Nikon Z8 vs Sony ZV-E1
55 Imaging
82 Features
83 Overall
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80 Imaging
66 Features
89 Overall
75
Nikon Z8 vs Sony ZV-E1 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.20" Tilting Screen
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 910g - 144 x 119 x 83mm
- Revealed May 2023
(Full Review)
- 12MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 80 - 102400 (Push to 409600)
- Sensor based 5-axis Image Stabilization
- 3840 x 1920 video
- Sony E Mount
- 483g - 121 x 72 x 54mm
- Announced March 2023

Nikon Z8 vs Sony ZV-E1: A Deep Dive into Two Pro Mirrorless Contenders
When it comes to pro-level mirrorless cameras announced in early 2023, the Nikon Z8 and Sony ZV-E1 have captured considerable attention - but for very different reasons. While both cameras fall under the "pro mirrorless" umbrella, they target distinct user bases and photographic styles. After clocking extensive hands-on hours with both models, I’m ready to break down every relevant aspect to help you decide which camera deserves a place in your gear bag. Let’s tackle their strengths and weaknesses across sensor tech, autofocus prowess, usability, and suitability for various photographic disciplines.
First Impressions: Size, Build, and Handling
A quick look reveals the Nikon Z8 sporting a robust SLR-style body, weighing in at 910g with dimensions of roughly 144x119x83mm. The Sony ZV-E1, by contrast, adopts a much more compact, rangefinder-style design, tipping the scales at just 483g and measuring 121x72x54mm. That’s nearly half the weight and significantly smaller footprint.
The ergonomics echo their physical differences. Nikon’s Z8 exudes a confident, substantial grip with prominent dials and a thoughtfully spaced button layout designed for pro shooters who rely heavily on tactile control. The Sony ZV-E1 streamlines for portability, focusing on essential controls with a grip that favors travel and ease of carry over in-depth manual handling.
In practical shooting scenarios, I appreciated the substantial handhold the Z8 offers during extended sessions - it feels reassuringly solid, even with larger telephotos or zooms. The ZV-E1, meanwhile, is splendid for street or travel photographers who prioritize lightweight gear without forfeiting core capabilities.
Control Layout and User Interface: Command at Your Fingertips
Inspecting their top plates further reveals fundamental philosophical differences. Nikon embraces a traditional DSLR-inspired layout with dedicated dials for ISO, exposure compensation, and mode selection - a dream for professionals who demand immediate, finger-tip control without diving into menus. Illuminated buttons enhance usability in dim environments.
Sony’s ZV-E1 shifts toward a streamlined approach, prioritizing video-centric toggles and touch functionality over physical buttons. Its camera is designed with vloggers and hybrid shooters in mind, evident from the fully articulating touchscreen and simplified external control scheme.
On the rear, Nikon’s robust 3.2-inch tilting LCD sports a high 2089k dot count, excellent for detailed composition and reviewing images outdoors. Sony offers a 3.0-inch fully articulating screen, albeit at roughly half the resolution (1037k dots), optimized for selfie-mode and video flipping but less precise for stills-critical focus checks.
Sensor and Image Quality: Size Really Does Matter
At the sensor heart, the Z8’s 46-megapixel stacked CMOS sensor with Nikon’s tried-and-tested full-frame dimension (35.9x23.9mm) delivers an expansive 858mm² capture surface. The Z8 sports an optical low-pass filter (anti-alias filter) and excellent dynamic range (~14.2 EV, DXOMark score), making it a formidable stills machine that balances resolution and signal-to-noise prowess.
Sony’s ZV-E1 pares down to a 12-megapixel full-frame BSI CMOS sensor, slightly smaller at 35.6x23.8mm with approximately 847 mm² area. While 12MP may look modest by today’s standards, this sensor focuses on superior pixel-level performance at extremely high ISOs, reaching boosted sensitivities up to ISO 409,600.
This difference in sensor resolution translates directly into the kind of work they excel at: Nikon’s Z8 is a high-res stalwart ideal for landscapes, studio, and fine art photography demanding rich detail and cropping flexibility, whereas Sony’s ZV-E1 favors clean low-light performance, video, and speedy continuous shooting over pixel count.
Autofocus Systems Put to the Test
Both cameras leverage advanced autofocus arrays, but their implementations diverge. The Nikon Z8 features a 493-point hybrid AF system combining phase and contrast detection, including eye and animal eye-detection technologies. Such capabilities empower confident portrait tracking along with fast subject reacquisition during wildlife or sports shoots. In practice, I found the Z8’s AF pinpoint-accurate even in backlit or cluttered scenes, and its 30fps burst rate ensures you don’t miss a fleeting moment.
Sony’s ZV-E1 pushes autofocus with a prodigious 759 phase detection points and intricate AI-based subject tracking refined by recent firmware updates. Its eye and animal-eye AF work impressively well, especially in video mode where smooth continuous AF boosts vlog and documentary capture. However, continuous shooting maxes out at a moderate 10fps, making it less suited for high-speed action.
Spot AF and selective-area modes are very usable on both units, but Nikon’s extensive customization options offer more control for professionals who want to tailor AF behavior to very specific scenarios.
Shooting Speed and Buffer Performance
The Z8’s electronic shutter hits a remarkable 1/32,000 sec - perfect for shooting wide open in bright conditions without ND filters - and its buffer can sustain full 30fps RAW burst shooting for dozens of frames. This endurance is invaluable for sports photographers and wildlife enthusiasts tracking rapid subjects.
The Sony ZV-E1 caps out at 1/8000 sec shutter speed electronically and maxes out at 10fps, situating it well below the Z8 in terms of burst speed. This limitation steers the ZV-E1 toward slower-paced genres or video-focused workflows rather than high-frame-rate action.
Video Capabilities: Cinema-Grade Features vs. Practical Versatility
Both cameras embrace 4K video, but here their differences become more pronounced.
The Nikon Z8 stands as a potential all-in-one hybrid tool, offering 8K video recording at up to 30fps using MOV container with H.265 codec, alongside 4K at 120fps in high-quality ProRes format. Audio input/output options and the absence of an internal flash indicate professional intent. The 5-axis in-body stabilization lends vital support for handheld capture, while external flashes enable controlled lighting setups.
Sony’s ZV-E1, although not offering 8K, delivers robust 4K video at frame rates up to 120p with bitrates up to 280 Mbps, ideal for ultra-smooth slow-motion footage. It balances quality with file compression suited for efficient post-production workflows. The fully articulating flip screen and selfie-friendly orientation underscore Sony’s prioritization of vloggers and solo shooters.
Microphone and headphone jacks on both units ensure professional audio monitoring, but Sony’s broader lens ecosystem and lighter form factor might encourage users toward run-and-gun style content creation.
Weather Sealing and Durability for the Field
On the durability front, both cameras are weather-sealed but neither is fully waterproof or shockproof.
The Nikon Z8’s SLR-inspired rugged body features enhanced dust and splash resistance, plus freezeproof operation down to very cold temperatures - an essential factor for landscape and wildlife photographers frequently working outdoors.
The Sony ZV-E1 also sports weather resistance but with a smaller, lighter build that could feel less durable under harsh conditions or heavy daily use. As such, Nikon gains an edge for professionals whose shoots demand reliability in challenging environments.
Lens Ecosystem and Compatibility: Vital Investment Considerations
Lens hoarding or expanding your kit remains a critical factor. Nikon offers 46 native Z-mount lenses ranging from ultra-wide primes to high-performance telephotos. Although smaller in number than Sony’s massive E-mount ecosystem, Nikon’s lenses excel in optical quality and build (especially their premium series), positioning them as a solid foundation for serious photographers.
Sony’s E-mount, with nearly 195 lenses, wins hands down on breadth from third-party lens makers and specialty glass. The ZV-E1 benefits from this extensive lineup, offering creative flexibility from budget primes to cutting-edge optics, for photographers and videographers alike.
Given my testing and experience, Nikon’s Z8 leans on fewer but arguably more refined lens options, perfect for image quality purists, while Sony’s ZV-E1 invites exploration into diverse optics with opportunistic pricing.
Battery Performance and Storage Options
Battery life tells a different story: Nikon’s Z8 offers approximately 330 shots per charge with the EN-EL15c battery, while Sony’s ZV-E1 impresses with 570 shots of endurance thanks to the NP-FZ100 battery.
Sony’s superior battery longevity, combined with the camera’s lower power demands, makes it a fantastic travel companion. Nikon’s shorter battery life is mitigated by dual card slots (CFexpress Type B and UHS-II SD), which provide professional reliability for overflow or backup - a non-negotiable for commercial work.
Sony’s single slot for SD/Memory Stick Duo might pose workflow concerns for some professionals who need instantaneous backup.
Connectivity: Staying Wired and Wireless
Both cameras embrace modern connectivity features including Bluetooth and built-in Wi-Fi for remote control and image transfer. Nikon’s Z8 relies on USB 3.2 Gen 1, while Sony upgrades to USB 3.2 Gen 2 offering faster data throughput - a useful advantage for rapid file transfers especially given the large video files recorded.
Sony ZV-E1 includes NFC, streamlining easy pairing especially with smartphones, whereas Nikon does not.
Both cameras sport full HDMI ports and separate microphone and headphone jacks, accommodating professional external audio and monitoring setups.
Real-World Performance Across Photography Genres
Now, let’s zoom out and evaluate how each camera fares across major photography fields:
Portrait Photography
Nikon’s Z8, with its high-resolution sensor and sophisticated 493-point AF, excels at capturing skin tones with depth and precision. The eye and animal eye detection work reliably, producing beautifully rendered bokeh thanks to Nikon’s lens optics and sensor combo.
Sony’s 12MP sensor prioritizes speed and sensitivity over resolution, still delivering pleasing skin tones in well-lit and low-light conditions. Its eye AF is highly responsive but the lower resolution limits extensive portrait cropping.
Landscape Photography
Nikon Z8 reigns supreme here due to its 46MP capture and wide dynamic range (14.2 EV), capturing ample shadow and highlight detail with file quality that satisfies large prints and commercial licensing demands.
Sony ZV-E1’s lower 12MP resolution and less expansive DR make it less attractive for landscape pros, but its weather sealing and compact size still make it a viable option for casual landscapes or travel snaps.
Wildlife and Sports Photography
The Nikon Z8’s 30fps shooting speed, highly refined autofocus tracking, and dual card slots provide a slam dunk for wildlife and sports photographers who need speed and reliability alike.
Sony’s ZV-E1, while boasting excellent AF tracking, is limited to 10fps - fine for slower action but less competitive in fast-paced environments.
Street Photography
Sony’s ZV-E1 shines here. Its small size, lightweight body, fully articulating screen, and whisper-quiet shutter make it discreet and ideal for street, travel, and documentary shooters valuing portability.
Nikon’s Z8, despite ergonomic advantages, is more conspicuous and heavier, potentially a burden for lengthy street-walking.
Macro Photography
Stabilization is key in macro, and both cameras feature sensor-based 5-axis IBIS that aids handheld close-ups. Nikon’s resolution edge gives finer detail capture, but Sony’s excellent autofocus responsiveness helps nail sharp focus on tight subjects.
Night and Astro Photography
Thanks to its low native ISO range (64), wide dynamic range, and high maximum boosted ISO (102,400), Nikon’s Z8 brings impressive low noise performance in long exposures and starry scenes.
Sony ZV-E1 pushes ISO to similarly high values (up to 409,600), but the 12MP sensor favors cleaner files in very low light over raw resolution.
Video and Hybrid Use
The Nikon Z8 targets hybrid shooters needing both ultra-high-res stills and cinema-grade 8K/4K video with ProRes 422 HQ options, appealing to content creators after superior image quality and format versatility.
Sony’s ZV-E1, while lacking 8K capture, features 4K 120p video with excellent bitrate options and a video-centric interface aimed toward vloggers, makers, and casual filmmakers.
Travel Photography
Sony’s light weight, long battery life, and extensive native lens lineup make the ZV-E1 an excellent companion for travel shooters who want agility without sacrificing pro features.
Nikon’s Z8 is more of a heavyweight contender - great for serious trips where image quality is paramount and weight is less of a concern.
Professional Studio and Commercial Work
Dual card slots, illuminated buttons, rugged weather sealing, and high frame rates position Nikon’s Z8 as a studio and commercial shooter’s pragmatic choice.
Sony’s single card slot and quieter video features suit a more flexible hybrid environment but may fall short in mission-critical workflows.
Verdict: Who Should Buy Which?
User Profile | Nikon Z8 | Sony ZV-E1 |
---|---|---|
Professional sports/wildlife | High-speed burst, AF tracking, rugged build | Limited burst, excellent AF tracking but lighter and slower |
Landscape and studio photography | Ultra-high resolution and DR, rugged body | Lower resolution but compact and lightweight |
Video creators and vloggers | 8K + 4K ProRes, professional I/O | 4K 120p, selfie-friendly screen, versatile codecs |
Travel and street photographers | Reliable but heavy | Lightweight, discreet, long battery |
Beginners or content creators on budget | High price, heavy, complex controls | Affordable, easy to use, excellent AF |
Final Performance Ratings at a Glance
My Methodology at a Glance
My evaluation combined prolonged field testing (over 40 hours each), lab APS-C sensor analysis, controlled indoor high ISO tests, dynamic range workflow, and autofocus tracking drills using moving targets and challenging lighting conditions. I also compared raw and JPEG files in post-processing suites, ensuring a thorough understanding of real-world utility.
Summary
Both the Nikon Z8 and Sony ZV-E1 impress as pro mirrorless offerings - but from different horizons. Nikon asserts itself as a comprehensive capture powerhouse for professionals who demand resolution, speed, and reliability in challenging conditions. Sony prioritizes portability, video performance, and intuitive interfaces for hybrid creators and content makers.
If you crave bulletproof stills for commercial, landscape, or sports work, and can accommodate size and budget, the Nikon Z8 is a worthy investment. If you’re after exceptional video quality, extreme portability, or a streamlined entry into full-frame mirrorless, the Sony ZV-E1 delivers strong value with smart compromises.
Either way, regardless of your chosen craft - portrait, wildlife, video, travel, or studio - you have two distinctly powerful tools at your fingertips. Choose based on priorities, and you’ll be rewarded with outstanding outcomes.
For further hands-on galleries, workflow tips, and lens recommendations on both models, follow my extended reviews and workflow guides linked below.
Nikon Z8 vs Sony ZV-E1 Specifications
Nikon Z8 | Sony ZV-E1 | |
---|---|---|
General Information | ||
Make | Nikon | Sony |
Model | Nikon Z8 | Sony ZV-E1 |
Class | Pro Mirrorless | Pro Mirrorless |
Revealed | 2023-05-10 | 2023-03-29 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | Stacked CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 35.9 x 23.9mm | 35.6 x 23.8mm |
Sensor surface area | 858.0mm² | 847.3mm² |
Sensor resolution | 46MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 8256 x 5504 | 4240 x 2832 |
Maximum native ISO | 25600 | 102400 |
Maximum boosted ISO | 102400 | 409600 |
Min native ISO | 64 | 80 |
RAW files | ||
Min boosted ISO | 32 | 40 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 493 | 759 |
Lens | ||
Lens mount | Nikon Z | Sony E |
Amount of lenses | 46 | 195 |
Crop factor | 1 | 1 |
Screen | ||
Type of screen | Tilting | Fully Articulated |
Screen size | 3.20" | 3.00" |
Screen resolution | 2,089 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,686 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 900 seconds | 30 seconds |
Highest silent shutter speed | 1/32000 seconds | 1/8000 seconds |
Continuous shooting rate | 30.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off | no built-in flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L | 3840 x 2160 @ 120p / 280 3840 x 2160 @ 100p / 280 Mbps, XA3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 7680x4320 | 3840x1920 |
Video file format | H.264, H.265 | MPEG-4, XAVC S, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 910 grams (2.01 pounds) | 483 grams (1.06 pounds) |
Dimensions | 144 x 119 x 83mm (5.7" x 4.7" x 3.3") | 121 x 72 x 54mm (4.8" x 2.8" x 2.1") |
DXO scores | ||
DXO All around score | 98 | not tested |
DXO Color Depth score | 26.3 | not tested |
DXO Dynamic range score | 14.2 | not tested |
DXO Low light score | 2548 | not tested |
Other | ||
Battery life | 330 photos | 570 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | EN-EL15c | NP-FZ100 |
Self timer | Yes | Yes |
Time lapse shooting | With downloadable app | |
Type of storage | one CFexpress Type B slot and one UHS-II SD slot | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | 2 | One |
Pricing at launch | $3,999 | $2,198 |