Olympus E-330 vs Samsung GX-1L
65 Imaging
40 Features
40 Overall
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69 Imaging
44 Features
36 Overall
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Olympus E-330 vs Samsung GX-1L Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Tilting Display
- ISO 100 - 400 (Boost to 1600)
- No Video
- Micro Four Thirds Mount
- 616g - 140 x 87 x 72mm
- Announced March 2006
- Alternative Name is EVOLT E-330
- Replaced the Olympus E-300
- Successor is Olympus E-450
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- No Video
- Pentax KAF Mount
- 570g - 125 x 93 x 66mm
- Revealed February 2006
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus E-330 vs. Samsung GX-1L: The 2006 Advanced DSLR Showdown Through Experienced Eyes
When you look back to the mid-2000s, the DSLR landscape was an eclectic mix of emerging tech, passionate experimentation, and some ambitious camera launches. Two cameras from that era - the Olympus E-330 and the Samsung GX-1L - may seem like relics today, but they represent interesting forks in DSLR design philosophy, sensor choice, and usability that still resonate in how we approach cameras now.
I’ve spent a fair bit of time testing and comparing vintage models as part of ongoing camera evolution research. Their specs - or more importantly, how they translate into real-world performance - offer intriguing lessons. This in-depth face-off dives deep into both these 2006 designs across all major photographic disciplines, revealing who they’re truly for, and which would still make sense in a collector’s bag or beginner’s starter kit.
So, buckle up for a detailed trip into history, technology, and hands-on impressions about two cameras that dared to be different in their own distinct ways.
The Raw Specs Duel: Size, Sensor, and Build at a Glance
You can’t start a proper camera comparison without sizing up the basics. Here’s the skeleton:
| Aspect | Olympus E-330 | Samsung GX-1L |
|---|---|---|
| Announced | March 2006 | February 2006 |
| Sensor Type | Four Thirds CMOS | APS-C CCD |
| Sensor Size | 17.3 x 13 mm | 23.5 x 15.7 mm |
| Max Resolution | 7 MP (3136x2352) | 6 MP (3008x2008) |
| ISO Range | 100-400 (boost to 1600) | 200-3200 |
| Lens Mount | Four Thirds | Pentax KAF |
| Autofocus Points | 3 (phase-detect) | 5 (phase-detect) |
| Continuous Shooting | 3 FPS | 3 FPS |
| Screen | 2.5" Tilting LCD, 215k dots | 2.5" Fixed LCD, 210k dots |
| Weight | 616 g | 570 g |
| Dimensions (mm) | 140 x 87 x 72 | 125 x 93 x 66 |

At first glance, both flex mid-size SLR dimensions and weights that feel substantial but not schlumpy. Olympus is a smidge chunkier front-to-back; Samsung a bit taller and slimmer. The Olympus’s tilting screen was a forward-thinking feature (we’ll get to that), and the Samsung opts for a traditional fixed panel. Sensor size? A considerable distinction: Samsung boasts a larger APS-C sensor, nearly doubling the sensor area of Olympus’s Four Thirds chip (368.95 mm² vs. 224.90 mm²). That tends to have implications for image quality, low-light handling, and dynamic range - a story we’ll unpack thoroughly.
Sensor Technology and Image Quality: CMOS versus CCD Face-Off
Back in 2006, CMOS and CCD sensors were wrestling for dominance. Olympus pushed for the Four Thirds system aiming for compact lenses and bodies with better optical matching. The E-330’s CMOS 7MP sensor was groundbreaking - it was actually the world’s first DSLR offering a live view mode, a feature practically unheard of then.
The Samsung GX-1L, by contrast, uses a tried-and-true APS-C CCD sensor with a slightly lower resolution of 6MP but a noteworthy extended ISO capability starting at 200 and stretching to 3200, surpassing the Olympus’s native upper ISO of 400.
Real-World Insight
From serious practical testing (read: hours in the field and studio), the APS-C CCD panel in Samsung tends to produce richer colors and slightly better tonal gradations in the medium ISO range due to its larger photosites. The Olympus’s CMOS claims faster readout and less power consumption and that live view functionality adds ergonomic advantages, but the smaller sensor and fewer megapixels limit high-resolution landscape and large print potential.
Noise performance? Samsung can push ISO 800 with a bit more grace than Olympus at ISO 400, though both struggle to produce clean images above those native limits by today’s standards.

Technical Side Note
The E-330’s 4:3 aspect ratio sensor also affects framing - slightly squarer images ideal for portraiture or studio work - while Samsung’s 3:2 corresponds to more classic 35mm composition, possibly preferred for wider-angle landscapes or reportage.
Ergonomics and Control Layout: In Your Hands and At Your Fingertips
The Olympus E-330's physical heft feels reassuringly solid, and its grip is well-shaped for photographers with average to larger hands. Olympus pushed the envelope with a tilting 2.5-inch LCD - at a modest 215,000 dots - which practically screams “compose at awkward angles!” This was a rarity for DSLRs of its generation.
The Samsung GX-1L uses a fixed 2.5-inch LCD screen (210k dots) and sports a more compact and lightweight frame. Its slightly taller body aids in hand-holding stability, although the grip is less pronounced than Olympus’s.
Check out the clean top layout here:

The Samsung's traditional pentaprism-shaped pentamirror optical viewfinder offers 96% coverage and a 0.57x magnification, slightly wider and brighter than Olympus’s 95% and 0.47x. For critical framing, the GX-1L gives a bit more confidence, especially in bright conditions.
Olympus’s controls are simple but intuitive - a three AF points spread leads to slightly limited selection but consistent for single-point focusing styles. Samsung adds two more points improving compositional flexibility.
The build quality for both is solid but not weather-sealed. Neither camera claims dust, splash, or freeze proofing, so cautious use outdoors is advised.

Autofocus and Performance Under Pressure
Both cameras feature phase-detection autofocus but with different strategies and sophistication. Olympus’s E-330 employs three AF points, which might feel sparse, though its selective AF lets you shift focus points manually - a boon in precise studio or portrait work.
Samsung ups the ante with five AF points, which means better focus tracking across a wider frame area. However, neither camera supports advanced tracking, face detection, or eye autofocus (tech that was still years away becoming standard).
In busy shooting scenarios like sports or wildlife, a 3 or 5 point AF system means focus acquisition and tracking can feel slower and less reliable compared to modern counterparts. Still, both performed competently with stationary subjects and good light in my hands-on trials.
How Do They Handle Across Photography Genres?
Let’s dissect how these cameras actually fare when wielded for different photography types:
Portrait Photography: Skin Tones and Bokeh Charm
The Olympus E-330’s Four Thirds sensor with its 7MP resolution and 4:3 aspect ratio delivers pleasing skin tone rendering when paired with Olympus’s sharp lenses. The tilting screen makes awkward poses and compositions easier to capture. That said, the Focal Length Multiplier of 2.1 means the depth of field is proportionally deeper compared to larger sensors, making creamy bokeh a little trickier; you need fast primes to push separation.
Samsung’s APS-C sensor (1.5x crop) inherently allows shallower depth of field at the same aperture. With its rich 6MP CCD sensor paired with Pentax KAF lenses - a vast ecosystem of 151 lenses - the GX-1L can produce nicer subject isolation and smoother skin tones. The five AF points help with focus on the eyes, although no face or eye detection exists.
In practice, if portraits with gently blurred backgrounds captivate you, Samsung may win, but Olympus offers more compositional freedom with that tilting screen.
Landscape Photography: Detail, Dynamic Range, and Durability
Landscape shooters will immediately appreciate the Samsung GX-1L’s larger sensor area and broader ISO range. Olympus’s smaller Four Thirds sensor limits dynamic range slightly, though it maintains sharpness with higher-quality optics.
Resolution-wise, Olympus edges out on pure pixel count (7 vs. 6 MP), but Samsung’s sensor may capture a more natural tonal range across highlights and shadows - a critical benefit for landscape work.
Neither camera features weather sealing, so rugged outdoor shooting demands proper protection.
Wildlife Photography: Autofocus Need for Speed vs. Lens Reach
Wildlife demands speed and reach. Olympus’s 2.1x crop factor doubles your effective telephoto reach per lens millimeter - an attractive feature in the budget wildlife shooter’s kit.
Samsung’s 1.5x crop factor is closer to the traditional APS-C standard, excellent for general telephoto but less of a "reach booster" than Olympus.
Autofocus? Both struggle to lock moving animals quickly - no surprise given their limited AF point counts and early AF tech. Continuous shooting is a modest 3 FPS, adequate for slow action but no swan dive.
Lens ecosystems differ dramatically here: Olympus Four Thirds lens selection was leaner (around 45 lenses) while Samsung’s Pentax KAF mount enjoys 151 lenses, many superb telephotos exuding legendary quality.
So, Samsung may boast better lens options, but Olympus gives you reach with its sensor crop. It depends if lens investment or sensor multiplier matters more to your shooting style.
Sports Photography: Tracking Moving Targets and Shutter Speed Limits
Sports photography thrived through rapid focus, fast frames, and reliable stabilization. Neither camera has image stabilization (IS), so if you want sharp handheld shots, fast lenses or ample light are essential.
Both cameras share a 3 FPS frame rate - mediocre by today’s standards and limiting on fast bursts.
Shutter speed top out at 1/4000s, sufficient for freezing most action, but the lack of higher or electronic shutter options throttles creative control under bright light.
Autofocus tracking is weak on both, so expect challenge in consistently sharp photos of fast-moving athletes.
Street Photography: Discretion and Nostalgia with Form vs. Function
For street photography, portability, discretion, and fast response matter. The Samsung GX-1L's smaller grip and narrower profile are better suited to quick shooting on the fly than Olympus’s chunkier body. The E-330's tilting screen isn’t a big plus here because street shooters mostly rely on the viewfinder.
Both cameras sport noisy DSLRs shutters but decent ergonomics make them usable in urban hustle. The Four Thirds crop also means you can sneakily use longer lenses for candid shots without too much bulk.
In low light, Samsung’s wider ISO range offers an advantage but noise artifacts are present pretty early.
Macro Photography: Precision Focusing and Magnification
Neither camera supports macro-focused lenses natively, nor offers focus bracketing or stacking features - no surprise in 2006.
But Olympus’s smaller sensor with a 2.1x crop factor can be leveraged for greater effective magnification with extension tubes or dedicated macro lenses.
Precise focusing falls to good manual skill alongside their limited autofocus systems.
Night and Astro Photography: ISO Performance and Exposure Tricks
Night shooters face a conundrum with both: the Olympus’s max ISO 400 native (expandable to 1600) is rather conservative versus the Samsung’s ISO 3200 ceiling.
CCD sensors traditionally excel at low light with less noise at moderate ISOs, giving Samsung an edge for astro enthusiasts willing to manually expose and stack.
The Olympus’s live view might help with initial star composition but no specialized exposure modes exist on either, demanding patience and tripod work.
Video Capabilities: A Non-Starter
Neither the Olympus E-330 nor Samsung GX-1L offers video recording abilities - a total non-starter by modern standards where hybrid stills/video gear is a norm. For strictly still photography enthusiasts, this omission matters less.
Travel Photography: Balancing Versatility and Portability
Weight and size differences matter when trekking. Samsung edges out with 570 grams and compact dimensions, easier on the shoulders for long days.
Olympus promises versatility thanks to lens selection and the tilting LCD, great for awkward angles and snapshots.
Both cameras use older storage types: Olympus uses Compact Flash and xD cards; Samsung relies on SD/MMC cards. Battery life info is sparse, but Olympus uses proprietary battery, Samsung uses 4 AAs - a decisive factor for travel convenience.
Professional Work: Workflow, Reliability, and File Formats
Both cameras offer RAW format support, crucial for professional workflows.
Neither boasts weather sealing or advanced build toughness required by demanding pros.
Connectivity options are limited to rather slow USB 1.0 transfer, no wireless or HDMI.
The Olympus’s Four Thirds mount suffers from a smaller lens ecosystem and less computing integration than the Pentax KAF Samsung, which benefits from broader third-party lens support.
Connectivity, Storage, and Power: The Unsung Details in User Experience
Both cameras lack wireless connectivity - no Wi-Fi, Bluetooth, or GPS. In 2006, this was hardly unusual, but if you’re chasing instant sharing or geo-tagging, look elsewhere.
Storage-wise, the Olympus E-330 supports Compact Flash (Type I/II) and xD Picture Cards - two competing standards crystalizing a transition period. Samsung prefers SD/MMC cards, arguably more consumer-friendly and abundantly supported today.
Battery approaches differ: Samsung GX-1L’s reliance on 4 AA batteries offers convenience (easy replacement worldwide), whereas Olympus uses a proprietary battery - potentially more efficient but less practical if spares are scarce.
Sample Images: Do The Pictures Tell The Tale?
Comparison photos from both cameras reflect their sensor and lens distinctions.
Observe the Olympus’s crisp 7MP output with smooth tones on portraits, while the Samsung delivers vibrant color saturation and slightly better shadow detail. Landscape files from Samsung feel richer in dynamic range, but Olympus edges in sharpness.
Color profiles differ - Olympus leans cooler and neutral, Samsung warmer and punchier. Choose your flavor!
Overall Performance and Ratings
How do these cameras stack up in an aggregate view?
Samsung GX-1L scores higher in image quality, versatility, and lens ecosystem, edging Olympus E-330 which shines in innovation (live view) and ergonomics with the tilting screen.
Neither is outstanding by modern standards, but they each deliver solid package value for their era.
Specialized Performance by Photography Genre
Let’s bring together genre-specific assessments:
- Portrait: Samsung best for bokeh and warmth; Olympus favored for tilting display framing.
- Landscape: Samsung wins dynamic range; Olympus wins pixel peeping detail.
- Wildlife: Olympus’s 2.1x crop lens multiplier helps; Samsung’s AF points and lenses win.
- Sports: Neither ideal; Samsung’s AF points slightly better.
- Street: Samsung more discreet; Olympus screen helps creative shots.
- Macro: Olympus better crop for magnification.
- Night/Astro: Samsung higher ISO excels.
- Video: Both zero (ancient).
- Travel: Samsung lighter, AA battery wins.
- Pro Work: Samsung’s lens pool and raw files favored.
Verdict: Which Vintage DSLR Deserves a Place in Your Bag?
Pick the Olympus E-330 if:
- You’re enchanted by the history of digital photography and live view's pioneering role.
- You appreciate the Four Thirds system's compact lenses and 4:3 framing.
- Tilting LCD and ergonomics matter to you during shooting.
- You shoot mostly portraits or studio work in controlled light.
Opt for the Samsung GX-1L if:
- You want larger APS-C sensor quality with better ISO flexibility.
- You value a bigger lens ecosystem for more creative options.
- Your photography includes landscapes, wildlife, or travel with varied lighting.
- You prefer AA batteries for on-the-go peace of mind.
Final Thoughts: Fun With Old Tech And True Experience Over Hype
Neither the Olympus E-330 nor Samsung GX-1L will challenge modern mirrorless marvels on sheer specs or speed. Yet, both embody distinct philosophies and qualities that shaped DSLR evolution. Olympus embraces innovation with live view and ergonomic design, while Samsung leans on solid sensor performance and lens versatility.
If you can find either at bargain prices and want to explore DSLR history hands-on or are just tickled by classic gear, either makes a nice project camera or nostalgic companion.
Photography gear is about more than specs - it’s about the feeling in your hands and images that spark joy. Remember that when casting your verdict.
Happy shooting, wherever your photographic journey takes you!
Olympus E-330 vs Samsung GX-1L Specifications
| Olympus E-330 | Samsung GX-1L | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Samsung |
| Model type | Olympus E-330 | Samsung GX-1L |
| Also called | EVOLT E-330 | - |
| Type | Advanced DSLR | Advanced DSLR |
| Announced | 2006-03-18 | 2006-02-24 |
| Physical type | Mid-size SLR | Mid-size SLR |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.5 x 15.7mm |
| Sensor surface area | 224.9mm² | 369.0mm² |
| Sensor resolution | 7MP | 6MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 3:2 |
| Peak resolution | 3136 x 2352 | 3008 x 2008 |
| Highest native ISO | 400 | 3200 |
| Highest enhanced ISO | 1600 | - |
| Min native ISO | 100 | 200 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 3 | 5 |
| Lens | ||
| Lens support | Micro Four Thirds | Pentax KAF |
| Total lenses | 45 | 151 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display diagonal | 2.5 inch | 2.5 inch |
| Resolution of display | 215 thousand dots | 210 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Optical (pentamirror) |
| Viewfinder coverage | 95% | 96% |
| Viewfinder magnification | 0.47x | 0.57x |
| Features | ||
| Minimum shutter speed | 60 secs | 30 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shutter rate | 3.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 7.50 m |
| Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/180 secs | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Highest video resolution | None | None |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 616 grams (1.36 lb) | 570 grams (1.26 lb) |
| Dimensions | 140 x 87 x 72mm (5.5" x 3.4" x 2.8") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | - | 4 x AA |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/MMC card |
| Card slots | One | One |
| Pricing at release | $1,100 | $0 |