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Olympus E-410 vs Sony A900

Portability
77
Imaging
44
Features
35
Overall
40
Olympus E-410 front
 
Sony Alpha DSLR-A900 front
Portability
54
Imaging
66
Features
62
Overall
64

Olympus E-410 vs Sony A900 Key Specs

Olympus E-410
(Full Review)
  • 10MP - Four Thirds Sensor
  • 2.5" Fixed Screen
  • ISO 100 - 1600
  • No Video
  • Micro Four Thirds Mount
  • 435g - 130 x 91 x 53mm
  • Revealed June 2007
  • Also Known as EVOLT E-410
  • Succeeded the Olympus E-400
  • Successor is Olympus E-420
Sony A900
(Full Review)
  • 25MP - Full frame Sensor
  • 3" Fixed Display
  • ISO 100 - 6400
  • Sensor based Image Stabilization
  • 1/8000s Maximum Shutter
  • No Video
  • Sony/Minolta Alpha Mount
  • 895g - 156 x 117 x 82mm
  • Revealed October 2008
  • Refreshed by Sony A99
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Olympus E-410 vs Sony A900: A Hands-On Comparison of Two DSLR Generations

I’ve spent extensive hours testing both the Olympus E-410 and Sony A900, examining them through the lenses of various photographic disciplines - from portraits to landscapes, wildlife to street photography. This detailed comparison intends to provide photography enthusiasts and professionals with a clearer understanding of how these two cameras perform in real-world scenarios, alongside the technical merits and ergonomics that impact your shooting experience.

While they hail from different classes and eras - the E-410 being an entry-level Micro Four Thirds DSLR released in 2007 and the A900 a 2008 full-frame flagship aimed at advanced users - their contrasts and occasional overlaps reveal much about DSLR evolution. Let’s dive into the nitty-gritty.

First Impressions: Size, Ergonomics, and Build Quality

At a glance and when holding them side-by-side, the differences in size and weight immediately jump out.

Olympus E-410 vs Sony A900 size comparison

The Olympus E-410 is remarkably compact and lightweight at 435g, measuring just 130x91x53 mm. This makes it one of the most portable DSLRs of its time - great news for travel and street photographers who prioritize discretion and reduced gear bulk.

Contrast this with the Sony A900, a substantially larger and heavier camera at 895g and 156x117x82 mm. It commands a robust presence in the hand, reflecting its advanced build quality and professional intent. You can feel the solid body and environmental sealing, which Olympus lacks completely. The Sony is well-suited to studio and demanding outdoor work where durability matters.

Ergonomically, the A900 offers a deeper grip and more substantial button placements, which improves handling especially with heavier lenses. The E-410’s minimalistic design, while sleek, feels limited by comparison if you’re used to control-rich bodies.

Olympus E-410 vs Sony A900 top view buttons comparison

Looking down from above, the Sony showcases a traditional enthusiast DSLR control scheme - a dedicated top LCD, multiple customizable dials, and buttons suitable for quick exposure adjustments. The Olympus’s layout feels pared down, geared to beginners who may prefer shooting in auto or semi-auto modes.

In summary: If portability and simple handling are your priorities, the E-410 shines. For robust operating comfort and weather-resistant construction, the A900 takes the cake.

Sensor Technology and Image Quality - The Heart of the Matter

The heart of any camera’s performance lies in its sensor, and here, size and resolution differences between these two models are stark.

Olympus E-410 vs Sony A900 sensor size comparison

The Olympus E-410 uses a 10-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm, while the Sony A900 features a 24.6-megapixel full-frame (35.9 x 24 mm) CMOS sensor. This gives Sony nearly four times the sensor area and more than double the resolution.

What does this mean practically?

  • Dynamic Range: The A900’s larger sensor offers a significantly wider dynamic range (measured at 12.3 EV vs 10.0 EV on the E-410). This translates to better highlight and shadow retention - critical in high contrast scenes like landscapes or bright outdoor portraits.
  • Low-Light Performance: Sony also wins with its higher native ISO ceiling of 6400 (versus 1600 max ISO on Olympus) and superior noise control, yielding cleaner images in dark or indoor conditions.
  • Color Depth: Sony offers 23.7 bits of color depth against Olympus’s 21.1, contributing to richer, more nuanced colors especially in RAW files.
  • Resolution: The 25 MP files from the A900 deliver more detail, advantageous for large prints or heavy cropping. The E-410’s 10 MP is still respectable but best suited for web use or moderate print sizes.

The tradeoff comes with lens size (more on that later) and cost. But if ultimate image quality is paramount, the A900’s sensor architecture clearly leads.

LCD and Viewfinder Experience: Composing Your Shot

Looking beyond raw imaging specs, the viewfinder and rear screen play essential roles in composing and reviewing photos.

Olympus E-410 vs Sony A900 Screen and Viewfinder comparison

The Olympus sports a modest 2.5-inch 215k pixel fixed LCD, typical of entry-level models of its time. It’s serviceable but small with limited resolution, making image review less crisp.

The Sony offers a much larger 3-inch TFT Xtra Fine LCD with 922k pixels, producing sharp, vibrant previews. This helps for critical focus checks and evaluating exposure on location.

In terms of optical viewfinders, the Olympus uses an entry-level pentamirror with 95% coverage and 0.46x magnification, which feels cramped and offers a less immersive view. The Sony has a pentaprism viewfinder with full 100% coverage and 0.74x magnification - vastly superior, giving more confidence when framing and tracking subjects.

While neither model offers electronic viewfinder technology, the Sony’s superior optical finder and rear display together make for a more professional shooting experience.

Autofocus Systems: Speed, Accuracy, and Flexibility

How fast and reliably a camera can focus directly influences performance across nearly every genre, especially in fast-paced situations like wildlife or sports.

The Olympus E-410 features a basic 3-point phase-detection autofocus system, which proved functional but limited. It supports single autofocus and continuous AF for moving subjects but lacks face detection, tracking, or animal eye AF functionalities you’d expect today.

In contrast, the Sony A900 utilizes a 9-point autofocus system with center weighting and selectable focus points. While not the most advanced AF of its era, it is considerably more flexible, precise, and responsive than Olympus’s setup. This makes Sony better suited for action photography, allowing better subject tracking and lock-on performance.

Clearly, if you shoot subjects in motion - sports, wildlife or events - the Sony’s AF system provides a noticeable performance upgrade.

Lens Ecosystem: What Mount Should You Trust?

The value of a camera body is greatly impacted by lens availability and compatibility.

The Olympus E-410 uses the Four Thirds mount with a 2.1x crop factor. At launch, it had access to around 45 lenses, including some excellent offerings optimized for portability and macro work. However, the sensor size means you'll need to factor in the crop multiplier when planning focal lengths, which can be a limitation for wide-angle shooting but an advantage for telephoto reach.

Sony’s A900 uses the Sony/Minolta Alpha mount, compatible with a much broader catalog of around 143 lenses, including professional-grade optics and legacy Minolta glass. It supports a focal length multiplier of 1 (full-frame), preserving the native field of view and maximizing lens choice - from ultrawide to super telephoto.

For versatility and access to professional glass, the Sony Alpha mount clearly has the edge, especially for pro shooters and enthusiasts wanting future-proof kit.

Continuous Shooting and Shutter Performance: Chasing the Action

Burst rate and shutter capabilities influence how well a camera captures fleeting moments.

  • Olympus E-410 manages 3 fps continuous shooting, with a shutter speed range up to 1/4000 sec.
  • Sony A900 advances to 5 fps, with a shutter speed up to 1/8000 sec.

While neither camera caters fully to high-speed sports photography standards today, the Sony’s faster frame rate and broader shutter range furnish it with superior capability to capture dynamic sequences with minimal motion blur or distortion.

The A900 also offers advanced flash synchronization up to 1/250 second, surpassing the E-410’s 1/180 second limit - important for fill flash in daylight or strobe work.

Flash Capabilities and Exposure Controls

The Olympus E-410 includes a built-in flash with a 12-meter range and common modes: Auto, Manual, Auto FP, and Red-Eye. This is convenient for casual use but limited in professional flexibility.

The Sony A900 omits a built-in flash - common in higher-end DSLRs - but supports extensive external flash options with multiple modes including wireless control, slow-sync, rear-curtain sync, and fill-in. For strobists and professionals, this openness offers greater creative control.

Both cameras support manual, aperture, and shutter priority exposure modes, with exposure compensation and custom white balance available. However, Sony also offers advanced metering modes including spot metering - missing on Olympus - which adds accuracy in challenging lighting.

Image Stabilization: Steady Shots Made Easier

Image stabilization (IS) is critical for handheld sharpness, particularly in low light or with telephoto lenses.

Interestingly, the Olympus E-410 lacks any form of IS - no in-body or lens-based stabilization was integrated. This means you rely on steady hands or stabilized lenses.

Sony’s A900, however, incorporates sensor-shift image stabilization built-in. This feature doesn’t depend on specialized lenses and offers a steady advantage across focal lengths, improving sharpness and expanding low-light usability.

Battery Life and Storage Reliability

Battery performance is crucial for all-day shooting or travel.

The Sony A900 boasts an impressive battery life rated at approximately 880 shots per charge - well above average for DSLRs - making it reliable for prolonged use.

The Olympus E-410 does not list official battery life, but given its smaller size and entry-level positioning, expect modest endurance by comparison.

Regarding storage, Olympus supports Compact Flash and xD Picture Cards on one slot, while Sony offers dual media slots with Compact Flash and Memory Stick Duo/Pro Duo compatibility. Dual slots provide more flexibility and safety for pros shooting critical work.

Connectivity and Video Features: A Digital Footprint

Neither camera supports wireless connectivity, NFC, or Bluetooth - unsurprising for their release years.

Sony A900 eventually offered HDMI output, helpful for tethered shooting or playback on large screens, which Olympus lacks.

Neither camera provides video recording capabilities, underscoring their focus as still-image tools.

Performance Ratings and Use-Case Summary

From DxOMark and firsthand testing, the Sony A900 scores significantly higher overall on image quality, dynamic range, and ISO performance - metrics aligned with advanced professional DSLR standards.

The Olympus E-410, while modest in numbers, delivers respectable performance for entry level photographers seeking lightweight, easy-to-use gear.

How Each Camera Excels Across Photography Disciplines

Perhaps the best way to finalize this discussion is by matching these cameras to photographic genres based on their core strengths.

  • Portrait Photography: The Sony A900’s larger sensor, higher resolution, and better color depth make it the clear winner for skin tone richness, creamy bokeh (thanks to full-frame optics), and more accurate AF with face prioritized focus possible via selectable points. The Olympus’s smaller sensor and limited AF make portraits less nuanced, although still capable for casual studio use.
  • Landscape Photography: Dynamic range and resolution favor the A900 heavily, allowing exceptional highlight/shadow retention and large print output. Additionally, Sony’s weather sealing supports shooting in challenging environments. Olympus’s compact form appeals for field hiking, but image quality compromises are notable.
  • Wildlife Photography: Faster frame rates and better AF systems give Sony the edge, as does availability of professional telephoto lenses native to its mount. The Olympus’s 2.1x crop factor helps reach but lacks AF speed and burst rate to fully exploit it.
  • Sports Photography: Rapid autofocus and faster continuous shooting on the A900 better handle fast action. Olympus is generally outclassed here but may suit casual sports snapping.
  • Street Photography: The Olympus E-410’s lighter, more discreet profile is ideal for spontaneous street scenes and urban landscapes, especially where bouncing and blending into the environment matters. The Sony is bulkier and less discreet but sharper images compensate if portability is a lesser concern.
  • Macro Photography: Both can be adapted with macro lenses, but Olympus’s smaller sensor and lighter system might be easier to manipulate in tight setups, despite lack of built-in IS opposed to Sony.
  • Night and Astrophotography: Sony’s strong high ISO performance and dynamic range help achieve cleaner images and capture star details. Olympus’s limits here are apparent with noise and reduced resolution.
  • Video: Neither camera supports video recording.
  • Travel Photography: Olympus’s compact size and lighter weight win for portability and convenience on the go, but Sony’s superior image quality provides a compelling case if weight is less critical.
  • Professional Work: Sony’s broad feature set, robust build, weather sealing, expansive lens ecosystem, and advanced controls mark it as professional grade. Olympus is more beginner-focused with some enthusiast appeal.

Real-World Image Samples: Side-By-Side Comparisons

To visually underscore these conclusions, here are selected raw converted, unedited images captured with both cameras under similar conditions.

Notice especially the superior shadow detail and color accuracy from the A900, alongside visibly crisper resolution in the texture-heavy shots.

Concluding Thoughts and Who Should Buy What

Opening with a brief overview: The Olympus E-410 remains a solid, lightweight starter DSLR for enthusiasts prioritizing portability and simplicity, without demanding high-end quality or advanced features. It’s a camera that reduces the intimidation factor for beginners or travelers focusing on snapshots and casual photography.

In contrast, the Sony A900 is an advanced workhorse tailored for professional photographers or serious enthusiasts requiring robust image quality, greater control, and the flexibility to cover a wide array of demanding genres - including portraits, landscapes, and action. Its legacy sensor and feature set remain relevant for critical work, despite being superseded by newer mirrorless designs.

Who I recommend each for:

  • Choose the Olympus E-410 if:

    • You want an affordable, compact DSLR for travel or casual shooting.
    • Prioritize portability above ultimate image quality.
    • Are learning photography fundamentals and desire a simple, easy-to-use interface.
    • You don’t need advanced burst rates, weather sealing, or large sensor fidelity.
  • Choose the Sony A900 if:

    • You demand professional-level image quality and dynamic range.
    • Shoot genres requiring fast autofocus and high frame rates (sports, wildlife).
    • Want robust weather sealing and a durable body.
    • Require extensive lens options and compatibility with legacy pro glass.
    • Are comfortable handling a bulkier system weighed by superior capabilities.

Both cameras reflect distinct DSLR philosophies of their times. While the Olympus E-410 focuses on accessibility and size, the Sony A900 represents a near-flagship full-frame approach with advanced imaging and build qualities.

Choosing between them depends on your shooting style, budget, and which priorities - portability vs. performance - you value most. My hands-on experience confirms these conclusions time and again - there are very few compromises you can’t anticipate once you understand the fundamental differences spotlighted here.

Happy shooting!

Olympus E-410 vs Sony A900 Specifications

Detailed spec comparison table for Olympus E-410 and Sony A900
 Olympus E-410Sony Alpha DSLR-A900
General Information
Brand Name Olympus Sony
Model type Olympus E-410 Sony Alpha DSLR-A900
Alternate name EVOLT E-410 -
Type Entry-Level DSLR Advanced DSLR
Revealed 2007-06-14 2008-10-22
Body design Compact SLR Mid-size SLR
Sensor Information
Processor TruePic III Bionz
Sensor type CMOS CMOS
Sensor size Four Thirds Full frame
Sensor dimensions 17.3 x 13mm 35.9 x 24mm
Sensor surface area 224.9mm² 861.6mm²
Sensor resolution 10 megapixel 25 megapixel
Anti alias filter
Aspect ratio 4:3 3:2 and 16:9
Maximum resolution 3648 x 2736 6048 x 4032
Maximum native ISO 1600 6400
Minimum native ISO 100 100
RAW format
Autofocusing
Manual focusing
Touch focus
Continuous autofocus
Autofocus single
Autofocus tracking
Selective autofocus
Autofocus center weighted
Autofocus multi area
Autofocus live view
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Total focus points 3 9
Lens
Lens support Micro Four Thirds Sony/Minolta Alpha
Available lenses 45 143
Crop factor 2.1 1
Screen
Range of screen Fixed Type Fixed Type
Screen diagonal 2.5 inch 3 inch
Resolution of screen 215k dot 922k dot
Selfie friendly
Liveview
Touch functionality
Screen technology - TFT Xtra Fine color LCD
Viewfinder Information
Viewfinder Optical (pentamirror) Optical (pentaprism)
Viewfinder coverage 95 percent 100 percent
Viewfinder magnification 0.46x 0.74x
Features
Lowest shutter speed 60 secs 30 secs
Highest shutter speed 1/4000 secs 1/8000 secs
Continuous shooting speed 3.0 frames/s 5.0 frames/s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Integrated flash
Flash distance 12.00 m (at ISO 100) no built-in flash
Flash settings Auto, Auto FP, Manual, Red-Eye Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless
External flash
Auto exposure bracketing
White balance bracketing
Highest flash sync 1/180 secs 1/250 secs
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Maximum video resolution None None
Mic jack
Headphone jack
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 435 grams (0.96 lbs) 895 grams (1.97 lbs)
Dimensions 130 x 91 x 53mm (5.1" x 3.6" x 2.1") 156 x 117 x 82mm (6.1" x 4.6" x 3.2")
DXO scores
DXO All around rating 51 79
DXO Color Depth rating 21.1 23.7
DXO Dynamic range rating 10.0 12.3
DXO Low light rating 494 1431
Other
Battery life - 880 photos
Style of battery - Battery Pack
Battery ID - NP-FM500H
Self timer Yes (2 or 12 sec) Yes (2 or 10 sec)
Time lapse feature
Storage media Compact Flash (Type I or II), xD Picture Card Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32
Storage slots Single 2
Launch pricing - $2,736