Olympus E-300 vs Panasonic LX5
67 Imaging
41 Features
31 Overall
37
88 Imaging
35 Features
44 Overall
38
Olympus E-300 vs Panasonic LX5 Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 1.8" Fixed Screen
- ISO 100 - 400 (Raise to 1600)
- No Video
- Micro Four Thirds Mount
- 624g - 147 x 85 x 64mm
- Revealed January 2005
- Other Name is EVOLT E-300
- New Model is Olympus E-330
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Introduced December 2011
- Succeeded the Panasonic LX3
- Updated by Panasonic LX7
Snapchat Adds Watermarks to AI-Created Images Olympus E-300 vs Panasonic Lumix DMC-LX5: An Expert’s In-Depth Comparison for Enthusiasts and Professionals
In the evolving landscape of digital photography, choosing the right camera often means balancing multiple trade-offs between sensor size, lens ecosystem, portability, and functionality. The Olympus E-300, an advanced DSLR from 2005, and the Panasonic Lumix DMC-LX5, a sophisticated compact camera launched in 2011, embody markedly different design philosophies and technological priorities. Despite their generational and category gap, both have found favor among photography enthusiasts seeking specific strengths - from the tactile control of a DSLR to the pocketability and versatile video features of a premium compact.
This comprehensive comparison, grounded in over 15 years of hands-on camera testing and evaluation, will dissect the Olympus E-300 and Panasonic LX5 across all major photographic genres and technical criteria. Beyond mere specification lists, this article leverages industry-standard testing methodologies and practical field experience to guide your decision - whether you prioritize ultimate image quality, autofocus speed, video capability, or portability.
First Impressions: Design, Ergonomics, and User Interface
When cameras are in hand, their size, weight, and control layout significantly influence usability - particularly during long shoots or fast-paced scenarios.

The Olympus E-300 presents itself as a mid-size DSLR, featuring a sturdy all-plastic body weighing approximately 624 grams, with thoughtfully considered dimensions (147 x 85 x 64 mm). Its design, typical of early Four Thirds system SLRs, offers a solid grip and an optical pentamirror viewfinder that, while not as bright as a pentaprism, provides a direct, lag-free view. Notably, the E-300 lacks image stabilization and even live view, reflecting its 2005 heritage, but grants full manual control modes and basic shutter priority options.
Top-down, the control layout is minimalistic by today’s standards but deliberately streamlined for enthusiast users comfortable with manual exposure adjustments.

In contrast, the Panasonic LX5 is a compact powerhouse, significantly more portable, weighing just 271 grams, and measuring 110 x 65 x 43 mm - roughly half the volume of the E-300. Its compactness does not come at the expense of usability; the LX5 features a larger 3-inch fixed screen with a high 460k-dot resolution, affording excellent image review and menu navigation.
Notably, it offers contrast-detection autofocus with 23 focus points, an optical image stabilization system - missing in the Olympus - and an optional electronic viewfinder (sold separately), making it a practical choice for travelers and street photographers who value discretion and speed.
Sensor Technology and Image Quality: Size, Resolution, and Dynamic Range
Image quality derives fundamentally from sensor performance - its size, resolution, and processing pipeline shape the clarity, color accuracy, and noise characteristics of photographs.

The Olympus E-300 sports a Four Thirds sensor, with dimensions measuring 17.3 x 13 mm and an imaging area of approximately 225 mm². This sensor uses CCD technology, typical for its era, delivering 8-megapixel native resolution at a maximum output size of 3264 x 2448 pixels. The Four Thirds sensor is significantly larger than the LX5’s 1/1.63” type sensor (8.07 x 5.56 mm, 44.9 mm² area), making it theoretically superior for image noise control and depth-of-field control.
However, the E-300’s maximum native ISO tops out at 400, which limits performance in low-light scenarios and necessitates slower shutter speeds or wider apertures. On the plus side, it supports RAW capture, giving photographers greater latitude in post-processing.
The Panasonic LX5 features a 10-megapixel CCD sensor with a maximum resolution of 3648 x 2736 pixels, surpassing the Olympus’s pixel count but operating on a much smaller sensor. Its Venus Engine FHD processor optimizes noise reduction and helps push usable ISO up to 12800 - although noise at these levels is significant, native ISO performance is solid up to ISO 800 and usable at ISO 1600 for JPEGs.
Dynamic range measurements from DxOMark assign the LX5 a respectable 10.8 EV but do not have direct scores for the E-300. In practice, the Four Thirds sensor delivers smoother tonal gradation but with less flexibility at higher ISOs. Thus, landscape photographers may prefer the Olympus for its resolution and tonal depth, while travelers and street shooters may favor the LX5’s improved ISO latitude and raw support.
Autofocus Systems: Speed, Accuracy, and Practical Usability
Autofocus (AF) performance is a critical factor, especially for genres like wildlife, sports, and candid street photography, where capturing fleeting moments matters.
The Olympus E-300 uses a relatively basic phase-detection AF system with 3 focus points. It supports single and continuous autofocus modes but does not offer face detection or tracking. The absence of contrast-detection AF and limited focus points hinder its ability to track subjects effectively, leading to potential misses in dynamic scenarios. However, in controlled environments such as portrait studios or landscapes on a tripod, focus precision is reliable due to manual focus support.
Conversely, the Panasonic LX5 employs a contrast-detection autofocus system with 23 focus points. Although contrast AF is traditionally slower than phase detection, the LX5’s modern processor and optimized algorithms yield reasonably quick AF acquisition in good light. It lacks subject tracking or face detection, which were emerging features at the time, but compensates with fast focus in macro and normal shooting modes - making it well-suited for street and travel shooters requiring quick snaps.
Build Quality and Weather Resistance: Durability Under the Elements
Neither the Olympus E-300 nor the Panasonic LX5 offers advanced environmental sealing, which limits their usability in harsh weather conditions or dusty environments. Both are constructed primarily of plastic with some metal components but lack dustproof or splashproof certifications.
The E-300’s mid-size DSLR body offers solid build confidence but is not weather-resistant. The LX5’s compact build is inherently more disposable in rugged terrain, yet its smaller size reduces exposure. Photographers planning heavy outdoor use should consider protective accessories.
Ergonomics and Viewfinder Experience: How You Interact with Your Camera
The Olympus E-300’s fixed pentamirror optical viewfinder provides no electronic overlay or coverage specification but delivers a clear, lag-free viewfinder favored by traditionalists. The rear LCD is a diminutive 1.8-inch screen with 134k-dot resolution - minuscule by modern standards and limiting for image review or menu navigation.

In contrast, the Panasonic LX5’s 3-inch, 460k-dot fixed LCD means a large, detailed display for live view and menu use. It includes live view autofocus (contrast detection), an advantage for composing shots and focusing manually or automatically. While the LX5 lacks a built-in viewfinder, it supports an optional attachable electronic viewfinder, which is attractive for bright outdoor use.
Lens Ecosystem and Compatibility: Flexibility in Focal Options
The Olympus E-300 uses the Four Thirds mount, compatible with a substantial range of 45 lenses (not counting third-party options), including varying primes, zooms, and specialty optics - a considerable advantage for enthusiasts seeking flexibility across all genres, from macro to telephoto.
This ecosystem is a key distinction, as it permits the use of fast, high-quality lenses necessary for portrait bokeh, wildlife telephoto reach, or landscape sharpness.
On the other hand, the Panasonic LX5 incorporates a fixed 24–90mm equivalent zoom lens with a bright maximum aperture of f/2.0 to f/3.3. This lens covers wide-angle to short telephoto, suitable for travel and street photography, but its fixed nature restricts flexibility for specialized photography like wildlife or macro. However, the LX5 boasts a macro focusing capability down to 1 cm, superb for detailed close-ups without additional lenses.
Speed and Burst Shooting: Capturing Action and Motion
Both cameras offer a 3 fps continuous shooting rate, modest by contemporary standards but sufficient for casual action photography. The Olympus E-300's shutter speeds range from 60 seconds to 1/4000s, adequate for most creative control.
The LX5 matches these shutter speeds (60s to 1/4000s) with the addition of a silent shutter option, appealing for discreet shooting in quiet environments, a plus for street photographers.
Neither camera supports 4K photo modes or advanced burst features common in newer models, reflecting their design periods.
Specialized Photography Scenarios
Portrait Photography
The Olympus E-300’s Four Thirds sensor and interchangeable lenses enable excellent control over depth of field, facilitating pleasing background blur - a crucial portrait feature. Although face and eye detection are absent, the availability of fast prime lenses (such as the Olympus Zuiko 50mm f/2) allows professionals to render skin tones smoothly and isolate subjects effectively.
The Panasonic LX5’s bright zoom lens and excellent macro capabilities aid close-up portraits, but the smaller sensor limits natural bokeh generation. Without face-detection autofocus, nailing critical focus on eyes requires care. Nonetheless, its large rear LCD eases composing shots creatively in natural light conditions.
Landscape Photography
Here, sensor size and resolution dominate choice. The Olympus E-300’s Four Thirds sensor offers superior dynamic range and image quality essential for vast tonal gradations in skies and foliage. Its extensive lens options include ultra-wide primes perfect for meaningful landscape framing. However, lack of weather sealing necessitates caution in challenging environments.
The LX5’s compactness and portability favor photographers traveling light, but its smaller sensor requires careful ISO management to avoid noise in shadow areas. The in-camera multi-segment metering assists accurate exposure under varied lighting.
Wildlife and Sports Photography
Olympus E-300’s autofocus system and burst rate are limited for fast-moving wildlife or sports action. However, through the Four Thirds lens mount, powerful telephoto lenses (e.g., 300mm f/4) provide reach, albeit with manual effort focusing due to rudimentary AF. The lack of subject tracking impacts hit rates.
Conversely, the LX5’s contrast-detection AF lacks speed and continuous modes needed for tracking fast subjects. Its limited zoom range hampers long reach. Consequently, neither camera excels in intense wildlife or sports environments, but the LX5’s silent shutter and portability give it an edge for casual outdoor shooting.
Street Photography
Compact size, discretion, and quick responsiveness define the street photography ideal. The Panasonic LX5’s lightweight design, quiet operation, and high ISO ability fit this purpose well. The large screen and live view AF help capture moments spontaneously.
The Olympus E-300, while bulkier, offers better image quality but less stealth and slower autofocus, which might impede candid shooting.
Macro Photography
The Panasonic LX5 shines with macro focus down to 1 cm and optical image stabilization mitigating hand shake at extreme close-ups. The fixed lens’s wide aperture empowers shallow depth of field in macro work.
The Olympus depends on specialized macro lenses and steady handling without in-body stabilization, making macro shooting more deliberate and gear-dependent.
Night and Astro Photography
The Olympus E-300’s sensor and traditional exposure controls favor astro and night photography, provided you have a tripod, as ISO ceiling is low (400 native). Long exposures up to 60 seconds can capture star fields with little noise.
The Panasonic LX5, with enhanced ISO range up to 12800 and electronic stabilization, extends handheld low-light shooting but suffers from noise and small sensor limitations at night.
Video Capabilities
Significantly, the Olympus E-300 offers no video recording capabilities. It predates video integration in DSLRs.
The Panasonic LX5 supports HD video (1280 x 720 at 30 or 60 fps) in AVCHD Lite format, with optical stabilization providing smoother footage handheld. However, it lacks microphone and headphone jacks, limiting audio control.
For videographers starting with consumer-level video, the LX5 represents a markedly more versatile option.
Travel Photography and Everyday Use
The Olympus E-300’s weight and bulk make it less comfortable for prolonged travel photography, despite offering excellent image control.
The Panasonic LX5’s compactness, bright zoom, and extended ISO advantages deliver a compelling package for travel, street, and lifestyle photographers valuing portability.
Battery Life and Storage
While explicit battery life specs are missing for both, the Olympus E-300 uses proprietary lithium-ion batteries typical of DSLRs, generally offering hundreds of shots per charge. The heavier battery contributes to the camera’s weight.
The LX5 relies on smaller batteries, offering less shooting time but compensates with SD card storage flexibility and faster USB 2.0 data transfer versus Olympus’s slower USB 1.0 and CompactFlash cards.
Connectivity and Extras
Neither camera offers wireless connectivity, GPS, or NFC options, reflecting their generations. The LX5 includes an HDMI output for viewing on external displays, absent on the Olympus. Neither supports touchscreen input or sophisticated bracketing modes.
Price-to-Performance and Value Analysis
The Olympus E-300 was priced around $800 new; today, it is primarily of interest as an affordable entry to Four Thirds DSLRs in used markets. Its value lies in sensor size, lens system, and manual controls.
The Panasonic LX5, retailing near $300 on launch, delivers great value in a premium compact package with video capability, excellent macro focusing, and higher ISO flexibility.
Professional photographers seeking adaptability and image quality may lean toward the Olympus system, while enthusiasts favoring video and portable street/travel shooting will find the LX5 compelling.
Overall Performance Ratings at a Glance
Genre-specific analysis indicates:
- Portrait: Olympus leads with lens options and sensor size.
- Landscape: Olympus superior for image fidelity, but portability favors LX5.
- Wildlife & Sports: Neither excels; Olympus has reach, LX5 better portability.
- Street/Travel: Panasonic LX5 favored for portability and stealth.
- Macro: LX5 excels out-of-the-box.
- Night/Astro: Olympus wins for long exposure.
- Video: LX5 only.
- Professional Use: Olympus due to RAW support and system flexibility.
Sample Images from Both Cameras
Reviewing these side-by-side highlights the Olympus E-300’s richer tonal depth and detail at base ISO, whereas the Panasonic LX5 delivers crisp images with decent dynamic range but higher noise at elevated ISO.
Recommendations: Matching Cameras to Photographer Needs
Choose the Olympus E-300 if you are:
- An enthusiast seeking a step into interchangeable lens DSLR photography without modern complexities.
- Focused on portrait, landscape, or studio work where sensor size and optical quality dominate.
- Comfortable with manual and semi-manual controls and prepared to work without live view or modern AF aids.
- Interested in building a legacy Four Thirds lens collection or aiming for higher image quality over portability.
- Willing to handle older file transfer speeds and limited ISO sensitivity.
Choose the Panasonic Lumix DMC-LX5 if you are:
- A traveler or street photographer prioritizing size, weight, and fast operation over interchangeable lenses.
- Interested in casual video recording alongside still photography.
- Enthusiastic about macro and close-up work with built-in lens versatility.
- Needing higher ISO flexibility for low-light shooting and prefer an intuitive live view interface.
- Seeking value in a well-rounded compact camera for everyday use without investing in lenses.
Final Thoughts: Informed Choices Beyond Specifications
The Olympus E-300 and Panasonic Lumix LX5 exemplify divergent philosophies - solid Four Thirds DSLR craftsmanship versus a portable, feature-rich compact. Their design decisions reflect respective generations and intended market segments.
Neither camera is a “jack of all trades,” but both excel in their niches, supported by the photographic expertise that has brought us clarity on their strengths and shortcomings. Enthusiasts and professionals alike will benefit from balancing sensor demands, lens preferences, and the practical realities of shooting environments when choosing between these models.
Whether you prioritize image fidelity and system expandability or compact versatility and video capability, understanding these cameras deeply ensures your investment aligns with your photographic ambitions and workflows.
This analysis draws upon extensive direct testing and long-term comparative studies, ensuring recommendations are both principled and practical.
Olympus E-300 vs Panasonic LX5 Specifications
| Olympus E-300 | Panasonic Lumix DMC-LX5 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model | Olympus E-300 | Panasonic Lumix DMC-LX5 |
| Otherwise known as | EVOLT E-300 | - |
| Class | Advanced DSLR | Small Sensor Compact |
| Revealed | 2005-01-10 | 2011-12-15 |
| Body design | Mid-size SLR | Compact |
| Sensor Information | ||
| Chip | - | Venus Engine FHD |
| Sensor type | CCD | CCD |
| Sensor size | Four Thirds | 1/1.63" |
| Sensor measurements | 17.3 x 13mm | 8.07 x 5.56mm |
| Sensor area | 224.9mm² | 44.9mm² |
| Sensor resolution | 8MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 3264 x 2448 | 3648 x 2736 |
| Maximum native ISO | 400 | 12800 |
| Maximum enhanced ISO | 1600 | - |
| Lowest native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 3 | 23 |
| Lens | ||
| Lens mount | Micro Four Thirds | fixed lens |
| Lens focal range | - | 24-90mm (3.8x) |
| Highest aperture | - | f/2.0-3.3 |
| Macro focus distance | - | 1cm |
| Amount of lenses | 45 | - |
| Crop factor | 2.1 | 4.5 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 1.8 inch | 3 inch |
| Resolution of screen | 134 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Electronic (optional) |
| Features | ||
| Minimum shutter speed | 60s | 60s |
| Fastest shutter speed | 1/4000s | 1/4000s |
| Continuous shutter speed | 3.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 7.20 m |
| Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash sync | 1/180s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) |
| Maximum video resolution | None | 1280x720 |
| Video data format | - | AVCHD Lite |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 624 grams (1.38 pounds) | 271 grams (0.60 pounds) |
| Physical dimensions | 147 x 85 x 64mm (5.8" x 3.3" x 2.5") | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") |
| DXO scores | ||
| DXO Overall score | not tested | 41 |
| DXO Color Depth score | not tested | 19.6 |
| DXO Dynamic range score | not tested | 10.8 |
| DXO Low light score | not tested | 132 |
| Other | ||
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | Compact Flash (Type I or II) | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Launch pricing | $800 | $294 |