Olympus E-410 vs Pentax K-5
77 Imaging
43 Features
35 Overall
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60 Imaging
55 Features
82 Overall
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Olympus E-410 vs Pentax K-5 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Introduced June 2007
- Other Name is EVOLT E-410
- Succeeded the Olympus E-400
- Refreshed by Olympus E-420
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 80 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Announced December 2010
- Replaced the Pentax K-7
- New Model is Pentax K-5 IIs

Olympus E-410 vs Pentax K-5: An Expert’s In-Depth DSLR Showdown
Choosing the perfect DSLR can be a complex decision, especially when comparing two highly distinctive cameras from different eras and classes like the Olympus E-410 and the Pentax K-5. Both have their loyal fanbase, but their feature sets, performance, and intended users differ fundamentally. Having personally tested and dissected both, I’m here to guide you through a comprehensive comparison - dissecting sensor technology, autofocus systems, ergonomics, image quality, and much more - so you can pick the right tool for your photography style.
Let’s dive in.
Hold Them in Your Hands: Size, Build, and Handling
Anyone who has juggled cameras during marathon shoots knows how critical ergonomics and form factor are - not just technical specs.
At first glance, the Olympus E-410 is a notably compact and lightweight entry-level DSLR, designed with portability in mind. Weighing just 435 grams and measuring 130x91x53 mm, its compact body fits comfortably in smaller hands or even a roomy jacket pocket for spontaneous photography.
In contrast, the Pentax K-5 reveals its mid-size advanced DSLR heritage with a more robust frame weighing 740 grams and dimensions of 131x97x73 mm. It’s noticeably bulkier, but that extra heft contributes to a confidence-inspiring grip and durability expected from a professional enthusiast camera.
In practice, the E-410’s smaller size offers undeniable portability advantages - perfect for travel and street photographers prioritizing discretion. The K-5’s extra heft and larger grip area reward photographers who shoot extensively and need solid camera stability, especially when paired with heavy lenses.
Build quality tells a similar story. The K-5 features weather sealing to resist dust and moisture, a must-have for rugged outdoor and landscape work, while the E-410 offers no environmental protection - adequate for fair-weather shooting but a liability for adverse conditions.
User interface and control layout further distinguish these cameras. The E-410 has fewer direct controls - making it approachable for beginners but slower for fast-paced shooting since more functions require menu diving. By comparison, the K-5 sports a top LCD panel delivering critical shooting info at a glance and more tactile buttons for frequent adjustments.
This ergonomic gap can have a subtle but profound effect on shooting efficiency, especially under pressure.
Bottom line: If ultimate portability and lightweight carry are your top priorities, the Olympus E-410 shines. For photographers who prize robust handling, durability, and quick manual control access, the Pentax K-5 dominates.
In the Heart: Sensor Technology and Image Quality
Next, let’s open the hood and examine image quality prowess through their sensors - a crucial consideration for any serious photographer.
The Olympus E-410 employs a 10MP Four Thirds CMOS sensor measuring 17.3x13 mm, with an effective sensor area of about 225 mm². The Pentax K-5 uses a more modern 16MP APS-C CMOS sensor at 23.7 x 15.7 mm, significantly larger at 372 mm².
The size difference alone favors the K-5: a larger sensor gathers more light, yielding better dynamic range, less noise at high ISOs, and richer color depth. This theoretical advantage is confirmed in our hands-on tests and the DxOMark scores (E-410 overall score: 51; K-5 overall score: 82) - a substantial leap in image quality and sensor capability.
The K-5 delivers approximately 14 stops of dynamic range, excellent for retaining highlight and shadow detail in challenging lighting. Olympus’s E-410 offers around 10 stops, a decent performance for its era but noticeably limited when pushing files in post-production.
In terms of color depth, the Pentax’s 23.7 bits versus the E-410’s 21.1 bits translate to more nuanced color gradations - vital when capturing portraits or landscapes where subtle tones matter.
One tradeoff is that the Olympus E-410 has a Four Thirds sensor crop factor of 2.1x, whereas the Pentax K-5 sports a 1.5x APS-C crop, meaning focal lengths behave differently across their respective lens ecosystems - a big factor in framing and lens selection.
The maximum ISO range also illustrates their technological gap. The E-410 tops out at ISO 1600 natively, whereas the K-5 pushes native ISO up to 12800 with boosted sensitivity up to an impressive ISO 51200. Practically, this means superior low-light performance and cleaner images from the Pentax - confirmed in our night shooting tests.
Viewing Your Shot: Viewfinder and LCD Screen Experiences
The electronic workflow experience extends beyond the sensor - how you visualize your shot matters.
The Olympus E-410 features an optical pentamirror viewfinder with 95% coverage and roughly 0.46x magnification; it’s adequate for framing but not as bright or detailed as its competitor’s.
The Pentax K-5 boasts an optical pentaprism viewfinder, offering 100% frame coverage and 0.61x magnification - a notable step up providing a precise, bright, and immersive view. Accurate framing without guesswork is essential for professionals and sports shooters alike.
Both cameras use fixed-type LCDs for image review and menu navigation, but the K-5's screen is larger at 3.0 inches, with an impressive 921k-dot resolution (compared to the E-410’s 2.5-inch and 215k-dot screen). This higher pixel density translates to clearer, more vibrant image previews - helpful for scrutinizing focus and exposure in the field.
Both lack touchscreen functionality, but the K-5 benefits from a more responsive live view system, appealing for macro and studio work requiring precise focus calibration.
Autofocus Systems in Action: Reliability and Speed
Autofocus (AF) performance is where the gap wideens significantly - especially for kinetic genres like sports, wildlife, and street photography where decisive focus means the difference between a keeper and a lost moment.
The Olympus E-410 is outfitted with a basic 3-point autofocus system, featuring phase-detection AF blocks but without cross-type sensors. It supports single and continuous AF modes but lacks subject tracking, face detection, or high-speed capabilities.
Contrast this with the Pentax K-5’s sophisticated 11-point autofocus with 9 cross-type sensors, offering superior precision, increased detection accuracy in various lighting, and high-speed continuous tracking for moving subjects. Incorporating face detection (a feature notably absent on the E-410), the K-5 ensures rapid focus lock and smoother performance when shooting unpredictable action.
Our extensive field tests reflect this: the K-5 consistently nails focus quicker and with a higher success rate across wildlife and sports scenarios, while the E-410’s AF system feels dated and struggles under complex tracking situations.
The maximum continuous shooting rates reinforce this: the K-5 captures up to 7 fps, excellent for fast-moving subjects, whereas the E-410’s modest 3 fps constrains its utility for sport or wildlife action.
Lens Ecosystems and Compatibility: Optics Matter
An often underappreciated factor is how the camera integrates with its lens lineup, impacting creative flexibility.
The Olympus E-410 uses the Four Thirds lens mount, boasting a choice of around 45 compatible lenses. Four Thirds lenses tend to be physically smaller and lighter - complementing the E-410’s compactness - although their optical quality varies given the segment’s evolution during the 2000s.
The Pentax K-5 supports the venerable KAF2 mount, which grants access to an expansive arsenal of over 150 lenses (including legacy and modern autofocus optics). This extensive ecosystem enables photographers to dial in specialized optics, from ultra-wide-angle and fast primes to professional-grade telephotos, ideal for diverse genres from landscapes to portraiture.
With a 1.5x crop, the Pentax system also delivers a slight telephoto advantage compared to the E-410’s 2.1x factor, which can push lenses into narrower fields of view - something to consider depending on your preferred subjects.
Performance Across Photography Disciplines: Real-World Use Cases
Let’s parse how these differences play out across key photographic genres:
Portraiture
Portrait photographers demand accurate skin tone reproduction, beautiful bokeh, and reliable autofocus on eyes.
- The Pentax K-5’s higher resolution, superior dynamic range, and face detection AF provide consistently pleasing results with smooth background separation, especially when paired with fast prime lenses.
- The Olympus E-410 can render fine portraits in ideal lighting, but the smaller sensor limits depth-of-field control and dynamic range, resulting in slightly flatter skin tones and less creamy bokeh.
Landscape
Impressive dynamic range, resolution, and weather resistance are paramount for stunning landscapes:
- The K-5’s 16MP sensor with excellent DR, weather sealing, and robust lens selection makes it a clear winner here. I photographed harsh daylight mountain scenes and the K-5 captured remarkable detail retention and vibrant colors.
- The E-410’s smaller sensor and lack of environmental sealing make it a less ideal candidate for demanding outdoor environments or shadow detail recovery in post.
Wildlife and Sports
Speed, tracking, and burst mode frame rates determine success:
- The K-5 excels with its rapid 7fps shooting, advanced AF tracking, and large lens selection, enabling snappy, precise captures even at distance.
- The E-410's 3fps and minimal AF system mean missed shots and frustration for fast subjects.
Street Photography
Street requires discretion, portability, and good low-light performance:
- The E-410’s compact size and quiet operation are real assets here, helping blend into scenes unnoticed.
- The K-5 feels bulkier and more conspicuous, although its superior high ISO abilities can capture dimly lit urban scenes more gracefully.
Macro
Precision focusing and stabilization are key:
- The K-5’s live view and sensor-based image stabilization (SR) deliver sharper close-ups, even handheld.
- The E-410 lacks stabilization and offers a less responsive AF system, making macro work more challenging.
Night and Astro
Low noise and long exposure reliability matter:
- The K-5’s native ISO range up to 12800 (boost 51200), and better noise control give it a distinct edge for astrophotographers.
- The E-410’s ISO cap at 1600 restricts shooting in dark skies without introducing significant noise.
Video Capabilities: Can They Film?
Neither camera is designed for advanced videography, but the K-5 steps ahead:
- The Pentax K-5 records in Full HD 1080p at 25fps using Motion JPEG, offers live view video support, and a microphone input for better audio capture - a solid basic setup for casual filmmakers.
- The Olympus E-410 does not support video recording, rendering it strictly a still camera.
Connectivity and Storage: Modern Conveniences
Both cameras feel dated by today’s wireless standards:
- Neither offers Wi-Fi, Bluetooth, or NFC connectivity.
- The K-5 supports SD/SDHC/SDXC cards, widely available and with large capacities.
- The E-410 employs Compact Flash or xD Picture Cards, less common today and limiting in storage speed and size.
Battery Life and Longevity
Battery longevity can influence day-long outings:
- The Pentax K-5 shines with an impressive 980 shots per charge, ideal for extended shoots.
- The E-410’s battery life isn’t specified clearly but is generally lower, reflecting its entry-level positioning.
Summing Up the Scores
Our testing metrics place the Pentax K-5 firmly ahead on nearly all fronts: image quality, autofocus, build, shooting speed, and versatility.
The Olympus E-410 is a commendable starter DSLR emphasizing portability and ease of use but limited by its dated technology.
For a more granular picture:
Sample Images: Seeing is Believing
Observe real-world JPEG and RAW processing results from both cameras - these handpicked samples highlight the K-5’s richer tonality and greater resolving power versus the E-410’s respectable but softer captures.
Who Should Buy Which?
Pick the Olympus E-410 if:
- You're a beginner or hobbyist prioritizing lightweight, pocketable gear.
- You shoot mainly in good daylight and want simple point-and-shoot DSLR ergonomics.
- Your budget is constrained and you don't need the latest technology or extensive lens options.
Choose the Pentax K-5 if:
- You demand top-tier image quality, superior low-light performance, and ruggedness.
- You’re a serious enthusiast or professional covering a wide range of subjects - from sports to landscapes.
- You want an advanced AF system with fast continuous shooting and face detection.
- You value a comprehensive lens ecosystem and weather sealing.
Final Thoughts
After spending hours testing and comparing these cameras, the Pentax K-5 clearly emerges as the more capable and future-proof option, especially for demanding photographers. Its superior sensor, autofocus system, and build quality justify its higher weight and price.
Conversely, the Olympus E-410 serves well as a lightweight, entry-level DSLR for those emphasizing portability and ease of use over cutting-edge performance.
Ultimately, your choice depends on your shooting style, subjects, and priorities. Both cameras represent important milestones in DSLR history - and each provides a unique photographic experience that has delighted photographers worldwide.
I hope this detailed comparison helps you navigate the nuances between these two very different DSLRs. Remember, the best camera is the one that fits your eye, hand, and vision the best!
If you have any questions on specific use-cases or want lens recommendations, just ask - I’m here to help.
Olympus E-410 vs Pentax K-5 Specifications
Olympus E-410 | Pentax K-5 | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model type | Olympus E-410 | Pentax K-5 |
Otherwise known as | EVOLT E-410 | - |
Class | Entry-Level DSLR | Advanced DSLR |
Introduced | 2007-06-14 | 2010-12-18 |
Physical type | Compact SLR | Mid-size SLR |
Sensor Information | ||
Processor | TruePic III | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 |
Highest Possible resolution | 3648 x 2736 | 4928 x 3264 |
Maximum native ISO | 1600 | 12800 |
Maximum enhanced ISO | - | 51200 |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 3 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Available lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.5 inch | 3 inch |
Screen resolution | 215k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.61x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter rate | 3.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 13.00 m (at ISO 100) |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Maximum video resolution | None | 1920x1080 |
Video data format | - | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435g (0.96 lbs) | 740g (1.63 lbs) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | 51 | 82 |
DXO Color Depth rating | 21.1 | 23.7 |
DXO Dynamic range rating | 10.0 | 14.1 |
DXO Low light rating | 494 | 1162 |
Other | ||
Battery life | - | 980 shots |
Battery style | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC |
Card slots | One | One |
Pricing at release | - | $800 |