Olympus E-410 vs Sony A37
77 Imaging
43 Features
35 Overall
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67 Imaging
56 Features
65 Overall
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Olympus E-410 vs Sony A37 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Introduced June 2007
- Alternative Name is EVOLT E-410
- Old Model is Olympus E-400
- Later Model is Olympus E-420
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Launched May 2012
- Succeeded the Sony A35

Olympus E-410 vs Sony A37: A Thorough Comparison of Two Entry-Level DSLRs Across Photography Disciplines
In today’s competitive entry-level DSLR market, choosing the right camera demands careful consideration of your photography ambitions, desired features, and workflow preferences. The Olympus E-410 and Sony A37 (SLT-A37) represent two distinct checkpoints in the evolution of affordable, enthusiast-friendly DSLRs. While the E-410 harks back to 2007 with its compact Micro Four Thirds design, the 2012 Sony A37 offers a larger APS-C sensor and cutting-edge features for its time, including Translucent Mirror Technology.
Having spent considerable hands-on hours testing both cameras and subjecting them to a broad spectrum of photographic disciplines, I’m positioned to deliver a robust, expert analysis. This comparison goes beyond specs tables - focusing on real-world performance, technical innovations, and use-case suitability grounded in practical experience.
Let’s dive into how the Olympus E-410 and Sony A37 stack up in photography, ergonomics, and value - helping you decide which camera aligns best with your creative goals.
Compact Combatants: Size, Build, and Handling Essentials
One of the first things you notice when comparing these cameras side-by-side is their physical approach and build philosophies. The Olympus E-410 shines as one of the smallest DSLRs of its era, designed for portability without sacrificing too much control. On the other hand, the Sony A37 is more traditionally sized and sports a beefier grip and deeper body to accommodate its larger sensor and SLT mechanics.
Olympus E-410 measures approximately 130x91x53 mm and weighs a mere 435 g - perfect for travel shooters or photographers who prioritize lightweight gear. However, this compactness comes with trade-offs: the grip is shallow, and button layout is minimal, sometimes making manual adjustments slower than desired.
Sony A37, slightly larger at 124x92x85 mm and 506 g, feels more substantial in the hands. The grip design lends itself well to extended shooting sessions. Controls are more extensive, reflecting Sony’s move to equip this camera for enthusiasts who want quick access to foundational settings without diving into menus.
Ergonomically, I found that users accustomed to smaller mirrorless bodies may appreciate the E-410’s travel-friendly profile, but those shooting action or intending longer shoots will favor the A37’s robust grip and responsive buttons.
Let's take a closer look at the control layout and usability next.
Control and Interface: Navigating Your Camera
Looking beyond size, the tactile experience and user interface dictate how quickly and efficiently photographers can operate under pressure.
The Olympus E-410 sports a straightforward DSLR layout with a pentamirror optical viewfinder - offering about 95% frame coverage and modest 0.46x magnification. Its rear 2.5-inch, 215k-dot fixed LCD screen lacks touchscreen or articulating functions, somewhat limiting composition flexibility in awkward angles - but contributes to the compact body.
Conversely, the Sony A37 features a 2.6-inch tilting LCD with 230k dots, providing better flexibility for live view shooting at creative angles. Sony’s implementation of an Electronic Viewfinder (EVF) with a resolution of 1440k dots and 100% coverage is a clear advantage here - offering a bright, informative experience with exposure previews and autofocus indicators unavailable on the Olympus.
Sony’s menus present more comprehensive options including advanced focus modes and customizable function buttons. For users who prioritize customization and quicker workflow integration, the A37 definitely pulls ahead in interface sophistication.
The Heart of the Matter: Sensor Tech and Image Quality
Sensor technology fundamentally determines image quality - the core measurement I use after countless comparative tests.
Olympus E-410 employs a Four Thirds 17.3 x 13 mm CMOS sensor with 10 megapixel resolution. While respectable for its time, the sensor size (approximately 225 mm²) and age limit dynamic range, color depth, and low light ability. DxOMark scores reflect this: an overall score of 51, color depth at 21.1 bits, and dynamic range at 10 EVs. Its native ISO tops at 1600, with usable but not stellar high-ISO noise performance.
Sony A37 steps into a different league with its larger APS-C 23.5 x 15.6 mm CMOS sensor - offering roughly 367 mm² imaging area - at 16 megapixels. This sensor size increase translates to better light gathering, less noise, and improved dynamic range (DXO score: 75 overall; color depth 23.3 bits; dynamic range 12.9 EV). Its ISO range extends up to 25600, allowing for greater flexibility in challenging lighting conditions.
In practical terms, this means the Sony delivers crisper images with finer detail retention, better color fidelity, and improved highlight and shadow recovery. During field tests - such as landscapes at golden hour or dimly lit interiors - A37 images retain usable information that the Olympus naturally struggles to recover.
Focus and Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus is critical for everything from wildlife to sports photography and even street candid shots.
The Olympus uses a 3-point phase-detection AF system with multi-area selective modes. Its performance is competent for static subjects and slow action but noticeably lags in continuous AF tracking or complex focus scenarios. The lack of face or eye-detection further limits its aptitude for fast-paced subjects. Shooting moving children or sports with the E-410 demands patience and skillful pre-focusing.
Meanwhile, the Sony A37 boasts a significant leap with 15 focus points (3 cross-type), phase-detection AF, coupled with continuous AF and face detection even in live view mode. This robust focusing array, paired with its Translucent Mirror Technology (making AF continuous during live view and video), results in faster focus acquisition and decent tracking of unpredictable subjects. It can maintain focus in bursts at 6 fps - double the E-410’s 3 fps - and maintain sharpness on moving targets.
For wildlife and sports shooters, this real-world responsiveness makes the Sony far more reliable and user-friendly - especially given the broader lens ecosystem backing its mount.
Lens Ecosystems and Compatibility: Glass Matters
Your lens selection often defines, or limits, your photographic versatility.
Olympus E-410 relies on the Four Thirds system mount which launched in the early 2000s. While it welcomes some of Olympus’ digitally stabilized lenses - a welcome feature given the body lacks sensor-based IS - it’s limited compared to the newer Micro Four Thirds system that Olympus later embraced. The available glass back then included about 45 lenses covering a decent range, but the relative aging of optics and fewer high-end offerings could frustrate more advanced shooters.
In contrast, Sony’s A37 uses the Sony/Minolta Alpha mount, benefitting from a broad, contemporary lens lineup. With 143 lenses available (including third-party manufacturers), users can access everything from ultra-wide primes to long telephoto zooms with image stabilization built into the body’s sensor. This extensive lens ecosystem makes the A37 a more versatile system long term, accommodating evolving photographic styles from macro to wildlife telephoto.
Durability and Weather-Resistance
Both cameras fall into entry-level categories and do not offer professional-grade weather sealing or ruggedness. Neither is waterproof, dustproof, shockproof, or freezeproof. For travel or nature photographers shooting in harsh weather, this is a common limitation. That said, Sony’s slightly larger body feels sturdier in my hands, though neither should be treated as unbreakable.
LCD and Viewfinder: Reviewing Your Shots and Composing
Returning to ergonomics, the monitoring systems on these DSLRs influence your shooting style.
The E-410’s fixed 2.5-inch LCD is somewhat cramped and offers lower resolution, unfortunately lacking touchscreen or articulating capacity which modern photographers expect - even at the entry level.
The Sony A37 enlarges this with a 2.6-inch tilting screen delivering marginally better resolution, enabling creative live view shooting angles and easier composition during video capture. Combined with the EVF’s advantage described earlier, this makes the Sony the preferable choice for composition flexibility.
Photo Genres Explored: Real-World Field Testing
Photography isn’t one-size-fits-all. Let's explore how these cameras perform across popular photography genres to clarify who should seriously consider each camera.
Portrait Photography
The Sony A37 excels here, with superior skin tone rendition thanks to its larger sensor and heightened color depth. Its 15-point AF with face detection aids pinpoints focus on eyes and expressions, vital for compelling portraits. Wider native ISO range and noise control also ease low-light indoor sessions.
The Olympus E-410, while capable of producing pleasing images, shows less color fidelity and is hampered by slower AF, particularly face or eye detection, making it better suited for posed but static portraits.
Landscape Photography
With the Sony’s larger sensor and higher resolution (16 MP vs 10 MP), landscapes exhibit richer tonal gradations and higher detail, especially in dynamic scenes like sunsets or shaded forests. The higher dynamic range also allows recovery of highlights and shadow areas challenging the Olympus.
However, the E-410’s Four Thirds sensor coupled with compact lenses does offer some portability advantage for hikers who prize weight savings above image quality. But the trade-off is noticeable in complex lighting scenes.
Wildlife and Sports Photography
Sony’s faster 6 fps continuous shooting, more sophisticated AF system, and larger lens ecosystem give it a clear edge in tracking moving subjects, capturing fleeting moments with precision necessary for wildlife or sports.
Olympus struggles in this sphere with only 3 fps burst, narrow AF points, and no advanced tracking, making it less desirable for action shooters.
Street Photography
In street environments, the E-410’s compact size and lighter weight work to its advantage for discretion and portability. The slower AF is a drawback for candid shots but the silent shutter options (though limited) allow quieter shooting.
The Sony’s larger body and louder mechanics might attract more attention, but the superior AF and EVF provide more reliable focus and quick framing.
Macro Photography
Both cameras support compatible macro lenses, but the Sony’s broader lens selection, combined with sensor-shift IS, aids precision focusing and sharpness in close-ups. Olympus users must rely on lens-based stabilization, which could reduce handheld sharpness.
Night and Astro Photography
Sensitivity and noise control become crucial here, where Sony’s high ISO capabilities and dynamic range pay dividends, rendering clean night skies and star trails without excessive noise. The Olympus’ maximum ISO 1600 pales when compared, limiting astrophotography.
Video Capabilities
Sony includes HD 1080p video recording at 60fps with AVCHD and MPEG-4 formats, external mic input, and HDMI output, facilitating higher-quality video capture and audio monitoring options - key for hybrid shooters.
Olympus offers no video capabilities, strictly a stills-only DSLR, hence not recommended for videographers.
Travel Photography
E-410’s compactness, lighter weight, and ease of use appeal for travellers eyeing simplicity and space saving. However, the Sony balances size with versatility - better image quality, video, and AF performance - at a moderate size penalty.
Professional Use
Neither camera targets pro markets directly, both lacking weather sealing and high-end durability. Still, the Sony’s richer feature set and higher image quality make it a stronger choice for serious enthusiasts or as a capable backup camera.
Battery Life and Storage: Sustaining Your Shoots
Sony’s A37 packs a rated 500 shots per charge (NP-FW50 battery), holding comfortably for day-long outings. The Olympus E-410’s battery life isn’t clearly specified here, but historically the smaller body and lower power consumption of early Four Thirds DSLRs have delivered similar endurance.
Storage-wise, the E-410 accepts Compact Flash and xD Picture Cards - both largely obsolete now, potentially limiting options. Conversely, the Sony uses standard SD/SDHC/SDXC and Memory Stick Pro cards, offering more flexible and cost-effective storage.
Connectivity and Extras
Sony includes Eye-Fi card compatibility and HDMI output for easier image transfer and playback on TVs. Olympus makes do with USB 2.0 only - no wireless or HDMI options.
Neither offers Bluetooth or NFC, but the Sony’s inclusion of built-in image stabilization provides a tangible shooting advantage.
Price-to-Performance Perspectives
The Sony A37, though older by now, usually emerges at higher used prices reflecting its richer feature set and superior performance (noted at $522 when new). The Olympus E-410, now quite dated and limited, tends to be much less expensive, appealing to budget-conscious beginners or collectors fascinated by Olympus’s early compact DSLRs.
Summing Up the Scores
When evaluating all technical and practical metrics - image quality, AF, burst rate, lens availability, video, usability - the Sony A37 outperforms the Olympus E-410 quite convincingly.
Even in specific categories like sports, wildlife, low light or video, A37 scores consistently higher reflecting more sophisticated hardware and software innovations.
Final Verdict: Which One Should You Choose?
Choose the Olympus E-410 if:
- You prefer an ultra-compact DSLR for travel or street photography
- Budget is very tight and legacy lens access is valuable
- Video recording is not a priority
- You value lightweight, simple handling for static subjects and casual shooting
Choose the Sony A37 if:
- Image quality and low-light performance matter most
- You want faster autofocus and continuous shooting for action and wildlife
- Video capabilities and EVF clarity enhance your creative needs
- A broad lens ecosystem is essential for your growth as a photographer
- You desire a more versatile camera accommodating diverse genres including macro and night photography
Methodology Notes and Testing Insights
Our evaluation protocol involved extended field testing under controlled and variable lighting across genres, side-by-side imaging tests using identical lenses where applicable, and methodical lab assessment by DxOMark data cross-referenced with subjective aesthetic and workflow impressions.
By combining quantitative measures with qualitative user experience, the strengths and limitations discussed here reflect a holistic understanding tailored to practical decision-making rather than spec sheet hype.
In Conclusion
While both cameras served their entry-level demographic admirably when new, the Sony A37 represents a distinctly more modern, capable, and versatile tool that holds up better in today’s multifaceted photography environment. The Olympus E-410 remains a charming, lightweight option for specific scenarios, but its limitations are apparent for demanding users.
If serious about investing - especially into DSLR systems with opportunities for growth - the Sony A37 is the well-rounded, expert-recommended choice. Yet, don’t discount Olympus’ contribution as a pioneering compact DSLR in its era, especially for photographers enamored with Micro Four Thirds glass or vintage digital charm.
Happy shooting, and may your camera choice inspire many exceptional images!
Olympus E-410 vs Sony A37 Specifications
Olympus E-410 | Sony SLT-A37 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus E-410 | Sony SLT-A37 |
Also Known as | EVOLT E-410 | - |
Type | Entry-Level DSLR | Entry-Level DSLR |
Introduced | 2007-06-14 | 2012-05-16 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4912 x 3264 |
Max native ISO | 1600 | 25600 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 3 | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony/Minolta Alpha |
Number of lenses | 45 | 143 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display size | 2.5 inches | 2.6 inches |
Display resolution | 215 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.46x | 0.73x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 3.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 12.00 m (at ISO 100) | 12.00 m |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 435 gr (0.96 lbs) | 506 gr (1.12 lbs) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around score | 51 | 75 |
DXO Color Depth score | 21.1 | 23.3 |
DXO Dynamic range score | 10.0 | 12.9 |
DXO Low light score | 494 | 799 |
Other | ||
Battery life | - | 500 shots |
Battery format | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Retail pricing | - | $522 |