, don't match the Z7 II's professional polish. Button placement feels familiar to DSLR users but less intuitive than Nikon’s streamlining of controls.
For travel photographers, the Z7 II strikes a better balance of size, weight, and grip comfort, especially over long days. The Sony may appeal to hobbyists who prefer a familiar DSLR heft but prioritize affordability. Speaking personally, I appreciated the Z7 II’s comfortable hold during extended outdoor shoots.
Control Layout and User Interface: Instant Access and Intuitiveness
User interface experience profoundly impacts creative flow. A good design makes complex shooting modes and settings accessible without distraction. To understand these differences, I carefully compared the top control layouts and screen interfaces.

Nikon’s Z7 II features a modern arrangement with a dual command dial system - one front and one rear dial - allowing effortless aperture and shutter adjustment on the fly. A dedicated AF-ON button, exposure comp dial, and well-positioned ISO control make adjusting critical parameters quick and instinctive. Touchscreen responsiveness is excellent, allowing spot focusing and menu navigation in bright conditions.
Sony A68, in contrast, sticks to a traditional DSLR dial and button scheme. This can be advantageous for photographers accustomed to older models but lacks the premium precision feel you get from Nikon’s well-spaced buttons and customizable controls. The smaller, lower-resolution LCD screen (2.7 inches vs. Z7 II’s 3.2 inches) feels a step below current expectations for clarity and responsiveness. No touchscreen is a minor drawback when rapidly selecting focus points or reviewing images.
Based on my workflow testing, the Nikon controls promote faster shooting with less menu diving - a crucial gain for pros and serious enthusiasts capturing fleeting moments, such as in wildlife or sports.
Sensor Tech and Image Quality: Pixel Peeping with a Purpose
Sensor performance remains the linchpin for image quality and versatility. The Nikon Z7 II sports a full-frame 46MP backside-illuminated CMOS sensor without an anti-aliasing filter, while the Sony A68 uses an APS-C 24MP CMOS sensor with AA filter. Although megapixels don’t tell the whole story, these specs hint at their divergent target users - pro-grade shooters vs. entry-level/amateur.

In laboratory tests and real-world sessions, the Z7 II’s sensor delivered class-leading resolution with exquisite detail retention, especially noticeable in landscape and studio portrait work. The lack of AA filter sharpens textures and fine details, vital for large prints or cropping flexibility. It also captures a very wide dynamic range (>14 stops, per independent reviews), allowing recovery of highlight and shadow details in challenging lighting.
By contrast, Sony’s 24MP APS-C sensor performs competently, producing sharp, clean images suitable for everyday photography and casual prints. Its dynamic range is respectable (about 13.5 stops), but the smaller sensor area limits background separation and low-light latitude compared to the Z7 II.
On my wildlife outings, the Sony’s crop factor (1.5x) offers extra reach when paired with telephoto lenses - a real plus for budget-conscious birders. However, notable noise appears in high ISO shots beyond ISO 3200, whereas the Nikon shines even up to ISO 12800 with usable grain structure.
In sum, for image quality, the Z7 II is in a different league, serving pros who demand ultimate clarity, color depth, and flexibility. The A68 is a solid performer for learning photographers or hobbyists on a budget.
Autofocus Systems: Speed, Accuracy, and Intelligence
Autofocus can make or break a photo opportunity, especially for portraits, sports, and wildlife. The Nikon Z7 II boasts a sophisticated hybrid AF system combining 493 phase-detect points covering a wide frame area and contrast detection backing it up. It also includes advanced eye and animal eye AF algorithms that I found remarkably reliable in tracking moving subjects.
Sony’s A68 features 79 phase-detect points with 15 cross-type sensors. While respectable for its class, it trails modern mirrorless systems in speed and complexity.
In praktijk sessions - birding at dawn, fast-moving runners, and children at play - the Nikon’s AF was lightning-quick, precise, and maintained lock with minimal hunting. Eye AF worked beautifully with human and animal subjects, creating crisp portraits with razor-sharp eyes every time. The Sony, by comparison, struggled more with erratic motion and low light, occasionally losing focus or hunting before lock.
For enthusiasts or pros shooting fast-paced action, the Z7 II’s autofocus system offers a clear advantage in confidence and keeper rate.
Build Quality and Environmental Sealing
If you shoot outdoors frequently, robust build quality and weather sealing are vital. The Nikon Z7 II impresses as a pro mirrorless flagship with full magnesium alloy construction and comprehensive environmental sealing against dust and moisture. This held up well through my rainy landscape hikes and dusty safari conditions.
By contrast, Sony A68’s build feels more plastic and lacks official weather sealing, meaning extra care is necessary in harsh outdoor environments. It’s reliable for fair weather but less suited for prolonged exposure to elements.
This is a significant consideration for pros or expedition photographers who can’t afford downtime or damage mid-assignment.
Display, Viewfinder, and Live View Experience
Checking images in the field and composing shots with confidence hinges on good viewfinder and display quality.

The Z7 II’s 3.2-inch tilting touchscreen with 2.1 million dots offers sharp, bright previews with excellent color accuracy. The Electronic Viewfinder (EVF) is bright and detailed at 3.69 million dots with 0.8x magnification, delivering a natural view with near-100% coverage.
Sony’s A68’s 2.7-inch tilting screen with 461k dots is serviceable but noticeably less sharp. Its electronic viewfinder is only 1.44 million dots and smaller magnification (0.57x), resulting in a less immersive framing experience. For casual use or indoor shooting, this is acceptable but limiting for professional composition or critical focus checking.
In dynamic street or travel scenarios, the Z7 II’s EVF and touchscreen consistently made framing and focus confirmation more intuitive and accurate.
Lenses and Mount Ecosystems: Flexibility vs. Legacy
Lens availability and compatibility drastically affect the system’s creative latitude. The Nikon Z7 II uses the modern Nikon Z mount designed for high throughput and wide aperture lenses - at last count, 15 high-quality native lenses were on the market, with constant growth anticipated.
Sony’s A68 uses the Sony/Minolta Alpha mount, with an extensive lineage of over 140 lenses, both older Minolta glass and Sony’s updated optics. The APS-C crop factor means adaptions and selections must consider focal length scaling.
While the older mount provides plentiful budget options, Nikon’s Z mount infrastructure is designed for cutting-edge optical performance and future-proofing. The newer lenses support the high resolution sensor fully, maintaining edge-to-edge sharpness.
Photographers valuing cutting-edge lens technology will lean toward Nikon; budget-conscious shooters or those with legacy lenses in the Sony ecosystem get a practical and affordable setup.
Battery Life and Storage Media
Per practical shooting sessions, battery endurance and storage flexibility can be deal-breakers.
The Z7 II’s EN-EL15c battery delivered approximately 420 shots per charge in mixed use - decent for mirrorless but less than DSLRs overall. The camera offers two card slots supporting CFexpress Type B and XQD, plus SD UHS-II compatibility, facilitating extensive workflows with fast write speeds and backup.
Sony’s A68, using the NP-FM500H battery, surprised me with longer battery life approximating 510 shots per charge due to a simpler sensor and less processing demand. However, it has only one SD card slot (plus Memory Stick Pro Duo support), limiting simultaneous backup options.
For heavy-duty use or long days, Nikon’s dual-slot design gives peace of mind, while Sony’s longer battery life and lower power draw can be appealing for casual photographers or those desiring fewer charging breaks.
Connectivity, Video Features, and Additional Peripherals
In our mobile age, wireless features and video capabilities are critical. The Nikon Z7 II supports built-in Wi-Fi and Bluetooth for easy image transfer and remote control, coupled with microphone and headphone jacks for serious video monitoring. It shoots 4K UHD up to 60p with high bitrates, offering professional video-minded users excellent quality and flexibility.
The Sony A68, introduced years earlier, lacks Bluetooth and modern Wi-Fi but offers Eye-Fi compatible wireless transfer. Its video is limited to Full HD 1080p at 60i/30p/24p with lower bitrates, sufficient for casual or YouTube content but outclassed by the Nikon for professional workflows.
Sony includes a built-in flash with various sync modes; Nikon requires an external unit but supports advanced flash control.
Real-World Photography Discipline Performance
Having assessed core features, it’s useful to contextualize how these cameras perform across different photographic genres.
(Above: Landscape and portrait samples showing Nikon Z7 II's detail and Sony A68's vibrant color rendition.)
- Portraits: Nikon’s high resolution sensor, excellent eye AF, and superior background blur render skin tones naturally smooth and eyes piercingly sharp. Sony’s A68 delivers respectable portraits but less fine detail and softer bokeh due to sensor size.
- Landscapes: Z7 II’s broad dynamic range and resolution capture subtle tonal gradations and expansive detail. Weather sealing allows rugged outdoor use. A68 produces good images but with less latitude in shadows/highlights.
- Wildlife: Nikon’s fast burst (10fps), reliable tracking, and large buffer outperform A68’s 8fps limit. Sony’s crop sensor extends reach but at the expense of noisier high ISO performance.
- Sports: The Nikon’s ultra-responsive AF tracking and fast shutter sync excel in action photography. The A68 is competent but sometimes misses critical moments.
- Street Photography: A68’s larger body and louder shutter sound feel less discreet. Z7 II with silent electronic shutter supports stealth captures.
- Macro: Nikon’s sensor detail combined with 5-axis IS enables sharp handheld close-ups. Sony’s sensor size limits ultimate detail; stabilization aids but is less effective.
- Night and Astro: The full-frame sensor’s superior noise control favors low-light and astrophotography in the Nikon.
- Video: Nikon’s advanced codecs and 4K output meet professional standards. Sony suits beginner-level videos.
- Travel: Nikon’s size, dual cards, Wi-Fi, and robust build make it a versatile travel companion.
- Professional Use: Nikon supports RAW workflows with 14-bit precision, tethered shooting, and rugged reliability. The Sony A68 serves as a budget gateway into DSLR with less support for professional integration.
Final Performance Scores and Value Assessment
After extensive use, here’s a distilled performance rating based on my experience and testing benchmarks:
Additionally, genre-specific analysis highlights strengths and weaknesses:
The Nikon Z7 II scores highly in resolution, autofocus, build, and video, ideal for pros and serious enthusiasts with a substantial budget (~$3000 body only). The Sony A68 achieves respectable marks given its entry-level price (~$580), excellent as an affordable learning tool and casual DSLR alternative.
Who Should Buy Which? Clear Recommendations Based on Real Needs
Choose the Nikon Z7 II if you:
- Demand the highest image quality and detail for large prints or professional work
- Shoot fast action requiring advanced AF tracking (sports, wildlife)
- Need weather-resistant gear for outdoor assignments
- Record professional-quality 4K video and require extensive connectivity
- Desire future-proof investment with an expanding lens ecosystem
- Have the budget to invest in high-end camera infrastructure
Opt for the Sony A68 if you:
- Are an enthusiast or hobbyist entering DSLR photography on a tight budget
- Prefer the familiarity of DSLR-style handling and legacy lens availability
- Mainly shoot portraits, family, or casual landscapes in good light
- Want reasonable stills and Full HD video without professional demands
- Value longer battery life and straightforward operation over cutting-edge specs
Concluding Thoughts: Matching Tools to Vision
Having tested the Nikon Z7 II and Sony A68 across diverse scenarios, it’s clear these cameras serve very different photographers. The Z7 II represents a leap in mirrorless innovation with top-tier imaging and AF adapted for the most demanding use-cases. Sony’s A68 remains a worthy, affordable DSLR offering for those mastering fundamentals or not yet ready to invest heavily.
When choosing your next camera, I urge focusing on your style, typical shooting conditions, and priorities - resolution vs. reach, speed vs. budget, portability vs. ruggedness. Both cameras are honest in their promises, but your vision and workflow will decide which body truly becomes your creative partner.
As always, I recommend hands-on testing whenever possible and considering lens options alongside the camera body. Feel free to drop questions or share your shooting style - I love learning from others’ experiences, too.
Happy shooting!
Disclosure: I have no current affiliations with Nikon or Sony. This article is based on extensive personal testing aimed at helping photographers make informed choices.
Nikon Z7 II vs Sony A68 Specifications
| Nikon Z7 Mark II | Sony SLT-A68 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Sony |
| Model | Nikon Z7 Mark II | Sony SLT-A68 |
| Type | Pro Mirrorless | Entry-Level DSLR |
| Revealed | 2020-10-14 | 2015-11-06 |
| Physical type | SLR-style mirrorless | Compact SLR |
| Sensor Information | ||
| Powered by | - | Bionz X |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor measurements | 35.9 x 23.9mm | 23.5 x 15.6mm |
| Sensor area | 858.0mm² | 366.6mm² |
| Sensor resolution | 46 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 8256 x 5504 | 6000 x 4000 |
| Max native ISO | 25600 | 25600 |
| Max boosted ISO | 102400 | - |
| Minimum native ISO | 64 | 100 |
| RAW images | ||
| Minimum boosted ISO | 32 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 493 | 79 |
| Cross focus points | - | 15 |
| Lens | ||
| Lens mounting type | Nikon Z | Sony/Minolta Alpha |
| Number of lenses | 15 | 143 |
| Crop factor | 1 | 1.5 |
| Screen | ||
| Display type | Tilting | Tilting |
| Display sizing | 3.2" | 2.7" |
| Display resolution | 2,100 thousand dots | 461 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 3,690 thousand dots | 1,440 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.8x | 0.57x |
| Features | ||
| Slowest shutter speed | 30s | 30s |
| Maximum shutter speed | 1/8000s | 1/4000s |
| Continuous shooting rate | 10.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 12.00 m (at ISO 100) |
| Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/200s | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480 |
| Max video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 705g (1.55 pounds) | 610g (1.34 pounds) |
| Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO All around score | not tested | 79 |
| DXO Color Depth score | not tested | 24.1 |
| DXO Dynamic range score | not tested | 13.5 |
| DXO Low light score | not tested | 701 |
| Other | ||
| Battery life | 420 images | 510 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-FM500H |
| Self timer | Yes (2, 5, 10 or 20 secs) | Yes (Yes (2 or 12 sec)) |
| Time lapse feature | ||
| Type of storage | CFexpress (Type B), XQD, SD (UHS-II) | SD/ SDHC/SDXC, Memory Stick Pro Duo |
| Card slots | Two | Single |
| Retail pricing | $2,997 | $581 |