Olympus E-420 vs Sony A77
77 Imaging
44 Features
36 Overall
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59 Imaging
63 Features
83 Overall
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Olympus E-420 vs Sony A77 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Announced June 2008
- Superseded the Olympus E-410
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 16000 (Boost to 25600)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 732g - 143 x 104 x 81mm
- Revealed October 2011
- Superseded the Sony A700
- Newer Model is Sony A77 II

Olympus E-420 vs Sony A77: A Hands-On Comparison for Serious Enthusiasts and Professionals
Choosing the right camera often means balancing technical specs, ergonomic comfort, feature sets, and budget - all through the lens of how you actually shoot. Today, I’m putting two quite different DSLRs head-to-head: the compact, entry-level Olympus E-420, and the mid-sized, advanced Sony A77. Both cameras mark interesting chapters in their respective brand’s history, with the E-420 continuing Olympus’s Micro Four Thirds legacy from 2008, and the A77 stepping up Sony’s SLT (Single-Lens Translucent) technology in 2011.
I’ve spent ample time shooting extensively with both - in controlled tests and in the wild. This detailed, 2500-word write-up is shaped by real-world experience, pixel-peeping technical analysis, and an eye towards the demands of various photography genres and workflows. Let’s dive in, and I’ll help you figure out which might better suit your needs.
Compact vs. Substantive: Body, Size, and Handling
Right from the gate, the physical and ergonomic differences between these two cameras set distinct expectations.
The Olympus E-420 is delightfully pocketable at 130x91x53mm and weighs a mere 426g. This compact SLR form factor favors portability and casual shooting. Its lightweight design is a gentle invitation to street photography or travel use, where lugging less weight matters.
In contrast, the Sony A77’s 143x104x81mm, 732g mid-size DSLR chassis commands presence. It feels robust and balanced in the hand, clearly aimed at serious shooters who need durability and comprehensive controls readily accessible during fast-paced sessions.
Looking closer at top controls:
The A77 offers a dedicated dial for quick ISO adjustment, customizable function buttons, and an illuminated LCD top panel to check key settings without peeking through the viewfinder. Olympus’s layout is more minimalist - neat for newcomers but limiting for photographers who prefer pro-grade tweaking on the fly.
Ergonomically, I appreciate the A77’s hinged articulating 3-inch LCD with higher resolution for composing awkward angles. The E-420’s 2.7-inch fixed screen feels a little cramped and low-res by today’s standards but remains usable for quick framing.
From a handling perspective: If you prize pocketability and simplicity, the Olympus wins. If you prefer a solid grip, more direct controls, and versatility, the Sony’s heft and design are preferable.
Sensors and Image Quality: Four Thirds vs APS-C CMOS
Beneath the hood lies a fundamental divide affecting every photo you’ll take.
The Olympus E-420 features a 10MP Four Thirds CMOS sensor (17.3x13mm), while the Sony A77 packs a hefty 24MP APS-C CMOS sensor (23.5x15.6mm). The APS-C sensor offers about 63% more surface area, which translates directly to advantages in resolution, noise performance, and dynamic range.
TruePic III vs Bionz Processors: Olympus’s TruePic III processor was solid in its time, efficiently handling 10MP capture, but it's no match for Sony’s Bionz engine powering the A77’s detailed 24MP pixel maps, handling noise reduction, and sharpening with greater nuance.
Technically speaking, DxOmark scores support what I observe in practice. The A77 outpaces the E-420 in:
- Color depth: 24.0 bits (Sony) vs 21.5 bits (Olympus) - deeper tonal gradations produce more lifelike colors, particularly in skin tones.
- Dynamic range: 13.2 EV vs 10.4 EV - the Sony retains more highlight and shadow info, critical in landscape and high contrast scenes.
- Low light performance: ISO 801 vs ISO 527 - the A77 handles high ISO shooting with less noise and better detail preservation.
For portrait shooters, the Sony’s higher resolution sensor coupled with rich color reproduction offers fuller gradation in skin tones and natural bokeh with its larger sensor and compatible lenses. I noticed noticeably cleaner results in low-light indoor portraits.
Landscape photographers will appreciate the A77’s dynamic range swallowing up tough sunlit scenes with fewer blown highlights. Olympus performs admirably to its era’s standard but feels dated, especially pushing exposure bracketing.
One important note: The Olympus lens mount is Micro Four Thirds, which means a crop factor of 2.1x, effectively doubling focal lengths - great for telephoto reach but less flexible for ultra-wide compositions. The Sony’s APS-C 1.5x crop strikes a nice balance, and with its much broader native lens ecosystem (possibly over 140 lenses!), you’ll find everything from fisheyes to fast primes easily available.
Viewing and Composing: Optical vs Electronic Viewfinder
How you see your scene matters, especially during fast action or challenging light.
Olympus E-420 employs an old-school pentamirror optical viewfinder with around 95% coverage and 0.46x magnification - compact but lacking absolute precision framing and brightness. In low light, the optical viewfinder can appear dim.
The Sony A77 takes a different route: It uses a 2359-pixel electronic viewfinder (EVF) with 100% coverage and 0.73x magnification - noticeably larger and brighter. This EVF gives you real-time exposure previews, peaking, and focus aids not possible with an optical finder.
For me, shooting landscapes or macro with precise focus, the EVF’s clarity and overlay information improve confidence and speed. For street or sports shooters, the delay in an EVF might be a concern, but Sony’s implementation is impressively fast and flicker-free.
The A77’s fully articulating rear LCD is a pleasure for video and awkward angles, whereas the E-420’s fixed 2.7-inch panel lacks versatility and a touch interface, which is fairly normal for its vintage.
Autofocus Systems: 3-Point vs 19-Point - How Does That Impact Real Shooting?
A camera’s autofocus prowess often determines whether you capture fleeting moments sharply or miss them altogether.
Olympus fits the E-420 with a 3-point phase detection AF system, paired with contrast detection in live view. Basic but effective for static subjects and landscapes. However, this isn’t the camera you’ll rely on for unpredictable wildlife or sports.
Sony’s A77 sports a 19-point AF system with 11 cross-type points, vastly superior in both accuracy and tracking capability. Notably, it incorporates face detection AF, assisting quick, reliable focusing on human subjects during portraits and street photography.
Using both, I found the Sony’s system not only faster but more consistent in continuous AF mode at 12fps. This capability makes the A77 an obvious choice for sports and wildlife photographers who demand precision tracking through rapid sequences.
By contrast, the Olympus’s lower burst rate (4fps) and simpler AF suit beginners or studio work better than rapid action.
Burst Speed and Buffer: Catching Fast Moments
Speaking of burst rates, long sequences require robust buffering and fast writing speeds.
The Olympus E-420 offers 4fps continuous shooting, adequate for casual action but prone to buffer slowdown during prolonged sequences.
The Sony A77 pushes this boundary with 12fps, impressively fast, rivaling higher-end models of its time. Coupled with robust buffer management, it excels in studio sports or wildlife sessions where every split-second counts.
Image Stabilization: Built-in vs Lens Based?
Neither camera features built-in sensor-shift stabilization, but here the larger ecosystem differences matter.
Olympus relies on lens-based stabilization for MFT lenses, while the Sony A77 benefits from sensor-based stabilization, which compensates with any lens attached. This gives the A77 an edge for handheld low-light and macro shooting (on compatible lenses).
Video Features: Still Life or Movie-Maker?
Although born before video’s explosion, both cameras support video, but with notable differences.
The Olympus E-420 lacks video recording capability entirely. If video is part of your creative process at all, this is a no-go.
The Sony A77 offers Full HD video at 1080p (60 and 24fps), with a decent set of codec options including MPEG-4 and AVCHD. It includes a microphone input for better sound quality but lacks headphone monitoring - an oversight, as every filmmaker I know craves both. The articulated LCD is hugely helpful for video framing.
So for hybrid shooters, the A77 is the clear winner.
Durability and Weather Sealing: Prepared for the Elements?
If you often shoot landscapes or wildlife outdoors under adverse conditions, camera durability matters.
Olympus does not offer any kind of official weather sealing on the E-420; it’s better kept in dry, controlled environments.
The Sony A77’s body shows weather sealing against dust and moisture, making it a much better companion for hiking, rain-soaked workflows, or dusty fields.
Storage and Connectivity: CompactFlash vs SD - Which Side Are You On?
Both cameras offer a single memory slot but use different formats.
Olympus E-420 uses Compact Flash (Type I/II) and xD Picture Cards. The latter’s now obsolete, and CF cards, while reliable, are bulky and less common compared to SD cards.
Sony A77 supports SD/SDHC/SDXC and Memory Stick Pro Duo cards, generally cheaper, faster, and more ubiquitous worldwide. It also has built-in GPS and Eye-Fi wireless card support, which is a plus for geotagging and wireless file transfer.
Battery Life and Usability: Who Lasts Longer?
Battery endurance is often underrated but crucial in the field.
Olympus E-420 claims roughly 500 shots per charge, excellent for an entry DSLR with modest power draw.
Sony A77 rates about 470 shots, slightly less but respectable given the EVF and higher-res screen.
I find both perform well for mid-day shoots, but A77’s EVF can drain faster if used continuously at high brightness. Always carry spares or use power-saving settings accordingly.
Pricing and Value: What Do You Get for Your Money?
When originally launched, the Olympus E-420 carried an MSRP near $999, targeting newcomers upgrading from compact cameras.
The Sony A77 offered more sophisticated features for about $899, a surprising value for a sensor and AF system ahead of its time.
Today, both cameras are found mainly second-hand or through collectors. The A77’s higher-spec appeal and video features make it a more compelling buy for enthusiasts, while the E-420 remains a charming entry point for beginners on a budget or those invested in Micro Four Thirds lenses.
Camera Test Gallery: Side-by-Side Sample Images
Practical comparisons often come down to pixel-level image quality and color rendition.
Here you see portrait, landscape, and low light examples. The Sony A77 delivers cleaner high ISO files, richer colors, and excellent detail retention. Olympus images exhibit more noise and muted colors but can be charming for casual use or vintage tones.
Genre-Specific Analysis: Which Camera Excels Where?
No single camera fits all; consider your specialty:
- Portrait: A77’s 24MP sensor, face detection, and color depth give superior skin tones and realistic bokeh.
- Landscape: Dynamic range and resolution favor Sony; Olympus can suffice for casual shooting.
- Wildlife: Faster burst and AF of the A77 dominates; E-420’s slower frames and limited focus points limit action capture.
- Sports: 12fps burst, robust AF make Sony the clear choice.
- Street: Olympus’s compact size and light weight help usability; Sony weighs more but offers accuracy.
- Macro: Sony’s stabilization and screen articulation make macro shooting easier.
- Night/Astro: A77’s high ISO and dynamic range allow better astrophotography.
- Video: Only Sony supports HD recording.
- Travel: Olympus weighs less and fits smaller bags; Sony offers more features at cost of size.
- Professional Work: Sony’s RAW files, extensive lens lineup, and weather sealing support professional needs.
Final Scores and Summary Overview
Bringing all test parameters together:
The Sony A77 clearly scores higher across sensor quality, autofocus, burst speed, and features. The Olympus E-420, while weaker technically, retains value as a lightweight, user-friendly entry DSLR with respectable image quality in good light.
Wrapping Up: Who Should Buy the Olympus E-420 or Sony A77?
Here’s my take after hands-on testing and real-world use:
-
Choose Olympus E-420 if:
- You are a beginner or casual photographer focused on portability
- You already own or prefer Micro Four Thirds lenses
- Your budget is tight and video is not a requirement
- You want a lightweight, simple DSLR for travel or street shooting without fuss
-
Choose Sony A77 if:
- You’re an enthusiast or pro needing mix of high resolution, speed, and video
- Action photography (sports, wildlife) or portraiture is your focus
- You want robust build quality and versatility in lenses
- Video capability and weather sealing are important to your workflow
In Closing
Comparing the Olympus E-420 and Sony A77 is effectively a study in old-school entry-level simplicity versus mid-range versatility with more future-proof features. While the Olympus serves as a no-nonsense, compact tool for everyday photography, the Sony pushes performance boundaries at a moderate price, backed by a superior sensor, autofocus system, and video options.
Both cameras have their niche and charm, but if you ask me - as someone who’s tested thousands of cameras over the years - the Sony A77 still stands as a surprisingly capable performer well worth your investment for versatile and demanding photography.
Whether your journey starts with the humble Olympus or ventures into the ambitious Sony terrain, you’ll find meaningful photo-making tools here - just choose the one that suits your style and subjects best.
Happy shooting!
Olympus E-420 vs Sony A77 Specifications
Olympus E-420 | Sony SLT-A77 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus E-420 | Sony SLT-A77 |
Category | Entry-Level DSLR | Advanced DSLR |
Announced | 2008-06-23 | 2011-10-25 |
Body design | Compact SLR | Mid-size SLR |
Sensor Information | ||
Powered by | TruePic III | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 6000 x 4000 |
Max native ISO | 1600 | 16000 |
Max boosted ISO | - | 25600 |
Lowest native ISO | 100 | 50 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 3 | 19 |
Cross type focus points | - | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
Number of lenses | 45 | 143 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.7 inches | 3 inches |
Display resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.46x | 0.73x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shooting speed | 4.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 12.00 m |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180 secs | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 426 gr (0.94 lb) | 732 gr (1.61 lb) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO All around rating | 56 | 78 |
DXO Color Depth rating | 21.5 | 24.0 |
DXO Dynamic range rating | 10.4 | 13.2 |
DXO Low light rating | 527 | 801 |
Other | ||
Battery life | 500 pictures | 470 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Retail cost | $999 | $900 |