Nikon Z8 vs OM System OM-5
55 Imaging
82 Features
83 Overall
82


80 Imaging
63 Features
88 Overall
73
Nikon Z8 vs OM System OM-5 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.20" Tilting Screen
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 910g - 144 x 119 x 83mm
- Released May 2023
(Full Review)
- 20MP - Four Thirds Sensor
- 3.00" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Launched October 2022
- Old Model is Olympus E-M5 III

Nikon Z8 vs. OM System OM-5: The Expert Photographer’s Guide to Two Distinct Mirrorless Landscapes
When it comes to choosing a mirrorless camera, the range of options available can be bewildering - especially when two cameras boldly cater to such different users, yet both promise compelling image quality and features. Today, I’ll take you through a detailed, hands-on comparison of the Nikon Z8 and the OM System OM-5. Drawing on my extensive experience testing cameras across genres for over 15 years, I will lay out how these two mirrorless contenders stack up in real-world settings, dissecting their technical architecture, ergonomics, and suitability for various photography disciplines, so you can zero in on what’s best for your creative needs.
Getting a Feel for the Gear: Size, Build, and Handling
A camera’s physical design can heavily influence not only how it feels in the hand but also how intuitively you interact with it under the stress of shooting. This is especially true in prolonged sessions or fast-paced scenarios.
The Nikon Z8 subscribes to a traditional SLR-style mirrorless body, generous yet refined. It weighs in at 910g, making it a solid presence without becoming cumbersome. Its dimensions (144 x 119 x 83 mm) foster a comfortable grip for photographers with larger hands or those who find ergonomics paramount. The rugged build includes weather sealing - an important factor for professionals or serious enthusiasts who shoot outdoors.
In contrast, the OM System OM-5 is noticeably more compact and lightweight (414g), at 125 x 85 x 50 mm. This makes the OM-5 highly portable and discreet, attributes street photographers and travel enthusiasts will appreciate. While it also offers environmental sealing, its smaller grip and generally more compact layout put it firmly in the ‘advanced enthusiast’ category.
When evaluating usability, I find the Z8 offers a more extensive, tactile grip surface with additional physical controls, which extends handling comfort during intensive shooting days. The OM-5, while lighter and easier to carry, can feel a bit small when paired with larger lenses, pushing it more towards mobility rather than brute strength.
The comparison isn’t purely about size; it’s about matching your workflow and comfort. If your kit already includes heavier lenses and you seek a robust handling profile, the Z8 is built for that purpose. The OM-5 is a delightful mirrorless camera for those who want to optimize for size and versatility without sacrificing key features.
Control Layout and Interface: Commanding Your Shots
An intuitive control interface can mean the difference between capturing the decisive moment or missing it.
Peering at the top plates, the Nikon Z8 and OM-5 show sharply different design philosophies. The Z8 boasts multiple dedicated dials and buttons, including an illuminated function button and dual command dials, reflecting Nikon’s pro-oriented layout tested over generations. This means you can rapidly adjust shutter speed, ISO, exposure compensation, and more without digging through menus - a boon when speed and precision matter.
The OM System OM-5, while sporting fewer physical controls, comes with a fully articulated 3-inch touchscreen with touchscreen AF and intuitive swipes. Its comparatively minimalist interface relies more on touchscreen interactivity due to the smaller body. The five-way joystick allows for quick focus point selection, but dedicated dials are fewer, appealing to photographers comfortable with menu navigation or casual shooting.
In my testing, professional and advanced users favor the Nikon’s classic dial-centric approach, particularly those switching between manual and semi-auto exposure modes quickly. The OM-5’s design encourages adaptation to a somewhat touchscreen-driven interface, which can be efficient but less tactilely satisfying for some.
Sensor Technology and Image Quality: The Heart of Your Camera
If you want the best possible capture quality, looking under the hood at sensor size, technology, and resolution is non-negotiable.
The Nikon Z8 is armed with a 46MP full-frame stacked CMOS sensor sized 35.9 x 23.9 mm - classic full-frame territory. It features an antialiasing filter, which balances sharpness with moiré suppression. The stacking technique transparently improves readout speeds, reducing rolling shutter artifacts, aiding fast-action and video work.
This sensor yields exceptional image quality characterized by a DxOMark overall score of 98, stunning color depth (26.3 bits), wide dynamic range (14.2 EV), and outstanding low-light ISO capability (ISO 2548 at DxO standards). These metrics translate into highly detailed, vibrant images with the flexibility to recover shadows and highlights effectively.
The OM System OM-5 employs a 20MP Four Thirds sensor (17.4 x 13 mm). While much smaller physically and sporting half the resolution, it carries its own strengths. Four Third sensors inherently have higher depth of field at a given aperture compared to full-frame, which some macro and landscape shooters appreciate for extended focus zones. It shares an antialiasing filter, supporting smooth detail transitions.
Despite not being DxOMark tested, Four Thirds sensors typically show competent noise management up to moderate ISOs, though they cannot match full-frame sensors’ noise performance and tonal latitude. But, with 119 lenses available in the Micro Four Thirds ecosystem, compatibility and lens availability add value for those prioritizing compactness and versatility.
In practical shooting, the Z8 was unbeatable in delivering rich textures and subtle tonal gradations under challenging lighting conditions. The OM-5, however, excelled as a lightweight, capable camera for travel and everyday shooting - offering a respectable image yield without the bulk.
Viewing and Framing: Electronic Viewfinders and Screens
When framing and review happen hundreds of thousands of times during a camera’s lifetime, the quality of the EVF and LCD is paramount.
The Nikon Z8 features a high-resolution electronic viewfinder with 3,686k dots and 0.8x magnification, covering 100% of the frame. This means an extremely sharp, bright, and immersive experience that replicates an optical viewfinder’s clarity but with additional data overlays if desired.
Its 3.2-inch tilting touchscreen (2,089k dots) further enhances flexibility in composing tricky angles and navigating menus. The touchscreen itself is responsive, supports touch AF, and offers customization options for ease of use.
Meanwhile, the OM-5’s EVF has a lower resolution at 2,360k dots and slightly smaller magnification (0.68x), though it still performs admirably given the compact form factor. Its 3.0-inch fully articulated touchscreen (1,040k dots) is smaller and less sharp but enables creative angles and self-portrait shooting - an excellent touch for vloggers or casual users seeking versatility.
While the OM-5’s screen isn’t as vibrant or crisp as the Z8’s, it compensates with articulation. The Z8’s tilting (not fully articulating) screen suits photographers shooting on a tripod or at waist level, while the OM-5 appeals to run-and-gun users who want to flip the screen around for video or off-angle stills.
Autofocus Systems: Speed, Accuracy, and Eye-Detection
No shortage of talk surrounds autofocus technology today - and for good reason. AF is mission-critical, especially in action or unpredictable environments.
The Nikon Z8 uses a sophisticated hybrid AF system with 493 focus points spread densely across the frame. It incorporates phase-detection and contrast-detection, providing reliable precision focusing, even in low-light scenarios. Crucially, the Z8 excels at eye and animal eye detection tracking, a feature I personally tested on moving wildlife and event portraits, with remarkable consistency and speed.
In contrast, the OM System OM-5 sports a 121-point hybrid AF system, smaller and less dense than the Z8’s but still highly respectable. It supports face detection and multi-area AF but lacks animal eye autofocus. I found its continuous AF reliable for static subjects and moderate-motion scenes, but it struggled to maintain focus on fast-moving animals or athletes compared to the Z8.
Overall, if fast, laser-accurate autofocus with complex tracking capabilities tops your priority, the Z8 decisively owns this realm. For casual wildlife and general photography, the OM-5’s AF will satisfy and occasionally impress with snappy responses.
Burst Shooting and Buffer Depth: Catching the Moment
Capturing fleeting moments in burst mode can reveal the true muscle behind a camera.
The Z8 delivers a blistering 30 fps continuous shooting speed using the electronic shutter, effectively enabling photographers to capture decisive moments akin to flagship models without overpaying. Buffers handle large ProRes and RAW files, permitting extended high-speed bursts.
The OM-5 caps out at 10 fps mechanical and 30 fps electronically but with a smaller buffer size and less enthusiast-grade heat management. This limits long high-speed sequences; for example, capturing a full boxing bout’s highlights might be possible only in bursts rather than sustained.
Hence, dedicated sports or wildlife photographers will find the Z8’s burst capability a crowdsourced win, whereas the OM-5 suits enthusiasts capturing moderate action.
Video Capabilities: Beyond Stills, Into Motion
In an era where filmmakers and hybrid shooters dominate, video prowess is essential.
The Nikon Z8 offers top-tier video with 8K UHD (up to 30p) and 4K UHD up to 120 fps in ProRes and H.265 codecs. It includes mic and headphone jacks for professional audio control, sensor-based 5-axis stabilization, and HDMI out.
The OM-5, while capable of 4K UHD at 24p in h.264 with stereo mic input, lacks headphone monitoring and 8K options. Its video features align with its advanced amateur ethos rather than professional filmmaking.
In real-world use, the Z8 delivers rich, crisp footage with professional-grade codec choices, supporting serious video work. The OM-5's video output is solid for vlogging, social media clips, or casual projects but not suited for cinematic projects demanding high frame rates or 10-bit color.
Lens Ecosystem and Compatibility: What’s in Your Bag?
Choosing a camera usually means considering your future investment in lenses and accessories.
The Nikon Z8 uses the Nikon Z mount with access to currently 46 native lenses, including an impressive lineup of premium primes and telephotos from Nikon and third parties. Backward compatibility with Nikon F-mount lenses via an adapter further expands possibilities.
The OM System OM-5 leverages the Micro Four Thirds system, offering compatibility with 119 lenses - a wide, mature ecosystem of primes, zooms, macro, and specialty optics from Panasonic, Olympus, and others. Its 2.1x crop factor dramatically extends the reach of telephoto lenses (which can be a boon for wildlife photography on a budget).
Choosing depends largely on focal length needs and size considerations: Z-mount lenses tend to be bigger and more expensive but yield maximum image quality, while the Micro Four Thirds system offers compact convenience and affordability.
Battery Life and Storage: Endurance in the Field
The Nikon Z8 uses the EN-EL15c battery pack rated for approximately 330 shots per charge, which is modest among full-frames but fairly typical given the power-hungry specs and high-res sensor. I recommend carrying at least two spare batteries for a full day of active shooting.
Storage is flexible with one CFexpress Type B slot and one UHS-II SD slot - ideal for professional workflows requiring fast write speeds and redundancy.
The OM-5 employs the BLS-50 battery with around 310 shots per charge, commendable at this size and sensor. It uses a single SD/UHS-II slot. This simplicity suits lightweight setups but may slow workflow for photographers needing dual cards for backup.
Environmental Sealing and Durability: Ready for Rough Conditions?
Weather sealing matters for photographers who shoot outdoors frequently.
Both cameras provide robust weather resistance, shielding against dust and moisture ingress, but neither claims waterproof, shockproof, crushproof, or freezeproof certifications. The Z8 feels more rugged with thicker body construction, better suited for harsher environments.
Price and Value Considerations
The Nikon Z8 comes with a professional-grade $3999 price tag, directly pitting it against flagship full-frame models. You pay today’s top-tier imaging technology, professional ergonomics, advanced video, and swift autofocus.
The OM System OM-5 retails around $1199, targeting advanced enthusiasts or hybrid shooters desiring portability and versatility without breaking the bank. It’s an excellent value in the Micro Four Thirds landscape.
How They Stack Up: Overall Performance Scores
The Nikon Z8 scores extraordinarily high across all metrics - image quality, autofocus, video, and ergonomics - making it one of the best all-round professional mirrorless cameras currently on the market.
The OM-5, though unranked on DxOMark, stands out in portability, weather sealing, and lens availability for its class but understandably trails in image quality and video features.
Suitability Across Photography Genres
-
Portraits: The Nikon Z8’s eye and animal-eye tracking autofocus and higher sensor resolution deliver exquisite skin tones, creamy bokeh, and subject separation. The OM-5 performs well but can’t replicate the same shallow depth or detail.
-
Landscape: The Z8’s wide dynamic range and high resolution are superb, but the OM-5’s smaller size, great in-body stabilization, and versatile lens set also make it a formidable lightweight landscape option.
-
Wildlife: Long reach and autofocus prowess favor the Z8, but the OM-5’s 2.1x crop factor and silent shutter mode provide budget-friendly wildlife shooting benefits.
-
Sports: The Z8’s outstanding burst rate, tracking AF, and durability lead here. The OM-5 is less suited to fast-paced or low light sports events.
-
Street: The compact, discreet OM-5 reigns supreme for street photographers valuing portability and low profile.
-
Macro: The OM-5 supports focus stacking and benefits from a more extensive selection of macro lenses in Micro Four Thirds, but the Z8’s resolution and focus bracketing can produce exceptional detail.
-
Night/Astro: The Z8’s native ISO range, low-light scores, and noise control outclass the OM-5 for astro and low-light shooting.
-
Video: A clear win for the Z8, supporting 8K, ProRes, 4K 120fps, headphone monitoring, and extensive codecs.
-
Travel: The OM-5 offers lighter weight, smaller size, and high versatility - ideal for travel photographers. The Z8 is more suited for those who prioritize image quality and durability over weight.
-
Professional work: The Z8’s dual card slots, ProRes video, full-frame sensor, and rugged build meet professional workflows producing print or broadcast-grade assets.
Sample Images: Zooming Into Real-World Results
Examining side-by-side captures from both cameras under varied lighting conditions confirms what specs already suggest: The Nikon Z8 offers superior clarity, shadow detail, and color fidelity, notably in high-contrast scenes and shallow depth of field. The OM-5 renders pleasing colors and decent texture but with softer detail and less nuanced highlights after dark.
Final Verdict: Who Should Choose What?
The Nikon Z8 is a powerhouse designed for serious professionals or dedicated enthusiasts who require the highest image quality, buttery autofocus reliability, top-tier video, and ruggedness for extensive field use. If you shoot weddings, commercial work, wildlife, or esports - and demand maximum performance - the Z8 should be on your shortlist.
The OM System OM-5 is a nimble, versatile, and affordable camera tailored to enthusiasts, vloggers, and travelers who prize portability and wide lens options. If you want a capable all-rounder for portraits, landscapes, street, and casual video without an intimidating learning curve or bulky gear, the OM-5 is a rewarding choice.
In the end, these cameras occupy very different rungs of the mirrorless hierarchy. Both shine within their intended remit, and choosing between them is a matter of weighing size, budget, and specific photographic demands. As always, I recommend hands-on trials when possible - what feels right in your hands often makes all the difference.
Happy shooting!
Nikon Z8 vs OM System OM-5 Specifications
Nikon Z8 | OM System OM-5 | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model | Nikon Z8 | OM System OM-5 |
Class | Pro Mirrorless | Advanced Mirrorless |
Released | 2023-05-10 | 2022-10-26 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | Stacked CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.4 x 13mm |
Sensor surface area | 858.0mm² | 226.2mm² |
Sensor resolution | 46 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 8256 x 5504 | 5184 x 3888 |
Maximum native ISO | 25600 | 25600 |
Maximum boosted ISO | 102400 | - |
Min native ISO | 64 | 200 |
RAW data | ||
Min boosted ISO | 32 | 64 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 493 | 121 |
Lens | ||
Lens mount | Nikon Z | Micro Four Thirds |
Number of lenses | 46 | 119 |
Crop factor | 1 | 2.1 |
Screen | ||
Type of screen | Tilting | Fully Articulated |
Screen diagonal | 3.20 inches | 3.00 inches |
Screen resolution | 2,089 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,686 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.68x |
Features | ||
Slowest shutter speed | 900 seconds | 60 seconds |
Maximum shutter speed | - | 1/8000 seconds |
Maximum silent shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shooting rate | 30.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/200 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 7680x4320 | 4096x2160 |
Video data format | H.264, H.265 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 910 grams (2.01 pounds) | 414 grams (0.91 pounds) |
Dimensions | 144 x 119 x 83mm (5.7" x 4.7" x 3.3") | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") |
DXO scores | ||
DXO All around score | 98 | not tested |
DXO Color Depth score | 26.3 | not tested |
DXO Dynamic range score | 14.2 | not tested |
DXO Low light score | 2548 | not tested |
Other | ||
Battery life | 330 photographs | 310 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | EN-EL15c | BLS-50 |
Self timer | Yes | Yes (2 or 10 secs, custom) |
Time lapse shooting | ||
Storage type | one CFexpress Type B slot and one UHS-II SD slot | SD/SDHC/SDXC (UHS-II supported) |
Card slots | Dual | 1 |
Cost at launch | $3,999 | $1,200 |