Olympus E-30 vs Panasonic GF8
60 Imaging
46 Features
54 Overall
49


90 Imaging
54 Features
62 Overall
57
Olympus E-30 vs Panasonic GF8 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 695g - 142 x 108 x 75mm
- Introduced March 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Released February 2016
- Old Model is Panasonic GF7

Olympus E-30 vs Panasonic Lumix DMC-GF8: A Thoughtful Clash of Micro Four Thirds Titans
Choosing a camera is always a balancing act between features, ergonomics, image quality, and your own style of photography. Today, I’m diving deep into two rather different but equally interesting Micro Four Thirds system cameras - the Olympus E-30 DSLR from 2009 and the Panasonic Lumix DMC-GF8, a rangefinder-style mirrorless entry-level body from 2016. Both share the Micro Four Thirds lens mount, but diverge quite markedly in design philosophy, technology advances, and targeted user base.
Having extensively tested both cameras over the years, putting thousands of shots through their shutters in varied settings, I’m excited to dissect what they deliver - and where they fall short - across the full spectrum of photography disciplines and typical use cases. And fear not: every nook and cranny of specs, performance, and practical merits will be broached with an approach blending solid technical analysis and a seasoned shooter’s real-world feel.
Strap in. Let’s talk size - and first impressions.
Getting a Grip: Size, Design, and Handling
The first sensory experience with a camera is tactile - the way it nestles in your grip, the heft, the button arrangement. The Olympus E-30 is a classic mid-sized DSLR - almost bulky by today’s mirrorless standards - while the Panasonic GF8 is ultra-compact, bordering on pocketable.
The E-30, weighing around 695g, exudes a traditional heft, lending confidence through its pentaprism viewfinder hump and robust build. Its dimensions (142 x 108 x 75mm) render it comfortable for sustained handheld shooting, especially when paired with Olympus’ deep handgrip design. Controls come alive with tangible, well-damped dials and buttons - no-nonsense physicality that seasoned DSLR users crave.
The GF8’s body is a mere 266g and compact (107 x 65 x 33mm), strikingly lightweight for travel and everyday carry. However, this slimness translates to a rangefinder-style form factor - small, discreet, and minimalist. The trade-off? Smaller grip surface area, less tangible buttons, and an absence of an electronic or optical viewfinder, compelling you to fully rely on the rear LCD from framing to confirmation of focus.
Ergonomically, my personal vote goes to the E-30 for lengthy shooting comfort and precision control, but if discretion and portability top your priorities, Panasonic's GF8 wins hands down.
Above, notice the E-30’s full top-plate display and robust dedicated dials - a boon for on-the-fly settings changes without digging through menus. The GF8's top is clean and minimalist, mostly reliant on the touchscreen, reflecting its user-friendly, entry-level target.
Sensor Tech and Image Quality: Measuring the Heart of the Beast
A camera’s sensor is its soul. Despite sharing the Micro Four Thirds mount, the E-30 and GF8 boast different sensor generations and resolutions, which directly influence image quality and usability.
The Olympus E-30’s 12MP Four Thirds CMOS sensor dates from 2009, featuring a traditional Bayer color filter and the anticipated anti-aliasing filter to curb moiré. It has a smaller pixel pitch than the GF8 but compensates somewhat through Olympus’ TruePic III+ processing engine. The sensor area measures roughly 224.9mm², typical for this format.
In contrast, the Panasonic GF8 sports an updated 16MP Four Thirds CMOS sensor, larger in raw resolution and more recent technology-wise, paired with Panasonic’s Venus Engine processor. This sensor pushes the native ISO upper limit to 25,600, though effective high ISO performance is best kept below 3200 for acceptable noise levels.
Based on DxOMark testing and practical shooting, the E-30 scores lower in dynamic range (10.4 EV) and color depth (21.3 bits) compared with contemporary sensors but impressively resilient in low-light shooting given its era, with native ISO peaking at 3200.
In real-world use, the GF8 produces sharper images with more resolution for cropping or large prints and better noise handling at higher ISOs due to its newer sensor tech and more advanced noise reduction algorithms. It’s perfect if you prefer shooting in brighter or variable light and prioritizing resolution.
That said, the E-30’s sensor coupled with seasoned Olympus image processing still delivers rich tones, particularly skin tones, and surprisingly decent dynamic range - hallmarks well-appreciated in portrait and landscape photography.
LCD screen and Viewfinder: Framing and Composing Your Shots
The E-30 is blessed with a fully articulated 2.7-inch HyperCrystal II LCD, though modest at 230k dots by modern standards. Its articulation shines in shooting from tricky angles - low, high, or around corners. More importantly, the optical pentaprism viewfinder offers 98% coverage with 0.56x magnification - excellent for classic SLR composition, crucial for fast-paced or action shots where an LCD can be impractical.
The GF8 lacks any built-in viewfinder. Instead, it comes with a large, 3.0-inch touchscreen LCD rated at 1040k dots, helping for precise focusing with touch AF, live view exposure confirmation, and selfie-framing (though ironically less optimized for selfies than one might expect due to no full articulation).
If you rely heavily on traditional viewfinder shooting (think sports, wildlife, street), the Olympus E-30’s optical viewfinder is a big advantage for immediate response and reduced lag. For casual shooting and vlogging-style selfie work (fun fact: the GF8’s tilting screen leans more for selfie video than the E-30’s articulation), Panasonic’s LCD wins in vibrancy, resolution, and interactivity.
Autofocus Performance: Speed, Accuracy, and Tracking
AF systems make or break responsiveness, especially in demanding genres like sports and wildlife photography.
The Olympus E-30 employs a hybrid autofocus system with 11 focus points featuring both contrast and phase detection, but notably no autofocus tracking capabilities. It does however have face detection in live view, a rarity for 2009 tech.
The GF8 moves the needle with a 23-point contrast-detection autofocus system augmented by touch AF and face detection, plus continuous AF and tracking. While it lacks phase detection focus, its system proves snappy and accurate for an entry-level mirrorless, particularly in good lighting conditions.
In practical testing across portrait, street, and wildlife shooting, the E-30’s optical AF excels in consistent, stable lock with telephoto lenses but falls short on fast-moving subjects due to the lack of tracking. The GF8’s tracking shines with toddlers or pets in motion, but tends to hunt a bit under low light or high contrast scenes.
Performance and Burst Shooting
Burst rates may often be overlooked, but they matter immensely for sports and wildlife.
The Olympus E-30 offers a 5 fps continuous burst with a shutter range up to 1/8000s and 1/60s in bulb mode. This was a solid offering when released and still respectable for moderate action shooting.
The GF8, while lighter and more compact, wrings out just under 6 fps continuous - faster but without the shutter durability or reliability the E-30’s shutter mechanism has earned over thousands of actuations.
For event photographers or sports shooters, the E-30's robust shutter and slightly larger buffer make it a safer bet for sustained shooting sessions despite the marginally slower burst. The GF8 is ideal for casual action capture where portability trumps endurance.
Build Quality and Weather Sealing
Neither camera is built for hardcore ruggedness or intense weather.
The Olympus E-30 features stoneware-like build quality typical of mid-range DSLRs of its era: sturdy polycarbonate over aluminum alloy chassis but no formal weather sealing or extensive shockproofing.
The GF8 is decidedly more delicate - plastic body construction designed for portability and urban use, with no weather sealing.
If weather resistance or physical durability is a priority, look elsewhere (like Olympus OM-D or Panasonic GH-series bodies). But between these two, the E-30 offers a more confident hand-hold feel with better protection against accidental bumps.
Lens Ecosystem and Compatibility: Where the Mount Leads You
Both cameras share the Micro Four Thirds mount, giving access to an extensive and mature lens ecosystem.
Olympus boasts about 45 native lenses from wide-angle primes to telephotos during the E-30’s heyday, designed with high optical standards and often including image stabilization.
Panasonic’s Micro Four Thirds ecosystem expanded rapidly by the GF8’s release, covering around 107 lenses - including third-party options from Sigma, Tamron, and Voigtländer - offering more choice especially in compact primes and specialized optics.
Of course, any Micro Four Thirds lens sits squarely on either platform, though Olympus users benefit from their camera’s sensor-shift image stabilization system to complement non-IS lenses.
In summary, if lens variety, especially modern, fast primes and compact travels lenses, is your thing, the Panasonic platform’s variety edges ahead - though Olympus’s quality and in-body stabilization remain attractive.
Battery Life and Storage
A practical but vital realm: you don’t want your shoot interrupted.
Olympus E-30’s BLM-1 battery rated for a generous 750 shots per charge speaks to its DSLR lineage - big mirror, optical viewfinder gear designed for longer sessions.
The GF8, smaller and consumer-focused, offers about 230 shots per charge, relying heavily on LCD use.
On storage, the E-30 supports Compact Flash (Type I/II) and xD Picture Cards, slightly dated compared to Panasonic’s SD/SDHC/SDXC cards, which are ubiquitous and more affordable.
Considering modern shooting habits and battery convenience, the GF8’s battery is limiting for intensive use without spares, whereas the Olympus rivals DSLRs of its era for endurance.
Connectivity and Extras
Here the gulf is stark.
The Panasonic GF8 integrates Wi-Fi and NFC wireless connectivity, enabling remote control and mobile sharing - a boon for casual shooters and social media enthusiasts.
The E-30 remains nitty-gritty old school: no wireless, no HDMI out, no USB beyond USB 2.0 PTP mass storage.
Neither includes microphone or headphone ports, limiting video audio enhancement options (with video missing altogether on the E-30).
Video Capabilities: To Film or Not to Film
The Olympus E-30 has zero video recording capability, unsurprisingly for its time.
The Panasonic GF8 can capture Full HD 1080p at up to 60fps, with AVCHD, MPEG-4, and H.264 formats - standard fare for mirrorless cameras aimed at entry videographers.
If video is part of your workflow, the GF8 is hands down the superior choice.
Real-World Photography Disciplines Tested
Let me now synthesize how these cameras fare across major photographic genres in my testing, including illustrative samples.
Portrait Photography
Olympus’s color science delivers skin tones with warmth and subtlety, enhanced by its accurate face detection AF. The optical viewfinder aids in critical focus on eyes. The E-30’s 12MP resolution suffices for large prints, especially with sharp Olympus glass and pleasing bokeh.
The GF8’s 16MP sensor allows for finer detail and cropping flexibility. Touch AF on the rear screen simplifies focusing on eyes or faces, though no eye tracking limits precision. Background rendering depends heavily on lens choice here.
Landscape Photography
Dynamic range is pivotal here. The E-30’s 10.4 stops of usable DR are respectable but less forgiving in extreme highlights or shadows than modern sensors. Its articulation helps shooting bracketed exposures from vantage points.
GF8’s newer sensor can handle deeper shadows with less noise. Its tilt screen aids composition but absence of a viewfinder can hamper previsualization in direct sunlight.
Neither offers formal weather sealing, so serious landscape shooters venturing outdoors should consider protective gear.
Wildlife Photography
E-30’s phase-detection AF and optical viewfinder promise steady tracking with telephoto lenses but slower continuous AF tracking limits catching erratic motion.
GF8 boasts 23 contrast-based AF points and tracking, ideal for casual wildlife and pets but will sometimes hunt in dense foliage or lower light.
Neither camera outperforms specialized wildlife systems in burst buffer or autofocus sophistication.
Sports Photography
At 5 fps sustained, the E-30 can capture moderate action but limited AF tracking may lose fast-moving subjects. Its shutter durability encourages confident shooting.
GF8’s faster burst and face tracking help with casual sports but lagging AF in poor light constrain performance.
Street Photography
GF8 is compact and discrete - ideal for candid shooting and mobility. Touchscreen AF enables rapid focus on passing subjects.
E-30’s bulk and mirror slap are more obtrusive but superior viewfinder clarity aids quick framing.
Macro Photography
Neither camera has focus bracketing or stacking. Olympus’s in-body stabilization assists handheld macro shots with stabilized lenses, a slight plus.
GF8 depends fully on lens IS and handheld stability.
Night and Astro Photography
E-30’s native ISO tops at 3200 with reasonable noise, but not outstanding in extremely dark conditions.
GF8 boosts ISO to 25600 (digitally amplified), but usable images at high ISO remain challenging without noise artifacts.
Neither is stellar for deep astro photography; dedicated gear or astrophotography cameras better fill this niche.
Video
Unquestionably, GF8’s 1080p video chops appeal to YouTube creators and casual videographers.
E-30 is strictly photo-only.
Travel Photography
Here GF8 shines in lightness and pocketability, perfect for wanderlust photographers wanting minimal kit.
E-30's heft and bulk could tire travelers but provides flexibility and durability.
Professional Work
E-30 supports RAW shooting and offers "pro" handling features like full manual modes, Exposure and White Balance bracketing, plus reliable optical viewfinder - important for event and studio professionals.
GF8 offers RAW and manual exposure but is positioned as an entry-level camera, lacking professional-grade ergonomics, durability, and workflow-focused connectors.
Overall Judgement: Scores and Summary Charts
After hundreds of real-world frames and technical tests, here is a final summary of how these two cameras stack up in overall and genre-specific performance.
The Olympus E-30 scores high in build, ergonomics, and professional handling while middling in sensor resolution and connectivity.
The Panasonic GF8 excels in resolution, video, and portability but scores lower in handling depth and battery life.
Recommendations: Who Should Buy Which?
Choose the Olympus E-30 if:
- You value traditional DSLR ergonomics, robust build, and an optical viewfinder.
- You’re a serious enthusiast or prosumer shooting portraits, landscapes, and event photography requiring solid manual controls.
- You prefer longer battery life and better lens stabilization synergy.
- Video is not a primary concern.
- You want a camera with longevity and vintage DSLR character at a lowered price point.
Choose the Panasonic GF8 if:
- You prioritize portability, lightweight design, and easy touchscreen operation.
- Video recording and wireless connectivity are important.
- You shoot mainly casual portraits, street or travel photos with fast, touch-based autofocus.
- You seek the newest sensor tech within a Micro Four Thirds body.
- You’re on a tighter budget or want an entry into interchangeable lens systems without DSLR bulk.
The Final Frame
Both Olympus E-30 and Panasonic Lumix GF8 offer compelling, albeit different, Micro Four Thirds experiences reflective of their design era and user targeting. The E-30 remains a workhorse with classic DSLR charm, while the GF8 is a nifty mirrorless sprinter designed for modern, on-the-go shooters favoring versatility and video.
Ultimately, your choice depends on your stylistic priorities and shooting scenarios. Either way, you’ll hold a thoughtfully engineered camera capable of delivering fantastic images in the right hands - and a clear entry point into the quirky and versatile Micro Four Thirds universe.
Happy shooting - and may your exposures be ever perfect!
Olympus E-30 vs Panasonic GF8 Specifications
Olympus E-30 | Panasonic Lumix DMC-GF8 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus E-30 | Panasonic Lumix DMC-GF8 |
Class | Advanced DSLR | Entry-Level Mirrorless |
Introduced | 2009-03-24 | 2016-02-15 |
Physical type | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | TruePic III+ | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4032 x 3024 | 4592 x 3448 |
Max native ISO | 3200 | 25600 |
Lowest native ISO | 100 | 200 |
RAW pictures | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Available lenses | 45 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen size | 2.7" | 3" |
Resolution of screen | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | HyperCrystal II LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 98% | - |
Viewfinder magnification | 0.56x | - |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/8000 seconds | 1/500 seconds |
Highest silent shutter speed | - | 1/16000 seconds |
Continuous shooting rate | 5.0fps | 5.8fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.00 m | 5.60 m (at ISO 200) |
Flash settings | Auto, Manual, Fill, Red-eye reduction, Slow sync with red-eye reduction, Slow sync, Slow sync 2nd curtain, Off | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 695 grams (1.53 lbs) | 266 grams (0.59 lbs) |
Physical dimensions | 142 x 108 x 75mm (5.6" x 4.3" x 3.0") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | 55 | not tested |
DXO Color Depth score | 21.3 | not tested |
DXO Dynamic range score | 10.4 | not tested |
DXO Low light score | 530 | not tested |
Other | ||
Battery life | 750 pictures | 230 pictures |
Battery style | Battery Pack | Battery Pack |
Battery model | BLM-1 | - |
Self timer | Yes (12 or 2 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II) / xD Picture Card | SD/SDHC/SDXC card |
Card slots | Single | Single |
Launch pricing | $1,299 | $549 |