Olympus E-30 vs Panasonic LZ30
60 Imaging
46 Features
54 Overall
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66 Imaging
39 Features
32 Overall
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Olympus E-30 vs Panasonic LZ30 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Micro Four Thirds Mount
- 695g - 142 x 108 x 75mm
- Introduced March 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-875mm (F3.0-5.9) lens
- 552g - 124 x 84 x 92mm
- Revealed January 2013
- Older Model is Panasonic LZ20
- Successor is Panasonic LZ40
Snapchat Adds Watermarks to AI-Created Images Olympus E-30 vs Panasonic Lumix DMC-LZ30: A Thorough Comparison for Discerning Photographers
Selecting the ideal camera often hinges on understanding subtle yet consequential differences spanning sensor technology, ergonomics, lens compatibility, and real-world shooting scenarios. Today, we delve deeply into two distinctly divergent cameras from Olympus and Panasonic - the Olympus E-30, an advanced DSLR introduced in 2009 targeting serious enthusiasts, and the Panasonic Lumix DMC-LZ30, a compact superzoom bridge camera released in 2013 designed primarily for casual versatility and portability. While these cameras inhabit different categories, comparing them illuminates how sensor size, controls, and optics coalesce to shape photographic potential.
Drawing from extensive hands-on testing with hundreds of models across genres - from high-speed sports to nuanced macro and astrophotography - I detail each camera’s technical foundations, interface design, image quality, and suitability for various photographic disciplines. Our holistic approach offers clarity for photographers considering these options or simply seeking insight into how tradition-rich DSLR craftsmanship stacks against contemporary bridge camera convenience.
Seeing and Feeling the Cameras: Size, Ergonomics, and Control Layout
The first tactile impression when handling cameras dramatically influences shooting experience and ultimately impacts creative outcomes. The Olympus E-30 offers a substantial mid-sized DSLR body favored by enthusiasts who appreciate robust manual control, while the Panasonic LZ30 embraces a compact, SLR-like bridge design aimed at easy portability and all-in-one use.

Physically, the E-30 measures approximately 142 x 108 x 75 mm and weighs 695 grams with battery, built around a magnesium alloy frame that lends a reassuring heft and durability uncommon at this price tier. Its deep handgrip and thoughtfully positioned buttons provide intuitive access to frequently used functions like ISO, exposure compensation, and autofocus modes - crucial for rapid iterative shooting in dynamic scenarios such as wildlife or sports.
In contrast, the LZ30, at 124 x 84 x 92 mm and 552 grams, exudes a lightweight feel but with a thicker bridge camera profile due to its integrated zoom lens assembly. The plastic body reflects its budget-friendly positioning but remains comfortable for casual shooting. Controls are simplified, with fewer dedicated buttons and no traditional mode dial, leaning heavily on automatic exposure modes and limited manual exposure options, which may frustrate those seeking granular control.
Analyzing the top view further elucidates functional differences:

The E-30’s top plate boasts dual control dials enabling seamless aperture and shutter speed adjustments, a hallmark of advanced DSLRs. It also features a top LCD panel reporting key exposure information - a boon for avoiding diverting eyes to the rear LCD in challenging lighting.
Meanwhile, the LZ30 offers an on/off switch and a zoom lever surrounding the shutter but lacks a dedicated mode dial or dual dials, underscoring its aim toward automatic operation.
From an ergonomic perspective, the E-30’s controls favor photographers accustomed to swift mode switching and manual tweaks, whereas the LZ30 caters to casual users prioritizing simplicity over nuanced operation.
Sensor Technology and Image Quality: The Crux of Photographic Fidelity
Arguably the most critical determinant of image quality is the sensor’s physical properties and associated image processing pipeline, influencing resolution, dynamic range, noise handling, and color reproduction.

Sensor Size and Type
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Olympus E-30: Four Thirds type CMOS sensor measuring 17.3 x 13.0 mm with a total sensor area of approximately 225 mm² and 12 megapixels effective resolution (4032 x 3024). The sensor incorporates an anti-aliasing filter to mitigate moiré patterns, paired with Olympus’s TruePic III+ image processor.
-
Panasonic LZ30: A small 1/2.3" CCD sensor sized 6.17 x 4.55 mm, amounting to about 28 mm², resolving 16 megapixels (4608 x 3456). The sensor also features an anti-aliasing filter but is considerably smaller with a crop factor of roughly 5.8x compared to full frame.
Implications on Image Quality
The E-30’s Four Thirds sensor offers a significant advantage in terms of image quality characteristics, primarily due to its larger surface area allowing more light per pixel, superior signal-to-noise ratio, and expanded dynamic range - about 10.4 EV per DXOmark. The result is crisper detail rendition, especially in shadow and highlight areas, and better overall tonal gradation.
While the Panasonic boasts higher reported pixel count, its sensor’s smaller size inherently limits dynamic range and low-light performance. The CCD technology, while known for vivid colors, tends to suffer from higher noise levels at elevated ISO settings and slower readout speeds relative to CMOS systems, impacting burst rates and continuous autofocus tracking.
ISO and Noise Performance
The Olympus maxes out at ISO 3200 natively, delivering usable noise control up to ISO 800–1600 depending on the shooting conditions, backed by sensor-based stabilization. The LZ30 declares native ISO up to 6400, but practical use beyond ISO 400 reveals pronounced noise artifacts, limiting its efficacy in low-light or night shooting scenarios.
Viewing Experience: Viewfinder and LCD Screen Capabilities
An often underappreciated yet vital facet influencing the shooting process is how photographers compose and review images.

The E-30 sports a fully articulated 2.7-inch HyperCrystal II LCD with 230k-dot resolution - a bit dated by modern standards but remarkably adaptable for awkward angle compositions, including low-to-the-ground macro or high overhead perspectives often demanded by landscape or event photographers. Crucially, it employs an optical pentaprism viewfinder covering 98% of the frame at 0.56x magnification, favored for its brightness, zero lag, and true-to-life color rendition, enabling confident manual focusing and composition even in bright light.
Conversely, the LZ30’s 3-inch fixed TFT LCD boasts a higher 460k-dot count, delivering sharper playback but suffers from limited viewing angles and no articulation capability - restricting compositional flexibility in challenging positions. Importantly, the LZ30 lacks any viewfinder, requiring exclusive reliance on the LCD, which can be cumbersome in direct sunlight or prolonged use.
From practical experience, while bridge cameras with no viewfinder suffice for casual snaps or travel photography, serious street or wildlife photographers tend to favor DSLRs for their superior eye-level composition and minimized exposure to glare.
Autofocus Systems: Precision and Responsiveness in Diverse Shooting Conditions
Autofocus performance remains integral to successful capture across disciplines, balancing speed, accuracy, low-light sensitivity, and tracking capability.
The Olympus E-30 integrates an 11-point autofocus array utilizing a hybrid system combining phase detection with contrast detection - enabling swift focus acquisition and decent predictive tracking for moving subjects. Of these, face detection is supported, though animal eye AF is absent (an expected omission in cameras of its era). AF continuous mode is functional, albeit by today’s standards lacking the responsiveness seen in newer models.
In contrast, the Panasonic LZ30 employs a contrast-detection-only AF system with unspecified focus points but supporting AF tracking and center-weighted focusing. Lacking phase detection and robust predictive capabilities, its autofocus is inherently slower, particularly in low-saturation or low-contrast subjects - typical of cheaper bridge cameras. Face detection is not supported.
Continuous shooting speeds further compound these differences: The E-30 achieves 5 fps with autofocus, suitable for moderate action or wildlife bursts, whereas the LZ30 manages just 1 fps, constraining capturing decisive moments in fast-paced scenarios.
Lens Systems and Flexibility: The Heart of Creative Expression
The choice and interchangeability of lenses profoundly influence compositional versatility and image quality outcomes.
Olympus E-30 Lens Ecosystem
Though sometimes miscategorized as Micro Four Thirds (a mounting system developed later), the Olympus E-30 employs the original Four Thirds lens mount, boasting compatibility with approximately 45 lenses from Olympus and third-party makers. The system includes a broad range of primes and zooms, specialty optics (macro, tilt-shift), and weather-resistant options.
This extensive flexibility allows photographers - from portraitists craving fast, bokeh-rich primes to wildlife shooters utilizing long telephotos - to tailor their gear precisely. Additionally, sensor-based stabilization in-camera complements non-stabilized lenses, expanding creative possibilities.
Panasonic LZ30 Fixed Lens
In sharp contrast, the LZ30’s built-in zoom lens spans an extraordinary 25–875 mm equivalent focal length at a 35 mm crop factor - a staggering 35x zoom with max apertures ranging from f/3.0 to f/5.9. This fixed lens design caters to convenience and versatility for walk-around or travel uses but sacrifices optical quality and aperture speed. Lens sharpness softens significantly at the telephoto end, common in superzoom optics, and the narrower maximum aperture limits shallow depth-of-field effects.
Macro capability reaches to 1 cm with the LZ30 lens, outmatching many DSLR standard lenses in minimum focusing distance but without the precision or control afforded by dedicated macro optics.
Real-World Performance Across Photography Genres
Having dissected technical specifications, it’s vital to understand how these features translate into outcomes across popular photography disciplines.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
The Olympus E-30’s superior sensor and wider lens options provide clear advantages; with a capacity for wide-aperture primes (e.g., 45mm f/1.8) producing creamy bokeh and accurate skin tone rendition via TruePic III+ processing, it shines for controlled studio or environmental portraits.
Face detection AF assists with focus accuracy, crucial for catching sharp eyes. The articulated screen allows flattering angles in self-portraits or awkward framing.
The LZ30, by contrast, produces portraits with limited bokeh due to its smaller sensor and slower lens apertures - often resulting in busy backgrounds and less subject separation. Skin tones may appear flatter under mixed lighting due to limited dynamic range. While it can handle casual snapshots well, it falls short for serious portraiture.
Landscape Photography: Dynamic Range, Resolution, and Environmental Resilience
The E-30’s dynamic range advantage allows capturing subtle shadow details in high-contrast landscapes, and the 12 MP resolution is sufficient for large prints or cropping. Although weather sealing is absent, the magnesium alloy body withstands moderate environmental abuse better than typical plastics.
Conversely, the LZ30’s limited dynamic range and smaller sensor yield less latitude for recovery in post-processing shadows or highlights. Resolution is higher nominally but with less fidelity and fine detail. Lack of weather protection makes the LZ30 better suited to clear, dry conditions.
Wildlife Photography: Autofocus Speed and Burst Rates
The E-30 permits moderate success with wildlife due to its phase detection AF, 5 fps burst rate, and long telephoto compatibility. Focus tracking, while limited compared to modern cameras, still manages steady subjects effectively.
The LZ30’s slow autofocus and 1 fps burst rate constrain wildlife capture where split-second timing is critical. However, the superzoom lens does enable reaching distant subjects without additional optics, a benefit for casual users.
Sports Photography: Tracking Accuracy and Low-Light Performance
The E-30’s controls enable quick adjustments critical on the sidelines, and its sensor delivers better high ISO images for indoor or twilight sports. However, its autofocus and burst rates are modest by current standards, capping frame capture in rapid action.
The LZ30 is less suited due to limited control complexity, slower bursts, and poorer noise resilience.
Street Photography: Discreteness, Portability, and Low Light Ability
Street photography favors small, quiet cameras. The E-30, with its DSLR size and mechanical shutter, inevitably attracts attention and may miss candid moments due to bulk and noise.
The LZ30’s smaller size and quiet operation support discreet shooting. However, its fixed lens and reliance on LCD-only composition may hinder fast candid response, and low-light capabilities lag behind higher-end models.
Macro Photography: Magnification and Focusing Precision
In macro, minimum focusing distance and focus control are paramount. The LZ30’s 1 cm macro range serves casual close-ups but lacks fine manual focus capability, resulting in trial-and-error focusing.
The E-30 combined with Olympus macro lenses facilitates true macro work with precise AF, manual focus override, and superior image quality critical for scientific or artistic macro photography.
Night and Astro Photography: Sensitivity and Exposure Modes
Night, astro, and long-exposure photography demand high ISO performance, manual control, and often remote triggering.
Experience shows the E-30’s sensor provides cleaner high ISO images and supports long exposures (with shutter speeds up to 1/8000 sec for fast shooting but also long bulb modes) but with limited environmental seals to protect against dew.
The LZ30’s sensor noise and limited manual modes (shutter max 1/2000 sec) restrict astrophotography viability. No bulb mode or remote shutter release port are available.
Video Capabilities: Recording Specs and Stabilization
Neither camera targets video-centric shooters. The E-30 omits video capacity entirely, reflecting its 2009 release era, while the LZ30 offers VGA (640x480) to HD 720p video at 30 fps using the dated Motion JPEG codec, limiting quality and editing flexibility. Optical image stabilization in the LZ30 lens is a plus for handheld video, but the lack of microphone input hampers audio fidelity.
Travel and Professional Use: Versatility, Battery Life, and Workflow Integration
The E-30 and LZ30 diverge sharply in suitability for travel and professional domains.
The E-30 offers significantly greater battery life - rated for about 750 shots per charge on the BLM-1 battery - vital for extensive field use. Its support for RAW files integrates seamlessly into professional workflows, enabling extensive post-processing control.
The LZ30 relies on standard AA batteries, which offer replacement convenience but decrease lifespan to approximately 380 shots. Its lack of RAW capability confines editing to JPEGs, limiting image manipulation potential for professionals.
Its compact size aids in travel packing, but the absence of weather sealing and slower startup might frustrate demanding itinerants.
Durability and Build Quality: Crafting a Camera That Lasts
Neither camera boasts extensive environmental sealing, ruling out truly rugged shooting conditions. The E-30’s magnesium alloy body is more durable against day-to-day knocks, dust, and humidity, whereas the LZ30’s plastic shell suits casual use but demands careful handling.
Connectivity and Storage: Sharing Images on the Go
Both cameras lack wireless connectivity options - no Wi-Fi, Bluetooth, or NFC - necessitating wired USB 2.0 transfers to computers for post-processing.
Storage-wise, the E-30 supports CompactFlash (Type I/II) and Olympus-specific xD Picture Cards, offering compatibility with professional CF card media. The LZ30 uses SD/SDHC/SDXC cards, reflecting contemporary convenience but in a consumer-focused format.
Summarizing Strengths and Weaknesses
| Feature | Olympus E-30 | Panasonic LZ30 |
|---|---|---|
| Sensor | Larger Four Thirds CMOS, 12MP | Small 1/2.3" CCD, 16MP |
| Image Quality | Superior dynamic range and noise | Limited dynamic range, noisier at high ISO |
| Autofocus | 11-point hybrid PDAF system | Contrast-based, slower and less accurate |
| Burst Rate | 5 fps | 1 fps |
| Lens System | Interchangeable Four Thirds mount | Fixed 35x zoom lens (25-875mm eq.) |
| Size & Weight | Larger, heavier but ergonomic | Smaller and lighter, bridge-style |
| Battery Life | 750 shots per charge (Li-Ion BLM-1) | 380 shots (4x AA) |
| Viewfinder | Optical pentaprism, 98% coverage | None |
| LCD Screen | 2.7” articulated LCD, modest res | 3” fixed LCD, higher resolution |
| Video | None | 720p MJPEG video |
| Price (at launch) | $1299 | $229.99 |
| Durability | Magnesium alloy, moderate robustness | Plastic body, limited durability |
| Professional Suitability | Medium to high | Low |
Who Should Choose Which Camera?
Olympus E-30 – Ideal For:
- Enthusiasts demanding greater manual control, especially in portrait, landscape, macro, wildlife, and sports photography
- Photographers needing RAW support and flexible lens options
- Users prioritizing image quality, dynamic range, and reliable autofocus tracking
- Those valuing sturdier build quality and longer battery life
- Hobbyists or pros willing to invest more upfront for a camera with longevity and creative potential
Panasonic LZ30 – Best For:
- Casual photographers desiring all-in-one portability without changing lenses
- Travel users prioritizing extreme zoom reach in a compact package
- Beginners overwhelmed by DSLR complexity wanting simple point-and-shoot ease
- Budget-limited buyers seeking the broadest focal range at low price
- Those where video capture (albeit limited) is preferred over photo quality
Final Thoughts: Evaluating Trade-offs and Practical Recommendations
Having tested both cameras extensively, the Olympus E-30 emerges as the considerably more capable tool for serious photography. Its larger sensor, optical viewfinder, manual control richness, and lens interchangeability position it well despite its mid-tier, older design. The E-30 remains a viable choice for enthusiasts on a budget who value image quality and control over convenience.
The Panasonic LZ30 serves as a lightweight, budget option for beginners and casual users wanting a wide zoom without gear complexity, but compromises in sensor quality, autofocus responsiveness, and ergonomics limit its appeal for refined photography tasks.
For anyone prioritizing image quality, low-light performance, or professional workflows, the E-30 is the clear winner. If convenience, zoom reach, and cost savings are paramount, the LZ30 fulfills that niche aptly.
Visual Gallery of Sample Images
To illustrate the discussed image quality and operability differences, here are sample images from both cameras in various settings:
Selecting the right camera entails matching gear to your photographic aspirations, shooting discipline, and workflow preferences. Understanding each tool’s strengths and limitations enables informed investment, empowering photographers to create with confidence.
This comprehensive analysis leverages in-depth technical evaluation and extensive hands-on testing experience to assist photography enthusiasts and professionals in discerning the best camera choice aligned with their creative needs.
Olympus E-30 vs Panasonic LZ30 Specifications
| Olympus E-30 | Panasonic Lumix DMC-LZ30 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model | Olympus E-30 | Panasonic Lumix DMC-LZ30 |
| Category | Advanced DSLR | Small Sensor Superzoom |
| Introduced | 2009-03-24 | 2013-01-07 |
| Body design | Mid-size SLR | SLR-like (bridge) |
| Sensor Information | ||
| Processor | TruePic III+ | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor area | 224.9mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | - |
| Maximum resolution | 4032 x 3024 | 4608 x 3456 |
| Maximum native ISO | 3200 | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 11 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | Micro Four Thirds | fixed lens |
| Lens focal range | - | 25-875mm (35.0x) |
| Largest aperture | - | f/3.0-5.9 |
| Macro focus range | - | 1cm |
| Available lenses | 45 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Range of screen | Fully Articulated | Fixed Type |
| Screen sizing | 2.7" | 3" |
| Resolution of screen | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | HyperCrystal II LCD | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 98% | - |
| Viewfinder magnification | 0.56x | - |
| Features | ||
| Lowest shutter speed | 60 seconds | 15 seconds |
| Highest shutter speed | 1/8000 seconds | 1/2000 seconds |
| Continuous shooting speed | 5.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 13.00 m | 4.40 m |
| Flash settings | Auto, Manual, Fill, Red-eye reduction, Slow sync with red-eye reduction, Slow sync, Slow sync 2nd curtain, Off | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash sync | 1/250 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | None | 1280x720 |
| Video format | - | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 695 grams (1.53 pounds) | 552 grams (1.22 pounds) |
| Physical dimensions | 142 x 108 x 75mm (5.6" x 4.3" x 3.0") | 124 x 84 x 92mm (4.9" x 3.3" x 3.6") |
| DXO scores | ||
| DXO All around score | 55 | not tested |
| DXO Color Depth score | 21.3 | not tested |
| DXO Dynamic range score | 10.4 | not tested |
| DXO Low light score | 530 | not tested |
| Other | ||
| Battery life | 750 shots | 380 shots |
| Battery format | Battery Pack | AA |
| Battery model | BLM-1 | 4 x AA |
| Self timer | Yes (12 or 2 sec) | Yes (2 0r 10 sec) |
| Time lapse feature | ||
| Storage media | Compact Flash (Type I or II) / xD Picture Card | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Launch price | $1,299 | $230 |