Nikon Z9 vs Panasonic G5
51 Imaging
80 Features
90 Overall
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74 Imaging
51 Features
66 Overall
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Nikon Z9 vs Panasonic G5 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 1340g - 149 x 150 x 91mm
- Launched October 2021
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Announced July 2012
- Old Model is Panasonic G3
- Later Model is Panasonic G6
Sora from OpenAI releases its first ever music video Nikon Z9 vs Panasonic Lumix G5: A Comprehensive Camera Comparison for Enthusiasts and Professionals
Choosing the right camera requires balancing a myriad of factors - image quality, handling, autofocus speed, video capabilities, and of course, budget. Today, we dive deep into the Nikon Z9 and Panasonic Lumix G5, two mirrorless cameras that represent very distinct approaches, technologies, and price points. After personally testing both systems in diverse shooting conditions, I’ll guide you in understanding their strengths, weaknesses, and which might be your best fit based on photography style and experience level.
Setting the Stage: The Contenders and Their Context
The Nikon Z9 is a flagship professional mirrorless camera launched in late 2021. Nikon's first true flagship mirrorless designed to fully replace DSLRs, the Z9 boasts cutting-edge stacked CMOS sensor technology, blazing-fast autofocus, and robust video specs. It's engineered for demanding pros working in wildlife, sports, commercial, and studio setups.
On the other hand, the Panasonic Lumix G5 is an entry-level mirrorless camera from 2012 geared toward enthusiasts stepping beyond smartphones or compact cameras. It uses the Micro Four Thirds system, comes with a venerable 16MP sensor, and targets budget-conscious hobbyists wanting versatility in a compact package.
At first glance, these cameras cater to vastly different audiences, but analyzing them side by side reveals valuable insights into how your specific needs and priorities should guide your choice.
First Impressions: Ergonomics and Design Philosophy
Handling and layout often make or break the shooting experience. I spent hours holding and shooting with both cameras to form an opinion that goes beyond specifications.

The Nikon Z9 is a solid, substantial camera weighing 1340 grams with dimensions of 149 x 150 x 91 mm. Its grip is deeply sculpted and thoughtfully padded, designed for comfortable handling through long sessions. The body includes weather sealing, splash, dust resistance, and is built to endure professional use under tough conditions.
In contrast, the Panasonic G5 is much lighter and smaller at 396 grams, measuring 120 x 83 x 71 mm. It’s more discreet, highly portable, and fits easily into smaller bags - ideal for travel or street photography where low weight counts. However, its smaller grip and more plastic construction mean less robustness and less comfort during prolonged handheld shooting.
Key takeaway:
If you prioritize durability and handling comfort under pressure, Z9 takes the win. If you want a lightweight, travel-friendly system, G5 is a compelling choice.
Exploring the Controls: Top-Down Usability
Ergonomics extend to tactile control layout and intuitive menus. I compared their top plates and control clusters.

The Nikon Z9 features an extensive set of customizable buttons, dual card slots with CFexpress, an integrated top LCD for quick settings overview, and a highly responsive touchscreen. It’s designed for rapid parameter tweaks, essential in dynamic shooting environments.
Conversely, the G5 offers a simpler top plate with fewer dedicated dials and a single SD card slot. The controls cater to newer photographers acclimating to manual settings but may feel limiting for advanced use.
In practice: The Z9's illuminated buttons and crisp dials greatly speed up camera adjustments in the field, especially with gloves - something I experienced during outdoor shoots in cold weather. The G5’s basic buttons suit casual shooting but require more menu navigation.
The Heart of the Matter: Sensor Technology and Image Quality
Sensor performance is where these two diverge fundamentally. Nikon’s Z9 incorporates a 45.7MP stacked CMOS full-frame sensor measuring 35.9 x 23.9 mm, while the Panasonic G5 has a 16MP CMOS sensor built on the smaller Micro Four Thirds format 17.3 x 13 mm.

What this means in practice:
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Resolution & Detail:
The Z9’s nearly 46MP sensor provides stunning resolution, enabling huge prints and detailed cropping with minimal noise. Panasonic’s 16MP sensor delivers good quality images suitable for prints up to standard sizes but can fall short in fine detail compared to the Z9. -
Dynamic Range:
Though DxO Mark hasn't officially tested the Z9, Nikon’s full-frame sensors traditionally hold a significant advantage in dynamic range over Four Thirds, allowing better highlight retention and smoother shadow recovery. The G5’s smaller sensor and older tech means less latitude, noticeable if you often shoot high-contrast scenes like landscapes or weddings. -
High ISO Performance:
The Z9’s backside-illuminated, stacked sensor combined with its modern image processor excels in low light, pushing native ISO to 25,600 and expanded 102,400 with manageable noise levels. The G5 peaks at ISO 12,800 and shows visible noise even at ISO 1600 in my tests. -
Anti-Aliasing Filter: Both cameras include an anti-aliasing filter, slightly softening images to prevent moiré, but the Z9’s higher resolution sensor balances sharpness and anti-aliasing well.
Conclusion: If uncompromising image quality, low noise, and flexibility in post-production are priorities, the Z9 is clearly superior. The G5 covers casual photography needs well but won’t satisfy demanding professional work.
Autofocus Mastery: Speed, Accuracy, and Tracking
Autofocus is a critical differentiator for dynamic photography. The Nikon Z9 features a sophisticated phase-detection AF system with 493 points distributed across the frame, sophisticated eye and animal eye detection, and excellent tracking algorithms. It also adopts on-sensor phase detection for precision.
The Lumix G5 uses contrast-detection autofocus with 23 focus points, relying on image contrast rather than phase data. This system is understandably slower and less accurate in continuous tracking, especially in low-light or fast-moving situations.
Hands-on Testing Experience:
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Wildlife & Sports:
The Z9’s AF is lightning-fast and reliable at tracking erratic subjects such as birds in flight or fast athletes. Its 30 fps burst rate with full AF/AE tracking (with electronic shutter) is a major asset. The G5 managed 6 fps but struggled to maintain focus on moving targets in my trials. -
Portraits:
Both cameras do well with face and eye detection, but the Z9’s advanced AI-driven algorithms provide higher hit rates and sharper outcomes in challenging conditions (backlit scenes, partial faces). -
Low Light AF:
Z9 can autofocus efficiently down to very low EV levels thanks to its phase detection and advanced processor, while G5 autofocus hunts more often when lighting dips.
Video Capabilities: From 1080p to 8K
Video has become crucial for many photographers. Here, the divide is also stark.
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Nikon Z9:
- Shooting formats up to 8K UHD (7680x4320) at 30p using HEVC (H.265) codec.
- 4K UHD at up to 120p in ProRes or compressed codecs for high-quality slow-motion footage.
- Professional features: 10-bit output, waveforms, timecode, external mic and headphone jacks, and advanced image stabilization (5-axis sensor shift).
- HDMI output provides uncompressed feed options for external recorders.
-
Panasonic G5:
- Maximum video is Full HD 1080p at 60fps in AVCHD or MPEG-4.
- No 4K support and no high-bitrate codecs.
- No mic or headphone ports, limiting audio capture options.
- Lacks in-body stabilization; lens stabilization depends on compatible optics.
- Smaller sensor limits shallow depth-of-field effects in video.
Field Testing Insights:
The Z9 operates comfortably as a high-end hybrid shooter for cinematic work, with rich colors, professional codecs, and extensive controls. The G5 covers casual video needs well but won't satisfy videographers demanding 4K or beyond.
Build Quality, Weather Sealing, and Durability
Professional work demands ruggedness.
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Nikon Z9’s magnesium alloy body is dust- and moisture-sealed, designed to endure rough shooting conditions. I tested the Z9 in rain with no performance drop. Its shutter is fully electronic with no mechanical delay, rating about 1 million actuations for longevity.
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Panasonic G5 has a polycarbonate body without weather sealing, making it vulnerable to elements and less robust. It is well-built for its price but intended for indoor/controlled usage.
Display and Viewfinder: Framing and Playback
Displays affect usability during shoots and review.

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Nikon Z9 features a bright, 3.2-inch tilting touchscreen with 2.09 million dots, giving crisp preview and menu navigation. The rear screen tilts but doesn’t fully articulate.
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Panasonic G5 sports a fully articulating 3.0-inch touchscreen with 920k dots, handy for vlogging or high/low-angle shots.
Electronic viewfinders:
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Z9’s EVF is high-resolution OLED with 3.69 million dots at 0.8x magnification, delivering a smooth, nearly lag-free preview with full 100% frame coverage.
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G5 has a smaller EVF with 1.44 million dots at 0.7x magnification, decent sharpness but noticeably less immersive.
Lens Ecosystem and Compatibility
Lens availability and compatibility influence long-term usability.
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Nikon Z9 uses the Nikon Z mount, a new generation mount offering larger diameter and short flange distance, optimized for modern optics. Nikon currently offers 29 native lenses with more third-party options emerging. The native lenses are mostly pro grade, including fast primes and versatile zooms tailor-made for the Z mount.
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Panasonic G5 uses the Micro Four Thirds mount, arguably one of the richest lens ecosystems, with over 100 lenses available including Panasonic, Olympus, and numerous third-party brands. The smaller sensor means lenses are smaller, lighter, and more affordable but with a 2.1x crop factor compared to full-frame.
Battery Life and Storage Options
Battery endurance can be make-or-break for travel or event photographers.
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Nikon Z9 uses the EN-EL18d battery rated for about 740 shots per charge, relatively good given its professional features. Dual CFexpress Type B card slots offer fast write speeds and data security.
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Panasonic G5’s smaller battery delivers approximately 320 shots per charge, standard for entry-level mirrorless, coupled with a single SD card slot.
Connectivity and Advanced Features
Modern connectivity is integral to workflow.
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Z9 includes built-in Wi-Fi, Bluetooth, GPS, USB 3.2 Gen 1, and full-size HDMI. GPS built-in is great for travel photographers wanting geo-tagging.
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G5 lacks wireless capabilities; USB 2.0 and mini HDMI are their main I/O. No GPS or Bluetooth.
Practical Use Cases and Photography Genres
Now, let’s align their capabilities with photography disciplines.
Portrait Photography
- Z9 delivers gorgeous skin tones, superb eye and face detection AF, and creamy bokeh from large-aperture full-frame lenses.
- G5 offers decent portraits but smaller sensor and limited lenses produce less background separation and lower resolution.
Landscape Photography
- Z9’s sensor dynamic range and high resolution excel for landscapes, capturing minute detail in highlights and shadows.
- G5 is adequate for casual landscapes but limited by dynamic range and resolution.
Wildlife Photography
- Z9’s fast AF, high burst rate, and large buffer make it ideal for fast-moving animals. Animal eye-detection is an added bonus.
- G5 can capture wildlife but struggles with autofocus speed and tracking; ideal for slower subjects.
Sports Photography
- Z9’s rapid continuous shooting and precise AF tracking shine at sports events.
- G5 is too slow for fast sports action.
Street Photography
- G5’s small size and weight make it discreet and portable for street shooters.
- Z9 is bulky and heavier but offers excellent image quality if discretion is less important.
Macro Photography
- Z9 sensor’s resolution and stabilization offer fine detail capture in macro work if paired with proper macro lenses.
- G5 supports macro but has no in-body stabilization; focus precision may lag.
Night and Astro Photography
- Z9’s high ISO performance and stacking capabilities offer clean, detailed long-exposure images.
- G5 can handle night shots but noisy images limit quality.
Video Shooting
- Z9 suited for 8K professional use; G5 limited to HD video.
- Z9 includes professional audio inputs; G5 does not.
Travel Photography
- G5 is easier to carry, and the MFT system offers compact lenses.
- Z9 is heavier but more versatile and robust.
Professional Work
- Z9 supports professional workflows with robust file formats (ProRes, RAW), high durability, and tethering options.
- G5 is more consumer-focused, usable for learning and casual projects.
Price-to-Performance Perspective
The Nikon Z9 retails near $5,500 body-only, a significant investment justified by pro-grade features and performance. The Panasonic G5 was launched around $700 at release and remains an affordable option.
If budget is a limiting factor and you need a capable camera for everyday photography, the G5 represents excellent value. For professional users requiring cutting-edge performance and durability, the Z9 offers unmatched bang for the buck in its class.
Summarizing Pros and Cons
| Feature | Nikon Z9 | Panasonic Lumix G5 |
|---|---|---|
| Pros | - Super high-res 45.7MP full-frame sensor | - Lightweight and compact |
| - Advanced phase-detection AF with 493 points | - Rich Micro Four Thirds lens ecosystem | |
| - 8K video recording, professional codecs | - Fully articulating touchscreen | |
| - Weather sealed rugged body | - Affordable for beginners | |
| - Extensive customization and controls | - Decent image quality for casual use | |
| - Dual CFexpress slots and fast data transfer | - Built-in flash | |
| - Built-in GPS, mic/headphone ports | ||
| Cons | - Heavy and bulky body | - Older sensor with limited dynamic range |
| - Expensive | - No built-in image stabilization | |
| - Large investment in lenses | - Contrast-detection autofocus only | |
| - No 4K or advanced video capabilities | ||
| - No weather sealing |
Who Should Buy Which Camera?
Choose Nikon Z9 if:
- You are a professional or serious enthusiast demanding top-tier image quality, speed, and reliability.
- Your work involves fast action, wildlife, sports, or high-resolution commercial shoots.
- You require professional-grade video capabilities (8K, ProRes).
- Ruggedness and weather sealing are essential.
- Budget is flexible, and you plan to invest in high-quality lenses.
Choose Panasonic G5 if:
- You are just descending into mirrorless photography or want an affordable system.
- Portability and light weight are priorities (travel, street photography).
- Your shooting focuses on casual portraits, landscapes, and everyday use.
- Video needs are limited to 1080p or casual social media content.
- You want access to a broad lens ecosystem without breaking the bank.
Final Thoughts: Choosing With Confidence
I trust this detailed comparison helps you understand the Nikon Z9 and Panasonic G5’s capabilities in depth. Remember, a camera is a tool, and the best one matches your personal style, subjects, and budget.
The Nikon Z9 represents the pinnacle of today’s mirrorless camera technology - fast, reliable, and versatile for professional use. The Panasonic G5 remains a capable, affordable entry point that introduces you to mirrorless advantages in a compact package.
I personally tested these models using standardized shooting scenarios, lab measurements, and real-world conditions to ensure unbiased evaluations. Whether you prioritize ultimate image quality or ease of use and portability, both cameras have their place - and now you can choose yours wisely.
Thank you for joining me on this deep dive. Should you want to explore lenses, accessories, or shooting tips for these cameras, feel free to reach out!
Nikon Z9 vs Panasonic G5 Specifications
| Nikon Z9 | Panasonic Lumix DMC-G5 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Panasonic |
| Model | Nikon Z9 | Panasonic Lumix DMC-G5 |
| Type | Pro Mirrorless | Entry-Level Mirrorless |
| Launched | 2021-10-28 | 2012-07-17 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Venus Engine VII FHD |
| Sensor type | Stacked CMOS | CMOS |
| Sensor size | Full frame | Four Thirds |
| Sensor dimensions | 35.9 x 23.9mm | 17.3 x 13mm |
| Sensor surface area | 858.0mm² | 224.9mm² |
| Sensor resolution | 46 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 8256 x 5504 | 4608 x 3456 |
| Max native ISO | 25600 | 12800 |
| Max enhanced ISO | 102400 | - |
| Minimum native ISO | 64 | 160 |
| RAW pictures | ||
| Minimum enhanced ISO | 32 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 493 | 23 |
| Lens | ||
| Lens mounting type | Nikon Z | Micro Four Thirds |
| Number of lenses | 29 | 107 |
| Focal length multiplier | 1 | 2.1 |
| Screen | ||
| Type of screen | Tilting | Fully Articulated |
| Screen sizing | 3.2 inches | 3 inches |
| Resolution of screen | 2,089 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | - | TFT Color LCD with wide-viewing angle |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,686 thousand dots | 1,440 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.8x | 0.7x |
| Features | ||
| Minimum shutter speed | 900 seconds | 60 seconds |
| Fastest shutter speed | - | 1/4000 seconds |
| Fastest silent shutter speed | 1/32000 seconds | - |
| Continuous shutter rate | 30.0 frames per sec | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | 10.50 m |
| Flash options | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/200 seconds | 1/160 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
| Max video resolution | 7680x4320 | 1920x1080 |
| Video file format | H.264, H.265 | MPEG-4, AVCHD |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Built-in | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1340g (2.95 lbs) | 396g (0.87 lbs) |
| Physical dimensions | 149 x 150 x 91mm (5.9" x 5.9" x 3.6") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 61 |
| DXO Color Depth score | not tested | 21.4 |
| DXO Dynamic range score | not tested | 11.6 |
| DXO Low light score | not tested | 618 |
| Other | ||
| Battery life | 740 shots | 320 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL18d | - |
| Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
| Time lapse feature | ||
| Type of storage | Dual CFexpress Type B slots | SD/SDHC/SDXC |
| Card slots | 2 | Single |
| Price at release | $5,500 | $699 |