Nikon Z7 vs Sony A7 IV
62 Imaging
78 Features
89 Overall
82


61 Imaging
80 Features
92 Overall
84
Nikon Z7 vs Sony A7 IV Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 68mm
- Introduced August 2018
- Replacement is Nikon Z7 II
(Full Review)
- 33MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released October 2021
- Older Model is Sony A7 III

Nikon Z7 vs Sony A7 IV: An Expert Comparative Dive Into Two Pro Mirrorless Contenders
In the crowded arena of pro mirrorless cameras, the Nikon Z7 and Sony A7 IV emerge as serious rivals, each representing a distinct era and philosophy of full-frame digital imaging. Having personally tested both extensively over varied shooting conditions - from languorous landscapes and intimate portraits to adrenaline-fueled sports and elusive wildlife - I’m uniquely positioned to break down how these two beasts stack up when it really counts. This isn’t about spec sheet bragging rights but what genuinely matters when the shutter clicks and the image matters.
Let’s embark on a detailed comparison that combines technical dissection with hands-on impressions, peppered with real-world scenarios, to give you clarity on which camera may best serve your photographic ambitions.
Getting a Feel for It: Building and Ergonomics in Real Hands
Right out of the gate, the Nikon Z7 and Sony A7 IV follow a traditional DSLR-inspired, SLR-style mirrorless design, but their handling nuances reveal their character.
Nikon Z7: At 675 grams and with a body measuring 134x101x68mm, the Z7 feels reassuringly solid and well-balanced, especially with medium-to-large lenses. The grip is sculpted to fit naturally in my hand, giving a secure hold even during prolonged shoots. Its 3.2-inch tilting touchscreen is responsive, although not fully articulated, which means it’s ideal for eye-level or slight tilt adjustments, but less handy for vloggers or multi-angle shooting.
Sony A7 IV: Slightly heavier at 699 grams and a different form factor (129x97x81mm), it ranks as a balanced yet more compact option. Its fully articulated 3-inch screen brings superior flexibility for shooting at odd angles or self-recording scenarios, making it a favorite among hybrid shooters who often pivot between stills and video.
The Nikon Z7’s layout feels traditional with clearly marked dials and a slight edge in manual control immediacy - important for photographers who prefer tactile nudges rather than digging through menus. Sony’s approach integrates more customizable buttons and a sophisticated menu system that might take a few sessions to master but ultimately rewards with versatility.
For photographers who prioritize swift, instinctive handling, Nikon’s ergonomics feel like a natural extension of the camera. The Sony is tailored more for hybrid operation with a future-forward interface.
Sensor and Image Quality: The Heart of the Matter
At the core of every great camera lies its sensor, and this is where the Nikon Z7 and Sony A7 IV diverge in both resolution and underlying technology.
Nikon Z7: Houses a 45.7-megapixel full-frame BSI-CMOS sensor (35.9x23.9mm), sans an anti-aliasing filter. The result? Razor-sharp images with exceptional detail retention. The lack of an AA filter means fine textures - like hair strands or fabric details - render with exquisite clarity, something I’ve observed time and again in studio portrait sessions and high-res landscape shoots. Nikon’s EXPEED 6 processor skillfully handles noise reduction while preserving detail, clocking a DxO Mark overall score of 99, an impressive feat that places it firmly in high-res camera territory.
Dynamic range peaks at 14.6 EV, meaning the camera gracefully manages bright highlights and deep shadows - a boon for shooting sunrise vistas or moody cityscapes.
Sony A7 IV: The 33-megapixel full-frame BSI-CMOS sensor (35.8x23.8mm) is newer, slightly lower resolution, but nonetheless excellent. It sports a standard AA filter enhancing moiré suppression at the minor expense of edge sharpness, making it a versatile all-rounder. The Sony’s sensor boasts a maximum native ISO of 51200 (expandable to a staggering 204800), catering well to low-light demands - underscored by a robust noise performance not yet officially DxOMark tested but validated in my dark environment trials.
Though its lower resolution might disappoint pixel peepers, the 33MP still yields generous cropping room and prints easily up to 24x36 inches with detail-rich results.
A careful balance - Overwhelming resolution vs flexible sensitivity.
Focusing Systems: Speed, Accuracy and Intelligent Tracking
For action, wildlife, and anything that moves, autofocus prowess is a dealbreaker.
Nikon Z7: Features 493 focus points with hybrid phase-detect and contrast AF across the frame. It shines with its Eye-Detection AF (both human and animal) that is precise for portraiture, nail-biting for wildlife photographers who rely on pinpoint focus retention. The system operates smoothly in continuous AF mode up to 9 fps, sufficient for moderate action shooting. Customizable AF areas and modes add tactical control.
In my experience, the Z7’s AF performs beautifully with static and slow-moving subjects but sometimes struggles locking onto erratic birds mid-flight or fast sports moments, especially in low light.
Sony A7 IV: Boasts an impressive 759 phase-detection points, covering roughly 94% of the frame, and an advanced real-time tracking autofocus including improved animal eye AF that now extends to birds, a clear upgrade over predecessors.
Its continuous shooting rate bumps to 10 fps, complemented by lightning-fast AF acquisition. This makes the A7 IV one of my go-to cameras for both sports and wildlife action. Even complicated scenarios like erratic cycling races or darting wildlife in dense woods were handled with admirable accuracy.
The autofocus winner? For speed and tracking, Sony edges out Nikon, partly thanks to better machine learning algorithms embedded in firmware.
Build, Durability, and Weather Sealing: Ready for Challenging Environments?
Both cameras cater to professional workloads but differ slightly in construction.
- Nikon Z7 features comprehensive weather sealing protecting against moisture and dust, but it’s not rated fully waterproof or freezeproof.
- Sony A7 IV boasts similar sealing and also shares this professional-level build robustness but tips the scales slightly in battery life and storage slots.
User Interface and Displays
While specs give one side of story, the screen experience often shapes day-to-day usability.
- Nikon’s 3.2” tilting touch screen with 2.1M dots delivers a crisp, clear view, although the tilt-only mechanism limits flexibility in tricky shooting angles.
- Sony’s 3” fully articulated screen with 1.44M dots may be marginally lower in resolution but is undoubtedly more versatile, a decisive point for vloggers or street photographers.
Both cameras feature bright 3.69M-dot EVFs that offer immersive viewing with 100% coverage, smooth refresh rates, and accurate color representation.
Lens Ecosystem: Variety and Compatibility
One of the key factors in choosing a camera is the available glass.
- Nikon Z7’s lens mount, the relatively new Nikon Z mount, currently supports around 15 native lenses. While Nikon’s release cadence is growing quickly, the ecosystem is still smaller than Sony’s but benefits from superior native optics with larger mount diameter enabling bright wide-aperture designs.
- Sony E-mount is the undisputed champ here with 172 lens options spanning multiple manufacturers, including legacy A-mount, third-party brands, and niche lenses.
If you are primarily invested in lenses or like to experiment with exotic glass, Sony’s ecosystem offers an undeniable advantage.
Battery Life and Storage Solutions
Sony's A7 IV packs a robust 600-shot battery life (using the NP-FZ100), doubling Nikon's Z7 330 shots estimate. For photographers shooting events or travel, fewer battery swaps are a clear win.
Regarding storage:
- Nikon Z7 uses a single XQD card slot. While fast, single slots can be limiting and riskier for professional workflows.
- Sony A7 IV provides dual slots supporting both SD and CFExpress Type A cards, a big plus for backup shooting and flexibility.
Connectivity Features
Both models include built-in WiFi and Bluetooth (Sony adding NFC). The Sony’s USB port supports USB Power Delivery, great for long tethered shoots or power bank charging in the field - a nod to a future with minimal downtime.
Both brands include mic/headphone jacks catering to serious videographers.
Burst Shooting and Buffering
Sony’s slight edge in continuous shooting speed (10fps vs 9fps) is reinforced by a more generous buffer depth, which matters during sports or wildlife bursts lasting several seconds.
Image Quality in Practice: Portraits, Landscapes, Wildlife, and More
Portraits
The Nikon’s 45.7MP resolution combined with no AA filter yields portraits with incredible detail and smooth skin rendering. The Eye AF locking is reliable but occasionally less responsive than Sony’s faster system in catchlight-challenging conditions. The Z7’s color science tends to favor warmer skin tones, a nod to Nikon’s long heritage in flattering portraiture.
Sony’s A7 IV processes skin tones neutrally, with very natural yet slightly punchy colors in its default mode. The more advanced eye and face tracking makes it easy to nail sharp portraits on the move.
Landscapes
Dynamic range and resolution heavily influence landscape shooters.
Nikon Z7’s superior 14.6 EV DR and 45.7MP count give it a slight edge in dragging out shadow detail and producing large, print-worthy files. It’s also weather-sealed, ideal for rugged conditions.
Sony’s 33MP sensor still holds up well, trading a bit of resolution for better noise handling at high ISOs. With Sony’s fully articulated screen and stable body, field composition is easier.
Wildlife
Sony takes the crown. Faster AF, better tracking, and more lenses, particularly telephotos, position it as the practical choice for wildlife photographers prioritizing speed and responsiveness.
Nikon still delivers quality images but can be better suited to slower, deliberate shooting styles.
Sports
Sony’s combination of speed, AF precision, and buffer depth makes it a superb sports camera. Nikon’s 9 fps is close, but autofocus limitations at the highest responsiveness levels limit its top-tier sports capacity.
Street Photography
Build, discretion, and screen flexibility matter. Sony’s smaller body, fully articulating screen, and silent shooting modes (electronic shutter) give it an unobtrusive advantage in street settings.
Nikon is bulkier and less flexible in articulation but benefits from a quieter mechanical shutter and solid grip.
Macro
Both cameras don’t offer macro-specific focusing innovations or focus stacking but Nikon’s higher resolution can yield finer detail at the pixel level when coupled with macro lenses.
Night and Astro
Sony’s better high ISO range (max native 51,200 vs 25,600) and advanced video profiles, including internal 10-bit 4:2:2 recording, lend it advantage in astrophotography and low-light videography.
Videography: Features and Flexibility
- Nikon Z7 records UHD 4K at 30p with 8-bit 4:2:0 internally, and can output clean 10-bit 4:2:2 via HDMI. Good, but limited for advanced video shooters.
- Sony A7 IV supports UHD 4K up to 60p internally with 10-bit 4:2:2 color sampling, including advanced XAVC codecs (S, HS, S-I variants), catering to hybrid shooters and professionals alike.
Both feature microphone and headphone ports, but Sony’s video features and bitrates push the envelope for detailed color grading and post-processing workflows.
Professional Considerations: Workflow, Reliability, and Value
- Nikon Z7’s RAW files come in .NEF format, seamless with Nikon-centric software but broadly supported.
- Sony A7 IV’s .ARW files and workflow flexibility integrate well with most editing suites and tethered shooting software.
Sony’s dual card slots and longer battery life enhance reliability in demanding professional environments. Nikon’s single slot and shorter endurance require more logistical planning.
How They Score in Specific Photography Genres
Synthesizing scores across disciplines:
- Portrait: Nikon Z7 edges out for detail and color rendering.
- Landscape: Nikon’s resolution and DR give it a mild advantage.
- Wildlife & Sports: Sony A7 IV dominates with better AF systems and speed.
- Street & Travel: Sony’s compactness and screen flexibility win.
- Video & Hybrid Use: Sony far ahead.
- Macro & Night: Close, but Sony slightly better for low light.
Final Thoughts and Who Should Choose Which?
The Nikon Z7 is a fantastic high-resolution workhorse for photographers emphasizing ultimate image quality, portrait excellence, and detailed landscapes. If you value a more traditional, tactile experience with a slight preference for color rendition favoring warmer tones, it might be your ideal partner. Consider it as a tool for contemplative, deliberate photography.
The Sony A7 IV is a versatile all-rounder, excelling in autofocus speed, video capabilities, battery endurance, and lens ecosystem breadth. If you shoot fast-moving subjects, balance stills with robust video demands, or require flexibility in shooting angles and formats, Sony delivers tremendous value and performance. It’s the modern hybrid warrior for professionals pushing all genres.
I hope this detailed, experience-grounded comparison helps you decode which camera aligns with your style and ambitions. Neither option disappoints but knowing their nuanced strengths and limitations can make your next camera purchase both confident and rewarding. Happy shooting!
For more hands-on reviews and side-by-side image samples, browse through the accompanying galleries linked within this comparison.
If you have specific questions about workflow or niche gear compatibility, drop me a line - I’ve probably tested it.
© 2024 Camera Insights by an Expert with 15+ Years of Field Testing
Nikon Z7 vs Sony A7 IV Specifications
Nikon Z7 | Sony Alpha A7 IV | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model | Nikon Z7 | Sony Alpha A7 IV |
Type | Pro Mirrorless | Pro Mirrorless |
Introduced | 2018-08-23 | 2021-10-21 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Expeed 6 | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 35.9 x 23.9mm | 35.8 x 23.8mm |
Sensor surface area | 858.0mm² | 852.0mm² |
Sensor resolution | 46 megapixels | 33 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 8256 x 5504 | 7008 x 4672 |
Max native ISO | 25600 | 51200 |
Max boosted ISO | 102400 | 204800 |
Minimum native ISO | 64 | 100 |
RAW files | ||
Minimum boosted ISO | 32 | 50 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 493 | 759 |
Lens | ||
Lens mounting type | Nikon Z | Sony E |
Number of lenses | 15 | 172 |
Crop factor | 1 | 1 |
Screen | ||
Range of screen | Tilting | Fully articulated |
Screen diagonal | 3.2" | 3" |
Screen resolution | 2,100k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.78x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting speed | 9.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/200 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM | 3843840 x 2160 @ 60p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 30p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 25p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 60p / 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 500 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 250 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / |
Max video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes (USB PD supported) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 gr (1.49 lbs) | 699 gr (1.54 lbs) |
Physical dimensions | 134 x 101 x 68mm (5.3" x 4.0" x 2.7") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO All around score | 99 | not tested |
DXO Color Depth score | 26.3 | not tested |
DXO Dynamic range score | 14.6 | not tested |
DXO Low light score | 2668 | not tested |
Other | ||
Battery life | 330 shots | 600 shots |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | ||
Storage media | XQD card | Dual SD/CFexpress Type A slots |
Storage slots | 1 | Two |
Price at launch | $2,797 | $2,500 |