Panasonic ZS25 vs Pentax K-S1
93 Imaging
39 Features
43 Overall
40


69 Imaging
63 Features
70 Overall
65
Panasonic ZS25 vs Pentax K-S1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 193g - 105 x 59 x 28mm
- Launched January 2013
- Alternative Name is Lumix DMC-TZ35
- Earlier Model is Panasonic ZS20
- Updated by Panasonic ZS30
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 558g - 121 x 93 x 70mm
- Released August 2014
- Replacement is Pentax K-S2

Panasonic ZS25 vs Pentax K-S1: A Hands-On, Expert Comparison for Photography Enthusiasts
In the ever-evolving world of digital cameras, choosing the right tool for your creative vision can be quite the puzzle. Today, I’m diving deep into a somewhat unconventional but fascinating face-off between two distinct cameras: the Panasonic Lumix DMC-ZS25 - a compact superzoom point-and-shoot - and the Pentax K-S1 - a mid-size advanced DSLR. On paper, they live in different universes. Yet, both target photography enthusiasts, just through vastly different routes.
I’ve spent hours shooting across various disciplines with each, testing their sensors, ergonomics, autofocus, and more. This comparison is hands-on, impartial, and rooted in nearly two decades of camera evaluation experience. Whether you're after portability, image quality, or versatility, I’ll help you weigh which among these two deserves your hard-earned budget.
First Impressions and Build: Size Matters, but Ergonomics Matter More
Begin with the obvious - the Panasonic ZS25 is a compact superzoom cat, while the Pentax K-S1 sports the heft and distinct heft of a DSLR. Here’s a visual to immediately anchor scale and form factor:
At just 105x59x28mm and 193g, the ZS25 is a lightweight commuter. It comfortably slips into coat pockets or small bags, living up to its “travel zoom” reputation. The fixed lens, spanning a very impressive 24-480mm equivalent with a 20x optical zoom, makes this an attractive option for casual shooting or travel when lens changes are a non-starter. However, its plasticky finish and fairly minimalist grip can challenge stable handheld shooting in some circumstances.
By contrast, the Pentax K-S1 measures 121x93x70mm and weighs a substantial 558g - something unmistakably DSLR in the hand. The camera’s magnesium alloy-reinforced body (despite lacking weather sealing) and deep, textured grip make it a reassuring partner for longer shoots. Its detachable lens mount supports a huge Pentax KAF2 glass ecosystem, clearly aimed at those who want to craft their own optical arsenal for portraits, landscapes, macro, or wildlife.
Looking into their control designs side-by-side, the differences are pronounced. The K-S1’s DSLR-style dials and illuminated buttons denote advanced functionality, while the ZS25 keeps things light with limited physical controls.
I’d argue the ZS25 caters well to on-the-fly shooters craving simplicity, while the K-S1 invites you into a hands-on, tactile photography experience, rewarding patience and control.
Sensors and Image Quality: Small Sensor Superzoom vs APS-C DSLR
Arguably, the heart of any camera is its sensor. Here, the K-S1 showcases a much larger APS-C sensor (23.5 x 15.6 mm) vs. the ZS25’s tiny 1/2.3" sensor (6.08 x 4.56 mm). This disparity affords dramatic differences in image quality potential. Let's visually inspect their respective sensor sizes:
From experience, the APS-C sensor in the K-S1 offers superior detail, color depth, dynamic range, and noise control - vital for professional-grade portraits, landscapes, and low-light conditions. Pentax also skips the anti-aliasing filter here, ensuring the sensor captures maximum sharpness, though at slight risk of moiré in specific scenes.
Meanwhile, the ZS25’s small sensor must rely heavily on processing algorithms to combat noise and maintain decent image quality at ISO 100-6400 (native). This limits its use cases somewhat but remains reasonable for casual snapshots and daylight outdoor shooting. Also, the lens’ variable aperture of f/3.3-6.4 restricts shallow depth of field creativity or low-light efficiency significantly compared to the K-S1.
When pixel peeping, the K-S1’s 20MP APS-C sensor renders much finer detail and better highlights/shadows retention, while the ZS25’s 16MP sensor struggles in complexity-rich scenes or dynamic situations like sunset landscapes or interiors.
A Screen to See and Shoot: Interface and User Experience
Both cameras feature fixed 3” LCDs, but their quality and interface approach differ markedly.
The ZS25’s 460k-dot display is serviceable but less sharp than the K-S1’s 921k-dot screen. The latter provides crisper previews, which is critical when reviewing exposure, focus, and composition for detailed shots or manual controls.
Neither screen is touch-enabled, a slight disappointment for convenience in 2013-14 era models. However, the K-S1 compensates with more physical buttons and customizable controls, plus a larger, clearer viewfinder that boosts compositional precision under bright daylight or steady shooting scenarios.
Autofocus and Shooting Responsiveness: Speed, Accuracy, and Tracking
Testing autofocus reveals fundamental differences in sophistication. The ZS25 uses 23 contrast-detection AF points and features continuous AF, but lacks face or eye-detection capabilities.
On the other hand, the K-S1 offers 11 phase-detect AF points (with cross-type sensors in the center), in addition to face detection. This hybrid AF system ensures quicker acquisition, better accuracy, and superior tracking of moving subjects.
In practical wildlife or sports photography tests, the K-S1 reliably kept up with action, aided by 5.4 fps burst shooting - half the ZS25’s 10 fps but with far greater image quality per frame. The ZS25’s AF hunt in low-contrast or low-light settings was noticeably slower and prone to backfocusing errors.
Versatility in Lenses and Creative Options
The ZS25’s fixed lens simplifies shooting, offering a massive 20x zoom from wide-angle 24mm to full 480mm equivalent. While the aperture holds you back somewhat in dimmer scenes, image stabilization helps. For someone wanting all-in-one convenience without lens changing, it’s an attractive option.
In contrast, the K-S1’s Pentax KAF2 mount opens doors to over 150 autofocus lenses, including some remarkable primes, high-performance zooms, and specialty glass. This ecosystem empowers shooters to tackle virtually every genre - macro, portrait, telephoto wildlife, or ultra-wide landscapes - far beyond a superzoom’s reach.
The downside? Carrying lenses adds weight and complexity but rewards you with optical excellence and creative freedom.
Handling and User Interface: How They Feel in Your Hands Over Time
Over prolonged sessions - say, a full day shooting portraits or hiking a landscape trail - ergonomics matter hugely. The K-S1’s DSLR design proved comfortable for hours of shooting due to its substantial grip, customizable buttons (including illuminated controls for nightwork), and intuitive modes.
The ZS25 is nimble and easy to deploy quickly, but its minimal physical controls and smaller grip can fatigue your hands during extended use. Its lens zoom lever near the shutter is responsive but doesn’t offer smooth precision zooming, tricky for careful framing.
Battery Life, Storage, and Connectivity
Battery endurance presents a marked difference: the K-S1 achieves around 410 shots per charge compared to the ZS25’s 260, measured under standard CIPA conditions. For travel or professional workdays, the K-S1’s longevity reduces the need to carry spares.
Both cameras take SD/SDHC/SDXC cards (single slot), but only the K-S1 supports Eye-Fi wireless adapters for image transfer, albeit lacking Bluetooth or NFC connectivity found in more modern models. HDMI video output exists on both, but neither offers microphone or headphone jacks for advanced audio capture.
USB is limited to USB 2.0 speeds.
Image Stabilization and Low-Light Performance
The ZS25 benefits from Optical Image Stabilization embedded in its lens, essential given its telephoto reach and small sensor. While this lets you handhold longer shutter speeds, noise sensitivity increases rapidly beyond ISO 400, limiting low-light utility.
Pentax K-S1 incorporates sensor-based stabilization, valuable with interchangeable lenses lacking IS. The larger APS-C sensor paired with higher ISO capability (up to ISO 51200 native) delivers superior low-light shooting with less noise and more exposure latitude. In indoor event shooting or night scenes, this gap is particularly tangible.
Video Capabilities: Which Shooter Doubles as a Vlogger?
Both cameras max at Full HD 1080p video, but frame rates and codecs differ. The ZS25 supports 1080/60p with AVCHD and MPEG-4 formats, including a (quirky) 220fps VGA slow-motion mode. However, the lack of mic input and limited manual video control restricts filmmaker ambitions.
Pentax K-S1’s video tops out at 1080/30p with H.264 compression, lacking higher frame rate or 4K options, and no audio jacks as well. Its lack of in-body video stabilization makes handheld footage shakier unless combined with stabilized lenses or rigs.
For basic video vlogs or family recording, either suffices, but serious video enthusiasts will want to look elsewhere.
Specialized Genres: How They Perform Across Photography Styles
Let’s break down strengths and weaknesses in popular photography genres, emphasizing real-world usability.
Portrait Photography
- K-S1: Large APS-C sensor permits creamy bokeh, fine skin tone rendition, and accurate face detection AF. Manual focus and exposure control help craft nuanced portraits.
- ZS25: Limited aperture and tiny sensor result in flatter skin tones and less highlight/shadow detail. Bokeh is minimal; face detection is absent, making portraits less effortless.
Landscape Photography
- K-S1: High dynamic range (DXO rates ~13 stops), strong resolution (20MP), and manual lens options dominate here. Easy to bracket exposures for HDR.
- ZS25: Smaller sensor with limited dynamic range delivers noisier files and less shadow recovery, but the ultra-wide angle (24mm eq.) helps compose broader vistas.
Wildlife Photography
- K-S1: Moderate burst speed and fast, accurate phase-detect AF enable tracking of animals. Combined with telephoto lenses, it is the clear winner.
- ZS25: 20x zoom is tempting but AF hunting in low contrast hampers wildlife capture in practice.
Sports Photography
- K-S1: Phase-detection AF and 5.4 fps continuous shooting hold up for casual sports. Optical viewfinder gives instant feedback.
- ZS25: High burst speed (10fps) but limited AF sophistication reduces usable frames.
Street Photography
- ZS25: Compact form, decent zoom, and quick start-up make it stealthy for street shooting. Limited controls may frustrate advanced users.
- K-S1: Bulky size and mirror slap noise reduce discreteness. Better suited for deliberate portraiture or events.
Macro Photography
- K-S1: Interchangeable lenses and sensor-shift stabilization result in sharp, clean macro shots.
- ZS25: Close focusing at 3cm helps casual macro but optical limits constrain creativity and depth of field control.
Night / Astrophotography
- K-S1: Larger sensor and higher ISO with noise control preferred. Bulky, but reliable tripod use for long exposures.
- ZS25: Limited ISO and small sensor noisy results restrict options.
Video
- Both: 1080p max but limited manual control and no audio in/out ports. ZS25’s 60fps sub-HD modes better for slow-mo footage.
Travel Photography
- ZS25: Lightweight, versatile zoom, and modest battery life add up to an ideal travel companion.
- K-S1: Bulk and weight trade off for image quality and lens flexibility.
Professional Work
- K-S1: Full RAW support, comprehensive manual controls, and lens options make it suitable for professionals on a budget.
- ZS25: JPEG-only output and modest sensor limit pro workflow integration.
Ready for Side-by-Side Inspiration? Sample Images Tell the Tale
To ground these technical contrasts, here are direct JPEG samples from both cameras, shot under varied lighting and subject conditions:
Notice the K-S1’s superior sharpness, color saturation, and low noise, especially in indoor or shaded shots. The ZS25 impresses in daylight with its vast zoom range but can struggle with dynamic range and clarity.
Quantifying Performance: Overall Scores and Genre Breakdown
Third-party lab tests supplement hands-on experience. DXO Mark data positions the K-S1’s sensor with commendable scores:
Its standout color depth and dynamic range affirm its suitability for demanding photography.
A discipline-by-discipline breakdown clarifies strengths:
The K-S1 leads decisively in portraits, landscapes, and low-light contexts. The ZS25 holds some advantages in portability and zoom length, best for casual outdoor tasks.
Wrapping Up: Who Should Buy Which?
Buy the Panasonic Lumix ZS25 if:
- You prioritize compactness, light weight, and massive zoom versatility in one pocketable camera.
- Your photography is casual, travel-oriented, or requires quick, simple operation.
- You’re on a tight budget wanting coverage from wide-angle to supertelephoto without fuss.
- Video and slow-mo modes, plus basic image stabilization, meet your needs.
Choose the Pentax K-S1 if:
- You crave serious image quality with an APS-C sensor and raw file flexibility.
- You want manual controls and expansive creative options through interchangeable lenses.
- Your work includes portraits, landscapes, or event photography where accuracy and dynamic range matter.
- You’re willing to carry more gear and invest time into mastering your camera’s features.
Final Thoughts on Put-Through Testing Methodology
Throughout this evaluation, both cameras were tested under identical lighting and subjects to provide fair, directly comparable data. This includes controlled indoor portraits, outdoor landscapes across different times of day, wildlife scenarios typified by motion, and low-light assessments for noise performance. Image quality was analyzed on calibrated monitors and through DXO Mark reports when available.
Handling and UI impressions derived from extended field use, including prolonged shooting sessions to gauge ergonomics, fatigue, and workflow speed. Autofocus speed and accuracy were measured using repeatable focus targets and moving subjects - markers I trust from years of comparative reviews.
This Panasonic ZS25 vs Pentax K-S1 comparison underscores how divergent engineering philosophies - superzoom convenience vs DSLR power - serve varied photography needs. Whichever path you choose, understanding these real-world behaviors and quirks will empower sharper decisions and richer creative journeys.
Happy shooting!
Panasonic ZS25 vs Pentax K-S1 Specifications
Panasonic Lumix DMC-ZS25 | Pentax K-S1 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZS25 | Pentax K-S1 |
Also called as | Lumix DMC-TZ35 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Launched | 2013-01-07 | 2014-08-27 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Chip | - | Prime MII |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4896 x 3672 | 5472 x 3648 |
Maximum native ISO | 6400 | 51200 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 11 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 24-480mm (20.0x) | - |
Largest aperture | f/3.3-6.4 | - |
Macro focusing distance | 3cm | - |
Amount of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Screen resolution | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Slowest shutter speed | 15 seconds | 30 seconds |
Maximum shutter speed | 1/1200 seconds | 1/6000 seconds |
Continuous shooting rate | 10.0 frames per second | 5.4 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.40 m | 10.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto + redeye, on, on + redeye reduction, slow sync, trailing curtain sync, manual |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 193 grams (0.43 lbs) | 558 grams (1.23 lbs) |
Dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 121 x 93 x 70mm (4.8" x 3.7" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 78 |
DXO Color Depth rating | not tested | 23.5 |
DXO Dynamic range rating | not tested | 13.0 |
DXO Low light rating | not tested | 1061 |
Other | ||
Battery life | 260 photos | 410 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Price at launch | $300 | $339 |