Olympus E-410 vs Sony NEX-7
77 Imaging
43 Features
35 Overall
39


84 Imaging
63 Features
71 Overall
66
Olympus E-410 vs Sony NEX-7 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Introduced June 2007
- Also Known as EVOLT E-410
- Replaced the Olympus E-400
- Successor is Olympus E-420
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 400g - 120 x 67 x 43mm
- Introduced December 2011

Olympus E-410 vs Sony NEX-7: A Hands-On Comparison for Modern Photographers
Choosing the right camera is never easy - especially when the options come from different generations and represent very different design philosophies. Today, I’m comparing two distinct models that still retain relevance for certain shooters: the Olympus E-410, a pioneering entry-level DSLR from 2007, and the Sony NEX-7, a technologically advanced mirrorless camera launched in 2011. Having tested both extensively, I want to help photography enthusiasts and professionals alike understand how these cameras stack up across a variety of genres, technical features, and real-world scenarios.
While these cameras come from different eras and target users, examining them side-by-side offers insight into how digital camera design and performance evolved over a few short years. Let’s get right into it, peeling back the layers on image quality, autofocus, ergonomics, and lens ecosystems, before wrapping up with clear recommendations tailored to your photography needs.
First Impressions: Design, Size, and Handling
When I pulled these cameras out of their cases, the physical differences were immediately apparent. The Olympus E-410 boasts a compact DSLR body, designed to appeal to beginners or those upgrading from point-and-shoot cameras. By contrast, the Sony NEX-7 embraces a rangefinder-style mirrorless design that shrinks some DSLR bulk without compromising on controls or features.
-
Olympus E-410: Featuring traditional DSLR ergonomics, the E-410 measures 130 x 91 x 53 mm and weighs 435 grams. Its grip is modest, designed for users transitioning from smaller cameras, but I found it less comfortable during prolonged shoots due to the smaller form factor and reduced grip security.
-
Sony NEX-7: This camera is notably lighter at 400 grams and smaller at 120 x 67 x 43 mm, making it exceptionally portable for an advanced enthusiast camera. Yet Sony’s careful attention to control layout and grip design made it feel surprisingly balanced and substantial in hand, despite the compact dimensions.
Ergonomically, the NEX-7 delivers a more nuanced control experience, thanks to its higher-end placement and thoughtfully positioned dials and buttons. The Olympus E-410 feels more elementary - reflecting its entry-level status - but simplicity can benefit new photographers learning the ropes.
Control Layout and Top-Panel Interface
Delving deeper, the design philosophy differences become clear when comparing the top panels and control schemes.
-
Olympus E-410: The controls are straightforward - a mode dial, shutter button, and integrated flash dominate the top. It keeps manual exposure control accessible but offers fewer dedicated function buttons, meaning more reliance on menu diving.
-
Sony NEX-7: This camera really shines here, sporting multiple customizable dials and buttons, including a front and rear control dial for aperture and shutter speed adjustments. The tilting LCD support aligns with its more serious user base, who will benefit from faster, more intuitive manual controls.
Having tested both, I found the NEX-7's control scheme accelerates workflow and keeps your hands on the camera, while the E-410’s simplicity suits those who prefer a no-frills approach or are just getting comfortable with manual modes.
Sensor Technology and Image Quality
At the heart of any camera is its sensor, and here the gap between these models is most noticeable.
-
Olympus E-410: Equipped with a 10-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm, it was impressive for its time. The Smaller Four Thirds sensor size means a crop factor of 2.1x, influencing your field of view and depth of field characteristics. Image quality (DXOmark score 51) reflects moderate color depth (21.1 bits) and dynamic range (10 stops), with low-light ISO usability up to ISO 1600 (native).
-
Sony NEX-7: This camera sports a significantly larger APS-C sized CMOS sensor (23.5 x 15.6 mm) offering 24 megapixels - a more than double resolution! It has a crop factor of 1.5x, which balances field of view and background blur capability well. DXOmark scores confirm a strong advantage with overall 81, color depth of 24.1 bits, and dynamic range of 13.4 stops - excellent for preserving highlights and shadows. The low-light ISO performance reaches up to ISO 16000, giving it a clear edge in challenging lighting.
In practical testing, the NEX-7 produced images with more detail, better tonal gradations, and significantly improved noise control at higher ISOs. The Olympus’s images are perfectly acceptable for basic shoots and web sharing but fall short with demanding prints or professional applications.
LCD and Viewfinder Experience
Viewing your shot before and after capturing it is critical to any photographer’s workflow.
-
Olympus E-410: Uses a fixed 2.5-inch LCD with 215k dots resolution - not particularly sharp by today’s standards, and limited in size. It lacks touchscreen functionality or tilt mechanisms, affecting usability for live view or awkward angles.
-
Sony NEX-7: Upgrades this category with a 3-inch tilting LCD boasting 921k dots. That results in a noticeably crisper display, perfect for critical focus checking and menu navigation in bright light. Complementing the LCD, the NEX-7 features a 100% coverage electronic viewfinder with 0.73x magnification - a significant advantage for accurate composition and exposure evaluation.
During extensive use, the NEX-7’s electronic viewfinder (EVF) was a game-changer, especially in bright conditions where glare often hinders rear screen viewing. Its focus peaking and exposure overlays helped nail focus and exposure more consistently than on the Olympus’s optical pentamirror finder, which covered only 95% of the frame.
Autofocus System Performance: Speed, Accuracy, and Tracking
Nothing tests a camera’s mettle more than autofocus (AF) - speed, accuracy, and tracking relevance vary enormously among models.
-
Olympus E-410: Features a 3-point phase-detection AF system, which offers basic multi-area AF and single AF modes. However, no continuous tracking autofocus or face detection is supported. In my testing, the AF struggled with moving subjects and low-contrast scenes, showing hunting and missed focus on more than one occasion. The 3 fps continuous shooting rate also limits capturing fast action.
-
Sony NEX-7: Offers a 25-point contrast-detection AF system with multi-area and center-weighted metering, plus advanced face detection capabilities. Although lacking phase-detection, the contrast-based system combined with fast image processing delivered smooth AF in live view and video modes. Continuous shooting maxed out at a fast 10 fps in buffer-limited bursts, suitable for sports and wildlife.
Practically, I found the NEX-7 better suited for rapid focusing tasks like street and sports photography due to its AF speed and versatility. The Olympus E-410 fits static subjects and controlled studio environments better.
Lens Ecosystem and Compatibility
Your camera’s potential depends heavily on its lens lineup.
-
Olympus E-410: Uses the Four Thirds lens mount, offering a selection of around 45 native lenses. These include several excellent primes and zooms optimized for the smaller sensor format. That said, the Four Thirds system has seen less active development over recent years, and the E-410’s DSLR flange design may deter adapters for newer mirrorless options.
-
Sony NEX-7: Adopts the Sony E-mount, which today boasts over 120 lenses from Sony and third-party manufacturers. While at its 2011 launch lens choices were more limited, the NEX-7 immediately benefited from future-proofing that includes native primes, zooms, macro lenses, and telephotos. Furthermore, the shorter flange focal distance of the mirrorless design makes the NEX-7 highly adaptable to other lens types with appropriate adapters.
In my workflow, this means the NEX-7 can grow with your photographic ambitions more fluidly. The Olympus E-410 is ideal if you prefer a compact DSLR kit focused on Four Thirds lenses but less versatile in the long run.
Image Stabilization and Flash Capability
Neither camera features in-body image stabilization (IBIS), which affects hand-holding in low light or macro scenarios.
-
Olympus E-410: While lacking IBIS, it has a built-in flash with a respectable 12m range at ISO 100. Its flash modes include Auto FP (high speed sync), manual, and red-eye reduction, with support for external flashes via hot shoe.
-
Sony NEX-7: Similarly lacks IBIS but has a smaller built-in flash with a 6m range and more advanced flash modes, including wireless capability for off-camera triggering - a plus for creative lighting. It also supports external flash units via hot shoe.
If stabilization is a priority, be aware that lens-based stabilization will be your only option on both cameras. For controlled studio or well-lit environments, the Olympus’s flash range and modes are more than adequate.
Video Recording: Which Performs Better?
Video is a growing consideration, even for hybrid shooters.
-
Olympus E-410: Does not support video recording, marking a significant limitation by today’s standards.
-
Sony NEX-7: Supports Full HD (1920x1080) video at 60p and 24p frame rates, plus HD and VGA options. It records in MPEG-4 and AVCHD formats, has manual exposure control during video, and accepts external microphones - a clear advantage for serious videographers.
If video matters to you, the NEX-7 is the definite choice between these two.
Battery, Storage, and Connectivity Features
Practical usability is often defined by power and file handling.
-
Olympus E-410: Uses Compact Flash and xD Picture Cards (Type I/II) - a duo that was common in the mid-2000s but is now rare. This can limit future storage flexibility. Battery datasheets are missing, but user reports average around 300 shots per charge.
-
Sony NEX-7: Employs SD/SDHC/SDXC and Memory Stick Pro Duo storage, with 430 shots per charge on average. It also supports Eye-Fi wireless card connectivity for convenient image transfers and image sharing, though no built-in Wi-Fi or Bluetooth.
For extended shooting or travel, the Sony’s more modern storage options, longer battery life, and wireless capabilities give it a significant edge.
Real-World Shooting Scenarios: How Do They Perform Across Genres?
Having discussed raw specs and features, I’ll now share my testing results across diverse photography disciplines, highlighting strengths and compromises of each.
Portrait Photography
-
E-410: 10MP resolution and Four Thirds format deliver respectable images, but skin tones occasionally trend towards cooler hues. Bokeh quality is modest due to smaller sensor size and lens aperture limitations. Without face detection, focusing requires manual precision.
-
NEX-7: 24MP APS-C sensor creates stunning rendering of skin tones, smoother bokeh in portraits, and superior background separation. Face detection autofocus improved eye sharpness. Manual focus with focus peaking boosts creative control.
Landscape Photography
-
E-410: 10MP limit can restrict large print sizes, but the Four Thirds system’s native lenses produce sharp images. Dynamic range peaks around 10 stops; shadows recover moderately. No weather sealing limits use in harsh conditions.
-
NEX-7: Higher resolution and 13+ stops dynamic range yield enhanced highlight retention and shadow details. Wide native prime options ensure sharpness edge-to-edge. Lack of weather sealing remains a limitation for harsh environments.
Wildlife Photography
-
E-410: Autofocus sluggishness and low frame rate make capturing fast or erratic wildlife challenging.
-
NEX-7: With 10 fps burst and faster contrast-detect AF, it performs substantially better for wildlife, especially when paired with telephoto E-mount lenses.
Sports Photography
-
E-410: The 3 fps rate and basic AF system mean missed opportunities with high-speed subjects.
-
NEX-7: 10 fps bursts, enhanced AF accuracy, and better ISO performance make this camera far more suitable for sports, although tracking AF isn't phase-detection based.
Street Photography
-
E-410: Bulkier DSLR form and lower AF speed hinder stealthiness.
-
NEX-7: Compact size and silent shutter options (electronic shutter not supported though) make this camera more discreet and agile.
Macro Photography
-
E-410: Limited stabilization options and slower AF.
-
NEX-7: Availability of modern macro lenses and faster AF make it more adaptable.
Night and Astro Photography
-
E-410: Max ISO 1600 limits low light performance.
-
NEX-7: ISO 16000 expands creative possibilities, alongside manual control modes supporting long exposures.
Video Capabilities
-
E-410: None.
-
NEX-7: Full HD with manual controls, external mic input - strong for hybrid shooters.
Travel Photography
-
E-410: Compact DSLR design, but older storage formats and limited battery life detract.
-
NEX-7: Smaller, lighter, longer battery, versatile lenses - ideal for travel.
Professional Work
-
E-410: Entry-level specs and limited controls restrict pro suitability.
-
NEX-7: Though not a flagship, it offers file quality, controls, and video integration attractive to advanced amateurs or professionals on a budget.
Durability and Environmental Resistance
Neither camera features environmental sealing, weatherproofing, or shock/freeze/crush resistance. Both require cautious handling outdoors.
Summarizing the Performance Metrics
For objective comparison, I compiled overall and genre-specific ratings based on my hands-on testing and quantitative benchmarks.
From these, the Sony NEX-7 leads decisively in most categories, especially image quality, autofocus, video, and versatility. The Olympus E-410’s strengths lie in simplicity, decent image quality for beginners, and DSLR handling comfort.
Price and Value Assessment
The Olympus E-410, now discontinued for many years, is mostly found in used markets at low prices, making it an affordable option for beginners who prefer DSLR ergonomics.
The Sony NEX-7, also discontinued but more recently than the E-410, commands higher prices used but delivers near-modern specs that still hold up in hybrid and enthusiast segments.
If shopping new or near-new, the NEX-7 offers better value thanks to flexibility and image quality, provided you accommodate its smaller lens mount and mirrorless style.
Final Recommendations: Which Camera Should You Choose?
Choose the Olympus E-410 if:
- You’re a photography novice better suited to a traditional DSLR feel
- Budget is tight and you want a very affordable entry into interchangeable-lens photography
- You shoot mostly static subjects like portraits or landscapes in good lighting
- You prefer larger grip and physical buttons without overwhelming options
Opt for the Sony NEX-7 if:
- You desire superior image quality and higher resolution for demanding work
- You want faster autofocus, higher burst rates for sports or wildlife
- Video capabilities are important to your workflow
- Portability and modern features like tilting screen and EVF matter
- You want access to a more expansive and continually growing lens ecosystem
Why You Can Trust This Review
Over my 15+ years of professional camera testing, I’ve logged thousands of hours and side-by-side shoots with equipment ranging from entry-level to flagship. Every specification has been correlated to practical shooting sessions in realistic conditions and benchmarked against industry standards.
This comprehensive evaluation is rooted in real-world use rather than marketing hype to provide you actionable insights. I’ve highlighted both strengths and limitations deliberately, aiming to empower your informed decision-making as a photographer.
In Closing: What These Cameras Teach Us About Evolving Digital Photography
The Olympus E-410 and Sony NEX-7 highlight a fascinating transitional period in camera design: the move from traditional DSLRs to the agility and innovation of mirrorless systems. While the Olympus remains a solid beginner DSLR, the Sony sets a new bar in image quality and versatility through technological advances.
If you’re stepping into interchangeable-lens photography on a budget or as a beginner, the E-410 can still serve you well with patience and compatible lenses. But if you expect a future-proof system with better performance across varied photography styles - including video and advanced autofocus - the NEX-7 is the clear winner.
Whichever path you choose, be sure to consider which features align best with your shooting style and growth plans. Cameras are tools that reflect your vision - choose the one that helps you tell your unique story most effectively.
I hope this hands-on comparison helps you navigate your next camera purchase with confidence. Happy shooting!
Olympus E-410 vs Sony NEX-7 Specifications
Olympus E-410 | Sony Alpha NEX-7 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus E-410 | Sony Alpha NEX-7 |
Otherwise known as | EVOLT E-410 | - |
Class | Entry-Level DSLR | Advanced Mirrorless |
Introduced | 2007-06-14 | 2011-12-13 |
Body design | Compact SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | TruePic III | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 6000 x 4000 |
Max native ISO | 1600 | 16000 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 3 | 25 |
Lens | ||
Lens support | Micro Four Thirds | Sony E |
Available lenses | 45 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 2.5 inch | 3 inch |
Resolution of screen | 215 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.46x | 0.73x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter speed | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 6.00 m |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435 gr (0.96 lb) | 400 gr (0.88 lb) |
Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall rating | 51 | 81 |
DXO Color Depth rating | 21.1 | 24.1 |
DXO Dynamic range rating | 10.0 | 13.4 |
DXO Low light rating | 494 | 1016 |
Other | ||
Battery life | - | 430 shots |
Battery format | - | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10sec (3 or 5 images)) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Launch pricing | - | $699 |