Olympus E-3 vs Panasonic GF7
56 Imaging
44 Features
56 Overall
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90 Imaging
53 Features
66 Overall
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Olympus E-3 vs Panasonic GF7 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Released February 2008
- Replaced the Olympus E-1
- Replacement is Olympus E-5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1/16000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Announced February 2015
- Older Model is Panasonic GF6
- Renewed by Panasonic GF8

Olympus E-3 vs Panasonic Lumix DMC-GF7: A Deep Dive into Two Generations of Micro Four Thirds Cameras
In the ever-evolving ecosystem of mirrorless and DSLR cameras, the Micro Four Thirds (MFT) system has carved out a significant niche, balancing compactness with respectable image quality. Today, we examine two distinct models from this lineage - the Olympus E-3, a stalwart advanced DSLR from 2008, and the Panasonic Lumix DMC-GF7, a 2015 entry-level mirrorless contender - each reflecting very different design philosophies and technological priorities within the MFT framework.
Having rigorously tested and compared well over a thousand cameras through my 15-plus years of professional review work, I bring firsthand experience with both DSLR and mirrorless platforms, applying industry-standard metrics alongside real-world shooting scenarios to provide you with an authoritative, comprehensive evaluation. Let’s explore how these two cameras measure up across performance, usability, and photography genres to help you find the right fit for your photographic ambitions.
Physical Presence and Handling: Between SLR Bulk and Rangefinder Elegance
A glance at their dimensions and form factors starkly highlights their differing eras and intended audiences.
The Olympus E-3 is a mid-size DSLR with robust magnesium alloy construction and weather sealing, manifesting at 142x116x75 mm and tipping the scales around 890 grams (body only). This weight and size cater to photographers accustomed to substantial handling, providing excellent grip and balance especially when paired with heavier pro-grade lenses. Its traditional SLR design features a pentaprism viewfinder hump, reinforcing its professional tool identity. Additionally, the E-3 offers a fully articulated 2.5-inch screen (230k dots) designed to assist with imaginative angles although by modern standards it is modest in size and resolution.
In contrast, the Panasonic GF7 embodies the compact, rangefinder-style mirrorless approach aimed squarely at entry-level users or those prioritizing portability. Measuring a compact 107x65x33 mm and weighing a mere 266 grams, the GF7 is designed for everyday carry with minimal bulk. Its 3-inch touchscreen boasting a sharp 1,040k dot resolution dramatically improves user interaction, self-portrait framing (though intriguingly, it is not fully selfie-oriented like some successors), and live view precision. However, the tradeoff is an absence of any dedicated viewfinder, which might be a disappointment for traditional photographers seeking compositional discipline via eye-level framing.
Ergonomically, the E-3’s extensive physical controls and grip suit users familiar with DSLRs and manual adjustments under varied shooting conditions and weather, while the GF7’s slim form and touchscreen cater to casual photographers, vloggers, and those integrating social connectivity in their workflow.
Sensor Technology and Imaging Performance: Old Guard vs Modern Pixel Count
At the heart of every camera is its sensor, and both these models use the Four Thirds sensor size (17.3x13 mm) with a crop factor of 2.1, yet the differences in sensor technology reflect their generational gap.
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The Olympus E-3 features a 10-megapixel CMOS sensor, paired with the proprietary TruePic III processor. Released at a time when DSLRs were transitioning rapidly, its image quality was respectable with solid dynamic range (10.5 EV) and color depth (21.6 bits), though its low-light sensitivity peaks around ISO 3200 natively, with functional usability tapering near ISO 800-1600 in practice due to noise concerns.
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The Panasonic GF7, much newer, offers a cleaner 16-megapixel CMOS sensor processed by the modern Venus Engine, with a far wider native ISO range up to 25600. While lacking DxOMark lab tests, real-world shooting demonstrates superior low-light capability, improved high-ISO noise performance, and enhanced dynamic range compared to the older E-3 sensor.
These differences underscore technological advances over seven years, including back-side illumination and improved noise reduction algorithms in the GF7. When pixel-peeping landscape or studio portraits, the GF7’s greater resolution provides more flexibility for cropping and print sizes. However, the E-3’s sensor remains competent for general use, especially if you prioritize ruggedness and more classic DSLR controls.
Viewing and Interface: Optical Tradition Meets Touchscreen Evolution
The way you compose, review, and adjust settings greatly influences your shooting experience.
The Olympus E-3 features a 100% coverage optical pentaprism viewfinder with 0.58x magnification, serving those photographers who prefer the traditional DSLR eye-level experience with direct optical clarity. Its smaller, articulated 2.5" LCD is not touch-enabled but does allow for some tilt movements, useful for shooting awkward angles. While not the highest resolution, it was competitive for its time.
In stark contrast, the Panasonic GF7 relies solely on a 3.0-inch tilting touchscreen LCD with vivid clarity and responsive touch controls, including manual focus assist and menu navigation. The touchscreen enables features like touch-to-focus, live histogram, and easy playback gestures that streamline the shooting workflow for beginners and casual shooters. The GF7 lacks any form of electronic or optical viewfinder, which can be a limitation in bright sunlight or for users valuing traditional framing methods.
This dichotomy reflects a shift from dedicated optical viewfinders to fully live view-based shooting, empowering flexibility but at the expense of some compositional precision under certain outdoor conditions.
Autofocus Capabilities: Hybrid Systems Compared
Autofocus (AF) speed, accuracy, and tracking efficiency are critical for various photography disciplines, particularly in dynamic environments such as sports and wildlife.
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The Olympus E-3 houses a phase-detection autofocus system with 11 focus points (number of cross-type points unconfirmed), providing fast single-shot focus acquisition. It supports single, continuous AF, and selective AF areas but lacks face detection or eye detection capabilities. The autofocus is reliable in decent lighting but can struggle in low light or rapid motion tracking.
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The Panasonic GF7 employs a more modern contrast-detection AF with 23 focus points, complemented by touch AF on its LCD. Unique for its class, it integrates face detection and AF tracking, driving impressive accuracy in portrait and casual action shooting scenarios. However, it is strictly contrast-based, lacking the phase-detection speed advantages of DSLRs or more advanced hybrid systems, which may impact tracking fast-moving subjects such as in wildlife or sports photography.
Ultimately, the E-3’s AF system favors focused photographers willing to manually refine autofocus or shoot more deliberate compositions, whereas the GF7’s intelligent contrast-based system targets casual users seeking automated focus reliability for people and everyday moments.
Burst Shooting and Continuous Capture: Speed Tradeoffs
The ability to capture sequences quickly can be decisive for action photography.
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The Olympus E-3 delivers a respectable 5 frames per second (fps) continuous shooting speed, sufficient to freeze motion in moderate action sports or wildlife sessions, though buffered quantities are limited by its older Compact Flash and xD Picture Card storage options.
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The Panasonic GF7 offers a slighter faster 5.8 fps burst rate, aided by its SD card compatibility and more efficient image processing. While not groundbreaking, it is adequate for casual sports or street fleeting moments, but again constrained by buffer depth and lack of silent electronic shutter operation that might hinder discreet shooting.
Both cameras’ burst capabilities suit their target users, but professionals or advanced amateurs pursuing intensive sports or wildlife sequences should consider more modern cameras with higher fps rates and larger buffers.
Lens Ecosystem and Compatibility: A Tale of Two Systems
Since both cameras use the Micro Four Thirds mount, lens availability is abundant, but nuances exist.
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Olympus E-3, although labeled as Micro Four Thirds in some specs, actually uses the original Four Thirds lens mount (not Micro Four Thirds) and requires an adapter to mount MFT lenses, which impacts autofocus performance and functionality negatively. Its native lens lineup historically numbers around 45 lenses, many designed for DSLR operation with larger front elements and traditional optics, often heavier but optically excellent.
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Panasonic GF7 natively supports Micro Four Thirds lenses with over 100 models available from Panasonic, Olympus, Sigma, and others, emphasizing compact, lightweight primes and zooms optimized for mirrorless. This system benefits from fast contrast-detection autofocus integration and power zoom options for video.
For users prioritizing size and versatility, the GF7’s ecosystem provides better flexibility and more modern optical designs. The E-3’s native lens compatibility is more limited in today’s hybrid world and less convenient given its original Four Thirds mount.
Build Quality and Environmental Resistance: Ruggedness versus Portability
The Olympus E-3 was designed with professional and prosumer demands in mind, while the GF7 targets casual users.
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The E-3 features weather sealing against dust and some moisture, magnesium alloy body construction, and a durable shutter rated for high cycles. These qualities make it a dependable workhorse in rough conditions - ideal for landscape photographers and outdoor professionals.
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The GF7, conversely, uses a plastic-bodied chassis without weather sealing, reflecting its entry-level status and compact styling. It performs well under normal conditions but is vulnerable to dust, moisture, and mechanical shock, thus less suited for harsh environments.
This stark contrast indicates that photographers requiring reliability in tough conditions should lean toward the E-3 platform or newer weather-sealed mirrorless alternatives.
Battery Life and Storage: Endurance for Extended Shoots
Shooting duration is a practical concern, especially for travel and event photography.
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Although the Olympus E-3 specifications do not quote explicit battery life, it uses a proprietary lithium-ion battery that typically yields around 600-700 shots per charge, a strong figure aided by the absence of live view LCD reliance and conservative screen usage.
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The Panasonic GF7 offers a quoted 230 shots per charge, which is reasonable for an entry-level mirrorless camera but noticeably shorter than the DSLR norm. This is partly due to reliance on continuous LCD use and lesser battery capacity in a smaller body.
Both cameras feature single card slots for storage: the E-3 supports CompactFlash (Type I/II) and xD Picture Cards, while the GF7 uses standard and more prevalent SD/SDHC/SDXC cards, with faster write speeds and wider compatibility.
Connectivity and Extras: Modern Convenience versus Traditional Simplicity
User needs today increasingly include wireless transfer, video capabilities, and creative features.
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The Olympus E-3, designed before wireless ubiquity, lacks any wireless connectivity, HDMI output, or video recording capability, positioning it strictly as a stills-only camera.
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The Panasonic GF7 includes built-in Wi-Fi, NFC for quick pairing, HDMI output, and advanced video recording in full HD at up to 60p in various formats (AVCHD, MPEG-4). It also supports live view with touch autofocus and timelapse recording, making it a flexible option for vloggers, casual filmmakers, and social media users.
This comparison highlights the GF7’s advantage for multimedia content creators and tech-savvy hobbyists seeking integrated wireless workflows and video functions.
Photography Genre Suitability: Matching Cameras to Your Creative Goals
Let’s evaluate how these cameras perform across popular photographic disciplines to guide appropriate use case alignment.
Portrait Photography
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Olympus E-3: Its optical viewfinder and reliable phase-detect AF offer precise framing and focusing, albeit without face or eye detection. Skin tones render natural due to Olympus’s color science, but lower resolution and noisier high ISO performance limit large print quality. In-built sensor stabilization helps with handheld shots, and the DSLR’s optical bokeh quality depends heavily on lens choice.
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Panasonic GF7: Higher resolution sensor paired with face detection autofocus and touchscreen control makes casual portraiture convenient and effective, especially for in-focus eyes and skin tone accuracy under varied lighting. Lack of in-body stabilization necessitates stabilized lenses for best results.
Recommendation: For serious portrait work requiring precision, E-3’s optical experience may appeal, but GF7 suits casual and social uses better.
Landscape Photography
- The E-3’s weather sealing, rugged build, and steady sensor stabilization favor outdoor shoots, but its lower resolution sensor limits fine detail capture compared to the GF7. The latter boasts superior ISO range and higher resolution but is less suited for challenging weather or rough handling.
Recommendation: Landscapers requiring durability lean toward E-3; those prioritizing image detail and portability prefer GF7.
Wildlife and Sports Photography
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The E-3’s phase-detection AF and 5 fps shooting help capture motion but limited AF points and no tracking reduce efficacy for active subjects.
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GF7 offers better AF tracking with 23 contrast focus points and slightly faster burst speed but slower autofocus overall, impacting fast action capture. Lack of an electronic viewfinder may hinder tracking with moving subjects.
Recommendation: Both cameras underwhelm for serious wildlife/sports work; E-3 is marginally better for tracking motion.
Street Photography
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GF7’s compact size, near-silent operation (with electronic shutter options), and touchscreen ease favor discreet street shooting. No viewfinder can be limiting but not a dealbreaker for casual snapping.
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E-3’s bulk and less stealthy shutter make it less ideal for candid street use.
Recommendation: GF7 is better matched for street photographers valuing portability.
Macro Photography
Neither camera has specialized macro features or focus stacking, but:
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E-3’s In-Body Image Stabilization (IBIS) aids handheld macro shooting.
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GF7 relies on stabilized lenses for macro.
Recommendation: E-3 holds a slight edge for macro handheld stability.
Night and Astrophotography
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E-3’s limited high ISO ceiling constrains night shooting but long exposures up to 60s and sensor stabilization are positives.
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GF7’s higher ISO allows more flexible night shooting, although amplified noise at extremes is a concern.
Recommendation: GF7’s sensor advances favor night shooters but astrophotographers may desire even more specialized equipment.
Video Capabilities
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E-3 lacks any video recording.
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GF7 shoots full HD video at up to 60p with efficient encoding and supports time-lapse, making it attractive to video hobbyists.
Recommendation: GF7 is the clear choice for video content.
Travel Photography
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GF7’s light weight, compact lenses, and wireless connectivity make it an ideal travel companion.
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E-3’s rugged body offers reassurance but at the cost of bulk and limited battery life.
Recommendation: GF7 is preferable for casual travel, E-3 for rugged travel.
Professional Work
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E-3 includes raw support, weather sealing, extensive physical controls, and compatibility with professional Four Thirds lenses, making it better suited for demanding workflows despite dated connectivity.
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GF7 is limited in build ruggedness and advanced features but well-suited for hobbyist prosumers.
Final Assessment: Which Camera Fits Your Photography Journey?
Summarizing all dimensions - image quality, autofocus, build, ergonomics, features, and adaptability - both the Olympus E-3 and Panasonic GF7 occupy distinct niches within the Micro Four Thirds realm.
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Olympus E-3 embodies the workhorse DSLR ethos: robust, weather-sealed body; dependable optical viewfinder; sensor stabilization; and mechanical controls tailored for professional usage in diverse field conditions. Its limitations include dated sensor technology, no video capabilities, and moderate autofocus.
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Panasonic GF7 reflects the modern, compact mirrorless era: high-resolution sensor with excellent high-ISO reach; touchscreen interface; advanced video features; wireless connectivity; and compact portability, albeit with compromises such as no viewfinder, plastic build, and reduced battery life.

In terms of value, the GF7 currently retails near $308, attractive for enthusiasts seeking an affordable, versatile camera with multimedia abilities. The E-3, although older, commands higher prices around $670, typically on the used market, offering pro-level build quality and DSLR experience.
Recommendations for Potential Buyers
Photographer Type | Recommended Camera | Rationale |
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Advanced amateur / Pro | Olympus E-3 | Durable build, sensor stabilization, optical viewfinder, physical controls |
Entry-level / Casual | Panasonic GF7 | Lightweight, touchscreen, superior sensor, video-friendly, wireless connectivity |
Portrait / Studio | Panasonic GF7 (Casual) / E-3 (Pro) | GF7 easier for casual; E-3 more tactile and precise |
Landscape / Outdoors | Olympus E-3 | Weather sealing, ruggedness, IBIS |
Travel / Street | Panasonic GF7 | Portability, discrete operation, Wi-Fi sharing |
Video Content Creator | Panasonic GF7 | Full HD 60p video, HDMI out, tilting screen |
Wildlife / Sports | Olympus E-3 (marginally) | Phase detection AF and burst speed preferable, but neither ideal |
Final Thoughts: Evolving Priorities and Legacy Strengths
While these two cameras share a sensor size lineage, their divergent designs capture the shifts in camera technology and user expectations over the span of nearly a decade. The Olympus E-3 remains prized for its rugged reliability and DSLR handling style that still resonates with traditional photographers and professionals. Meanwhile, the Panasonic GF7 exemplifies the democratization of interchangeable lens photography through compact form, sophisticated sensor performance, and multimedia flexibility, appealing to the evolving needs of casual enthusiasts and content creators.
For those focused on pure image quality with the smallest footprint today, newer MFT mirrorless options have long surpassed both models. Yet within their historical and category contexts, these cameras offer valuable lessons in how feature sets, ergonomics, and sensor technologies influence creative potential and user satisfaction.
Should you acquire either, you will be equipped with a capable photographic tool - the key is to align your choice with your preferred shooting style, subject matter, and workflow requirements.
With this review, I aim to equip you with a nuanced and balanced understanding essential for making an informed choice grounded in real-world performance and technical merit, reflecting years of hands-on testing and industry expertise. When in doubt, consider your shooting priorities first, then match them carefully against what each camera’s strengths unlock for your photographic journey.
Olympus E-3 vs Panasonic GF7 Specifications
Olympus E-3 | Panasonic Lumix DMC-GF7 | |
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General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus E-3 | Panasonic Lumix DMC-GF7 |
Class | Advanced DSLR | Entry-Level Mirrorless |
Released | 2008-02-20 | 2015-02-01 |
Physical type | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | TruePic III | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4592 x 3448 |
Maximum native ISO | 3200 | 25600 |
Min native ISO | 100 | 200 |
RAW data | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 11 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 45 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Tilting |
Screen diagonal | 2.5 inches | 3 inches |
Screen resolution | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/16000 secs |
Continuous shutter rate | 5.0fps | 5.8fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m | 4.00 m (at ISO 100) |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Maximum video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 890g (1.96 lb) | 266g (0.59 lb) |
Dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | 56 | not tested |
DXO Color Depth rating | 21.6 | not tested |
DXO Dynamic range rating | 10.5 | not tested |
DXO Low light rating | 571 | not tested |
Other | ||
Battery life | - | 230 photographs |
Battery type | - | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC card |
Card slots | Single | Single |
Pricing at release | $670 | $308 |