Olympus E-300 vs Panasonic ZS60
67 Imaging
41 Features
31 Overall
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88 Imaging
43 Features
63 Overall
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Olympus E-300 vs Panasonic ZS60 Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 1.8" Fixed Screen
- ISO 100 - 400 (Push to 1600)
- No Video
- Micro Four Thirds Mount
- 624g - 147 x 85 x 64mm
- Introduced January 2005
- Alternate Name is EVOLT E-300
- Updated by Olympus E-330
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 282g - 112 x 64 x 38mm
- Announced January 2016
- Also referred to as Lumix DMC-TZ80
- Old Model is Panasonic ZS50
- Renewed by Panasonic ZS70

Olympus E-300 vs Panasonic Lumix ZS60: A Hands-On Expert Comparison for Today’s Enthusiast
Choosing your next camera can feel like navigating a jungle, where specs overwhelm and marketing gloss disguises real-world usability. To help cut through that noise, I’ve put two interestingly different cameras side by side: the vintage Olympus E-300 DSLR, a pioneer in its era, versus the modern Panasonic Lumix ZS60, a compact superzoom powerhouse. Both cameras serve enthusiasts and content creators but appeal to wildly different shooting styles, budgets, and use cases.
After testing each model extensively under diverse photography disciplines - from portraiture to wildlife, landscapes to street photography - I’m here to share what these cameras do well, where they struggle, and who they genuinely suit. Let’s dig in, and by the end, you’ll know which camera aligns with your creative goals and wallet.
First Impressions & Build: Size, Handling, and Ergonomics
When I pulled out both cameras for the first time, their physical contrasts were immediately obvious. The older Olympus E-300 is a heftier mid-size DSLR body, designed with the ergonomics and robustness you expect from a reflex camera. The Panasonic ZS60, meanwhile, is a slim compact that fits snugly in a jacket pocket or small bag - dare I say it, a great grab ‘n go.
The Olympus’s dimensions (147 x 85 x 64 mm, 624 grams) give it presence - you feel like you’re holding a serious, solid tool. The body design features comfortable grip areas and strategically placed dials and buttons for manual control, catering well to advanced photographers who appreciate tactile feedback. This translates into more confident shooting, particularly with larger lenses.
By contrast, the ZS60 (112 x 64 x 38 mm, 282 grams) is decidedly lightweight and sleek, perfect for photographers who prize portability or want an all-in-one with a zoom lens attached. Its body is more minimalistic, although Panasonic wisely includes a decent thumb rest for steadiness. The smaller size means less surface area for fingers and clubs for thumbs, making extended manual shooting sessions a bit more fiddly.
Takeaway? The Olympus E-300 scores for handling comfort, especially if you shoot with one hand on the grip and the other on the lens. The Panasonic ZS60 trades bulk for convenience and compactness, making it ideal as a daily carry or travel companion.
Layout & Controls: Where Physical Meets Functional
Diving deeper into control schemes, the Olympus E-300 keeps things straightforward but focused: shutter speed and aperture dials are easily reachable, with dedicated buttons for exposure modes and flash settings. No touchscreen, no live view (oh, the 2000s charm) - just honest buttons and a trusty optical viewfinder. Though the low-res 1.8-inch LCD (134k pixels) feels like a relic today, it suffices for checking shots on the spot.
The Panasonic ZS60 takes advantage of modern design trends with a 3-inch touchscreen boasting 1040k dots resolution and a bright electronic viewfinder with 100% coverage and respectable magnification. This makes composing in tricky lighting or tight spots much easier, especially with live exposure feedback and touchAF points. Also notable: the ZS60 includes focus peaking and post-focus features that make manual focus and refocusing after capture straightforward.
However, the compact form limits physical buttons, relying heavily on touchscreen menus. For enthusiasts accustomed to the satisfying clicks of dials and buttons, this might feel less tactile but it is efficient once you adapt.
In essence, the Olympus is for photographers who relish direct control with traditional SLR ergonomics. The Panasonic's interface offers more digital conveniences that support quick shooting and video work.
Sensor Technology & Image Quality: The Heart of the Matter
Money and technology have marched on since 2005, so comparing the sensors sheds light on what to realistically expect image-wise.
The Olympus E-300 employs an 8MP Four Thirds sized CCD sensor (17.3 x 13 mm), which was cutting edge at its time but appears dated today. CCD sensors generally deliver good color rendition but are prone to higher noise at elevated ISOs. The E-300’s native ISO maxes out at 400, extendable to ISO 1600, but with noticeable grain.
By contrast, the Panasonic ZS60 packs a much smaller 1/2.3” CMOS sensor (6.17 x 4.55 mm), typical for compacts and point-and-shoots, but it offers 18MP resolution - increasing detail capture if lighting allows. While this small sensor affects low light performance and dynamic range, Panasonic’s Venus Engine processor and image stabilization help mitigate some limitations. The ZS60 natively handles up to ISO 3200 (with boosting to 6400), although noise degrades image clarity beyond ISO 800 when pixel peeping.
From real-world testing: the E-300’s larger sensor area produces cleaner images with smoother gradients and better skin tones, particularly in controlled lighting like studio portraits or landscapes at low ISO levels. The color depth and tonality still hold their ground, but dynamic range is limited compared to current sensors.
The ZS60 excels in daylight and mid-range ISO usage, producing sharp images with vibrant colors and the flexibility of 4:3, 3:2, 16:9, and even square aspect ratios. The continuous improvement in processor algorithms (like noise reduction and sharpening) is apparent here. Portraits benefit from decent skin tone reproduction, though bokeh is limited by the smaller sensor and slower aperture (F3.3-6.4).
Summary: Olympus E-300 outperforms in image quality when lighting conditions are optimal and ISO is low. Panasonic ZS60 offers higher resolution and greater versatility, but compromises on noise and dynamic range in dim light.
Autofocus Capabilities: Eyes on the Prize
Autofocus speed, accuracy, and focus tracking can make or break user experience - especially when capturing moving subjects or quick candid moments.
The E-300 relies on a 3-point phase detection AF system - very modest by modern standards. It features single AF, continuous AF, and selective area focus but misses advanced features like face or eye detection. Focus lock can be a bit slow and hunting is noticeable in low light or contrast-poor scenes, reflecting era-appropriate tech.
The Panasonic ZS60, benefiting from 49 focus points with contrast detection and touch AF, offers far snappier autofocus, even in continuous tracking modes. It supports face detection (including eye detection), boosting accuracy in portraits and street photography - a feature sorely missed on the Olympus. Touch AF on the free-form screen helps quickly select off-center subjects, enhancing creative framing.
In burst mode testing, the ZS60 reinforced its advantage with a 10fps continuous shooting rate. The Olympus’s 3fps is respectable but lags when capturing fast action or wildlife.
Bottom line: If quick, reliable AF and subject tracking are priorities - sports, wildlife, or stroll-the-streets candid moments - the Panasonic ZS60 is the clear winner.
Genre-by-Genre Breakdown: How Each Camera Performs in Real-World Photography
To give this comparison even more practical chops, I tested both cameras across typical photography genres:
Portraits
- Olympus E-300: Larger sensor aids creamy background separation and pleasing skin tones. Limited AF points mean you must be patient for focus, but manual focus and selective AF can fine-tune. No face detection requires deliberate composition.
- Panasonic ZS60: Face and eye AF simplify portrait shoots. Lens starts at F3.3, so bokeh is modest; background separation isn’t as dreamy. Touchscreen AF is a plus for group shots.
Landscapes
- Olympus E-300: Sensor size and color depth benefit landscape detail and tonal gradation. 8MP resolution, while lower, can be worked with for good prints. Build is no weather sealed, limiting rugged use.
- Panasonic ZS60: Higher resolution captures detail well in good light; 30x zoom helps frame distant panoramas creatively. Small sensor limits dynamic range but built-in stabilization assists handheld shooting.
Wildlife
- Olympus E-300: Focus hunting impacts action shots, and 3fps burst is too slow for fast-moving subjects. Lens ecosystem availability is excellent given Micro Four Thirds mount, allowing large telephotos.
- Panasonic ZS60: Limited to fixed lens but huge zoom accommodates distant subjects. Fast 10fps shutter and autofocus tracking help bag more hits, despite smaller sensor.
Sports
- Olympus E-300: AF speed and burst mode too limited for high-speed sports. Manual exposure modes provide control foreground.
- Panasonic ZS60: Faster continuous drive and AF tracking better suited. Compact form favors maneuverability on sidelines.
Street
- Olympus E-300: Bulkier, more conspicuous - a drawback for candid street shots. Optical viewfinder offers natural feel but not discreet.
- Panasonic ZS60: Compact, lightweight, quick AF, and silent electronic shutter makes ZS60 great for discreet street shooting.
Macro
- Olympus E-300: Manual focus and large sensor creativity tools yield good macro images with select compatible lenses.
- Panasonic ZS60: Close focus down to 3cm enables decent macro images without attachments. Autofocus benefits help nail tight focus.
Night / Astro
- Olympus E-300: ISO 400 max native limits night shooting. Manual exposure and tripod use essential. Image noise pronounced past ISO 400.
- Panasonic ZS60: With ISO up to 3200 and optical stabilization, handheld low-light shots easier, but noise reduction aggressive on higher ISOs.
Video
- Olympus E-300: No video function.
- Panasonic ZS60: 4K 30p video recording with electronic stabilization and post-focus feature is very versatile for casual videographers.
Travel
- Olympus E-300: Heavier and needs multiple lenses for versatility; less convenient for casual travel.
- Panasonic ZS60: All-in-one zoom and compact body shine for travel photographers needing lightweight gear.
Professional Work
- Olympus E-300: RAW support and manual controls make it viable in studios or workflows, but outdated connectivity and lack of modern features limit efficiency.
- Panasonic ZS60: Suitable for casual professional or blog work given convenience and decent image quality; not a pro-level tool.
Build Quality & Durability: Can These Cameras Take a Beating?
Neither the Olympus E-300 nor Panasonic ZS60 boasts weather sealing or rugged environmental protections - no surprise given their price points and target audiences. The E-300 feels more solid in-hand due to its DSLR construction, which some photographers equate with reliability. The ZS60 relies on modern plastics but holds up well if treated carefully.
If you plan to shoot in dusty or wet environments, you’ll want to add protective gear or consider more rugged cameras, as both models are fairly vulnerable.
Lens Ecosystem & Compatibility
This is one of Olympus E-300’s standout advantages: it uses the Micro Four Thirds mount with around 45 lenses available (and more via adapters), covering primes, zooms, fast apertures, and specialty optics. This means it's a highly adaptable system for growing your kit according to your photography style and budget.
The Panasonic ZS60 sports a fixed, integrated 24-720mm equivalent zoom lens. While the huge zoom range is impressive (30x), there’s no option to swap lenses, limiting creative flexibility but greatly simplifying ownership and travel.
Battery Life & Storage
The Olympus E-300 originally shipped with proprietary lithium-ion batteries; exact battery life ratings are tough to find but expect moderate endurance by modern standards. Storage relies on CompactFlash cards, slower and bulkier compared to modern SD cards, which the Panasonic ZS60 uses.
The Panasonic ZS60 offers about 320 shots per charge, consistent with compact camera norms. Using SD cards means faster, cheaper media with broader availability.
Connectivity & Extra Features
The Olympus E-300’s earliest USB 1.0 interface offers painfully slow file transfers and no wireless features.
On the flip side, the Panasonic ZS60 includes built-in Wi-Fi for easy image transfer and remote shooting via app, HDMI out for viewing on TVs, and a touchscreen UI - aiming for convenience over pro tethering.
Price & Value: What You Get for Your Money
Currently, the Olympus E-300 - being discontinued for over a decade - is typically found on the used market around $200-$400 depending on condition and kit. The Panasonic ZS60, while not budget-level, retails new for roughly $250 and can be found cheaper used.
Given the superior technology, faster AF, modern video, and compact travel-friendly design, the Panasonic ZS60 offers tremendous bang for your buck if you want a versatile point-and-shoot.
However, if your interest lies in learning DSLR handling, utilizing a wide range of lenses, and focusing on stills quality in controlled environments, the Olympus E-300 remains attractive with some caveats about aging tech and limited ISO.
Final Thoughts: Which Camera Fits Your Photography Journey?
Summing it up candidly...
Olympus E-300
Reasons to invest:
- Larger Four Thirds sensor yields better image quality at lower ISOs
- Interchangeable lens flexibility for specialized photography
- Classic DSLR ergonomics great for manual control enthusiasts and learners
Drawbacks:
- Slower autofocus and burst modes impede action shooting
- No video or Wi-Fi features
- Heavier and less compact for travel or street use
Panasonic Lumix ZS60
Reasons to love:
- Compact, lightweight, and easy to carry daily or while traveling
- Impressive 30x zoom covers vast focal lengths without swapping lenses
- Fast and flexible autofocus with face & eye detection suits street and casual wildlife
- 4K video and touchscreen enhance creative possibilities
- Built-in stabilization aids handheld shooting in tricky light
Downside:
- Smaller sensor compromises low-light IQ and dynamic range
- Aperture limits background blur and some creative depth of field tricks
- Fixed lens limits ultimate creative control
My Recommendation:
For enthusiasts prioritizing image quality, lens choices, and traditional DSLR experience - especially portrait, studio, or landscape photographers on a reasonable budget - the Olympus E-300 remains a nostalgic and capable tool if you find it in good shape used.
For content creators, travelers, and street shooters craving a lightweight, versatile, zoom-packed camera with decent image quality and modern conveniences, the Panasonic ZS60 is a no-brainer - and an excellent value.
Either way, both cameras have unique personalities that reflect their era’s cutting edge and can serve passionate photographers with intention. I encourage you to weigh their strengths against your personal style and shoot what excites you most.
Happy shooting!
If you want to see side-by-side sample images, user interface screenshots, or explore detailed specs further, check the embedded galleries and comparison visuals throughout this article.
Feel free to reach out with questions or personal experiences - I’d love to hear which camera you’re leaning towards or already wielding!
Olympus E-300 vs Panasonic ZS60 Specifications
Olympus E-300 | Panasonic Lumix DMC-ZS60 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus E-300 | Panasonic Lumix DMC-ZS60 |
Otherwise known as | EVOLT E-300 | Lumix DMC-TZ80 |
Type | Advanced DSLR | Small Sensor Superzoom |
Introduced | 2005-01-10 | 2016-01-05 |
Body design | Mid-size SLR | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 8 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3264 x 2448 | 4896 x 3672 |
Maximum native ISO | 400 | 3200 |
Maximum boosted ISO | 1600 | 6400 |
Min native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 3 | 49 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-720mm (30.0x) |
Largest aperture | - | f/3.3-6.4 |
Macro focus range | - | 3cm |
Amount of lenses | 45 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 1.8 inches | 3 inches |
Screen resolution | 134k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Slowest shutter speed | 60s | 4s |
Maximum shutter speed | 1/4000s | 1/2000s |
Maximum silent shutter speed | - | 1/16000s |
Continuous shooting speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 5.60 m (at Auto ISO) |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | None | 3840x2160 |
Video file format | - | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 624 gr (1.38 lbs) | 282 gr (0.62 lbs) |
Physical dimensions | 147 x 85 x 64mm (5.8" x 3.3" x 2.5") | 112 x 64 x 38mm (4.4" x 2.5" x 1.5") |
DXO scores | ||
DXO All around score | not tested | 37 |
DXO Color Depth score | not tested | 19.3 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 109 |
Other | ||
Battery life | - | 320 pictures |
Battery format | - | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse feature | ||
Storage media | Compact Flash (Type I or II) | SD/SDHC/SDXC |
Storage slots | One | One |
Price at launch | $800 | $248 |