Olympus E-410 vs Sony A57
77 Imaging
43 Features
35 Overall
39
64 Imaging
56 Features
85 Overall
67
Olympus E-410 vs Sony A57 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Revealed June 2007
- Alternative Name is EVOLT E-410
- Previous Model is Olympus E-400
- Renewed by Olympus E-420
(Full Review)
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus E-410 vs Sony A57: An Expert Photographer’s Take on Two Distinct Entry-Level DSLRs
When it comes to entry-level DSLRs, the early 2000s through the 2010s were a fascinating period. Olympus and Sony each brought unique takes on the camera experience, blending legacy craftsmanship with evolving digital tech. I’ve spent countless hours in the field testing cameras from both brands, often driven by curiosity about how different sensor sizes, autofocus systems, shooting dynamics, and ergonomics translate into the user experience. Today, I’m digging deep into the Olympus E-410 - a compact Four Thirds system DSLR from 2007 - and the Sony SLT-A57, a more recent APS-C-sensored DSLR-alternative from 2012 featuring Sony’s semi-transparent mirror technology.
At first glance, these two could not be more different beasts, yet each has fervent fans and distinct strengths. Whether you’re a portrait enthusiast, a landscape buff, or an aspiring wildlife photographer, this side-by-side hands-on comparison will help you understand their core differences, where each camera shines, and which might still hold value for your photographic needs.
First Impressions: Size, Weight, and Ergonomics
The Olympus E-410 was a trailblazer in its day for miniaturizing a DSLR body, aiming to attract enthusiasts who wanted DSLR image quality but with the portability of compact cameras. The Sony A57, meanwhile, is chunkier, packing in technological advances and more robust controls.
Looking at their physical dimensions, the E-410 measures a sleek 130 x 91 x 53 mm and weighs a lightweight 435g. Comparatively, the A57 steps up to 132 x 98 x 81 mm with a heftier 618g. The E-410’s compact footprint makes it well suited for travel and street shooters who prize discretion and portability. However, the smaller size can be a double-edged sword, potentially sacrificing a comfortable grip for users with larger hands or those accustomed to a more robust handling experience.

Touching and holding these cameras side-by-side confirm this impression. The Sony’s deeper grip and larger body inspire confidence for extended shooting sessions, especially with longer lenses. Meanwhile, the Olympus feels more pocket-friendly but less ergonomic for rapid shooting or heavy use.
On the control front, the Sony’s top dials and buttons are more numerous and strategically placed for quick access, including dedicated knobs for exposure compensation and drive modes. The Olympus keeps things simpler - sometimes too minimalist - with fewer buttons and no top LCD.

This streamlined approach can help beginners but might frustrate users wanting quick manual adjustments in dynamic shooting situations. So, ergonomics-wise, Sony A57 gets the nod for handling comfort and control flexibility, whereas Olympus E-410 wins for compact portability.
Sensor Size and Image Quality: Two Formats, Two Stories
Here’s where the two cameras diverge fundamentally: sensor size and resulting image quality. The Olympus E-410 sports a Four Thirds sensor measuring 17.3mm x 13.0mm (sensor area roughly 224.9 mm²), while the Sony A57 moves up to an APS-C sensor of 23.5mm x 15.6mm (approximately 366.6 mm²). That’s about 63% more surface area on the Sony, a difference that matters enormously for image resolution, noise performance, and dynamic range.
Olympus offers a 10-megapixel maximum resolution (3648×2736 pixels) compared to Sony’s 16 MP (4912×3264 pixels), granting the latter a sharper, more detailed image ideal for large prints or heavy cropping.

From experience, the larger APS-C sensor on the Sony A57 exhibits significantly better high ISO performance with cleaner noise characteristics up to ISO 1600 and beyond - critical for low light, night shooting, and indoor sports. The Olympus E-410 is respectable for daylight and lower ISO shooting but quickly reaches its limit at ISO 800 and above, with noticeable grain and color degradation.
Dynamic range fingers also tip in Sony’s favor: 13 EV stops on the A57 versus about 10 EV on the E-410, meaning richer tonal gradations, better shadow recovery, and less highlight clipping.
Color depth readings affirm more nuanced, lively color tones from the Sony sensor, especially notable in portrait skin rendering and foliage in landscapes.
Viewing and Composition Tools: Optical vs Electronic
The Olympus E-410 relies on a traditional pentamirror optical viewfinder, with approximately 95% frame coverage and a modest magnification of 0.46x. This viewfinder, while classic, does not show the exact framing or exposure preview, and in low light, it can be dim and challenging to frame precisely.
In contrast, the Sony A57 boasts a high-resolution electronic viewfinder (EVF) with 100% coverage, a bright 1,440k-dot resolution, and 0.7x magnification - pretty remarkable for an entry-level body. The EVF also displays live exposure adjustments, histograms, and depth of field previews in real-time, which is invaluable for fast-paced shooting and learning exposure control without reviewing images repeatedly.
LCD screens tell a similar story: the Olympus has a fixed 2.5-inch screen at 215k dots, adequate but limited, while the Sony features a much larger, fully-articulated 3-inch screen with 921k-dot resolution - brilliant for composing tricky angles, vlogging, or reviewing detailed sharpness on-location.

The Sony’s touchscreen absence might be a surprise to modern shooters; however, its articulating design compensates well for ergonomic flexibility. Olympus’s fixed screen feels dated and taxing for video or live view-focused composition.
Autofocus and Shooting Speed: Handling Action
Olympus’s E-410 autofocus system is basic by today’s or even 2012 standards: it uses a 3-point phase detection AF module without cross-type points, no face detection, and no animal eye AF. While functional for static or slower-moving subjects, it can struggle to lock focus quickly or accurately on fast action or low contrast scenes. Continuous autofocus mode is available but fairly rudimentary.
Sony raises the bar with the A57’s 15-point phase detection AF system, three of which are cross-type sensors for accurate focus confirmation. Crucially, Sony integrates eye detection AF and subject tracking with continuous AF that performs impressively well with moving subjects - a huge win for wildlife and sports photography.
Burst shooting speeds illustrate that difference vividly. The Olympus E-410 offers a modest 3 frames per second continuous shooting rate, fine for casual enthusiasts snapping portraits or landscapes. The Sony A57 rockets ahead at 12 fps, rivaling even some professional DSLRs of its era, enabling you to capture fleeting action moments or sporting events effectively.
Lens Ecosystem and Focal Length Multipliers
Lens choice and compatibility are critical for photographers who want to grow their system or specialize in their own disciplines.
The Olympus E-410 belongs to the Four Thirds system, offering access to about 45 lenses - although it predates the Micro Four Thirds mirrorless standard that later took over. The native Four Thirds lenses tend to be well-built, compact, and sharp within the 2x crop factor framework. However, the somewhat limited lens variety and smaller sensor area affect shallow depth of field potential and bokeh serenity.
Sony’s A57 uses the Sony/Minolta Alpha mount, compatible with a far wider selection of lenses - approximately 143 options, including many third-party manufacturers. The APS-C sensor’s 1.5x crop factor makes telephoto reach more effective for wildlife and sports, with an abundance of fast primes and zooms supporting creative focal length choices.
The Sony system’s greater lens variety, combined with native image stabilization and advanced autofocus lenses, gives it a decisive edge for users seeking versatility.
Build Quality and Weather Resistance
Neither the Olympus E-410 nor the Sony A57 feature environmental sealing or weather resistance, so cautious users should avoid extreme conditions or invest in protective housing. However, the Sony’s more robust construction and heavier build feel more durable and reassuring compared to the less substantial, plastic-dominant Olympus.
Battery Life and Storage Media
The Sony A57 shines in the battery department with a rated 550 shots per charge (CIPA) versus Olympus’s unspecified but generally shorter endurance. The A57’s NP-FM500H battery packs more punch, reducing downtime for extended outdoor shoots or travel.
Storage-wise, Olympus uses Compact Flash (Type I or II) and xD Picture Cards, somewhat outdated and less convenient compared to Sony’s flexible SD/SDHC/SDXC and Memory Stick Pro Duo/Pro-HG Duo compatibility, which offers wider availability and faster performance in general.
Specialized Photography Use Cases
Portraiture: Who Nails Skin Tones and Bokeh?
The Olympus E-410’s smaller Four Thirds sensor means depth of field is easier to achieve at larger apertures, but bokeh quality generally lacks the creamy smoothness of APS-C or full-frame sensors. Skin tone rendering is decent but can feel slightly muted, especially in tricky lighting.
Sony’s A57 delivers punchier colors, smoother gradients, and better dynamic range, enhancing skin texture realism. The richer color depth my tests revealed also aids subtle retouching downstream. Thanks to its AF with face detection, locking sharp focus on eyes is faster and more reliable - a must-have for portrait photographers.
Landscape Photography: Resolution and Range Matter
Landscape enthusiasts prioritize resolution, dynamic range, and weather durability.
Sony’s A57 stands out with higher megapixels, better dynamic range (13 EV stops vs 10 EV on Olympus), and cleaner shadow detail - a trifecta that helps capture subtle sky hues and complex shadows in wooded scenes.
The Olympus can perform well where light is ample, aided by its Four Thirds lenses known for sharpness; however, the lack of weather sealing and limited resolution restricts its utility in harsh conditions or large prints.
Wildlife and Sports Photography: Speed and Focus Precision
Here, Sony’s rapid autofocus and 12 fps burst rate are indispensable. The camera tracks moving subjects fluidly, retaining sharp focus far better than the E-410’s limited 3-point AF.
The 1.5x sensor crop factor, combined with Sony’s vast telephoto lens selection, makes coming closer to shy wildlife or sporting action easier.
Olympus struggles to keep pace, best suited for slower, stationary wildlife or casual sports shots.
Street and Travel: Discretion Meets Versatility
Olympus’s compactness shines on the street and while traveling, where size and weight greatly impact comfort. Its quiet mirror and smaller form make it less conspicuous - a boon for candid shots.
Sony’s more substantial body can be cumbersome for all-day carry but offers the payoff of better image quality, articulating screen for creative angles, and live-view shooting.
Battery life favors Sony, important when power outlets are scarce.
Macro and Night Photography: Technical Limits
Neither camera excels in macro outright - lack of dedicated close focusing features, in-body stabilization (absent in Olympus, present only sensor-based in Sony), or specialized lenses limit precision.
For night and astro shooters, the Sony’s higher ISO ceiling (native ISO 16000, boosted 25600) and lower noise floor are clear advantages. Olympus caps at ISO 1600 and becomes noisy quickly.
Video Capabilities: Sony is the Winner
The Olympus E-410 predates in-camera video. The Sony A57, however, shoots full HD video up to 1080p/60fps, supporting MPEG-4, AVCHD, and H.264 codecs, and includes a microphone input for enhanced audio control. This makes Sony far more versatile for hybrid shooters or vloggers.
Connectivity and Extras
Neither camera offers modern wireless features like Bluetooth or NFC. The Sony has Eye-Fi card compatibility - a niche but clever solution for geo-tagging and wireless image transfer.
Sony also implements USB 2.0 and HDMI out, whereas Olympus is limited to USB 2.0 without HDMI.
Overall Performance Scores and Verdict
Putting it all together quantitatively, DxOMark benchmarks rank the Sony A57 significantly higher: an overall score of 75 compared to Olympus’s 51. Color depth (23.4 vs 21.1), dynamic range (13 vs 10), and low light ISO sensitivity underline the Sony’s strong imaging edge.
Who Should Buy Which?
-
Choose the Olympus E-410 if: You prioritize portability and lightness above all, shoot mainly in good light and casual scenarios like travel or street photography, and favor a user-friendly entry into DSLR photography. It's now a budget option sometimes found secondhand and can serve learners or experimental hobbyists.
-
Choose the Sony A57 if: You demand better image quality, faster and more accurate autofocus for action or wildlife, sophisticated video features, and a larger lens ecosystem. Despite being older tech, it punches above weight with APS-C sensor benefits and valuable practical features.
In Closing: Nostalgia Meets Practicality
Both cameras offer compelling narratives of evolutionary DSLR design. Olympus packed serious imaging into a sleek, travel-friendly body at a time when DSLR bulk was an issue. Sony took innovation seriously, marrying innovative SLT tech with APS-C to push entry-level DSLR performance.
In my experience, the Sony A57 is simply the more versatile and capable camera for today’s requirements - especially if you shoot sports, wildlife, portraits, or video. The Olympus E-410 is more a charming throwback, best appreciated for its compactness and for learners stepping into interchangeable lens photography.
One final note: if you’re investing in a new system, both underline how quickly camera tech moves. These models highlight trade-offs between sensor size, ergonomics, speed, and connectivity that define photographic enjoyment and results.
So, what’s your photo style and shooting tempo? Will you lean into the nimble Olympus charm or harness the Sony A57’s powerhouse versatility? Either way, now you have a clearer lens on your decision.
Sample Gallery: Real Images from Both Cameras
To see their color rendition and detail up close, here are some side-by-side sample shots I captured during testing.
With extensive hands-on field experience, I hope this guide helps you find the right path on your photographic journey - whether compact or powerful, simple or sophisticated. Happy shooting!
Note: All specifications sourced from manufacturer data and DxOMark scores, combined with real-world field testing and subjective user experience as a professional camera reviewer.
Olympus E-410 vs Sony A57 Specifications
| Olympus E-410 | Sony SLT-A57 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Sony |
| Model | Olympus E-410 | Sony SLT-A57 |
| Also referred to as | EVOLT E-410 | - |
| Class | Entry-Level DSLR | Entry-Level DSLR |
| Revealed | 2007-06-14 | 2012-09-13 |
| Physical type | Compact SLR | Compact SLR |
| Sensor Information | ||
| Processor Chip | TruePic III | - |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor area | 224.9mm² | 366.6mm² |
| Sensor resolution | 10MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 4912 x 3264 |
| Highest native ISO | 1600 | 16000 |
| Highest boosted ISO | - | 25600 |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 3 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mount | Micro Four Thirds | Sony/Minolta Alpha |
| Total lenses | 45 | 143 |
| Focal length multiplier | 2.1 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display diagonal | 2.5 inch | 3 inch |
| Resolution of display | 215k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | - | Xtra Fine TFT drive with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | 95 percent | 100 percent |
| Viewfinder magnification | 0.46x | 0.7x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shooting rate | 3.0 frames per second | 12.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 12.00 m (at ISO 100) | 10.00 m (@ ISO 100) |
| Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | 1/180 secs | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | - | 1920 x 1080 (60p, 24p), 1440 x 1080 (30p), 640 x 480 (30 fps) |
| Highest video resolution | None | 1920x1080 |
| Video data format | - | MPEG-4, AVCHD, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 435 grams (0.96 lbs) | 618 grams (1.36 lbs) |
| Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 132 x 98 x 81mm (5.2" x 3.9" x 3.2") |
| DXO scores | ||
| DXO All around score | 51 | 75 |
| DXO Color Depth score | 21.1 | 23.4 |
| DXO Dynamic range score | 10.0 | 13.0 |
| DXO Low light score | 494 | 785 |
| Other | ||
| Battery life | - | 550 photos |
| Battery style | - | Battery Pack |
| Battery model | - | NP-FM500H |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Single | Single |
| Retail pricing | - | $1,000 |